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Un-Caging the Orphan: What Intersectionality Can Teach Us About the Educational Role of Orphan Works
- 1. Un-Caging the Orphan: What Intersectionality Can Teach Us About the Educational Role of Orphan Works Ashley Blewer & Travis Wagner University of South Carolina Moving Image Research Collections Department of Women’s and Gender Studies
- 3. Intersectionality race, gender, class, sex, sexual orientation, ability, religion, body, age, ethnicity, nationality, education
- 4. Orphan public domain materials, home movies, outtakes, unreleased films, industrial and educational movies, independent documentaries, ethnographic films, newsreels, censored material, underground works, experimental pieces, silent-era productions, stock footage, found footage, medical films, kinescopes, small- and unusual-gauge films, amateur productions, surveillance footage, test reels, government films, advertisements, sponsored films, student works, and sundry other ephemeral pieces of celluloid
- 5. Collections News: Fox Movietone collection South Carolina television news Television and cinema commercials Educational: Spartanburg Police Films collection Personal/”home movies”: Lula Belle and Scotty Wiseman Lever-Karst Watson-Cambre Scott Nixon Phelps Buffington
- 6. BUT FIRST
- 10. GENDER
- 20. RACE
- 28. CLASS
- 34. LAYERS
- 38. DON’T FORGET:
- 39. ...ability, religion, body, age, nationality, sexual orientation… et cetera
- 40. Ability
- 41. Nationality
- 42. Age
- 43. Body
- 44. Religion
- 45. ?
- 46. University of South Carolina Moving Image Research Collections {Available for research}
- 47. Thank you!
- 48. Works Cited Adair, Vivyan C. "Branded with Infamy: Inscriptions of Poverty and Class in the United States." Signs: Journal of Women in Culture and Society 27.2 (2002): 451-471. Print. Butler, Judith. “Melancholy Gender-Refused Identification” in Dimen, Muriel, and Virginia Goldner. Gender in Psychoanalytic Space: Between Clinic and Culture. New York: Other, 2002. Print. ----------------. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 1990. Print. ----------------. "Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory." Theatre Journal 40.4 (1988): 51931 . JSTOR. Print Bailey, Alison, and Chris J. Cuomo. The Feminist Philosophy Reader. Boston: McGraw-Hill, 2008. Print. Corrigan, Timothy, and Patricia White. The Film Experience: An Introduction. Boston: Bedford/St. Martin's, 2004. Print. Davis, Angela Y. “Race, Gender and Prison History: From the Convict Lease System to the Supermax Prison” Sabo, Donald F., Terry Allen. Kupers, and Willie James London.Prison Masculinities. Philadelphia, PA: Temple UP, 2001. Print. Fusco, Coco The Other History of Intercultural Performance Jones, Amelia. The Feminism and Visual Culture Reader. London: Routledge, 2010. Print. Gaines, Jane M. Fire and Desire: Mixed-Race Movies in the Silent Era. The University of Chicago Press: Chicago, 2001. Paolo Cherchi Usai. Are All (Analog) Films "Orphans"?: A Predigital Appraisal. The Moving Image, Volume 9, Number 1, Spring 2009, pp. 1-18 Streible, Dan. The State of Orphan Films: Editor's introduction. The Moving Image, Volume 9, Number 1, Spring 2009, pp. vi-xix. Wendell, Susan. "Toward a feminist theory of disability." Hypatia 4.2 (1989): 104-124. Online.