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Colours
BY
S.NISHABHA.
Sources of colour
• When white light falls on opaque object,
selective absorption occurs. Reflected lights as
the colour of the object.
• Colouration by paints, dyes, stains, etc.
Approaches to study colours
• Physiologist- eye receives the sensation of
colour
• Chemist- Chemical prop. of colouring material
• Physicist-colour’s wavelength and intensities
• Psychologist- Effect of colour in users
• Person who works with pigments- Mixture of
colour in different light
Dimensions of Colour
• Hue
• Value
• Chroma
Hue
• Name of a colour
such as blue,
green, red,
yellow.
• Altered by dying
or semi
transparent
fabrics.
Hues and Season
• Summer: Green, Yellow
• Autumn: Orange, Red
• Winter: Purple, Blue
• Spring: Blue , Green
Value
• Lightness and darkness of the colour
• Adding white or black to achieve the
respective value.
• For interior- Tint
Chroma
• Purity or intensity of colour determined by
how much grey is added to it.
• The value of the colour on a chroma scale
does not change, only the intensity of the
colour varies.
• Hue- Full intensity
Texture and intensity
• Rough surface- dulls the colour
• Plain colour- Brightens the colour
Pigment Theory
• Coloured lights are additive.
• Colour pigments are subtractive because when
pigments combine their absorption subtract
various colours.
• Mixing pigments can changes the attributes.
• Mixing neighbouring colours- harmonious hues
• Mixing complementary colour- neutral hues
• Tint and Shade changes the value.
• Tone changes the intensity.
Psychology Of Colours
• Eyes receives the energy and sent to the
cerebral cortex as nerve impulses.
• Colour is used to make people hungry, positive
or negative attitude, encourage, energy or
calmness, etc.
• Professional colour consultant use colour as a
tool for psychological balance or to drag
attention.
Yellow
• Colour of sun and artificial light
• Gives warmth, joy, optimism and cheerfulness.
• Sacred colour and used often in North rooms.
• Modified yellows: Buff, cream, ivory, beige, pale
lime yellow and pale banana yellow.
• Babies tend to cry often in yellow rooms
• For kitchen, dining and bathroom
Orange
• Evokes excitement and enthusiasm.
• Warm colour to be used in little.
• Expresses energy, hope, courage.
• Neutralized orange: Peach, rust, cedar and
copper – gives hospitality and cheer.
• Preferable for exercise room.
• Not good for living or bedroom.
Brown
• Most useful colour.
• Represents simplicity, friendliness, humility
and tranquillity.
• Warm neutral colour stimulate appetite.
Red
• Associated with high energy, passion, power,
boldness, love and comfort.
• Promotes alertness, speed and connects us to our
physical self.
• Cheerful but not restful.
• Cool reds harmonize with blues and purples.
• Warm red go with orange and yellow.
• Dark, dull, raspberry red for carpets.
• In living or dining room- draws attention and
stimulate conversation
Purple
• Red+ Blue
• Represents wisdom, dignity and mystery.
• Symbolizes luxury, wealth and elegance.
• Stimulate problem solving areas in brain.
• Diluted purple is the lavender.
Blue
• Most well liked colours and useable in large
areas.
• Symbolizes peace, security, coolness,
spaciousness, dignity, calmness.
• Act as antidote for too much warmth and help
ward off insomnia
• Modified blue, pale slate blue, medium blue.
• Preferable for bathrooms and bedrooms.
Green
• Symbolizes nature, health enhancing, wealth
and good fortune when blue predominate.
• Effect envy, jealousy and ill health when
yellow predominates.
• Used with caution
• Good for the eyes, nerves.
• Preferable in reading rooms.
Black
• Expresses authority, power, evil, strength,
stylish.
• Add spirit in dark background.
• Carpets, furniture in black are luxurious but
need more maintenance.
White
• White and off-white both used for interior as
well as exterior.
• Unusual colour schemes harmonize with
white floors and carpets.
• Pure white + cool hues
• Cream and off-white + warm hues
Grey
• Both warm or cool
• In tint, seems gentle and serene whereas in
shades, dignified and restrained.
• Exterior- pale grey
• Wall with grey+ yellow/voilet, dark grey with
drawing
Munsell Color System
Prang Color System
• Developed by: David
Brewster
• Simplest way to
understand color
relationship
• Based on 3 primary
colors: RED GREEN
YELLOW
• Primary colors cannot be
obtained by mixing other
pigments
Secondary Colors
• Obtained by mixing primary colors in varied
proportions
• Orange= Yellow+ Red
• Violet= Red+ Blue
• Green= Blue+ Yellow
• Primary color + Secondary color=Normal color
Intermediate or Tertiary hue
• Primary color+ Intermediate Secondary
color=Intermediate or Tertiary hue
• They are half way between two colors
• Yellow +Orange= Yellow-Orange
• Orange + Red= Orange - Red
• Red + Purple= Red - Purple
• Purple + Blue= Purple - Blue
• Blue + Green= Blue - Green
• Green + Yellow= Green - Yellow
Quaternary Color
• Mixture of two tertiary color
• Eg: Tertiary Yellow + Blue= Quaternary Green
COLORS

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COLORS

  • 2.
  • 3. Sources of colour • When white light falls on opaque object, selective absorption occurs. Reflected lights as the colour of the object. • Colouration by paints, dyes, stains, etc.
  • 4. Approaches to study colours • Physiologist- eye receives the sensation of colour • Chemist- Chemical prop. of colouring material • Physicist-colour’s wavelength and intensities • Psychologist- Effect of colour in users • Person who works with pigments- Mixture of colour in different light
  • 5. Dimensions of Colour • Hue • Value • Chroma
  • 6. Hue • Name of a colour such as blue, green, red, yellow. • Altered by dying or semi transparent fabrics.
  • 7. Hues and Season • Summer: Green, Yellow • Autumn: Orange, Red • Winter: Purple, Blue • Spring: Blue , Green
  • 8. Value • Lightness and darkness of the colour • Adding white or black to achieve the respective value. • For interior- Tint
  • 9. Chroma • Purity or intensity of colour determined by how much grey is added to it. • The value of the colour on a chroma scale does not change, only the intensity of the colour varies. • Hue- Full intensity
  • 10. Texture and intensity • Rough surface- dulls the colour • Plain colour- Brightens the colour
  • 11. Pigment Theory • Coloured lights are additive. • Colour pigments are subtractive because when pigments combine their absorption subtract various colours. • Mixing pigments can changes the attributes. • Mixing neighbouring colours- harmonious hues • Mixing complementary colour- neutral hues • Tint and Shade changes the value. • Tone changes the intensity.
  • 12. Psychology Of Colours • Eyes receives the energy and sent to the cerebral cortex as nerve impulses. • Colour is used to make people hungry, positive or negative attitude, encourage, energy or calmness, etc. • Professional colour consultant use colour as a tool for psychological balance or to drag attention.
  • 13. Yellow • Colour of sun and artificial light • Gives warmth, joy, optimism and cheerfulness. • Sacred colour and used often in North rooms. • Modified yellows: Buff, cream, ivory, beige, pale lime yellow and pale banana yellow. • Babies tend to cry often in yellow rooms • For kitchen, dining and bathroom
  • 14. Orange • Evokes excitement and enthusiasm. • Warm colour to be used in little. • Expresses energy, hope, courage. • Neutralized orange: Peach, rust, cedar and copper – gives hospitality and cheer. • Preferable for exercise room. • Not good for living or bedroom.
  • 15. Brown • Most useful colour. • Represents simplicity, friendliness, humility and tranquillity. • Warm neutral colour stimulate appetite.
  • 16. Red • Associated with high energy, passion, power, boldness, love and comfort. • Promotes alertness, speed and connects us to our physical self. • Cheerful but not restful. • Cool reds harmonize with blues and purples. • Warm red go with orange and yellow. • Dark, dull, raspberry red for carpets. • In living or dining room- draws attention and stimulate conversation
  • 17. Purple • Red+ Blue • Represents wisdom, dignity and mystery. • Symbolizes luxury, wealth and elegance. • Stimulate problem solving areas in brain. • Diluted purple is the lavender.
  • 18. Blue • Most well liked colours and useable in large areas. • Symbolizes peace, security, coolness, spaciousness, dignity, calmness. • Act as antidote for too much warmth and help ward off insomnia • Modified blue, pale slate blue, medium blue. • Preferable for bathrooms and bedrooms.
  • 19. Green • Symbolizes nature, health enhancing, wealth and good fortune when blue predominate. • Effect envy, jealousy and ill health when yellow predominates. • Used with caution • Good for the eyes, nerves. • Preferable in reading rooms.
  • 20. Black • Expresses authority, power, evil, strength, stylish. • Add spirit in dark background. • Carpets, furniture in black are luxurious but need more maintenance.
  • 21. White • White and off-white both used for interior as well as exterior. • Unusual colour schemes harmonize with white floors and carpets. • Pure white + cool hues • Cream and off-white + warm hues
  • 22. Grey • Both warm or cool • In tint, seems gentle and serene whereas in shades, dignified and restrained. • Exterior- pale grey • Wall with grey+ yellow/voilet, dark grey with drawing
  • 24. Prang Color System • Developed by: David Brewster • Simplest way to understand color relationship • Based on 3 primary colors: RED GREEN YELLOW • Primary colors cannot be obtained by mixing other pigments
  • 25. Secondary Colors • Obtained by mixing primary colors in varied proportions • Orange= Yellow+ Red • Violet= Red+ Blue • Green= Blue+ Yellow • Primary color + Secondary color=Normal color
  • 26. Intermediate or Tertiary hue • Primary color+ Intermediate Secondary color=Intermediate or Tertiary hue • They are half way between two colors • Yellow +Orange= Yellow-Orange • Orange + Red= Orange - Red • Red + Purple= Red - Purple • Purple + Blue= Purple - Blue • Blue + Green= Blue - Green • Green + Yellow= Green - Yellow
  • 27. Quaternary Color • Mixture of two tertiary color • Eg: Tertiary Yellow + Blue= Quaternary Green