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Poetic forms & genres Blank Verse Sarah Law Poetic Forms & Genres
Blank Verse The unrhymed five beat iambic line, otherwise known as iambic pentameter  Shakespeare’s plays, Milton’s Paradise Lost, Wordsworth’s long poem ‘The Prelude’, are written in blank verse. Chaucer (c1342-1400) wrote in iambic pentameter BUT not blank verse. His poetry rhymed: Sarah Law Poetic Forms & Genres
From The Canterbury Tales(Chaucer, late 14th C) Whan that aprill with his shouressoote The droghte of march hath perced to the roote, And bathed every veyne in swichlicour Of which vertuengendred is the flour; Whanzephirus eek with his sweetebreeth Inspired hath in every holt and heeth Tendrecroppes, and the yongesonne Hath in the ram his halve coursyronne, And smalefowelesmakenmelodye, That slepen al the nyght with open ye (so priketh hem nature in hircorages); Thannelongen folk to goon on pilgrimages Sarah Law Poetic Forms & Genres
History of Blank Verse Like the sonnet, blank verse came to English poetry from Italy: verse sciolati da rima (‘verse freed from rhyme’) 1540: Henry Howard, Earl of Surrey translated ‘The Aenied’ into English using this ‘straunge meter’ In the Renaissance there was intense interest in finding an unrhymed line which would be as powerful as the Classical Greek or Latin epic Sarah Law Poetic Forms & Genres
Uses of Blank Verse ,[object Object]
Continuity, enjambment, relatively natural word order. Verse Drama.
Also suited more unusual word order (‘syntactic inversion’). Epic poetry.
Milton: argued against ‘the troublesome and modern bondage of rhyming’, rhyme is a ‘constraint to express many things otherwise, and for the most part worse than else they would have exprest them’Sarah Law Poetic Forms & Genres
Stress: a little revision ,[object Object]
Pentameter means that there are five of these in a line.	x/x/x/x/x/ (diDUMdiDUMdiDUMdiDUMdiDUM) ,[object Object],Sarah Law Poetic Forms & Genres
Variations – three other types of ‘foot’ Trochee   /X  (DUM di) laughter, never Anapest  XX/ (di diDUM) Tennesee Dactyl (particularly the first two) /XX (DUM di di)suddenly Sarah Law Poetic Forms & Genres
Variations – three common variations in the iambic pentameter line A reversed foot. Instead of an iamb, you have a trochee. Often at the beginning of the line: ‘Something there is that doesn’t love a wall’. An extra unstressed syllable at the end: ‘Which, he once heard, was proper togrow wise in’ Replacing an iamb with a three syllable foot: ‘The fair Ophelia! Nymph in thy orisons’ Sarah Law Poetic Forms & Genres
John Hollander says... Iambic five-beat lines are labelled blank Verse (with sometimes a foot or two reversed, Or one more syllable –“feminine ending”).  Blank verse can be extremely flexible:  It ticks and tocks the time with even feet (Or sometimes, cleverly, can end limping).  Sarah Law Poetic Forms & Genres
From Shakespeare’s Othello O, that the slave had forty thousand lives!One is too poor, too weak for my revenge.Now do I see 'tis true. Look here, Iago;All my fond love thus do I blow to heaven.'Tis gone.Arise, black vengeance, from thy hollow cell!Yield up, O love, thy crown and hearted throneTo tyrannous hate! Swell, bosom, with thy fraught,For 'tis of aspics' tongues! Sarah Law Poetic Forms & Genres
From King John:  My lord?               A grave.                       He shall not live.                                       Enough. Sarah Law Poetic Forms & Genres
Milton: Paradise Lost (1667) ,[object Object],... 	The force of those dire  Arms? yet not for those     Nor what the Potent Victor in his rage     Can else inflict do I repent or change,     Though chang'd in outward lustre; that fixt mind     And high disdain, from sence of injur'd merit,     That with the mightiest rais'd me to contend,     And to the fierce contention brought along     Innumerable force of Spirits arm'd     That durst dislike his reign, and me preferring,     His utmost power with adverse power oppos'd     In dubious Battel on the Plains of Heav'n,     And shook his throne.  (from Bk 1) Sarah Law Poetic Forms & Genres
Enjambment and ‘double syntax’can be used effectively in blank verse I formed them free, and free they must remain, Till they enthral themselves: I else must change Their nature, and revoke the high decree Unchangeable, eternal, which ordained Their freedom, they themselves ordained their fall. (PL, Bk 3)	 Sarah Law Poetic Forms & Genres

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Blank verse

  • 1. Poetic forms & genres Blank Verse Sarah Law Poetic Forms & Genres
  • 2. Blank Verse The unrhymed five beat iambic line, otherwise known as iambic pentameter Shakespeare’s plays, Milton’s Paradise Lost, Wordsworth’s long poem ‘The Prelude’, are written in blank verse. Chaucer (c1342-1400) wrote in iambic pentameter BUT not blank verse. His poetry rhymed: Sarah Law Poetic Forms & Genres
  • 3. From The Canterbury Tales(Chaucer, late 14th C) Whan that aprill with his shouressoote The droghte of march hath perced to the roote, And bathed every veyne in swichlicour Of which vertuengendred is the flour; Whanzephirus eek with his sweetebreeth Inspired hath in every holt and heeth Tendrecroppes, and the yongesonne Hath in the ram his halve coursyronne, And smalefowelesmakenmelodye, That slepen al the nyght with open ye (so priketh hem nature in hircorages); Thannelongen folk to goon on pilgrimages Sarah Law Poetic Forms & Genres
  • 4. History of Blank Verse Like the sonnet, blank verse came to English poetry from Italy: verse sciolati da rima (‘verse freed from rhyme’) 1540: Henry Howard, Earl of Surrey translated ‘The Aenied’ into English using this ‘straunge meter’ In the Renaissance there was intense interest in finding an unrhymed line which would be as powerful as the Classical Greek or Latin epic Sarah Law Poetic Forms & Genres
  • 5.
  • 6. Continuity, enjambment, relatively natural word order. Verse Drama.
  • 7. Also suited more unusual word order (‘syntactic inversion’). Epic poetry.
  • 8. Milton: argued against ‘the troublesome and modern bondage of rhyming’, rhyme is a ‘constraint to express many things otherwise, and for the most part worse than else they would have exprest them’Sarah Law Poetic Forms & Genres
  • 9.
  • 10.
  • 11. Variations – three other types of ‘foot’ Trochee /X (DUM di) laughter, never Anapest XX/ (di diDUM) Tennesee Dactyl (particularly the first two) /XX (DUM di di)suddenly Sarah Law Poetic Forms & Genres
  • 12. Variations – three common variations in the iambic pentameter line A reversed foot. Instead of an iamb, you have a trochee. Often at the beginning of the line: ‘Something there is that doesn’t love a wall’. An extra unstressed syllable at the end: ‘Which, he once heard, was proper togrow wise in’ Replacing an iamb with a three syllable foot: ‘The fair Ophelia! Nymph in thy orisons’ Sarah Law Poetic Forms & Genres
  • 13. John Hollander says... Iambic five-beat lines are labelled blank Verse (with sometimes a foot or two reversed, Or one more syllable –“feminine ending”). Blank verse can be extremely flexible: It ticks and tocks the time with even feet (Or sometimes, cleverly, can end limping). Sarah Law Poetic Forms & Genres
  • 14. From Shakespeare’s Othello O, that the slave had forty thousand lives!One is too poor, too weak for my revenge.Now do I see 'tis true. Look here, Iago;All my fond love thus do I blow to heaven.'Tis gone.Arise, black vengeance, from thy hollow cell!Yield up, O love, thy crown and hearted throneTo tyrannous hate! Swell, bosom, with thy fraught,For 'tis of aspics' tongues! Sarah Law Poetic Forms & Genres
  • 15. From King John: My lord?   A grave.   He shall not live.   Enough. Sarah Law Poetic Forms & Genres
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  • 17. Enjambment and ‘double syntax’can be used effectively in blank verse I formed them free, and free they must remain, Till they enthral themselves: I else must change Their nature, and revoke the high decree Unchangeable, eternal, which ordained Their freedom, they themselves ordained their fall. (PL, Bk 3) Sarah Law Poetic Forms & Genres
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  • 22. rap tends to use a four-beat line which is associated with oral poetry and performance, whereas the five beat, pentameter line, has traditionally been associated with more text-based poetry. Sarah Law Poetic Forms & Genres