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Early Chinese Art

Philosophy permeates fine art…..
China larger than US
Most populated country
(1/5)
Many languages & ethnic
groups
Ruled by dynasties
8000 years of unbroken
history
Bronze Age China– Philosophy that Endures Today
          bronze bells from the Zhou dynasty, 433 BCE




  •Three bronze age Dynasties,: Xia, Shang, Zhou
  •Zhou dynasty was a feudal society (took over warrior society of
  Shang)
  •Philosophers arose during this age - Confucius, Laozi, Mozi
CALLIGRAPHY


•Chinese calligraphy -highest art form.
•Different styles - years perfecting the
techniques.
•Children start by copying ideographs
•Confucius praised pursuit of knowledge &
the arts; painting was to reflect moral
concerns and calligraphy revealed the
character of the writer
•Some calligraphy cannot be read by modern
Chinese readers, it is so artistically done
•Literati - Confucian scholars- practiced this
art form
•Hand scrolls (Paintings) often have a label in
calligraphy in the colophon section.
Knight Shining White, Tang Dynasty, 750 CE




•   Original handscroll was about 12” wide
•   Now several feet with all enthusiastic descriptions, comments, poetry from readers
•   “Du Hua” to literally, READ a painting as a form of appreciation
•   Painters were highly valued; some Emperors becamse noted calligraphers and painters
•   Studied under appreentice ship system
The Great Silk Road
Daoism

•   Return to nature
•   Individualism
•   Immortality?
•   The Way
•   Lao Zi, philosopher,
    500 BCE (before
    Socrates)
Emperor Qin Shih Huangdi, 210 BCE
•   1st ruler of united China - Hin/Qin dynasty
•   Codified written Chinese
•   Established uniform currency
•   Started famous Great Wall of China
•   Began his majestic tomb (SOLDIERS)
•   Insisted on govt based on accomplishments
    rather than family connections
Flashcard


                                                                      •Discovered in 1974
                                                                      •6’ tall soliders
                                                                      •8000 warriors, 100
                                                                      chariots, 2 bronze
                                                                      chariots, 30,000
                                                                      weapons
                                                                      •Tomb of 1st
                                                                      Emperor of China
                                                                      •Shi Huangdi
                                                                      •Daoism shown in
                                                                      individuality of
                                                                      shoulders despite
                                                                      numbers
                                                                      •Chinese army
                                                                      marching into the
                                                                      next world.

Soldiers (Army of Emp. Shi Huangdi, terra cotta, c 210 BCE, Qin Dynasty)
•Soldiers were originally painted
                                                       •Each were individual portraits not
                                                       generic
                                                       •Masterpieces of ceramics


                                                       •Nat Geo Short Video




Soldiers (Army of Emp. Shi Huangdi, terra cotta, c 210 BCE, Qin Dynasty)
Confucianism
•   Reverence for ancestors
•   Respect for authority
•   Social order
•   Women subordinate to
    men
More about typical Chinese
               architecture…
• Exterior walls of a courtyard style residence
• Frame a courtyard for tranquility- Elders live in suite of rooms
  on warmer north end
• Children live in the wings
• Wood structures, rectangular grid
• CONFUCIANISM
Chinese Pagodas
•Pagodas developed from Buddhist stupas; the
design was brought from India via the Silk Road
•Built for sacred purpose, each design is
repeated vertically on each level, getting
progressively smaller.
•Japanese also developed pagodas
Camel Carrying a Group of
Musicians, flashcard
Tang Dynasty, 8th century CE
Earthenware w/ 3 color glaze,
26” high
China had control over Central
Asia again during Tang
dynasty
Fascination w/Turkic cultures ..
Shows Turkish musicans with
Han Chinese
Naturalism - new interest and
trend in painting & sculpture
Beautiful 3 color glazes,
spontaneous
Silk Road was flourishing,
brought Chinese goods to
West
Neoconfucianism= naturalism
Seated Buddha, Stone carving, 45’ tall, 460 CE. flashcard
Shows Indian/Central Asian Buddhist iconography with large shoulders + slender
body, lotus position, long ears, ushnishu, and peaceful smile.
Great Wild Goose Pagoda
flashcard
Ci’en Temple, Xi’an
Tang dynasty, 645 CE
Typical Chinese Buddhist
pagoda
About 210’ tall (was taller,
rebuilt during Ming dynasty
after earthquake)
Chinese Painting Traditions
• Fans, album leaves, and murals
• Handscrolls on silk or cotton with dowels (meant to
  be unrolled and enjoyed, not hung on wall).. Read
  right to left.
• Colophon - write comments or poetry
• Hanging scrolls with main scene on front and title on
  top back
• Same brushes used for painting & calligraphy
Knight Shining White, Tang Dynasty, 750 CE

                                                          •Aim of traditional painter was
                                                          to capture not outer
                                                          appearance but inner energy,
                                                          and spirit. “DRAGON STEED”
                                                          •Rejected color or too much
                                                          background info
                                                          •Pure line to define form, no opaque
                                                          pigments “white painting”



•   The discipline required derived from calligraphy.
•   Traditionally, every literate person learned to write by copying Chinese ideographs.
•   Then gradually exposed to different stylistic interpretations of these characters.
•   Copied great calligraphers' manuscripts, which were often preserved on carved stones so
    that rubbings could be made.
•Landscape paintings highly prized in Chinese art.
•Do not represent a particular forest, mountain, or view, but an artistic construct
yielding a philosophical idea
•Some parts of painting are empty & barren, others are crowded.. Yin/Yang of
Daoism aka Taoism
•This is an example of the empty space contrasted with calligraphy and densely
detailed drawing
Travelers Among Mountains and Streams,
Fan Kaun
Northern Song Dynasty, 11th century CE
•Hanging scroll, ink & colors on silk, 6’9” high
•Subtly graded ink tones
•Northern Song: fascination with precision
and details as shown here.




Flashcard image - Northern Song painting
Art of Buddhism

Travels along the silk road…..
Buddhist Religion
                        •   Shakyamuni Buddha from Nepal
                        •   Siddartha, child prince, shielded from
                            pain & suffering
                        •   Left palace at age 29, travelled,
                            meditated,
                        •   Samsara: cycle of birth, death, rebirth
                        •   Nirvana: ultimate enlightenment
                        •   Compassion and learning are KEYs.
                        •   Different buddhas are recognized
                        •   Bodhisattvas - help others reach
                            enlightenment



Dalai Lama, leader of
Tibetan Buddhism
and Nobel Peace
Early Buddhist Stupa, Mauyra Period
     200 BCE




Hindus and Buddhists share many concepts: e.g. Karma and giving, thus
people of many classes give gifts to monasteries
Great Stupa at Sanchi, India - 3rd Century BCE
                            (flashcard)




Buddhist shrine, mound shape, faced with dressed stone, replication of the dome of heaven
•3 umbrellas at top represent Buddha, Buddha’s Law, Monks
•Railing at crest surrounds “sacred tree” umbrellas
•Walkway around drum for circumambulation (cosmic circle)
•4 toranas grace entrances… richly carved scenes, Buddha shown as empty throne with high relief sculptures
•Plan based on sacred mandala design
Why no image
of the Buddha
himself?
Perhaps
because he
achieved
enlightenment
and been freed
from the
confines of the
body

Footprints

Sacred path
Torana

Yakshi

Reliquary: place
where relics are
kept.
Standing Buddha, Gandhara
Period, 2nd century CE
Flashcard
•Hellenistic style drapery
•Artistic conventions - top knot
(ushnisha), patterned hair curls,
impression of wheel (chakra) on
hands and feet,
•Long arms, serene face
Gandhara
and
Mathura
Schools, 1-
300 CE


Inspired by
what type
of statues
from
somewhere
else??????
?????




              Standing Buddha,        Buddha and
              Gandhara, Pakistan.     Attendants, Mathura.
              c.300 CE (hellen----)   India. c.200 CE
                                      (Yaksha)
Bodhisattva from
Ajanta Caves
475 CE
Gupta period.
Bodhisattvas are
spiritual beings who
help others reach
nirvana.
Princely garments,
not monk’s robes like
Buddha
Outline drawing, softly
graded tones in
painting give some 3-
dimensionality
Buddhist
Iconography
Mudras

Hand gestures seen in
Buddhism
Forms of Buddhism
        Siddhartha Gautama (Shakyamuni Buddha) 563-483 BCE


Nirvana: extinction of samsara

Theraveda: self cultivation to
attain nirvana; individual
training & enightenment

Mahayana: enlightenment for all
beings; compassion. Zen and
Tibetan buddhism,
bodhissatvas as Gods

Western Pure Land Buddhism:
paradise open to all through
rebirth. Amida Buddha reached
it through faith alone.
Life of Buddha
Birth
Departure
Enlightenment
First Sermon
Miracles
Death

 Not sermons in
 stone, but
 expressions of
 joyful
 participation in
 everyday life.
 The Buddha is
 seen as
 present in
 these.
The Four Encounters and 6 Years
Enlightenment and the Defeat of Mara
Eightfold Path and Four Noble Truths

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Early chinesea buddhistart

  • 1. Early Chinese Art Philosophy permeates fine art…..
  • 2. China larger than US Most populated country (1/5) Many languages & ethnic groups Ruled by dynasties 8000 years of unbroken history
  • 3. Bronze Age China– Philosophy that Endures Today bronze bells from the Zhou dynasty, 433 BCE •Three bronze age Dynasties,: Xia, Shang, Zhou •Zhou dynasty was a feudal society (took over warrior society of Shang) •Philosophers arose during this age - Confucius, Laozi, Mozi
  • 4. CALLIGRAPHY •Chinese calligraphy -highest art form. •Different styles - years perfecting the techniques. •Children start by copying ideographs •Confucius praised pursuit of knowledge & the arts; painting was to reflect moral concerns and calligraphy revealed the character of the writer •Some calligraphy cannot be read by modern Chinese readers, it is so artistically done •Literati - Confucian scholars- practiced this art form •Hand scrolls (Paintings) often have a label in calligraphy in the colophon section.
  • 5. Knight Shining White, Tang Dynasty, 750 CE • Original handscroll was about 12” wide • Now several feet with all enthusiastic descriptions, comments, poetry from readers • “Du Hua” to literally, READ a painting as a form of appreciation • Painters were highly valued; some Emperors becamse noted calligraphers and painters • Studied under appreentice ship system
  • 7. Daoism • Return to nature • Individualism • Immortality? • The Way • Lao Zi, philosopher, 500 BCE (before Socrates)
  • 8. Emperor Qin Shih Huangdi, 210 BCE • 1st ruler of united China - Hin/Qin dynasty • Codified written Chinese • Established uniform currency • Started famous Great Wall of China • Began his majestic tomb (SOLDIERS) • Insisted on govt based on accomplishments rather than family connections
  • 9. Flashcard •Discovered in 1974 •6’ tall soliders •8000 warriors, 100 chariots, 2 bronze chariots, 30,000 weapons •Tomb of 1st Emperor of China •Shi Huangdi •Daoism shown in individuality of shoulders despite numbers •Chinese army marching into the next world. Soldiers (Army of Emp. Shi Huangdi, terra cotta, c 210 BCE, Qin Dynasty)
  • 10. •Soldiers were originally painted •Each were individual portraits not generic •Masterpieces of ceramics •Nat Geo Short Video Soldiers (Army of Emp. Shi Huangdi, terra cotta, c 210 BCE, Qin Dynasty)
  • 11. Confucianism • Reverence for ancestors • Respect for authority • Social order • Women subordinate to men
  • 12. More about typical Chinese architecture… • Exterior walls of a courtyard style residence • Frame a courtyard for tranquility- Elders live in suite of rooms on warmer north end • Children live in the wings • Wood structures, rectangular grid • CONFUCIANISM
  • 13.
  • 14. Chinese Pagodas •Pagodas developed from Buddhist stupas; the design was brought from India via the Silk Road •Built for sacred purpose, each design is repeated vertically on each level, getting progressively smaller. •Japanese also developed pagodas
  • 15. Camel Carrying a Group of Musicians, flashcard Tang Dynasty, 8th century CE Earthenware w/ 3 color glaze, 26” high China had control over Central Asia again during Tang dynasty Fascination w/Turkic cultures .. Shows Turkish musicans with Han Chinese Naturalism - new interest and trend in painting & sculpture Beautiful 3 color glazes, spontaneous Silk Road was flourishing, brought Chinese goods to West Neoconfucianism= naturalism
  • 16. Seated Buddha, Stone carving, 45’ tall, 460 CE. flashcard Shows Indian/Central Asian Buddhist iconography with large shoulders + slender body, lotus position, long ears, ushnishu, and peaceful smile.
  • 17. Great Wild Goose Pagoda flashcard Ci’en Temple, Xi’an Tang dynasty, 645 CE Typical Chinese Buddhist pagoda About 210’ tall (was taller, rebuilt during Ming dynasty after earthquake)
  • 18. Chinese Painting Traditions • Fans, album leaves, and murals • Handscrolls on silk or cotton with dowels (meant to be unrolled and enjoyed, not hung on wall).. Read right to left. • Colophon - write comments or poetry • Hanging scrolls with main scene on front and title on top back • Same brushes used for painting & calligraphy
  • 19. Knight Shining White, Tang Dynasty, 750 CE •Aim of traditional painter was to capture not outer appearance but inner energy, and spirit. “DRAGON STEED” •Rejected color or too much background info •Pure line to define form, no opaque pigments “white painting” • The discipline required derived from calligraphy. • Traditionally, every literate person learned to write by copying Chinese ideographs. • Then gradually exposed to different stylistic interpretations of these characters. • Copied great calligraphers' manuscripts, which were often preserved on carved stones so that rubbings could be made.
  • 20. •Landscape paintings highly prized in Chinese art. •Do not represent a particular forest, mountain, or view, but an artistic construct yielding a philosophical idea •Some parts of painting are empty & barren, others are crowded.. Yin/Yang of Daoism aka Taoism •This is an example of the empty space contrasted with calligraphy and densely detailed drawing
  • 21. Travelers Among Mountains and Streams, Fan Kaun Northern Song Dynasty, 11th century CE •Hanging scroll, ink & colors on silk, 6’9” high •Subtly graded ink tones •Northern Song: fascination with precision and details as shown here. Flashcard image - Northern Song painting
  • 22. Art of Buddhism Travels along the silk road…..
  • 23. Buddhist Religion • Shakyamuni Buddha from Nepal • Siddartha, child prince, shielded from pain & suffering • Left palace at age 29, travelled, meditated, • Samsara: cycle of birth, death, rebirth • Nirvana: ultimate enlightenment • Compassion and learning are KEYs. • Different buddhas are recognized • Bodhisattvas - help others reach enlightenment Dalai Lama, leader of Tibetan Buddhism and Nobel Peace
  • 24. Early Buddhist Stupa, Mauyra Period 200 BCE Hindus and Buddhists share many concepts: e.g. Karma and giving, thus people of many classes give gifts to monasteries
  • 25. Great Stupa at Sanchi, India - 3rd Century BCE (flashcard) Buddhist shrine, mound shape, faced with dressed stone, replication of the dome of heaven •3 umbrellas at top represent Buddha, Buddha’s Law, Monks •Railing at crest surrounds “sacred tree” umbrellas •Walkway around drum for circumambulation (cosmic circle) •4 toranas grace entrances… richly carved scenes, Buddha shown as empty throne with high relief sculptures •Plan based on sacred mandala design
  • 26. Why no image of the Buddha himself? Perhaps because he achieved enlightenment and been freed from the confines of the body Footprints Sacred path
  • 28.
  • 29. Standing Buddha, Gandhara Period, 2nd century CE Flashcard •Hellenistic style drapery •Artistic conventions - top knot (ushnisha), patterned hair curls, impression of wheel (chakra) on hands and feet, •Long arms, serene face
  • 30. Gandhara and Mathura Schools, 1- 300 CE Inspired by what type of statues from somewhere else?????? ????? Standing Buddha, Buddha and Gandhara, Pakistan. Attendants, Mathura. c.300 CE (hellen----) India. c.200 CE (Yaksha)
  • 31. Bodhisattva from Ajanta Caves 475 CE Gupta period. Bodhisattvas are spiritual beings who help others reach nirvana. Princely garments, not monk’s robes like Buddha Outline drawing, softly graded tones in painting give some 3- dimensionality
  • 34. Forms of Buddhism Siddhartha Gautama (Shakyamuni Buddha) 563-483 BCE Nirvana: extinction of samsara Theraveda: self cultivation to attain nirvana; individual training & enightenment Mahayana: enlightenment for all beings; compassion. Zen and Tibetan buddhism, bodhissatvas as Gods Western Pure Land Buddhism: paradise open to all through rebirth. Amida Buddha reached it through faith alone.
  • 35. Life of Buddha Birth Departure Enlightenment First Sermon Miracles Death Not sermons in stone, but expressions of joyful participation in everyday life. The Buddha is seen as present in these.
  • 36. The Four Encounters and 6 Years
  • 37. Enlightenment and the Defeat of Mara
  • 38. Eightfold Path and Four Noble Truths

Notas del editor

  1. Artist: n/a Title: China and Korea Medium: n/a Size: n/a Date: n/a Source/Museum: n/a
  2. Artist: n/a Title: Set of sixty-five bells Medium: Bronze, with bronze and timber frame Size: frame height 9' (2.74 m), length 25' (7.62 m) Date: Zhou dynasty, 433 BCE Source/Museum: Tomb of Marquis Yi of Zeng, Suixian, Hubei. / Hubei Provincial Museum, Wuhan
  3. Artist: n/a Title: Art and Its Context: Chinese Characters Medium: n/a Size: n/a Date: n/a Source/Museum: Chinese characters: Ancient, Modern, ideographs
  4. Artist: n/a Title: Soldiers Medium: Earthenware Size: life-size Date: Qin dynasty, c. 210 BCE Source/Museum: From the mausoleum of Emperor Shihuangdi, Lintong, Shaanxi
  5. Artist: n/a Title: Soldiers Medium: Earthenware Size: life-size Date: Qin dynasty, c. 210 BCE Source/Museum: From the mausoleum of Emperor Shihuangdi, Lintong, Shaanxi
  6. Artist: n/a Title: Seated Guanyin Bodhisattva Medium: Wood with paint and gold Size: 95 X 65" (241.3 X 165.1 cm) Date: Liao dynasty, 10th–12th century CE Source/Museum: The Nelson-Atkins Museum of Art, Kansas City, Missouri. Purchase, Nelson Trust (34–10)
  7. Artist: n/a Title: Elements of Architecture: Pagodas Medium: n/a Size: n/a Date: n/a Source/Museum: Early stupa, later stupa, watchflower, stone pagoda, wooden pagoda
  8. Artist: n/a Title: Camel Carrying a Group of Musicians Medium: Earthenware with threecolor glaze Size: height 26 ⅛" (66.5 cm) Date: Tang dynasty, c. mid-8th century CE Source/Museum: Tomb near Xi ’ an, Shanxi. / National Museum, Beijing
  9. Artist: n/a Title: Seated Buddha, Cave 20, Yungang Medium: Stone Size: height 45' (13.7 m) Date: Northern Wei dynasty, c. 460 CE Source/Museum: Datong, Shanxi
  10. Artist: n/a Title: Great Wild Goose Pagoda At Ci ’ en Temple, Xi ’ an Medium: n/a Size: n/a Date: Tang dynasty, first erected 645 CE; rebuilt mid-8th century CE Source/Museum: Shanxi
  11. Artist: n/a Title: Unmarked image on page 365 Medium: n/a Size: n/a Date: n/a Source/Museum: n/a
  12. Artist: Fan Kuan Title: Travelers Among Mountains and Streams Medium: Hanging scroll, ink and colors on silk Size: height 6' 9½" (2.06 m) Date: Northern Song dynasty, early 11th century CE Source/Museum: National Palace Museum, Taipei, Taiwan, Republic of China.
  13. Artist: n/a Title: Lion Capital Medium: Polished sandstone Size: height 7' (2.13 m) Date: Maurya period, c. 250 BCE Source/Museum: Ashokan pillar at Sarnath, Uttar Pradesh, India. / Archaeological Museum, Sarnath
  14. Artist: n/a Title: Standing Buddha Medium: Schist Size: height 7'6" (2.28 m) Date: c. 2nd–3rd century CE Source/Museum: Gandhara, Pakistan. / Lahore Museum, Lahore
  15. Artist: n/a Title: Bodhisattva Medium: Detail of a wall painting Size: n/a Date: Gupta period, c. 475 CE Source/Museum: In Cave I, Ajanta, Maharashtra, India