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PLAN 3022: Planning History & Theory
Week 06: The Rise of State Power
Anuradha Mukherji
Assistant Professor of Urban and Regional Planning
CORBUSIAN IDEAL CITY
MAIN GOALS
 Decongest the city centers
 Augment their density, better
hygienic conditions
 Increase parks and open spaces
 Create efficient traffic flows
 Creating an egalitarian society
through architecture
 Address core moral issue:
Architecture a symbol of inequity
and aesthetics a symbol of elitism
GENERAL IDEA
 Critiqued traditional physical
structure of cities
 Utopian vision of modern city
geared towards the car
 Not grounded in how people live,
interact and enjoy cities
 Enamored with products of
industrialization – car,
mechanization, standardization
 House – a machine for living, city
an extension of that
RADIANT CITY IDEA
 Modern city functions along straight lines – sewers, tunnels, highways, traffic
circulation
 Bare, efficient city – main purpose to carry traffic, gas, water, electric lines
 Towers on a rectangle grid surrounded by green space and joined by super
highways
 Standardized super blocks using repetition, city as a technical civil engineering
project
 Dense city center comprising business and residential towers, garden cities on
the periphery
 Stress on functionality, no artistic tradition, people as cells
 No consideration of street as a public space or for social memory
CORBUSIAN IDEAL CITY
CITY FOR 3 MILLION (1922)
RADIANT CITY KEY ELEMENTS
1. Ordered hierarchical system for physical and social elements
• Center skyscrapers intended for business and commercial activities, for the elites
– 24 towers provide 400,000 – 600,000 jobs
• The center of the cities are like an engine, covers 5% of the land surface, 95% left
for open space
2. Residential areas – Two types
 Six story luxury apartments for elites, 85% left for open space
 Modest accommodation (garden apartments) for workers, 48% left for open
space
CORBUSIAN IDEAL CITY
RADIANT CITY KEY ELEMENTS
3. Open space as the lungs of the city
• The towns of today can only increase in density at the expense of open spaces,
which are the lungs of a city
• Must increase open spaces and diminish the distances to be covered
• City center must be constructed vertically
CORBUSIAN IDEAL CITY
RADIANT CITY KEY ELEMENTS
4. Traffic
• For heavy goods traffic – Below ground
• For lighter goods traffic – Ground level
• For faster traffic – Running north and south, east and west – Two great axes of
the city
• Crossroads as an enemy of traffic – An average measure of about 400 yards
(about ¼ mile) as normal separation between streets, bus stops and stations
• ONLY station at the center of the city – the hub of the wheel, the best and natural
place for it
CORBUSIAN IDEAL CITY
CONTEMPORARY CITY (1922) – 3
M
CONTEMPORARY CITY (1922) – 3
M
CONTEMPORARY CITY (1922) – 3
M
This image is attributed to United States Geological Survey
Pruitt-Igoe Public Housing Complex, St. Louis, Missouri
BRASILIA, Capital of Brazil
This image is attributed to www.urbanity.es, Accessed February 2013
BRASILIA
BRASILIA
This image is attributed to www.skyscraperlife.com, Accessed February 2013
BRASILIA
This image is attributed to www.skyscraperlife.com, Accessed February 2013
Construction Phase, National Congress, BRASILIA
Built upon 20th century principles of urbanism as expressed by Le Corbusier
Applied to the scale of a capital city, only other example is Chandigarh, India
This image is attributed to www.oesquema.com.br, Accessed February 2013
Central Monumental Axis, BRASILIA
This image is attributed to m.feher.pestana @ 2010 (CC BY-NC-SA 2.0)
Central Monumental Axis, BRASILIA
This image is attributed www.urbanity.es, Accessed February 2013
Central Monumental Axis, BRASILIA
This image is attributed to www.indirameza.wordpress.com, Accessed February 2013
Central Monumental Axis, BRASILIA
Ministry Buildings, BRASILIA
This image is attributed to Julio Cesar Barbosa @ 2010 (CC BY-NC-ND 3.0)
BRASILIA
This image is attributed to Julio Cesar Barbosa @ 2010 (CC BY-NC-ND 3.0)
BRASILIA
This image is attributed to Julio Cesar Barbosa @ 2010 (CC BY-NC-ND 3.0)
BRASILIA
This image is attributed to Diogo Diniz Garcia Gomes @ 2010 (CC BY-NC 3.0)
BRASILIA
This image is attributed to Julio Cesar Barbosa @ 2010 (CC BY-NC-ND 3.0)
Presidential Palace, BRASILIA
This image is attributed to gtavares @ 2010 (CC BY-NC-ND 3.0)
Palace of Justice, BRASILIA
This image is attributed to Sergio Lang @ 2012 (CC BY-NC-ND 3.0)
Metropolitan Cathedral, BRASILIA
This image is attributed to Olivier Peyre @ 2007 (CC BY-NC-ND 2.0)
BRASILIA
This image is attributed to Marco Mugnatto @ 2010 (CC BY-NC 3.0)
CRITIQUES
 Abstract detached planning, theoretical top-down design
 Ill-informed about habits and traditions of people, disregard of real human needs
 No trust in the individual, triumph of reason and automobile, no respect for people
 No sensitivity to local contexts, not to human scale, gigantic at eye level
 Architect can create utopia but not without taking away individual freedom –
centralized and controlled by designer, no input from people
 State often the driver: Nationalism, political aspirations, economic objectives,
transportation goals.
CORBUSIAN IDEAL CITY

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History & Theory of Planning: The Rise of State Power

  • 1. PLAN 3022: Planning History & Theory Week 06: The Rise of State Power Anuradha Mukherji Assistant Professor of Urban and Regional Planning
  • 2. CORBUSIAN IDEAL CITY MAIN GOALS  Decongest the city centers  Augment their density, better hygienic conditions  Increase parks and open spaces  Create efficient traffic flows  Creating an egalitarian society through architecture  Address core moral issue: Architecture a symbol of inequity and aesthetics a symbol of elitism GENERAL IDEA  Critiqued traditional physical structure of cities  Utopian vision of modern city geared towards the car  Not grounded in how people live, interact and enjoy cities  Enamored with products of industrialization – car, mechanization, standardization  House – a machine for living, city an extension of that
  • 3. RADIANT CITY IDEA  Modern city functions along straight lines – sewers, tunnels, highways, traffic circulation  Bare, efficient city – main purpose to carry traffic, gas, water, electric lines  Towers on a rectangle grid surrounded by green space and joined by super highways  Standardized super blocks using repetition, city as a technical civil engineering project  Dense city center comprising business and residential towers, garden cities on the periphery  Stress on functionality, no artistic tradition, people as cells  No consideration of street as a public space or for social memory CORBUSIAN IDEAL CITY
  • 4. CITY FOR 3 MILLION (1922)
  • 5. RADIANT CITY KEY ELEMENTS 1. Ordered hierarchical system for physical and social elements • Center skyscrapers intended for business and commercial activities, for the elites – 24 towers provide 400,000 – 600,000 jobs • The center of the cities are like an engine, covers 5% of the land surface, 95% left for open space 2. Residential areas – Two types  Six story luxury apartments for elites, 85% left for open space  Modest accommodation (garden apartments) for workers, 48% left for open space CORBUSIAN IDEAL CITY
  • 6. RADIANT CITY KEY ELEMENTS 3. Open space as the lungs of the city • The towns of today can only increase in density at the expense of open spaces, which are the lungs of a city • Must increase open spaces and diminish the distances to be covered • City center must be constructed vertically CORBUSIAN IDEAL CITY
  • 7. RADIANT CITY KEY ELEMENTS 4. Traffic • For heavy goods traffic – Below ground • For lighter goods traffic – Ground level • For faster traffic – Running north and south, east and west – Two great axes of the city • Crossroads as an enemy of traffic – An average measure of about 400 yards (about ¼ mile) as normal separation between streets, bus stops and stations • ONLY station at the center of the city – the hub of the wheel, the best and natural place for it CORBUSIAN IDEAL CITY
  • 11. This image is attributed to United States Geological Survey Pruitt-Igoe Public Housing Complex, St. Louis, Missouri
  • 12. BRASILIA, Capital of Brazil This image is attributed to www.urbanity.es, Accessed February 2013
  • 14. BRASILIA This image is attributed to www.skyscraperlife.com, Accessed February 2013
  • 15. BRASILIA This image is attributed to www.skyscraperlife.com, Accessed February 2013
  • 16. Construction Phase, National Congress, BRASILIA Built upon 20th century principles of urbanism as expressed by Le Corbusier Applied to the scale of a capital city, only other example is Chandigarh, India This image is attributed to www.oesquema.com.br, Accessed February 2013
  • 17. Central Monumental Axis, BRASILIA This image is attributed to m.feher.pestana @ 2010 (CC BY-NC-SA 2.0)
  • 18. Central Monumental Axis, BRASILIA This image is attributed www.urbanity.es, Accessed February 2013
  • 19. Central Monumental Axis, BRASILIA This image is attributed to www.indirameza.wordpress.com, Accessed February 2013
  • 21. Ministry Buildings, BRASILIA This image is attributed to Julio Cesar Barbosa @ 2010 (CC BY-NC-ND 3.0)
  • 22. BRASILIA This image is attributed to Julio Cesar Barbosa @ 2010 (CC BY-NC-ND 3.0)
  • 23. BRASILIA This image is attributed to Julio Cesar Barbosa @ 2010 (CC BY-NC-ND 3.0)
  • 24. BRASILIA This image is attributed to Diogo Diniz Garcia Gomes @ 2010 (CC BY-NC 3.0)
  • 25. BRASILIA This image is attributed to Julio Cesar Barbosa @ 2010 (CC BY-NC-ND 3.0)
  • 26. Presidential Palace, BRASILIA This image is attributed to gtavares @ 2010 (CC BY-NC-ND 3.0)
  • 27. Palace of Justice, BRASILIA This image is attributed to Sergio Lang @ 2012 (CC BY-NC-ND 3.0)
  • 28. Metropolitan Cathedral, BRASILIA This image is attributed to Olivier Peyre @ 2007 (CC BY-NC-ND 2.0)
  • 29. BRASILIA This image is attributed to Marco Mugnatto @ 2010 (CC BY-NC 3.0)
  • 30. CRITIQUES  Abstract detached planning, theoretical top-down design  Ill-informed about habits and traditions of people, disregard of real human needs  No trust in the individual, triumph of reason and automobile, no respect for people  No sensitivity to local contexts, not to human scale, gigantic at eye level  Architect can create utopia but not without taking away individual freedom – centralized and controlled by designer, no input from people  State often the driver: Nationalism, political aspirations, economic objectives, transportation goals. CORBUSIAN IDEAL CITY