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Çemberde; duygu, düşünce
ve olaylar, deneyimlerden
yola çıkarak yeniden
canlandırılır.
Bu canlandırmalar ve uygulanan
diğer tekniklerle, süreçler farklı
yansımalarda denenerek
yeniden deneyimlenir.
Zihnimizde canlanan performans
tereddütünü düşünürsek, Yaratıcı
Drama bu kaygıdan uzaktadır.
Çünkü çemberde tek bir
doğrudan bahsedilmez.
Yaratıcı drama; kişilere göre şekil
alır, değişir, bozulur ve yeniden
yapılandırılır. Bu dokusu ile her
grubun yapısı kendine özgü ve
dinamiktir.
Farklı ifadeler farklı yaşantıları
yansıttıkça çember çeşitlilikten
beslenir. Çünkü çemberde biliriz ki,
kendimizi ifade ediş biçimlerimiz
farklılık gösterir.
İster konuşarak
ister hareket ederek
ister mırıldanarak
ister ritm tutarak
ya da sadece susarak...
İlişki kurarken ideal olanı
yakalamak peşinde koşturur,
bazen içimize saklanır bazen de
yoruluruz. Bu süreçlerde ne
hissettiğimizi es geçebiliriz.
Yaratıcı dramada ise ideal
olanın ne olduğunu tekrar
düşünür, yorumlar ve
kendimize özgü ifade
oluşturmayı deneriz.
Çemberde anlamak ve anlaşılmak
ihtiyacımıza yer açarız. Birbirimizin
ifadesine değer verir ve yargılardan
uzak durarak katkıda bulunuruz.
Öğrendiğimiz, alıştığımız,
çabaladığımız her koşulun "başka
bir seçeneği daha var mı?" diye
sorgularken kendimizi istediğimiz
şekilde ifade ederiz.
Ç
E
M
B
E
R
E
KATILMAK İSTER
M
İ
S
İ
N
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Kendimi nasıl ifade ederim.pdf

  • 1.
  • 2. Çemberde; duygu, düşünce ve olaylar, deneyimlerden yola çıkarak yeniden canlandırılır. Bu canlandırmalar ve uygulanan diğer tekniklerle, süreçler farklı yansımalarda denenerek yeniden deneyimlenir.
  • 3. Zihnimizde canlanan performans tereddütünü düşünürsek, Yaratıcı Drama bu kaygıdan uzaktadır. Çünkü çemberde tek bir doğrudan bahsedilmez. Yaratıcı drama; kişilere göre şekil alır, değişir, bozulur ve yeniden yapılandırılır. Bu dokusu ile her grubun yapısı kendine özgü ve dinamiktir.
  • 4. Farklı ifadeler farklı yaşantıları yansıttıkça çember çeşitlilikten beslenir. Çünkü çemberde biliriz ki, kendimizi ifade ediş biçimlerimiz farklılık gösterir. İster konuşarak ister hareket ederek ister mırıldanarak ister ritm tutarak ya da sadece susarak...
  • 5. İlişki kurarken ideal olanı yakalamak peşinde koşturur, bazen içimize saklanır bazen de yoruluruz. Bu süreçlerde ne hissettiğimizi es geçebiliriz. Yaratıcı dramada ise ideal olanın ne olduğunu tekrar düşünür, yorumlar ve kendimize özgü ifade oluşturmayı deneriz.
  • 6. Çemberde anlamak ve anlaşılmak ihtiyacımıza yer açarız. Birbirimizin ifadesine değer verir ve yargılardan uzak durarak katkıda bulunuruz. Öğrendiğimiz, alıştığımız, çabaladığımız her koşulun "başka bir seçeneği daha var mı?" diye sorgularken kendimizi istediğimiz şekilde ifade ederiz.