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Journey of the Genius
Sudhakar… to Sudha… to Nadu...
The Person :

               Childhood
               Schooling
               Art & Design Education
               Family Life
Childhood
Born in a small village on the
coast of Maharashtra.
Studied in a municipal school
in Mumbai.
Became one of the leading
lights of design in India.
Art Education
It started at
the JJ School of Arts,
and self supported by
working alongside at
Asia Arts…
For me,
      creativity was natural
      which was
      carefully polished
                           first at
                           fi t t
                           J J School of Arts, and
                                             then at
                                             Ulm G
                                             Ul Germany.
Training at ULM
(one of the most prestigious
design institutions of its time)

Learnt the basics which were a guide to the
formation of three major institutions in India.
ULM Projects
ULM education
    has penetrated in me,

               deep i t
               d    into
               my way of thinking.
Family Life
Simple, humble,
g
grounded,
a great human being
in all facets…
The Teacher

              NID, Ahmedabad
              IDC, IIT, Mumbai
              DoD, IIT, Guwahati
              WeSchool, Mumbai
NID
1966-69
The beginning of the
j
journey…
      y
IDC
1969-97
it started as a
one man’s idea and
grew into
an institution…
IDC
1969-97
it started as a
one man’s idea and
grew into
an institution…
IDC
was initially started as
an experimental program
                           for 5 years.
IDC
1969-97
it started as a
one man’s idea and
grew into
an institution…
IDC
1969-97
it started as a
one man’s idea and
grew into
an institution…
IDC
Student Projects
Product Design
IDC
Student Projects
Visual Communication
Form follows function.
             function
It goes into all aspects…
           human and environmental.
                     environmental

           Product
                 should match the environment, and
                                  environment
                 need not be dominating.
DoD,
DoD IITG
1997-2004
The philosophy was
                      g
further refined through
first UG program in design
(B.Des.) at IIT Guwahati.
WeSchool
Since 2006
design thinking at a
management school…
     g
The Designer

               Exhibitions
               Products
               Signage & Environment
               Graphics
France in
Industrial India
Indo-French Chamber of Commerce
Bombay
B b (1971)
Y
 ESTINY
 RYST
WITH
DE
TR




Ministry of Education
Delhi
D lhi (1972)
Planning & executing
           the design is a
           complex process
                         where
                        minutest details
                                 are to be considered...
Made in India
State Trading Corporation
Govt. of Maharashtra
Delhi (1979)
Made in India
Trade Fair Authority
of India
Moscow (1978)
V I STARA




        Festival of India
India, Japan, Russia, Germany
             (1988)
Grammar
      of design
      remain the same.
                  whether you do
                  a simple or
                  a complex design…
                        p       g
Product
Designs
at NID…
Product
Designs
at IDC…
Product
Designs
at IDC…
Furniture
Designs
at DoD,
IIT Guwahati
Hospital
Furniture
in Bamboo
Dept of Design, IIT
Guwahati (2002)
Bamtech
Dept of Design, IIT
Guwahati (2002)
School
Furniture
in Bamboo
Dept of Design, IIT
Guwahati (2002)
Tata
Technologies
Pune
Mahindra World
City
Mahindra & Mahindra Ltd.
Chennai (2008)
Ch    i
Mahalaxmi Station
Indian Railways
Mumbai
M b i (2006)
Mahalaxmi Station
Indian Railways
Mumbai (2006)
Mahalaxmi Station
Indian Railways
Mumbai (2006)
City Center
Kolkata
Poster Design
for various
activities & events
at IDC & IIT, Mumbai…
Graphic Design
for various
activities & events
at IDC & IIT, Mumbai…
Poster Design
celebrating silver jubilee of IDC…
Graphic Design
Anatomy of a Designer…
Graphic Design
for various
activities & events
at DoD & IIT, Guwahati…
Graphic Design
for various
activities & events
at DoD & IIT, Guwahati…
Poster Design
Welingkar
Education School
Mumbai (2008)
The Thinker

              Research
              Publications
The
Ultimate objective
        of any design activity
        is to enhance the
            social &
               i l
            cultural values
                                 of life…
T r i b u t e . . . from the
                    f    th

                   family,
                   friends &
                   followers.
Even after 40 years of
my education in Product Design,
I am still considered as a Designer

is the testimony to the
qualities of education we received

from a great design teacher :
Sudhakar Nadkarni.




ACHUTHA RAO
Student : IDC- PD (1970-71)

Centre Head
National Institute of Design
R & D Campus, Bangalore
Prof. Nadu, as I know him,
is the personification of
a creative eccentric genius

with spontaneous bursts of energy and
highly contagious enthusiasm.

He is the inspiration of
my current existence as a designer.




DENNIS L KAPPEN
Student : IDC-PD (1990-92)

Principal                       Professor
3D Ideation Inc, Toronto        (Industrial Design)
                                Humber College, Toronto
There are few people who could impact generations,
even fewer contribute really shaping future generations, and
even lot less who could do it all with a child-like enthusiasm.

You have enthusiasm and curiosity about everything!
Your inquisitiveness is infectious, your passion for
design and therefore for life is unique.




SATYENDRA PAKHALÉ
Student : IDC-PD (1989-92)

Founder
Satyendra Pakhalé
Design Studio
Sir always treated IDC as his favorite child and
we witnessed his dedication to raise IDC to the level of
a premium design institute.
He always used his influence to make IDC more visible
on the world map.

I have had many opportunities to interact with him
since my IDC days, till recent meeting at Welingkars.

I used to share my professional achievements with him, time to time.
His appreciation for my Design Store initiative, a post-retirement venture,
was quite encouraging and motivating.

Honestly, I owe my professional success to Sir.




ASHOK PANWALKAR
Student IDC-PD (1976-78)

Founder & Creative Director
3F Design
Prof. Nadkarni is an incredible magician of design!

Whatever he touched got created and transformed into
fully developed entities, be it institutions, products, exhibitions,
graphics and so on.
                 on
He did the same magic of touch and transformed two of my products
when I was at IDC. He remembers students by their projects, than by
their names. I am still his “Jewellery-wala”.

He
H continues to d the same magic even today and
         i       do h               i         d      d
I pray to god to give him all the time, to keep creating.

I am honored to be associated with me, and his involvement at SID.




VINAY MUNDADA
Student IDC-PD (1986-88)

Director
Symbiosis Institute of Design
I have known Prof. Nadkarni for over twenty-five years as my professor
and later as my colleague.

I really admired his skills be it managing interpersonal relations, or
                     skills,                             relations
taking new initiatives. He was also the one who started the Industrial
Design Centre in IIT, Mumbai.

He gets the credit to initiate 3 design institutes which in itself is an
unparalleled contribution to the d i profession i I di
       ll l d      ib i         h design       f i in India.

On a personal level, I find him very humane, supportive and
he continuously encourages everybody to achieve their goals.




PRADYUMNA VYAS
Student IDC-VC (1982-84)

Director
National Institute of Design
India
At IIT Guwahati,
Prof. Nadkarni molded my life as a guru,
which resulted in perfect shape!

It was he who brought out the hidden spark in me and gave
me a chance to live beautiful life, where there’s only sunshine.
                                          there s

Sir, you are the inspiration of my life,
and will remain for ever.




DR. UTPAL BARUA
Former Colleague

Associate Professor
Dept. of Design,
IIT Guwahati
Prof. Nadkarni brought a lot of ‘colour’
to my dry and staid engineer’s mind.

He not only helped establish the
Department of Design at IIT Guwahati, but
influenced many of the decisions taken during
the design and construction of the campus.

The beautiful campus of IIT Guwahati
carries his imprint.




GAUTAM BARUA
Former Colleague

Director
IIT Guwahati
You have been an amazing person who has done
so much to anchor Design Thinking in Indian context
both in technical and management institutes.

You were a great mentor for encouraging me to grow in my own mold
                                                             mold.

Your passion was our energy
your energy was our soul
Your commitment was our motivation
Your care transformed our creativity
Y              f     d         i i
Your love taught us adventurism

Thank you Sudhakar for being a constant inspiration.




LALIT DAS

Head
IDD Centre
IIT Delhi
We have been acquainted with each other for so long time.
Let
L me express my h heartfelt congratulations to you f your very
                       f l          l i            for
happy 75th birthday.

I see Indian design has come to great development. I clearly
remembered your activities. You are no doubt the ancestor of the
                    activities
design field of India.

I am looking forward to seeing you again in the near future.




KENJI EKUAN
Designer Friend

GK Design Group
Two things stand out about Prof. Nadkarni’s work.

The first is that his voice is both ‘completely Indian and completely
contemporary.’ A d that is an exceptional b l i trick.
                  And h i               i    l balancing i k
There are plenty of designers who produce contemporary stuff, but
they end up looking ‘Scandinavian’ or whatever.

The work he did at the ‘Vistara’ exhibition in 1986 on the
                         Vistara
“Architecture of India” or to the signage and street furniture work at
the city centre mall in Kolkata recently, to illustrate how well
tradition & modernity did as a couple.




CHARLES CORREA
Designer Friend

Founder                             Professor
Charles Correa Associates,          of Architecture
Mumbai (India)                      MIT (USA)
Being Nadu…
In spirit… and in action !!!
Tribute to
the Master
Felicitation
during DDS 2011.
      g
Family Man
Simple, humble,
g
grounded,
a great human being
in all facets…
Being Nadu…
Lighter moments
along the j
    g     journey…
                y
Thank you…

             for making us 
             more sensible and 
             meaningful 
             towards the
             towards the
             world around us.

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Journey of the Genius_Prof Nadkarni

  • 1. Journey of the Genius
  • 3. The Person : Childhood Schooling Art & Design Education Family Life
  • 4. Childhood Born in a small village on the coast of Maharashtra. Studied in a municipal school in Mumbai. Became one of the leading lights of design in India.
  • 5. Art Education It started at the JJ School of Arts, and self supported by working alongside at Asia Arts…
  • 6. For me, creativity was natural which was carefully polished first at fi t t J J School of Arts, and then at Ulm G Ul Germany.
  • 7. Training at ULM (one of the most prestigious design institutions of its time) Learnt the basics which were a guide to the formation of three major institutions in India.
  • 9. ULM education has penetrated in me, deep i t d into my way of thinking.
  • 10. Family Life Simple, humble, g grounded, a great human being in all facets…
  • 11. The Teacher NID, Ahmedabad IDC, IIT, Mumbai DoD, IIT, Guwahati WeSchool, Mumbai
  • 12. NID 1966-69 The beginning of the j journey… y
  • 13. IDC 1969-97 it started as a one man’s idea and grew into an institution…
  • 14. IDC 1969-97 it started as a one man’s idea and grew into an institution…
  • 15. IDC was initially started as an experimental program for 5 years.
  • 16. IDC 1969-97 it started as a one man’s idea and grew into an institution…
  • 17. IDC 1969-97 it started as a one man’s idea and grew into an institution…
  • 20. Form follows function. function It goes into all aspects… human and environmental. environmental Product should match the environment, and environment need not be dominating.
  • 21. DoD, DoD IITG 1997-2004 The philosophy was g further refined through first UG program in design (B.Des.) at IIT Guwahati.
  • 22. WeSchool Since 2006 design thinking at a management school… g
  • 23. The Designer Exhibitions Products Signage & Environment Graphics
  • 24. France in Industrial India Indo-French Chamber of Commerce Bombay B b (1971)
  • 25. Y ESTINY RYST WITH DE TR Ministry of Education Delhi D lhi (1972)
  • 26. Planning & executing the design is a complex process where minutest details are to be considered...
  • 27. Made in India State Trading Corporation Govt. of Maharashtra Delhi (1979)
  • 28. Made in India Trade Fair Authority of India Moscow (1978)
  • 29. V I STARA Festival of India India, Japan, Russia, Germany (1988)
  • 30. Grammar of design remain the same. whether you do a simple or a complex design… p g
  • 35. Hospital Furniture in Bamboo Dept of Design, IIT Guwahati (2002)
  • 36. Bamtech Dept of Design, IIT Guwahati (2002)
  • 37. School Furniture in Bamboo Dept of Design, IIT Guwahati (2002)
  • 39. Mahindra World City Mahindra & Mahindra Ltd. Chennai (2008) Ch i
  • 44. Poster Design for various activities & events at IDC & IIT, Mumbai…
  • 45. Graphic Design for various activities & events at IDC & IIT, Mumbai…
  • 46. Poster Design celebrating silver jubilee of IDC…
  • 47. Graphic Design Anatomy of a Designer…
  • 48. Graphic Design for various activities & events at DoD & IIT, Guwahati…
  • 49. Graphic Design for various activities & events at DoD & IIT, Guwahati…
  • 51. The Thinker Research Publications
  • 52. The Ultimate objective of any design activity is to enhance the social & i l cultural values of life…
  • 53. T r i b u t e . . . from the f th family, friends & followers.
  • 54. Even after 40 years of my education in Product Design, I am still considered as a Designer is the testimony to the qualities of education we received from a great design teacher : Sudhakar Nadkarni. ACHUTHA RAO Student : IDC- PD (1970-71) Centre Head National Institute of Design R & D Campus, Bangalore
  • 55. Prof. Nadu, as I know him, is the personification of a creative eccentric genius with spontaneous bursts of energy and highly contagious enthusiasm. He is the inspiration of my current existence as a designer. DENNIS L KAPPEN Student : IDC-PD (1990-92) Principal Professor 3D Ideation Inc, Toronto (Industrial Design) Humber College, Toronto
  • 56. There are few people who could impact generations, even fewer contribute really shaping future generations, and even lot less who could do it all with a child-like enthusiasm. You have enthusiasm and curiosity about everything! Your inquisitiveness is infectious, your passion for design and therefore for life is unique. SATYENDRA PAKHALÉ Student : IDC-PD (1989-92) Founder Satyendra Pakhalé Design Studio
  • 57. Sir always treated IDC as his favorite child and we witnessed his dedication to raise IDC to the level of a premium design institute. He always used his influence to make IDC more visible on the world map. I have had many opportunities to interact with him since my IDC days, till recent meeting at Welingkars. I used to share my professional achievements with him, time to time. His appreciation for my Design Store initiative, a post-retirement venture, was quite encouraging and motivating. Honestly, I owe my professional success to Sir. ASHOK PANWALKAR Student IDC-PD (1976-78) Founder & Creative Director 3F Design
  • 58. Prof. Nadkarni is an incredible magician of design! Whatever he touched got created and transformed into fully developed entities, be it institutions, products, exhibitions, graphics and so on. on He did the same magic of touch and transformed two of my products when I was at IDC. He remembers students by their projects, than by their names. I am still his “Jewellery-wala”. He H continues to d the same magic even today and i do h i d d I pray to god to give him all the time, to keep creating. I am honored to be associated with me, and his involvement at SID. VINAY MUNDADA Student IDC-PD (1986-88) Director Symbiosis Institute of Design
  • 59. I have known Prof. Nadkarni for over twenty-five years as my professor and later as my colleague. I really admired his skills be it managing interpersonal relations, or skills, relations taking new initiatives. He was also the one who started the Industrial Design Centre in IIT, Mumbai. He gets the credit to initiate 3 design institutes which in itself is an unparalleled contribution to the d i profession i I di ll l d ib i h design f i in India. On a personal level, I find him very humane, supportive and he continuously encourages everybody to achieve their goals. PRADYUMNA VYAS Student IDC-VC (1982-84) Director National Institute of Design India
  • 60. At IIT Guwahati, Prof. Nadkarni molded my life as a guru, which resulted in perfect shape! It was he who brought out the hidden spark in me and gave me a chance to live beautiful life, where there’s only sunshine. there s Sir, you are the inspiration of my life, and will remain for ever. DR. UTPAL BARUA Former Colleague Associate Professor Dept. of Design, IIT Guwahati
  • 61. Prof. Nadkarni brought a lot of ‘colour’ to my dry and staid engineer’s mind. He not only helped establish the Department of Design at IIT Guwahati, but influenced many of the decisions taken during the design and construction of the campus. The beautiful campus of IIT Guwahati carries his imprint. GAUTAM BARUA Former Colleague Director IIT Guwahati
  • 62. You have been an amazing person who has done so much to anchor Design Thinking in Indian context both in technical and management institutes. You were a great mentor for encouraging me to grow in my own mold mold. Your passion was our energy your energy was our soul Your commitment was our motivation Your care transformed our creativity Y f d i i Your love taught us adventurism Thank you Sudhakar for being a constant inspiration. LALIT DAS Head IDD Centre IIT Delhi
  • 63. We have been acquainted with each other for so long time. Let L me express my h heartfelt congratulations to you f your very f l l i for happy 75th birthday. I see Indian design has come to great development. I clearly remembered your activities. You are no doubt the ancestor of the activities design field of India. I am looking forward to seeing you again in the near future. KENJI EKUAN Designer Friend GK Design Group
  • 64. Two things stand out about Prof. Nadkarni’s work. The first is that his voice is both ‘completely Indian and completely contemporary.’ A d that is an exceptional b l i trick. And h i i l balancing i k There are plenty of designers who produce contemporary stuff, but they end up looking ‘Scandinavian’ or whatever. The work he did at the ‘Vistara’ exhibition in 1986 on the Vistara “Architecture of India” or to the signage and street furniture work at the city centre mall in Kolkata recently, to illustrate how well tradition & modernity did as a couple. CHARLES CORREA Designer Friend Founder Professor Charles Correa Associates, of Architecture Mumbai (India) MIT (USA)
  • 65. Being Nadu… In spirit… and in action !!!
  • 67. Family Man Simple, humble, g grounded, a great human being in all facets…
  • 68. Being Nadu… Lighter moments along the j g journey… y
  • 69. Thank you… for making us  more sensible and  meaningful  towards the towards the world around us.