Building Acoustics Division of Acoustics India Private Limited (AIPL) is a pioneer and leading manufacturer of sound absorbing products and materials

1. Acoustics
• “a science that deals with the production, control,
transmission, reception, and effects of sound.”
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definition from the Merriam-Webster Online Dictionary
• acoustics is addressed in the text “Interior Construction
& Detailing” on pages 259 - 282. These pages will be
used for questions on Exam 2.
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2. • Sound is reflected, transmitted, or absorbed by the materials it
encounters.
• Soft surfaces, such as textiles, and batt insulation, tend to absorb
sound waves, preventing them from further motion.
• Hard surfaces, such as ceramic tile, gypsum board, or wood, tend to
reflect sound waves, causing „echo‟. Reverberation is the term used
to describe sound waves that are reflected off of surfaces.
• Dense, massive, materials, such as concrete or brick, tend to
transmit sound waves through the material.
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3. • High frequency sound waves (think of a high whistle) are not
capable of being transmitted through massive, heavy, material.
• Low frequency sound waves (bass) are transmitted through massive
materials.

4. The human ear is capable of hearing sounds
within
a limited range.

5. Animals have varied hearing
ranges

6. Hearing range of some animals

7. • Many animals hear a much wider range of frequencies than
human beings do.
• For example, dog whistles vibrate at a higher frequency than the
human ear can detect, while evidence suggests that dolphins and
whales communicate at frequencies beyond human hearing
(ultrasound).
• Frequency is measured in hertz, or the number of sound waves a
vibrating object gives off per second. The more the object
vibrates, the higher the frequency and the higher the pitch of the
resulting sound.

8. Decibel levels
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0 The softest sound a person can hear with normal hearing
10 normal breathing
20 whispering at 5 feet
30 soft whisper
50 rainfall
60 normal conversation
110 shouting in ear
120 thunder

9. Decibel levels
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The human ear's response to sound level is roughly logarithmic (based on
powers of 10), and the dB scale reflects that fact.
An increase of 3dB doubles the sound intensity but a 10dB increase is
required before a sound is perceived to be twice as loud.
• Therefore a small increase in decibels represents a large increase in
intensity.
• For example - 10dB is 10 times more intense than 1dB, while 20dB
is 100 times more intense than 1dB.
• The sound intensity multiplies by 10 with every 10dB increase.

10. Decibel levels
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130dB - Jack Hammer (at 5ft)
120dB - Rock Concert / Pain threshold
110dB - Riveter or a Heavy Truck at 50ft
90dB - Heavy Traffic (at 5ft)
70dB - Department Store or a Noisy Office
50dB - Light Traffic
30dB - Quiet Auditorium
20dB - Faint Whisper (at 5ft)
10dB - Soundproof room / anechoic chamber
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11. An anechoic chamber is a space in which
there are no echoes or reverberations.
The surfaces absorb all sound, and reflect none.

12. Acoustics: sound
• Sound is a mechanical wave and therefore requires a medium in
which it can travel.
• Acoustics is classically divided into sound and vibration.
• Sound refers to waveforms traveling through a fluid medium such as
air
• Vibration describes energy transmitted through denser materials
such as wood, steel, stone, dirt, drywall or anything besides a fluid.
• It is not heard as much as felt, due to its extremely low frequency,
which is below the range of most human hearing.

13. The speed of sound versus the speed of light
• sound travels at 1130 feet per second at normal room temperature.
• light travels at 299,792,458 meters per second, which is roughly
974,325,489 feet per second (974 million feet per second!!)
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14. Sound Waves:
amplitude & frequency (cycles)

15. Radio signals: am & fm

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„am‟ means: amplitude modulation: the height of each wave changes
„fm‟ means: frequency modulation: the length of each wave changes
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FM signals have a great advantage over AM signals.
Both signals are susceptible to slight changes in amplitude.
With an AM broadcast, these changes result in static. With an FM broadcast, slight
changes in amplitude don't matter -- since the audio signal is conveyed through
changes in frequency, the FM receiver can just ignore changes in amplitude. The
result: no static at all.
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17. Bonded acoustical cotton; recycled cotton, class A non flammable
Melamine Foam Acoustical Panels: fiber free, Class A fire retardent

18. Fabric wrapped panels provide good acoustical absorption

20. Advanced Study of Acoustics
• Acoustics is the subject of formal, advanced study, including the
fields of engineering, architecture, and psychology.
• For example, the School of Architecture at Rensselaer Polytechnic
Institute offers a formal program for a Masters of Science degree in
Building Science (Concentration in Architectural Acoustics)
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21. • The Graduate Program in Architectural Acoustics offers an intense
curriculum in acoustics for effectively shaping sonic environments to
achieve optimum acoustic performance and sound quality.
• The Program offers studies toward both Master of Science and
Ph.D. degrees.
• Further doctoral degree studies offer a unique program in
architectural acoustics, providing the knowledge for next-generation
acousticians involved in room acoustics, psychoacoustics, acoustic
and vibration measurement techniques, and sound reinforcement.
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22. • Researchers in the acoustics program in the School of Architecture
are investigating how the design of a classroom can affect how
easily students hear.
• The researchers believe that if more attention is paid to classroom
acoustics when designing the space, students will have an easier
time learning and understanding what's going on.
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23. Music and Drama Theater Acoustics
• The acoustical characteristics of a venue for the live performance of
music or drama are an important part of the audience experience.
• For music performance, the room becomes part of the instrument,
helping define the character of the musical sound that the audience
hears.
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24. Reverberation Time
• Reverberation time refers to the amount of time required for the
sound field in a space to decay 60dB, or to one millionth of the
original power.
• In simple terms this refers to the amount of time it takes for sound
energy to bounce around a room before being absorbed by the
materials and air
http://www.buildingacoustics.in/Vibration.htm

25. • Reverberation time is important because it can affect how well you
understand speech, and it can change the way music sounds.
• The effect on speech intelligibility is noticeable in a gymnasium or
arena, where you often can't understand someone who is only 10 or
15 feet away from you
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26. Useful Reflections
• Reflections are an important part of acoustical design for music
performance venues.
• For effective musical acoustics, the reflections have to arrive within
the correct time window, and from the correct direction.
http://www.buildingacoustics.in/auditorium-acoustics.htm

27. • The reflections help to boost the level of acoustic instruments and
human voices in the audience area.
• They also influence timbre and help define the apparent size or
perspective of the instruments.
• The critical time interval we're talking about is a very brief 0.3
seconds
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28. Acoustics Consultants May Provide:
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Architectural Acoustics
Sound Isolation Testing
Impact Isolation Testing
Mechanical (HVAC) System Noise and Vibration
Environmental/Community Noise Assessment
Computer & Physical Acoustical Modeling
Field Testing
Industrial Noise Control
Sound Masking Systems Design

29. • A properly designed acoustical environment provides a good
listening experience for the audience by enhancing the performance
or presentation.
• Even and natural sound coverage, freedom from intruding noise and
a sense of presence from the performer or presenter are allimportant aspects of "good acoustics."

30. • Acoustics should be considered very early in the design process
and the aesthetic concept developed in accordance with those
requirements.
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31. 'Stradia': a sound simulation program

32. Sound ray diagram of New National Theatre, Tokyo (May 1986

33. Concert halls demand very careful
acoustical analysis

37. The Sydney Opera House concert hall
building designed by Jorn Utzon