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CUSTOMER EXPERIENCE 
CONSULTANCY 
Profitable for companies, loved by customers 
Colville© 
ENGAGING MEANINGFULLY 
WITH CLIENTS 
Profitable for companies, loved by customers 
UXSW
Banksy - Elephant 
Great digital experience happen when we engage clients, not just users 
Workshop will help build empathy for clients 
Describe techniques which demonstrate value of UX 
Build better relationships 
Gain trust
LESS CLEAR THAN WE’D ADMIT 
We require client to: 
1. Keep pace 
2. learn our ways 
3. understand our skills 
4. interpret what we deliver. 
It’s all from our POV
James Clar - BOOM 
1. Flat images of web design 
2. Focus on home page 
3. Mobile first - content first, what? 
4. Increased costs of RWD 
5. No one size fits all 
How can we engage clients better in the process?
USERS 
Apply what we’ve learned about people 
As with all good UX, it starts with empathy 
Goals 
Need 
Hopes 
Fears
ACTIVITY 1 
{ Imagine what it’s like 
for a client to hire a 
} designer? 
1 Goals 2 Needs 3 Hopes 4 Fears 
In your groups, answer the question . . . 
Think about goals, needs, hopes and fears. 
At least one for each. 
Write your answer on postits 
Ask from one of each from each group 
NOTE: Make note of the most important on flip chart
“I WANTED SOMEONE 
I COULD WORK WITH 
I GOT A FANATIC” 
Most clients have horror story 
To do with attitude, communication and understanding of goals. 
Their goal is to find someone they can work with 
They need someone to make them look good 
The fear is they get someone who’s a headache 
We could blame communication, 
but we probably communicate regularly. 
Perhaps it’s the words we use?
USABILITY 
EXPERIENCE 
ARCHITECT 
INTERACTION DESIGN 
UX 
EXPERIENCE 
ARCHITECT 
INFORMATION 
ARCHITECT 
USER CENTRED 
DESIGN 
USER 
EXPERIENCE 
? 
Today, I tell my clients that I’m a User Experience Designer. 
But what we do is synonymous, or at least closely related to many other words. 
Clients find this confusing. This schizophrenia does not instil confidence in what we do. 
A pretty poor start for the guardians of simplicity. 
But even if titles are come and go, we’ve got beautifully visualised process diagram to wow clients and explain what we do, right? 
!
UNLEASH THE 
LEXICON 
In new business meetings, where process diagrams like this are unleashed. 
Hard it is for clients to see the true value of what we do. 
The problem here is these diagrams: 
Lists activities from our perspective 
Not showing the relationship between activities 
Fail to show the activities which are most valuable to the client
Sitemap 
Wireframes 
Task 
Analysis 
Personas 
CONFUSION . . . 
User 
Testing 
Pieces of a jigsaw to the client 
large degree of mental processing 
Seldom in plain English. 
We only understand them 
Stop asking so much of clients. 
Fundamentally, they don’t invite input
FLAT 
IMAGES People don’t just look at websites, they use them! 
Though clients to value flat images of webpages 
Need to reeducate 
Red herring of digital 
Change the conversation with clients away from flat images, deeper understanding of why a user will engage with the clients site and brand. 
People use, not just look at website 
!
DESIGN IN ISOLATION 
At it’s worse, all this amounts us designing in isolation 
Results in a loss of control away from the designer 
Why? Human nature to try and control what we do not understand 
Perhaps you can think of a controlling client?
IMAGINE A WORLD 
M 
WITHOUT A CLIENT . . . 
Increasing number of designers abandoning client work altogether to build their own apps? 
I was lucky as part of Analog Cooperative 
It was different, but not how you’d expect. 
Focus is on delivery, not deliverables. 
The things you do for yourself are different to those you do to show value to a client. 
Even in a start-up, you need a product owner or internal client
THE HOLY 
TRINITY 
OF DESIGN 
When these things work together great UX happens 
Should always be tension in design 
Push and pull of different perspectives reveals beautiful designs. 
Certain tension bad: 
Like when designers try to differentiate ourselves through our designs, this pulls the relationship apart. 
We don’t own the designs 
It’s the client who’ll have to live with the site
ENGAGED 
CLIENT 
Greatly improved 
Removed complexity and multiple forms 
via search links or PPC ads content related to their search 
Pat Odey, the Virgin Product Manager for this project described to me a product owner / designer relationship 
70% of the project time at the agency, LBi’s offices. 
This was a partnership. 
Pat describes being extremely engaged 
Chris Ball of LBi describes Pat as one of the team. 
!
ACTIVITY 2 - 5 mins 
{ 1. What were the key 
steps you took on 
} your last project? 
1 Discover 2 Define 3 Design 4 Develop 
In your groups, using postits, answer this question . . . 
With one activity or step per posit 
Use the 4 phases as a guide
ACTIVITY 2 - 5 mins 
{ 2. How engaged 
was the client at 
} each step? 
1 Easy to 
explain 
2 Well 
received 
3 Involved 4 Empowered 
Arrange them on the wall linearly according to phase 
Answering the following question 
Using the scale to gauge engagement 
Discuss as you go 
From this exercise, I hope you are starting to think about the best ways to engage clients
ACTIVITY 2 
One of 
the team 
Signed-off 
Just wanted 
it done 
3 
2 
1 
0 
-1 
-2 
-3 
DISCOVER DEFINE DESIGN DEVELOP
6 ENGAGING 
TECHNIQUES* 
* Some clients just want it done 
Here are some steps I take, which I find really engage clients meaningfully in the process of design. 
Before, highlight the importance of preparation 
Don’t set it up right, you’re setting yourself up for a fall. 
Also, not all clients will get involved. 
You may have to work harder with some.
1. FAT HEAD 
DIAGRAM 
Discovery phase 
Objective - customer or user profile. 
It only takes 10 - 15 minutes per profile. 
Goal is to create empathy for the end users 
The looseness of this sketched person removes inhibitions, 
Allowing clients to imagine, and input easily
2. EXPERIENCE VISION 
Define phase 
Shared vision that works on UX Magazine. 
Working more fluidly, vision becomes more important 
Simply a sentence or group of works expressing the core of the experience people will have with the site. 
- Bring the project team together 
- Keeps people focused on who’s important 
- Creates a culture of shared ownership 
They’re surprisingly easy to create and have a lasting effect on the project.
3. EXPERIENCE MAPPING 
Low-fi Hi-fi 
Discover and Define phases 
We’re good at visualisation, the before unseen. 
Site is supporting the needs of business and customers 
See the process through eyes of customer 
Describe experience over time 
Mark positive and negative point 
Lay the grounds for cross channel analysis 
Identify opportunities for service improvements 
We build the user layer, based on research, 
together with the client, you build the business layer. 
Key is to do this collaboratively with the client. 
Engaging their imagination in a technique that they used to thinking about, but probably haven't found a way to visualise.
4. SKETCHING 
Discover, Define and Design phases 
Engages the brain in the kind of visual sense-making 30,000 years. 
Sketching is a power technique 
Generate concepts quickly 
Not costly 
The looseness of a sketch removes inhibitions, granting clients permission to Consider and challenge the ideas it represents. 
Stick men are a great ice breaker 
People often ask when do you stop sketching? 
For me, when it stops being about ideas, then it’s time to stop 
!
5. STORY 
TELLING 
The Forest Holiday website is intuitive & clear. 
Inviting exploration, it feels tailored to my needs, 
in a friendly way, that leaves me full of excitement. 
Low-fi 
Hi-fi 
Define phase 
Power technique for engaging people 
They're built on a framework that we know. 
They have the right cues and tap into our collective psyche. 
Stories also work incredibly well to engage clients by: 
Putting a human face on data 
Making complex things simple 
Pack a lot in 
Motivating, persuading and inspiring 
Bringing consistent narrative across device 
A power technique 
! 
If any of this sounds complex, it's not. 
! 
We tell stories everyday, it’s not complicated 
Understand the basic formula: 
1. Character 
2. Ambition 
2. Tension
6. SKETCH BOARDS 
Define & Design phases
7. PROTOTYPE 
Define & Design phase 
It’s doesn’t matter what you use, just make it move 
People don’t just look at websites, they use them. 
The web moves now 
Show movement early, can save a lot of time later 
More powerful and relevant than flat images
Next time, think about the client 
SUMMARY 
EMPATHY OPEN TO INPUT STRUCTURED 
Add context to data 
Soft skills, not software Removes inhibitions 
Framework to input to 
Colville© Profitable for companies, loved by customers 
Less of a call to arms than a call for Pause 
On your next project 
Consider how you can engage clients 
Starting with empathy
RECAP 
1 2 3 
PLAIN 
ENGLISH 
No jargon or complex 
process diagrams. Speak 
in terms that the client 
will understand 
VALUE TO 
CLIENT 
What have we learned? 
Not just users, in terms 
that they can relate to 
their business 
SHARED 
VISION 
A simple statement 
defining the core of the 
experience users will 
have with the site 
Colville© Profitable for companies, loved by customers
RECAP 
4 5 6 
CHANGE 
CONVERSATION 
Away from flat images of 
web pages to a much 
deeper understanding of 
why users will engage 
with their brand 
INVITE 
What have we learned? 
PEOPLE’S INPUT 
Like sketches do, because 
they are loose, so they 
grant permission to 
challenge the ideas they 
represent 
MAKE IT 
INEVITABLE 
A good client / designer 
relationship is one that 
has an inevitable outcome, 
rather than Ta-dah! 
Colville© Profitable for companies, loved by customers
CHECKLIST 
Based on a vision 
Creates shared ownership 
Built on a framework 
Bring people together 
Creates empathy 
! 
For engaging techniques 
Not on a screen 
Remove inhibitions 
Grant permission to challenge 
Engages imagination 
All about ideas 
Colville© Profitable for companies, loved by customers
LINKS 
• Creating a Shared Vision - Alan Colville - UX Magazine 
• Part 1 - http://uxmag.com/articles/shared-vision 
• Part 2 - http://uxmag.com/articles/creating-a-shared-vision-that-works 
• Sketch boards - Adaptive Path - Youtube: http://youtu.be/iVFTBj_BYy0 
Requiring complete 
understanding of 
something, but the end 
result feels understated, 
confident and inevitable. 
We design websites & 
apps in the context 
that they will be 
used: the browser 
Colville© Profitable for companies, loved by customers
CUSTOMER EXPERIENCE 
CONSULTANCY 
Profitable for companies, loved by customers THANK YOU! 
www.colville.cx 
@alancolville 
Colville© Profitable for companies, loved by customers

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UX South West - Engaging clients meaningfully in the process of digital design

  • 1. CUSTOMER EXPERIENCE CONSULTANCY Profitable for companies, loved by customers Colville© ENGAGING MEANINGFULLY WITH CLIENTS Profitable for companies, loved by customers UXSW
  • 2. Banksy - Elephant Great digital experience happen when we engage clients, not just users Workshop will help build empathy for clients Describe techniques which demonstrate value of UX Build better relationships Gain trust
  • 3. LESS CLEAR THAN WE’D ADMIT We require client to: 1. Keep pace 2. learn our ways 3. understand our skills 4. interpret what we deliver. It’s all from our POV
  • 4. James Clar - BOOM 1. Flat images of web design 2. Focus on home page 3. Mobile first - content first, what? 4. Increased costs of RWD 5. No one size fits all How can we engage clients better in the process?
  • 5. USERS Apply what we’ve learned about people As with all good UX, it starts with empathy Goals Need Hopes Fears
  • 6. ACTIVITY 1 { Imagine what it’s like for a client to hire a } designer? 1 Goals 2 Needs 3 Hopes 4 Fears In your groups, answer the question . . . Think about goals, needs, hopes and fears. At least one for each. Write your answer on postits Ask from one of each from each group NOTE: Make note of the most important on flip chart
  • 7. “I WANTED SOMEONE I COULD WORK WITH I GOT A FANATIC” Most clients have horror story To do with attitude, communication and understanding of goals. Their goal is to find someone they can work with They need someone to make them look good The fear is they get someone who’s a headache We could blame communication, but we probably communicate regularly. Perhaps it’s the words we use?
  • 8. USABILITY EXPERIENCE ARCHITECT INTERACTION DESIGN UX EXPERIENCE ARCHITECT INFORMATION ARCHITECT USER CENTRED DESIGN USER EXPERIENCE ? Today, I tell my clients that I’m a User Experience Designer. But what we do is synonymous, or at least closely related to many other words. Clients find this confusing. This schizophrenia does not instil confidence in what we do. A pretty poor start for the guardians of simplicity. But even if titles are come and go, we’ve got beautifully visualised process diagram to wow clients and explain what we do, right? !
  • 9. UNLEASH THE LEXICON In new business meetings, where process diagrams like this are unleashed. Hard it is for clients to see the true value of what we do. The problem here is these diagrams: Lists activities from our perspective Not showing the relationship between activities Fail to show the activities which are most valuable to the client
  • 10. Sitemap Wireframes Task Analysis Personas CONFUSION . . . User Testing Pieces of a jigsaw to the client large degree of mental processing Seldom in plain English. We only understand them Stop asking so much of clients. Fundamentally, they don’t invite input
  • 11. FLAT IMAGES People don’t just look at websites, they use them! Though clients to value flat images of webpages Need to reeducate Red herring of digital Change the conversation with clients away from flat images, deeper understanding of why a user will engage with the clients site and brand. People use, not just look at website !
  • 12. DESIGN IN ISOLATION At it’s worse, all this amounts us designing in isolation Results in a loss of control away from the designer Why? Human nature to try and control what we do not understand Perhaps you can think of a controlling client?
  • 13. IMAGINE A WORLD M WITHOUT A CLIENT . . . Increasing number of designers abandoning client work altogether to build their own apps? I was lucky as part of Analog Cooperative It was different, but not how you’d expect. Focus is on delivery, not deliverables. The things you do for yourself are different to those you do to show value to a client. Even in a start-up, you need a product owner or internal client
  • 14. THE HOLY TRINITY OF DESIGN When these things work together great UX happens Should always be tension in design Push and pull of different perspectives reveals beautiful designs. Certain tension bad: Like when designers try to differentiate ourselves through our designs, this pulls the relationship apart. We don’t own the designs It’s the client who’ll have to live with the site
  • 15. ENGAGED CLIENT Greatly improved Removed complexity and multiple forms via search links or PPC ads content related to their search Pat Odey, the Virgin Product Manager for this project described to me a product owner / designer relationship 70% of the project time at the agency, LBi’s offices. This was a partnership. Pat describes being extremely engaged Chris Ball of LBi describes Pat as one of the team. !
  • 16. ACTIVITY 2 - 5 mins { 1. What were the key steps you took on } your last project? 1 Discover 2 Define 3 Design 4 Develop In your groups, using postits, answer this question . . . With one activity or step per posit Use the 4 phases as a guide
  • 17. ACTIVITY 2 - 5 mins { 2. How engaged was the client at } each step? 1 Easy to explain 2 Well received 3 Involved 4 Empowered Arrange them on the wall linearly according to phase Answering the following question Using the scale to gauge engagement Discuss as you go From this exercise, I hope you are starting to think about the best ways to engage clients
  • 18. ACTIVITY 2 One of the team Signed-off Just wanted it done 3 2 1 0 -1 -2 -3 DISCOVER DEFINE DESIGN DEVELOP
  • 19. 6 ENGAGING TECHNIQUES* * Some clients just want it done Here are some steps I take, which I find really engage clients meaningfully in the process of design. Before, highlight the importance of preparation Don’t set it up right, you’re setting yourself up for a fall. Also, not all clients will get involved. You may have to work harder with some.
  • 20. 1. FAT HEAD DIAGRAM Discovery phase Objective - customer or user profile. It only takes 10 - 15 minutes per profile. Goal is to create empathy for the end users The looseness of this sketched person removes inhibitions, Allowing clients to imagine, and input easily
  • 21. 2. EXPERIENCE VISION Define phase Shared vision that works on UX Magazine. Working more fluidly, vision becomes more important Simply a sentence or group of works expressing the core of the experience people will have with the site. - Bring the project team together - Keeps people focused on who’s important - Creates a culture of shared ownership They’re surprisingly easy to create and have a lasting effect on the project.
  • 22. 3. EXPERIENCE MAPPING Low-fi Hi-fi Discover and Define phases We’re good at visualisation, the before unseen. Site is supporting the needs of business and customers See the process through eyes of customer Describe experience over time Mark positive and negative point Lay the grounds for cross channel analysis Identify opportunities for service improvements We build the user layer, based on research, together with the client, you build the business layer. Key is to do this collaboratively with the client. Engaging their imagination in a technique that they used to thinking about, but probably haven't found a way to visualise.
  • 23. 4. SKETCHING Discover, Define and Design phases Engages the brain in the kind of visual sense-making 30,000 years. Sketching is a power technique Generate concepts quickly Not costly The looseness of a sketch removes inhibitions, granting clients permission to Consider and challenge the ideas it represents. Stick men are a great ice breaker People often ask when do you stop sketching? For me, when it stops being about ideas, then it’s time to stop !
  • 24. 5. STORY TELLING The Forest Holiday website is intuitive & clear. Inviting exploration, it feels tailored to my needs, in a friendly way, that leaves me full of excitement. Low-fi Hi-fi Define phase Power technique for engaging people They're built on a framework that we know. They have the right cues and tap into our collective psyche. Stories also work incredibly well to engage clients by: Putting a human face on data Making complex things simple Pack a lot in Motivating, persuading and inspiring Bringing consistent narrative across device A power technique ! If any of this sounds complex, it's not. ! We tell stories everyday, it’s not complicated Understand the basic formula: 1. Character 2. Ambition 2. Tension
  • 25. 6. SKETCH BOARDS Define & Design phases
  • 26. 7. PROTOTYPE Define & Design phase It’s doesn’t matter what you use, just make it move People don’t just look at websites, they use them. The web moves now Show movement early, can save a lot of time later More powerful and relevant than flat images
  • 27. Next time, think about the client SUMMARY EMPATHY OPEN TO INPUT STRUCTURED Add context to data Soft skills, not software Removes inhibitions Framework to input to Colville© Profitable for companies, loved by customers Less of a call to arms than a call for Pause On your next project Consider how you can engage clients Starting with empathy
  • 28. RECAP 1 2 3 PLAIN ENGLISH No jargon or complex process diagrams. Speak in terms that the client will understand VALUE TO CLIENT What have we learned? Not just users, in terms that they can relate to their business SHARED VISION A simple statement defining the core of the experience users will have with the site Colville© Profitable for companies, loved by customers
  • 29. RECAP 4 5 6 CHANGE CONVERSATION Away from flat images of web pages to a much deeper understanding of why users will engage with their brand INVITE What have we learned? PEOPLE’S INPUT Like sketches do, because they are loose, so they grant permission to challenge the ideas they represent MAKE IT INEVITABLE A good client / designer relationship is one that has an inevitable outcome, rather than Ta-dah! Colville© Profitable for companies, loved by customers
  • 30. CHECKLIST Based on a vision Creates shared ownership Built on a framework Bring people together Creates empathy ! For engaging techniques Not on a screen Remove inhibitions Grant permission to challenge Engages imagination All about ideas Colville© Profitable for companies, loved by customers
  • 31. LINKS • Creating a Shared Vision - Alan Colville - UX Magazine • Part 1 - http://uxmag.com/articles/shared-vision • Part 2 - http://uxmag.com/articles/creating-a-shared-vision-that-works • Sketch boards - Adaptive Path - Youtube: http://youtu.be/iVFTBj_BYy0 Requiring complete understanding of something, but the end result feels understated, confident and inevitable. We design websites & apps in the context that they will be used: the browser Colville© Profitable for companies, loved by customers
  • 32. CUSTOMER EXPERIENCE CONSULTANCY Profitable for companies, loved by customers THANK YOU! www.colville.cx @alancolville Colville© Profitable for companies, loved by customers