Itgs 15 in 15 team 3 powerpoint

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YaeF

Summary of the article ,[object Object],http://www.dancelife.com.au/media/images/blog/communication.gif

Areas of impact : Communities ,[object Object]

Areas of impact : People ,[object Object]

Advantages and disadvantages on main stakeholders

Main stakeholders ,[object Object],[object Object]

Equality of access ,[object Object],[object Object],[object Object],[object Object]

Reliability ,[object Object],[object Object]

Authenticity ,[object Object],[object Object]

Policies and Standards ,[object Object],[object Object]

Sources ,[object Object],[object Object]

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This chapter analyzes the unique problems posed by the use of computers by producers and performers of music as far as Human Computer Interaction (HCI) principles, methodologies and directives are concerned. In specific it focuses on interfaces that are built on mobile devices or similar medical equipment. HCI predicates involved in the workflow of aural interaction with computer devices are presented, starting from the abstract part of neurotologic interaction, then coping with usability issues of the Graphical User Interfaces (GUIs) implemented for musical scripting and concluding to a synthesis stage which produces digitized sounds that improve or supersede prototypal analog audio signals. The evaluation of HCI elements for Computer Music under the prism of usability, including hearing or ophthalmic aids, aims at the development of new communication tools, new symbolic languages and finally better mobile user interfaces.

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