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Pre-Production
Pre-production Assessment
Locations
• Wheldrake woods – wheldrake woods is an easily accessible
place for me that also has the properties I want when filming
for my showreel and my portrait photography. Wheldrake
woods is a free public place that is in walking distance for me.
I problem I may find is the fact that it is open to the public,
however the grounds are large enough that I am able to find
a quiet place for filming. I want to bring 3 people here to
shoot so that everything I shoot here is not to like one
another. It also gives me a chance to shoot with multiple
people in shot. The people I have picked for this location, also
have great accessibility as it is in walking distance for them
too. I want to shoot some photos of my models against to tall
trees to make them look as small as possible while also some
close-up shots with a out of focus background. I want to
include in my showreel some footage of the models
exploring. A key property to filming in the location will be
lighting. I want to get there when it has lots of light but also
have the opportunity to film in sunset lighting to see if I can
get some aesthetic footage in a different lighting setting.
locations
• Crockey hill woods – this is a back up place
for the wheldrake woods. Once again this
place is easily accessible to me and doesn't
coast any money for travel of use. This
location also has fields nearby that can be
uses however I will only be using them
depending on what condition they were in. I
would like a model stood in the middle the
archway created by the trees in the second
image to once again, show how big nature is
compare to humans. Due to this being such
an accessible place to me, the weather
shouldn’t be an issue as I can simply
reschedule my shooting time if inconvenient.
I would like to see if I can capture some rain
in the middle of the woods and I would use
this location to do that as the trees are closer
together which helps protect my camera
equipment against the climate.
Location
House – no limitations besides from lighting that can
fixed with a led lighting setup (will insert images)
 Bedroom – this will be for small filler footage in the
showreel. For example I am thinking about filming an
alarm clock going off and that would be filmed in a
bedroom of my own home
 Kitchen – this location will be used to film filler footage for
the showreel. For example one of my models sat at the
table eating by themselves
 Bathroom – this location will be filmed for water
movement, a reflective mirror scene and any extra bits.
The room is used with natural lighting
Equipment
• Sony a6k
– main camera body being used
• Lens – f/3.5 at 18mm – f/5.6 at 55mm
• iMac (24-inc, m1,2021) and Lenovo – editing use
• iPhone se 2020 version
• Camera tripod
• iPhone tripod
• lens:
• Fisheye lens – 198 degrees
• Ange 18x telephoto
• Wide angle 63x
• Cp lens
• 15x macro
• 6x kaleidoscope cp filter lens
Equipment
Facilities
York college studio – this facility I will take most of my portrait pictures in
this facility as it provides good lighting, a good backdrop and necessary
equipment. It also is practical as I have support nearby and the desktop I
am editing on in reach.
Personnel
Props/Costume/etc
• When I was looking at inspiration
for portraits taken in a studio, I came
across a lot of photography to
advertise indie rock music which
showed a lot of different
characteristic, for example, lots of
leather and slick hair. One of the main
characteristic shown were sunglasses
to hide some of the models faces.
Sunglasses are going to add some
color to the images and add some
more shapes to the image. The two
shapes that will be created will most
likely be a square shape to follow the
rule of thirds and circles due to the
wide camera angle lenses. The glasses
will either add to the circle shapes
created to take away some of the
rectangular shapes. Sunglasses can
also frame certain peoples faces well
and make them feel more confident
which is a feeling I want to create
when looking at the portraits.
Props/costume
• Part of the costume I really want to add is leather. I
really like the look of how leather can be both masculine
and feminine and the piece of clothing is good starting
point of blurring the line between all genders. The
leather can look both elegant and casual. Leather can
give the look of a vintage (like an American diner classic)
or something much more sophisticated (the matrix
costume). It also goes with everything so my models can
match it with all clothing. Another factor in why I want to
shoot with leather is it goes well with the sunglasses and
follows the indie rock music characteristics that are
currently popular.
Props/costumes
• This is something that I want to
experiment with. It is purply to
capture really simple pictures and
neutral colours. It also helps the
models relax and feel more
comfortable. If I was to add a chair
I want it to be a think stooled chair
so that it doesn’t make the picture
really square.
Props/Costume/etc
Visual Planning
Shot list
through used
images to
portray colors
Shot list
Sat alone at table with
lighting coming from
the ceiling
Refection in bathroom
mirror washing face
Water from the sink to
play with speed and
shutter speed of
camera
Turn off morning alarm
Car interior Walking in the woods to
show how large the
trees are
storyboard
Storyboarding
• Your storyboard should bring your idea to life
• Provide an idea of the sequencing of you video
• Provides a basis for production
• Suggested online storyboard creators are:
– https://www.storyboardthat.com
– http://www.pixton.com [very complicated]
– http://www.storyjumper.com [allows you to insert your own
images]
• Alternatively, hand draw or photograph your storyboard
and scan or copy to insert it onto your slides
Shot List
• Your shot list should contain the sequential breakdown
of what you need to shoot for your video
• It should work in partnership with your storyboard
• It will be your working document when you film
• It should contain the shot number, scene number, shot
description, framing and action you will see
• It should also have information on performers in the
scene and other props, etc
• Shot list template is on Blackboard in the pre-
production folder.
Organisational Planning
Production Group Info
• Include names, contact info, and defined roles
at difference stages of production, using a
table is suggested
Location information
• Information and images of your location[s] for
filming
• You should have address details,
clearance/premissions for filming, recce photos
and floorplans [including camera, equipment and
cast/crew layouts]
• Where possible, have a plan B fallback location
option
• Assess each location for any issues and suggest
solutions
locations
Production Schedule
• Your schedule should budget a total of 10
hours for production, that is for the filming
and editing of your project.
• You should plan when you’re filming and how
you intend to use the in class days on your
timetable/class schedule
Schedule
Date Location Cast/Crew Activity Notes
25th april York college Izzy bramly
Amelie orer
Iona upping
Shooting for
portraits
Focus on single
serious
portraits
Clearance and Permissions
• Any place you film and anyone you use in the
filming of your video must have a completed
form
Health and Safety
Potential Issue How will the issue be
avoided?

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3. Pre-Production.pptx

  • 3. Locations • Wheldrake woods – wheldrake woods is an easily accessible place for me that also has the properties I want when filming for my showreel and my portrait photography. Wheldrake woods is a free public place that is in walking distance for me. I problem I may find is the fact that it is open to the public, however the grounds are large enough that I am able to find a quiet place for filming. I want to bring 3 people here to shoot so that everything I shoot here is not to like one another. It also gives me a chance to shoot with multiple people in shot. The people I have picked for this location, also have great accessibility as it is in walking distance for them too. I want to shoot some photos of my models against to tall trees to make them look as small as possible while also some close-up shots with a out of focus background. I want to include in my showreel some footage of the models exploring. A key property to filming in the location will be lighting. I want to get there when it has lots of light but also have the opportunity to film in sunset lighting to see if I can get some aesthetic footage in a different lighting setting.
  • 4. locations • Crockey hill woods – this is a back up place for the wheldrake woods. Once again this place is easily accessible to me and doesn't coast any money for travel of use. This location also has fields nearby that can be uses however I will only be using them depending on what condition they were in. I would like a model stood in the middle the archway created by the trees in the second image to once again, show how big nature is compare to humans. Due to this being such an accessible place to me, the weather shouldn’t be an issue as I can simply reschedule my shooting time if inconvenient. I would like to see if I can capture some rain in the middle of the woods and I would use this location to do that as the trees are closer together which helps protect my camera equipment against the climate.
  • 5. Location House – no limitations besides from lighting that can fixed with a led lighting setup (will insert images)  Bedroom – this will be for small filler footage in the showreel. For example I am thinking about filming an alarm clock going off and that would be filmed in a bedroom of my own home  Kitchen – this location will be used to film filler footage for the showreel. For example one of my models sat at the table eating by themselves  Bathroom – this location will be filmed for water movement, a reflective mirror scene and any extra bits. The room is used with natural lighting
  • 6. Equipment • Sony a6k – main camera body being used • Lens – f/3.5 at 18mm – f/5.6 at 55mm • iMac (24-inc, m1,2021) and Lenovo – editing use • iPhone se 2020 version • Camera tripod • iPhone tripod
  • 7. • lens: • Fisheye lens – 198 degrees • Ange 18x telephoto • Wide angle 63x • Cp lens • 15x macro • 6x kaleidoscope cp filter lens Equipment
  • 8. Facilities York college studio – this facility I will take most of my portrait pictures in this facility as it provides good lighting, a good backdrop and necessary equipment. It also is practical as I have support nearby and the desktop I am editing on in reach.
  • 10.
  • 11. Props/Costume/etc • When I was looking at inspiration for portraits taken in a studio, I came across a lot of photography to advertise indie rock music which showed a lot of different characteristic, for example, lots of leather and slick hair. One of the main characteristic shown were sunglasses to hide some of the models faces. Sunglasses are going to add some color to the images and add some more shapes to the image. The two shapes that will be created will most likely be a square shape to follow the rule of thirds and circles due to the wide camera angle lenses. The glasses will either add to the circle shapes created to take away some of the rectangular shapes. Sunglasses can also frame certain peoples faces well and make them feel more confident which is a feeling I want to create when looking at the portraits.
  • 12. Props/costume • Part of the costume I really want to add is leather. I really like the look of how leather can be both masculine and feminine and the piece of clothing is good starting point of blurring the line between all genders. The leather can look both elegant and casual. Leather can give the look of a vintage (like an American diner classic) or something much more sophisticated (the matrix costume). It also goes with everything so my models can match it with all clothing. Another factor in why I want to shoot with leather is it goes well with the sunglasses and follows the indie rock music characteristics that are currently popular.
  • 13. Props/costumes • This is something that I want to experiment with. It is purply to capture really simple pictures and neutral colours. It also helps the models relax and feel more comfortable. If I was to add a chair I want it to be a think stooled chair so that it doesn’t make the picture really square.
  • 16. Shot list through used images to portray colors
  • 17. Shot list Sat alone at table with lighting coming from the ceiling Refection in bathroom mirror washing face Water from the sink to play with speed and shutter speed of camera Turn off morning alarm Car interior Walking in the woods to show how large the trees are
  • 19. Storyboarding • Your storyboard should bring your idea to life • Provide an idea of the sequencing of you video • Provides a basis for production • Suggested online storyboard creators are: – https://www.storyboardthat.com – http://www.pixton.com [very complicated] – http://www.storyjumper.com [allows you to insert your own images] • Alternatively, hand draw or photograph your storyboard and scan or copy to insert it onto your slides
  • 20. Shot List • Your shot list should contain the sequential breakdown of what you need to shoot for your video • It should work in partnership with your storyboard • It will be your working document when you film • It should contain the shot number, scene number, shot description, framing and action you will see • It should also have information on performers in the scene and other props, etc • Shot list template is on Blackboard in the pre- production folder.
  • 22. Production Group Info • Include names, contact info, and defined roles at difference stages of production, using a table is suggested
  • 23. Location information • Information and images of your location[s] for filming • You should have address details, clearance/premissions for filming, recce photos and floorplans [including camera, equipment and cast/crew layouts] • Where possible, have a plan B fallback location option • Assess each location for any issues and suggest solutions
  • 25. Production Schedule • Your schedule should budget a total of 10 hours for production, that is for the filming and editing of your project. • You should plan when you’re filming and how you intend to use the in class days on your timetable/class schedule
  • 26. Schedule Date Location Cast/Crew Activity Notes 25th april York college Izzy bramly Amelie orer Iona upping Shooting for portraits Focus on single serious portraits
  • 27. Clearance and Permissions • Any place you film and anyone you use in the filming of your video must have a completed form
  • 28. Health and Safety Potential Issue How will the issue be avoided?

Notas del editor

  1. You need to identify locations and plan a recce. What are the limitations and risks, eg distance, access, cost, weather? How will you manage this?
  2. What do you need? E.g. equipment, resources? Mostly from college, but who do you need to speak to get this kit? What is available? When? Look at equipment hire places, etc
  3. Where will you edit your video? Do you need any other specialist facilities…?
  4. CREW: What is you team? Who is in it? What are each team members strengths/weaknesses? When are they available? CAST: Do you need any external performers? When are they available? Cost implications? Will you have to feed them? Transport them? Other personnel? Is anyone else helping you?