SlideShare una empresa de Scribd logo
1 de 56
Descargar para leer sin conexión
Achuyut
Kanvinde
Indian brutalist philosophy
Introduction
➢ Born in 1916, Achara , Maharashtra.
➢ 1935 Sir J.J. School of Art Studied
➢ Architecture under Claude Batley.
➢ 1945, in Harvard for master degree , with a thesis on science
laboratories.
➢ 1947 appointed as the chief Architect of CSIR.
➢ Formed Kanvinde and Rai in 1955.
Lifetime achievements
➢ Awarded Padma Shree in 1976.
➢ President IIA (1974-75)
➢ Co-authored book “ campus design in india”.
➢ IIA’s Babu Rao Mhatre gold medal for life time achievement in 1985.
➢ Great masters award from JK Industries Ltd. In 1993.
➢ Was also a part of the jury on the competition for the Indra Gandhi National
Center for arts along wth B.V.Doshi.
Influences
– Claude batley-1941
Avoided the loud, revolutionary éclat of the machine-age.
Follower of functionalism.
– Walter gropius-1954
Gropius’sinsistence for using space as a tool for expressing
universalhuman values was what left most lasting influence on
his mind .
Philosophies
FUNCTIONALISM
MODERN ARCHITECTURE
AND BRUTALISM
REGIONALISM
Functionalism
There buildings were
always conceived with
first priority given to its
functions, and the social
values when designing
spaces .
He rejected symmetry.
Modern Architecture And Brutalism
– Simplification of form and creation of ornament
from the structure .
– Elimination of unnecessary detail.
– Visual expression of structure , as opposed to
the hiding of structural elements
– Brutalism is a child of modern architecture.
– Typically very linear, fortress like and blockish,
often with a predominance of concrete
construction.
Regionalism
Local climate,
Building materials and
Social conditions
Sound climatological principles.
INDIAN
INSTITUTE OF
TECHNOLOGY
KANPUR
Introduction
– LOCATION – on the Grand Trunk Road, 15 km west of Kanpur City
– Constructed during 1960-1965
– Campus occupies a 1055 acre area.
– The Academic Complex is located centrally at the site and free from traffic noise.
– Academic buildings: 13 departments, PK Kelkar Library, Computer Centres faculty offices,
laboratories and administrative buildings
– Around 7000 students, 390 faculty, and 1000 staff members (and their families) reside on
campus
– No. of buildings: 108
– 10 boys hostel and 2 girls hostel
– With Sports complex, Housing for faculty
– The site is flat with the canal on one side and transportation route on the other side.
– Pedestrian and vehicular traffic are completely segregated
Concept and Ideology
– The residential campus is planned and landscaped with a hope for environmental
freedom.
– Halls of residence, faculty and staff houses and community buildings surround the
central academic area to provide flexibility in movement and communication.
– Core Pedestrian island which consist of lecture halls surrounded by landscaping and
water body forming the main focus of the campus.
– The academic area is well connected by a long corridor which links all the major
buildings
– The academic area is set up in vicinity of Hostels to provide quick accessibility to
students
– Conventional type of buildings were designed as isolated islands of departments
– Activities which students and faculties share are designed to encourage meeting and
interaction
Academic area
Institute's Academic Area
comprises academic buildings
and facilities including the PK
Kelkar Library, Computer
Centre, National Wind Tunnel
Facility and SIDBI (Small
Industries Development Bank
of India) Innovation and
Incubation Centre.
1
It also houses faculty
offices, laboratories and
administrative buildings.
2
The academic area is
connected by a long
corridor which links all
the major buildings
3
Main
campus
PK KELKAR LIBRARY
– Established in 1960 as Central Library.
– Renamed as P.K. Kelkar Library in 2001.
– Four-storied building (covered area: 5730 sq. m.)
– Basement - 700 sq m
– Ground floor - 700 sq m
– First floor -1630 sq m
– Second floor - 2700 sq m
– Staff strength – 40
– Exposed brickwork - reduces maintenance costs and enhances aesthetic appeal
– The library forms an important part of the whole complex.
– It is a framed structure based on grid.
– The whole building is built in R.C.C with a brick facade.
MATERIALS
In Kanpur, the local
availability of high quality
brick and the prevalent
labour and construction
practices made Kanvinde go
for reinforced concrete for
structural frames and brick
as infill's.
Reinforced-concrete post-
and-slab construction, with a
series of flat slab-floors and
a flat roof-slab carried on
concrete columns or posts
IIT-K
– The Bauhaus influence in Kanvinde’sstyle is clearly visiblein the buildings
of IIT Kanpur.
– Cubic shapes ,smooth, flat plain, undecorated surfaces ,complete
eliminationof all mouldings and ornament ,flat roofs
– Reveals the internal functions in a buildingas separate masses.
– Arranged in ways that were functional from inside and elegant from
outside.
– Kanvinde stronglybelieved that the elevation of a structure should be
defined by the functions inside.
– Elevated pedestrian walkway
– Sheltered and yet openness
– Protection from hot sun yet allow breezes
– THE NATIONAL WIND TUNNEL FACILITY
– established in 1999 at IITK to meet the national
needs in areas of aeronautical and non -
aeronautical R and D activities, houses the most
versatile and effective wind tunnel in India. It has
various simulation and measurement systems,
interchange able test sections and is capable of
testing at wind speed up to 80 m/s
COMPUTER CENTRE HOSTEL BLOCK
HOUSING FOR
FACULTY
OPEN AIR THEATRE
CONCLUSION
– His works are generallyraw and unemotional.Yet he managed to make his
designs appealing and welcoming.
– His designswere distinct and unique yet having one thing similar-
functionalism.
– His designsappear to be built with a large amount of thought havingbeen
given to making them functionally efficient and practically feasible.
– Conventionaltype of buildingswere designedas isolated islands of
departments.
– Activities which students and faculties share are designed to encourage
meeting and interaction.
NEHRU SCIENCE CENTER
MUMBAI
INTRODUCTION
Contemporary museums are forms of open education and
they have to meet the growing demand for more information,
more communication and thereby more activity.
One of the most fascinating contributions to the designing of
scientific/technological museums is the “workshop centre”. Rather
than an awesome display of exhibits with “do not touch” sign boards,
and technical jargon, which offer nothing in visual terms besides
being a scientific encyclopaedia, the workshop concept encourages
public participation through visual demonstration.
The Nehru Science Centre in Mumbai, is one such workshop, which
involves the visitor in a scientific experience, giving him participative
role in experiments, so that he/she no longer remains a mere
spectator.
LOCATION
– The Nehru Science Centre is located off E. Moses
road, Worli, Mumbai. The northern and western
sides of the complex are surroundedbe slums
makingit impossibleto link the structure with the
planetariumon the western side. The entire
complex spreads across a sloped marshyland
covering about 8 acres.
– The generalprogrammerequires13 acres of
reclaimedland to accommodate15,000 sq. m. of
built up space, comprisingof severalfunctions
relatedto the museum.
GOALS
To sum up, the aim is to
fulfil the receptivityof the
mind and to create a
space with variationand
interest.
The main object during
the designis to arouse
and stimulate interests of
the human mind.
Thecentrehascertain
goals
1. To stimulate public awareness and interest in science and technology.
2. To co-operate with the education system in the provision of an education
facility for illustrating the cultural significance relevant, and also the limitations
of science and technology.
3. To promote the dissemination of knowledge of science and technology to all
people with the co-operation of the scientific community and industry.
4. To act as a focus for scientific activities among surrounding
regions.
CONCEPT
– Need artificiallightingfor effective
presentationof exhibits, the ideaof
forced ventilation emerged.
– At the same time the idea of
creatingspaces of a certain quality
which helps the receptivityof the
mind.
– Apart from spatialorganization, the
maindesign problem was to
establish circulationof movement
– A series of multi-directionalunits
was created with largecolumn for
free spaces
ACTIVITIES
1. Exposition without walls – children’s science park with
interactive exhibits of scientific phenomena,greenery and aviary.
2. Expositionwith walls – science for children, sound and hearing
and sight, discovery and our heritage.
3. Educationalextension counter – mini planetarium,camp
corners, creative ability centre, teachers’ training programmes,
science fair, seminars,quiz, ‘I m a mother’ shows, film shows,
popular lectures and many more.
FUNCTIONS
– This complex houses a varietyof activities and exhibits intended
by the CSIR (Council of Scientific and IndustrialResearch) to
popularize science and technology
– A children’s museum with a demonstrationhall and facilities for
education
– A museum of the history of science, a hall of Industry and an
outdoor science park
– Discovery of India expositions, Art Gallery, Auditorium and
Exhibition halls
SERVICES
NEHRU SCIENCE CENTRE
FEATURES
– One of the most outstanding features of the Nehru Science
Centre is the efficiency with which their services have been
carried out.
– The toilet block is placed on the rear side in such a way that
all the pipes are concealed within the shaft.
– The water tank has been suitably hidden between the tops
of the ventilation shafts.
– The restrictions on the number of windows in the exhibition
halls has affected cross-ventilation.
– Thus forced ventilation became necessary and it was
preferred because the other alternative of air-conditioning
the building was very expensive.
Ventilation
– The ventilation system is purely mechanical.
– The centrifugal fans blow the air in through the vent shafts and
the tube-axial fans provided at the exhaust.
– Two blowers have been fitted at the terrace level.
– These blowers are actually backward curved centrifugal fans
with double width and double inlet.
– These blowers suck the surrounding air through the R.C.C.
louvers and force it down the galvanised iron duct in to the
ventilation shafts. The shaft is a hollow tube measuring
2.3mX2.15m. The forced air is thrown in to each display area
through an inlet at the roof level.
DISADVANTAGES OF
VENTILATION
– The polluted air is thrown out from the exhibitionareas through an outlet at the floor level by means
of tube axial fans mounted on top of each shaft. The ventilation system has the following
disadvantages –
– 1. The amount of air changes facilitated by the system does not achieve comfort levels.
– 2. When forced air reaches the louver level the force exerted by the blowers on the air is
considerably reduced. Thus one does not feel the fast air movement, which is necessary in a
humid place like Bombay.
– 3. The air inlets and outlets are placed just ten feet away from each other.
– 4. Loud noise and vibrations are caused by the blowers in spite of the use of glass fibre lining on
the ducts.
BUILT-UP
SPECIFICATIONS
INTERIORS
– The number of exhibition halls, at various levels, is connected by staircaseblocks with
illuminatedby skylights and other fully glazedpassageways.
– But each exhibition hall with its massivearea of 500 sq. m. coupled with a heightof 4.0m
projects an overwhelmingeffect on the young visitor.
– The use of minimumnumber of windowshas given way to largedisplayareason the
walls. This effect of a largevolume is brought down by hangingcolourful banners from
the ceiling, though at some places it has been controlled and regulatedby stepping the
roof slabs.
– The split-levels used to maintainthe natural topography of the site has helped in
achievingan effect of spatialorganisationand physical as well as visual divisionof large
spaces.
– The colour schemes of the exhibitionhall interiors consists of brightprimary colours
used particularlyto attractchildren and initiatethem to the use of exhibits.
– The colour of the ceiling is darkenedso that no attention is drawntowardsit.
CIRCULATION
– The circulationpattern broadlyfalls under two basic needs – the movementof people
and that of the exhibits.
– Visitors enter the mainhall on the first floor level of the B block through a flightof steps
leadingfrom the landscapedforecourt. From the mainhall they are gradually routed
through the exhibitionarea.
– The circulationroute directs the public to the second floor from where they ascend
viewingthe exhibits.
– Through the central staircasein block B one ascends to the Discovery Hall. From here
one moves on to block C reachingthe Hall of Nature.
– The visitor then starts to descend in this block, passingthrough the Hall of Industries
and HeritageHall to reach the ground floor level to the temporaryexhibition halls.
– After exploring them, the visitor comes to the café lobby.
– One climbs up to the entrance hall to exit from the stepped bridge.
MATERIAL CIRCULATION
– Material circulation is a very importantaspect of museum design,which is
organised by bringing the material to be stored to the depositoryin the
basementby a vehicular ramp.
– The materials used in fabrication are sent to the workshop.
– Material movementin the exhibition area is through a large freight lift in
the central zone.
– Supplies to the kitchen are also routed through the basementreceiving
space.
MATERIALS AND
DISADVANTAGES
The exterior surface of the structure, for low maintenance cost, is finishedwith
LOCAL GREY STONE, GRITPLASTERWITH GREYCEMENT (1:1) panels created by
making grooves on the grit plaster at certain intervals.The finish, although good
in appearance has certain disadvantages,such as –
– 1. The grooves left between the panels are not watertight and are a cause of
heavy leakage during the monsoon.
– 2. Rich mixture of cement has been used to cast large panels which have
cracked due to expansionand contraction. Even these cracks are the cause of
monsoon leakage.
– 3. The grit plaster used does not hold on R.C.C. surface therefore patches of
shot-crete fallen from a few places spoiling the elevation.
STRUCTURAL SYSTEM
As the site is reclaimed, since it was a marshy land, pile foundation had to be
used.
The structural system is conceived with structural supports placed at 12.0m c/c.
These supports are made up of hollow 2.3mX2.15m L.C. concrete tube which
functions both as structural components and conceal the air distribution system
and the services.
Large unobstructed spans were essential for the exhibition halls of the science
centre. Therefore ribbed or waffle slab is used.
The floor slab consists of 0.9mX0.9m fabricated or pre-cast R.C.C. waffle units.
FORM
EXTERNAL FORM AND
STRUCTURE
– The buildinglooks interestingwhen viewedfrom all the angles. It creates a sense of
curiosity and mystery in the minds of the visitors. The science museum with its immense
proportions and massingdoes not overpower the visitor’s senses. The shot-crete used
gives a ruggedand stark look to the structure; verticaland horizontalgrooves are
introduced.The buildinghas few windows minimisingthe elevationalfeatures and
shafts have been skilfully used to addinterest to the elevation and have served in
animatingthe skyline.
– The Structure
– The mainaccess to the structure is through a flightof shallow steps with an
ascendingstepped bridgewhich opens into a spacious podiumon the first floor level
of block B, instead of the conventional pattern of entering the structure at ground
level
This block houses the administrative and technical staff and the permanent office. Block A
is connected to the first floor and ground floor level to block.BLOCK A
The main entrance of the museum is a three-storey structure consisting of two hexagons
connected by a rectangular staircase block. Each hexagon forms a display area of 500 sq.
m. The first floor of this block houses the central hall and the hall of science. As one enters
the entrance hall from the open air podium one sees a massive exhibit based on the
principles of conservation of energy. Behind this exhibit is the main staircase leading to
the other exhibition halls. On the right hand side of the entrance is the reception along with
the souvenir shop and the waiting area. On the split level 1.3m higher than the entrance
hall is the ‘Fun Science’ gallery housing interesting exhibits. Halls on the second floor are
devoted to ‘Light and Sight’ and ‘Sound and Hearing’ exhibits. The third floor comprises of
the ‘Discovery Hall’ and the computer section. The Discovery hall is connected by a
passage to ‘The Hall of Nature’ in block C. these passages connecting different blocks are
in the form of fully glazed corridors. On the ground floor of block B is the cafeteria and
temporary exhibition gallery. The basement houses services such as the depository,
kitchen and storage for the science museum.
BLOCK B
It is similar to block B and comprises of various display areas such as ‘Hall of Industries’
and the ‘C.V. Raman’ hall on the ground floor. ‘Evolution’ and ‘Heritage’ on the first floor,
‘Heritage’ and Activities Hall on the second floor and the hall of Nature on the third floor.
BLOCK C
It houses the auditorium, library and conference hall. It has an independent access, which
leads to a common entrance for both the library and the auditorium. The entrance doors
are very narrow and at 45 degree angle causing great inconvenience to the visitors.
BLOCK D
FORM AND
FUNCTION
– It is in cylindrical form
– The service zone is located at the lowest
level, accessible to vehicles.
– The main entry is 18-20m wide and tunnel
shaped
– The dome is providedto show the entry
– The sun shade is in an elliptical manner
FORM AND FUNCTION
– Circulation has been defined so that visitorsreturn to entry level and can
proceed to the cafeteria and other social facilities at ground level.
– Ventilation to all areas is ensuredby a blower system.
– The structural system is in waffle slab and the structural columns at 12m
centers house the ventilationshafts.
AREA STATEMENT
Spaces Area (sq. m.)
Administrative block Entrance hall 30
General staff 110
Meeting room 25
Technical officer 12
Director's office 35
Administrative office 30
Toilets 20
Store 20
Temporary workshop Fabrication room 240
Assembly hall 270
Cabins (4 nos.) 40 each
Residential accomodation Staff (6 nos.) 50 each
Visitors (10 nos.) 12.5 each
Ladies' dormitory 70
Gents' dormitory 100
Security booth (3 nos.) 10 each
Snack counter (35 people) 100
Visitors' toilets
Science museum Entrance podium 40
Entrance lobby 350
Ticket booth 15
Science hall Science for children 500
Evolution 500
Vintage car 500
Display halls Light and Sight 300
Sound and Hearing 500
Hall of Industries 500
Raman's achievements 300
Our Heritage I and II 300
Hall of Activities I (Discovery) 300
Hall of Activities II (Nature) 300
Auditorium Entrance hall 125
Sitting for 250 300
Projection room 12
Stage and store 65
Library 270
Conference room 30
Cafeteria 150
Kitchenette and pantry 50
Total built-uparea = 6291 sq. m.
Total plot area = 32,376 sq. m.
Therefore ratio = 1:5
Thank you
- Anjali Anand
- Anjali.S
- Chandramani
- Swathi
- Gangadhar
- Juveria
- Aamir
- Shambhavi
- Shreyas
- Sunita

Más contenido relacionado

La actualidad más candente

SANGATH - B.V DOSHI - AHMEDABAD - ARCHITECT OFFICE
SANGATH - B.V DOSHI - AHMEDABAD - ARCHITECT OFFICESANGATH - B.V DOSHI - AHMEDABAD - ARCHITECT OFFICE
SANGATH - B.V DOSHI - AHMEDABAD - ARCHITECT OFFICEGITAM School of Architecture
 
IITK case study
IITK case studyIITK case study
IITK case studyYeshu Rao
 
Chandigarh college of architecture, chandigarh, India.
Chandigarh college of architecture, chandigarh, India.Chandigarh college of architecture, chandigarh, India.
Chandigarh college of architecture, chandigarh, India.Utpol saha
 
School Of Architecture And Planning vijayawada , Case study sheets and Liter...
School Of Architecture And Planning vijayawada ,  Case study sheets and Liter...School Of Architecture And Planning vijayawada ,  Case study sheets and Liter...
School Of Architecture And Planning vijayawada , Case study sheets and Liter...UdayGotetiStudios
 
Concept study of mahindra united world college,pune and pearl academy of fash...
Concept study of mahindra united world college,pune and pearl academy of fash...Concept study of mahindra united world college,pune and pearl academy of fash...
Concept study of mahindra united world college,pune and pearl academy of fash...harshita batra
 
Bangalore international exhibition centre case study
Bangalore international exhibition centre case studyBangalore international exhibition centre case study
Bangalore international exhibition centre case studyself employer
 
CAMPUS DESIGN - CONCEPT STUDY
CAMPUS DESIGN - CONCEPT STUDYCAMPUS DESIGN - CONCEPT STUDY
CAMPUS DESIGN - CONCEPT STUDYSheraniDaniel
 
Joseph allen stein
Joseph allen steinJoseph allen stein
Joseph allen steingaurav bhatt
 
IIT Kanpur case study
IIT Kanpur case studyIIT Kanpur case study
IIT Kanpur case studyHimaniMishra7
 
Achyut prakash kanvinde
Achyut prakash kanvindeAchyut prakash kanvinde
Achyut prakash kanvindeAbhishek kumar
 
Christopher Charles Benninger, Indian architect
Christopher Charles Benninger, Indian architectChristopher Charles Benninger, Indian architect
Christopher Charles Benninger, Indian architectDivya Suresh
 
Pearl academy of fashion
Pearl academy of fashionPearl academy of fashion
Pearl academy of fashionSagar Panchal
 

La actualidad más candente (20)

SANGATH - B.V DOSHI - AHMEDABAD - ARCHITECT OFFICE
SANGATH - B.V DOSHI - AHMEDABAD - ARCHITECT OFFICESANGATH - B.V DOSHI - AHMEDABAD - ARCHITECT OFFICE
SANGATH - B.V DOSHI - AHMEDABAD - ARCHITECT OFFICE
 
B.v.doshi
B.v.doshiB.v.doshi
B.v.doshi
 
Ar.Ananth raje
Ar.Ananth rajeAr.Ananth raje
Ar.Ananth raje
 
IITK case study
IITK case studyIITK case study
IITK case study
 
Chandigarh college of architecture, chandigarh, India.
Chandigarh college of architecture, chandigarh, India.Chandigarh college of architecture, chandigarh, India.
Chandigarh college of architecture, chandigarh, India.
 
School Of Architecture And Planning vijayawada , Case study sheets and Liter...
School Of Architecture And Planning vijayawada ,  Case study sheets and Liter...School Of Architecture And Planning vijayawada ,  Case study sheets and Liter...
School Of Architecture And Planning vijayawada , Case study sheets and Liter...
 
ANANT RAJE
ANANT RAJEANANT RAJE
ANANT RAJE
 
Concept study of mahindra united world college,pune and pearl academy of fash...
Concept study of mahindra united world college,pune and pearl academy of fash...Concept study of mahindra united world college,pune and pearl academy of fash...
Concept study of mahindra united world college,pune and pearl academy of fash...
 
Bangalore international exhibition centre case study
Bangalore international exhibition centre case studyBangalore international exhibition centre case study
Bangalore international exhibition centre case study
 
Achyut Kanvinde
Achyut KanvindeAchyut Kanvinde
Achyut Kanvinde
 
CAMPUS DESIGN - CONCEPT STUDY
CAMPUS DESIGN - CONCEPT STUDYCAMPUS DESIGN - CONCEPT STUDY
CAMPUS DESIGN - CONCEPT STUDY
 
site & case study
site & case studysite & case study
site & case study
 
BV doshi design
BV doshi designBV doshi design
BV doshi design
 
Joseph allen stein
Joseph allen steinJoseph allen stein
Joseph allen stein
 
IIT Kanpur case study
IIT Kanpur case studyIIT Kanpur case study
IIT Kanpur case study
 
SPA VIJAYAWADA -case study
SPA VIJAYAWADA -case studySPA VIJAYAWADA -case study
SPA VIJAYAWADA -case study
 
Achyut prakash kanvinde
Achyut prakash kanvindeAchyut prakash kanvinde
Achyut prakash kanvinde
 
Habib rahman
Habib rahmanHabib rahman
Habib rahman
 
Christopher Charles Benninger, Indian architect
Christopher Charles Benninger, Indian architectChristopher Charles Benninger, Indian architect
Christopher Charles Benninger, Indian architect
 
Pearl academy of fashion
Pearl academy of fashionPearl academy of fashion
Pearl academy of fashion
 

Similar a Achyut kanvinde

Ar. achuyt prakash kanvinde s5
Ar. achuyt prakash kanvinde   s5Ar. achuyt prakash kanvinde   s5
Ar. achuyt prakash kanvinde s5shahul shibili
 
achyut kanvinde - iitk
achyut kanvinde - iitkachyut kanvinde - iitk
achyut kanvinde - iitkYeshu Rao
 
IITK vernacular ARCHITECTURE-A.P KANVINDE
IITK vernacular ARCHITECTURE-A.P KANVINDEIITK vernacular ARCHITECTURE-A.P KANVINDE
IITK vernacular ARCHITECTURE-A.P KANVINDEPreeti Kansal
 
NEHRU SCIENCE CENTER MUMBAI and Dr. Kallam anji reddy memorial
NEHRU SCIENCE CENTER MUMBAI  and    Dr. Kallam anji reddy memorialNEHRU SCIENCE CENTER MUMBAI  and    Dr. Kallam anji reddy memorial
NEHRU SCIENCE CENTER MUMBAI and Dr. Kallam anji reddy memorialHarshit Jain
 
Presentation on Padma Shri A P Kanvinde
Presentation on Padma Shri A P KanvindePresentation on Padma Shri A P Kanvinde
Presentation on Padma Shri A P KanvindeArchistudent Portal
 
Indian habitat centre (6)
Indian habitat centre (6)Indian habitat centre (6)
Indian habitat centre (6)tivar rose
 
Cont. architects ppt
Cont. architects pptCont. architects ppt
Cont. architects pptarharshit
 
kisho-kurokawa-sony-tower.pptx بحث عن المعماري كيشو كورو كاوا
kisho-kurokawa-sony-tower.pptx بحث عن المعماري كيشو كورو كاواkisho-kurokawa-sony-tower.pptx بحث عن المعماري كيشو كورو كاوا
kisho-kurokawa-sony-tower.pptx بحث عن المعماري كيشو كورو كاواmohmmedali17
 

Similar a Achyut kanvinde (20)

Ar. achuyt prakash kanvinde s5
Ar. achuyt prakash kanvinde   s5Ar. achuyt prakash kanvinde   s5
Ar. achuyt prakash kanvinde s5
 
Ap kanvinde
Ap kanvindeAp kanvinde
Ap kanvinde
 
achyut kanvinde - iitk
achyut kanvinde - iitkachyut kanvinde - iitk
achyut kanvinde - iitk
 
IIT, Kanpur.
IIT, Kanpur.IIT, Kanpur.
IIT, Kanpur.
 
Ap kanvinde
Ap kanvindeAp kanvinde
Ap kanvinde
 
A.p. kanvinde
A.p. kanvindeA.p. kanvinde
A.p. kanvinde
 
Kanvinde
KanvindeKanvinde
Kanvinde
 
Hoa 5 , Achyut kanvinde
Hoa 5 , Achyut kanvinde Hoa 5 , Achyut kanvinde
Hoa 5 , Achyut kanvinde
 
Iit kanpur final
Iit kanpur finalIit kanpur final
Iit kanpur final
 
IITK vernacular ARCHITECTURE-A.P KANVINDE
IITK vernacular ARCHITECTURE-A.P KANVINDEIITK vernacular ARCHITECTURE-A.P KANVINDE
IITK vernacular ARCHITECTURE-A.P KANVINDE
 
Achyut Kanvinde
Achyut Kanvinde Achyut Kanvinde
Achyut Kanvinde
 
NEHRU SCIENCE CENTER MUMBAI and Dr. Kallam anji reddy memorial
NEHRU SCIENCE CENTER MUMBAI  and    Dr. Kallam anji reddy memorialNEHRU SCIENCE CENTER MUMBAI  and    Dr. Kallam anji reddy memorial
NEHRU SCIENCE CENTER MUMBAI and Dr. Kallam anji reddy memorial
 
sodapdf-converted (1).pptx
sodapdf-converted (1).pptxsodapdf-converted (1).pptx
sodapdf-converted (1).pptx
 
Presentation on Padma Shri A P Kanvinde
Presentation on Padma Shri A P KanvindePresentation on Padma Shri A P Kanvinde
Presentation on Padma Shri A P Kanvinde
 
Indian habitat centre (6)
Indian habitat centre (6)Indian habitat centre (6)
Indian habitat centre (6)
 
Dca
DcaDca
Dca
 
Cont. architects ppt
Cont. architects pptCont. architects ppt
Cont. architects ppt
 
kisho-kurokawa-sony-tower.pptx بحث عن المعماري كيشو كورو كاوا
kisho-kurokawa-sony-tower.pptx بحث عن المعماري كيشو كورو كاواkisho-kurokawa-sony-tower.pptx بحث عن المعماري كيشو كورو كاوا
kisho-kurokawa-sony-tower.pptx بحث عن المعماري كيشو كورو كاوا
 
folk museum
folk museumfolk museum
folk museum
 
Raj rewal
Raj rewalRaj rewal
Raj rewal
 

Más de anjali s

Industrial waste
Industrial wasteIndustrial waste
Industrial wasteanjali s
 
IIMA - ARCHITECT LOUIS KHAN AND ANANT RAJE
IIMA - ARCHITECT LOUIS KHAN AND ANANT RAJE IIMA - ARCHITECT LOUIS KHAN AND ANANT RAJE
IIMA - ARCHITECT LOUIS KHAN AND ANANT RAJE anjali s
 
GIS - google earth -placemark - image overlay - screen overlay
GIS - google earth -placemark - image overlay - screen overlay GIS - google earth -placemark - image overlay - screen overlay
GIS - google earth -placemark - image overlay - screen overlay anjali s
 
Indian Institute of Management - ahmedabad -
Indian Institute of Management - ahmedabad - Indian Institute of Management - ahmedabad -
Indian Institute of Management - ahmedabad - anjali s
 
Sun temple Modhera , Gujarat
Sun temple Modhera , Gujarat Sun temple Modhera , Gujarat
Sun temple Modhera , Gujarat anjali s
 
Adalaj - the step well - gujarat
Adalaj - the step well - gujarat Adalaj - the step well - gujarat
Adalaj - the step well - gujarat anjali s
 
Sabarmathi Ashram
Sabarmathi AshramSabarmathi Ashram
Sabarmathi Ashramanjali s
 
Hawa mahal
Hawa mahalHawa mahal
Hawa mahalanjali s
 
ahmedabad's gufa - B V Doshi - gufa
ahmedabad's  gufa - B V Doshi - gufaahmedabad's  gufa - B V Doshi - gufa
ahmedabad's gufa - B V Doshi - gufaanjali s
 
Deconstructivism
DeconstructivismDeconstructivism
Deconstructivismanjali s
 
Transmission and distribution system of electricity
Transmission and distribution system of electricity Transmission and distribution system of electricity
Transmission and distribution system of electricity anjali s
 
Lightning protection system
Lightning protection system Lightning protection system
Lightning protection system anjali s
 
Outdoor lighting
Outdoor lightingOutdoor lighting
Outdoor lightinganjali s
 
Analysis of housing market in Mumbai - 2017 survey
Analysis of housing market in Mumbai -  2017 survey Analysis of housing market in Mumbai -  2017 survey
Analysis of housing market in Mumbai - 2017 survey anjali s
 
Sustainable architecture
Sustainable architectureSustainable architecture
Sustainable architectureanjali s
 
Plastics as a building material
Plastics as a building materialPlastics as a building material
Plastics as a building materialanjali s
 
Mud flooring
Mud flooringMud flooring
Mud flooringanjali s
 
Composite climate of India
Composite climate of India Composite climate of India
Composite climate of India anjali s
 
Swa architects - landscape architects
Swa architects - landscape architectsSwa architects - landscape architects
Swa architects - landscape architectsanjali s
 
Architect Ashok B Lall
Architect Ashok B LallArchitect Ashok B Lall
Architect Ashok B Lallanjali s
 

Más de anjali s (20)

Industrial waste
Industrial wasteIndustrial waste
Industrial waste
 
IIMA - ARCHITECT LOUIS KHAN AND ANANT RAJE
IIMA - ARCHITECT LOUIS KHAN AND ANANT RAJE IIMA - ARCHITECT LOUIS KHAN AND ANANT RAJE
IIMA - ARCHITECT LOUIS KHAN AND ANANT RAJE
 
GIS - google earth -placemark - image overlay - screen overlay
GIS - google earth -placemark - image overlay - screen overlay GIS - google earth -placemark - image overlay - screen overlay
GIS - google earth -placemark - image overlay - screen overlay
 
Indian Institute of Management - ahmedabad -
Indian Institute of Management - ahmedabad - Indian Institute of Management - ahmedabad -
Indian Institute of Management - ahmedabad -
 
Sun temple Modhera , Gujarat
Sun temple Modhera , Gujarat Sun temple Modhera , Gujarat
Sun temple Modhera , Gujarat
 
Adalaj - the step well - gujarat
Adalaj - the step well - gujarat Adalaj - the step well - gujarat
Adalaj - the step well - gujarat
 
Sabarmathi Ashram
Sabarmathi AshramSabarmathi Ashram
Sabarmathi Ashram
 
Hawa mahal
Hawa mahalHawa mahal
Hawa mahal
 
ahmedabad's gufa - B V Doshi - gufa
ahmedabad's  gufa - B V Doshi - gufaahmedabad's  gufa - B V Doshi - gufa
ahmedabad's gufa - B V Doshi - gufa
 
Deconstructivism
DeconstructivismDeconstructivism
Deconstructivism
 
Transmission and distribution system of electricity
Transmission and distribution system of electricity Transmission and distribution system of electricity
Transmission and distribution system of electricity
 
Lightning protection system
Lightning protection system Lightning protection system
Lightning protection system
 
Outdoor lighting
Outdoor lightingOutdoor lighting
Outdoor lighting
 
Analysis of housing market in Mumbai - 2017 survey
Analysis of housing market in Mumbai -  2017 survey Analysis of housing market in Mumbai -  2017 survey
Analysis of housing market in Mumbai - 2017 survey
 
Sustainable architecture
Sustainable architectureSustainable architecture
Sustainable architecture
 
Plastics as a building material
Plastics as a building materialPlastics as a building material
Plastics as a building material
 
Mud flooring
Mud flooringMud flooring
Mud flooring
 
Composite climate of India
Composite climate of India Composite climate of India
Composite climate of India
 
Swa architects - landscape architects
Swa architects - landscape architectsSwa architects - landscape architects
Swa architects - landscape architects
 
Architect Ashok B Lall
Architect Ashok B LallArchitect Ashok B Lall
Architect Ashok B Lall
 

Último

Interactive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communicationInteractive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communicationnomboosow
 
Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)eniolaolutunde
 
BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...
BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...
BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...Sapna Thakur
 
The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13Steve Thomason
 
Accessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactAccessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactdawncurless
 
Beyond the EU: DORA and NIS 2 Directive's Global Impact
Beyond the EU: DORA and NIS 2 Directive's Global ImpactBeyond the EU: DORA and NIS 2 Directive's Global Impact
Beyond the EU: DORA and NIS 2 Directive's Global ImpactPECB
 
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...fonyou31
 
The basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptxThe basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptxheathfieldcps1
 
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdfBASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdfSoniaTolstoy
 
Grant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingGrant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingTechSoup
 
Measures of Central Tendency: Mean, Median and Mode
Measures of Central Tendency: Mean, Median and ModeMeasures of Central Tendency: Mean, Median and Mode
Measures of Central Tendency: Mean, Median and ModeThiyagu K
 
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...Krashi Coaching
 
Disha NEET Physics Guide for classes 11 and 12.pdf
Disha NEET Physics Guide for classes 11 and 12.pdfDisha NEET Physics Guide for classes 11 and 12.pdf
Disha NEET Physics Guide for classes 11 and 12.pdfchloefrazer622
 
Sanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdfSanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdfsanyamsingh5019
 
Q4-W6-Restating Informational Text Grade 3
Q4-W6-Restating Informational Text Grade 3Q4-W6-Restating Informational Text Grade 3
Q4-W6-Restating Informational Text Grade 3JemimahLaneBuaron
 
1029-Danh muc Sach Giao Khoa khoi 6.pdf
1029-Danh muc Sach Giao Khoa khoi  6.pdf1029-Danh muc Sach Giao Khoa khoi  6.pdf
1029-Danh muc Sach Giao Khoa khoi 6.pdfQucHHunhnh
 
APM Welcome, APM North West Network Conference, Synergies Across Sectors
APM Welcome, APM North West Network Conference, Synergies Across SectorsAPM Welcome, APM North West Network Conference, Synergies Across Sectors
APM Welcome, APM North West Network Conference, Synergies Across SectorsAssociation for Project Management
 
Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111Sapana Sha
 

Último (20)

Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"
Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"
Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"
 
Interactive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communicationInteractive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communication
 
Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)
 
BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...
BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...
BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...
 
The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13
 
Accessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactAccessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impact
 
Beyond the EU: DORA and NIS 2 Directive's Global Impact
Beyond the EU: DORA and NIS 2 Directive's Global ImpactBeyond the EU: DORA and NIS 2 Directive's Global Impact
Beyond the EU: DORA and NIS 2 Directive's Global Impact
 
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
 
The basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptxThe basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptx
 
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdfBASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdf
 
Grant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingGrant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy Consulting
 
INDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptx
INDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptxINDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptx
INDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptx
 
Measures of Central Tendency: Mean, Median and Mode
Measures of Central Tendency: Mean, Median and ModeMeasures of Central Tendency: Mean, Median and Mode
Measures of Central Tendency: Mean, Median and Mode
 
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
 
Disha NEET Physics Guide for classes 11 and 12.pdf
Disha NEET Physics Guide for classes 11 and 12.pdfDisha NEET Physics Guide for classes 11 and 12.pdf
Disha NEET Physics Guide for classes 11 and 12.pdf
 
Sanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdfSanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdf
 
Q4-W6-Restating Informational Text Grade 3
Q4-W6-Restating Informational Text Grade 3Q4-W6-Restating Informational Text Grade 3
Q4-W6-Restating Informational Text Grade 3
 
1029-Danh muc Sach Giao Khoa khoi 6.pdf
1029-Danh muc Sach Giao Khoa khoi  6.pdf1029-Danh muc Sach Giao Khoa khoi  6.pdf
1029-Danh muc Sach Giao Khoa khoi 6.pdf
 
APM Welcome, APM North West Network Conference, Synergies Across Sectors
APM Welcome, APM North West Network Conference, Synergies Across SectorsAPM Welcome, APM North West Network Conference, Synergies Across Sectors
APM Welcome, APM North West Network Conference, Synergies Across Sectors
 
Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111
 

Achyut kanvinde

  • 2. Introduction ➢ Born in 1916, Achara , Maharashtra. ➢ 1935 Sir J.J. School of Art Studied ➢ Architecture under Claude Batley. ➢ 1945, in Harvard for master degree , with a thesis on science laboratories. ➢ 1947 appointed as the chief Architect of CSIR. ➢ Formed Kanvinde and Rai in 1955.
  • 3. Lifetime achievements ➢ Awarded Padma Shree in 1976. ➢ President IIA (1974-75) ➢ Co-authored book “ campus design in india”. ➢ IIA’s Babu Rao Mhatre gold medal for life time achievement in 1985. ➢ Great masters award from JK Industries Ltd. In 1993. ➢ Was also a part of the jury on the competition for the Indra Gandhi National Center for arts along wth B.V.Doshi.
  • 4. Influences – Claude batley-1941 Avoided the loud, revolutionary éclat of the machine-age. Follower of functionalism. – Walter gropius-1954 Gropius’sinsistence for using space as a tool for expressing universalhuman values was what left most lasting influence on his mind .
  • 6. Functionalism There buildings were always conceived with first priority given to its functions, and the social values when designing spaces . He rejected symmetry.
  • 7. Modern Architecture And Brutalism – Simplification of form and creation of ornament from the structure . – Elimination of unnecessary detail. – Visual expression of structure , as opposed to the hiding of structural elements – Brutalism is a child of modern architecture. – Typically very linear, fortress like and blockish, often with a predominance of concrete construction.
  • 8. Regionalism Local climate, Building materials and Social conditions Sound climatological principles.
  • 10. Introduction – LOCATION – on the Grand Trunk Road, 15 km west of Kanpur City – Constructed during 1960-1965 – Campus occupies a 1055 acre area. – The Academic Complex is located centrally at the site and free from traffic noise. – Academic buildings: 13 departments, PK Kelkar Library, Computer Centres faculty offices, laboratories and administrative buildings – Around 7000 students, 390 faculty, and 1000 staff members (and their families) reside on campus – No. of buildings: 108 – 10 boys hostel and 2 girls hostel – With Sports complex, Housing for faculty – The site is flat with the canal on one side and transportation route on the other side. – Pedestrian and vehicular traffic are completely segregated
  • 11.
  • 12. Concept and Ideology – The residential campus is planned and landscaped with a hope for environmental freedom. – Halls of residence, faculty and staff houses and community buildings surround the central academic area to provide flexibility in movement and communication. – Core Pedestrian island which consist of lecture halls surrounded by landscaping and water body forming the main focus of the campus. – The academic area is well connected by a long corridor which links all the major buildings – The academic area is set up in vicinity of Hostels to provide quick accessibility to students – Conventional type of buildings were designed as isolated islands of departments – Activities which students and faculties share are designed to encourage meeting and interaction
  • 13. Academic area Institute's Academic Area comprises academic buildings and facilities including the PK Kelkar Library, Computer Centre, National Wind Tunnel Facility and SIDBI (Small Industries Development Bank of India) Innovation and Incubation Centre. 1 It also houses faculty offices, laboratories and administrative buildings. 2 The academic area is connected by a long corridor which links all the major buildings 3
  • 14.
  • 16. PK KELKAR LIBRARY – Established in 1960 as Central Library. – Renamed as P.K. Kelkar Library in 2001. – Four-storied building (covered area: 5730 sq. m.) – Basement - 700 sq m – Ground floor - 700 sq m – First floor -1630 sq m – Second floor - 2700 sq m – Staff strength – 40 – Exposed brickwork - reduces maintenance costs and enhances aesthetic appeal – The library forms an important part of the whole complex. – It is a framed structure based on grid. – The whole building is built in R.C.C with a brick facade.
  • 17.
  • 18. MATERIALS In Kanpur, the local availability of high quality brick and the prevalent labour and construction practices made Kanvinde go for reinforced concrete for structural frames and brick as infill's. Reinforced-concrete post- and-slab construction, with a series of flat slab-floors and a flat roof-slab carried on concrete columns or posts
  • 19. IIT-K – The Bauhaus influence in Kanvinde’sstyle is clearly visiblein the buildings of IIT Kanpur. – Cubic shapes ,smooth, flat plain, undecorated surfaces ,complete eliminationof all mouldings and ornament ,flat roofs – Reveals the internal functions in a buildingas separate masses. – Arranged in ways that were functional from inside and elegant from outside. – Kanvinde stronglybelieved that the elevation of a structure should be defined by the functions inside.
  • 20.
  • 21.
  • 22. – Elevated pedestrian walkway – Sheltered and yet openness – Protection from hot sun yet allow breezes
  • 23.
  • 24. – THE NATIONAL WIND TUNNEL FACILITY – established in 1999 at IITK to meet the national needs in areas of aeronautical and non - aeronautical R and D activities, houses the most versatile and effective wind tunnel in India. It has various simulation and measurement systems, interchange able test sections and is capable of testing at wind speed up to 80 m/s
  • 25.
  • 26. COMPUTER CENTRE HOSTEL BLOCK HOUSING FOR FACULTY
  • 28. CONCLUSION – His works are generallyraw and unemotional.Yet he managed to make his designs appealing and welcoming. – His designswere distinct and unique yet having one thing similar- functionalism. – His designsappear to be built with a large amount of thought havingbeen given to making them functionally efficient and practically feasible. – Conventionaltype of buildingswere designedas isolated islands of departments. – Activities which students and faculties share are designed to encourage meeting and interaction.
  • 30. INTRODUCTION Contemporary museums are forms of open education and they have to meet the growing demand for more information, more communication and thereby more activity. One of the most fascinating contributions to the designing of scientific/technological museums is the “workshop centre”. Rather than an awesome display of exhibits with “do not touch” sign boards, and technical jargon, which offer nothing in visual terms besides being a scientific encyclopaedia, the workshop concept encourages public participation through visual demonstration. The Nehru Science Centre in Mumbai, is one such workshop, which involves the visitor in a scientific experience, giving him participative role in experiments, so that he/she no longer remains a mere spectator.
  • 31. LOCATION – The Nehru Science Centre is located off E. Moses road, Worli, Mumbai. The northern and western sides of the complex are surroundedbe slums makingit impossibleto link the structure with the planetariumon the western side. The entire complex spreads across a sloped marshyland covering about 8 acres. – The generalprogrammerequires13 acres of reclaimedland to accommodate15,000 sq. m. of built up space, comprisingof severalfunctions relatedto the museum.
  • 32. GOALS To sum up, the aim is to fulfil the receptivityof the mind and to create a space with variationand interest. The main object during the designis to arouse and stimulate interests of the human mind. Thecentrehascertain goals 1. To stimulate public awareness and interest in science and technology. 2. To co-operate with the education system in the provision of an education facility for illustrating the cultural significance relevant, and also the limitations of science and technology. 3. To promote the dissemination of knowledge of science and technology to all people with the co-operation of the scientific community and industry. 4. To act as a focus for scientific activities among surrounding regions.
  • 33. CONCEPT – Need artificiallightingfor effective presentationof exhibits, the ideaof forced ventilation emerged. – At the same time the idea of creatingspaces of a certain quality which helps the receptivityof the mind. – Apart from spatialorganization, the maindesign problem was to establish circulationof movement – A series of multi-directionalunits was created with largecolumn for free spaces
  • 34. ACTIVITIES 1. Exposition without walls – children’s science park with interactive exhibits of scientific phenomena,greenery and aviary. 2. Expositionwith walls – science for children, sound and hearing and sight, discovery and our heritage. 3. Educationalextension counter – mini planetarium,camp corners, creative ability centre, teachers’ training programmes, science fair, seminars,quiz, ‘I m a mother’ shows, film shows, popular lectures and many more.
  • 35. FUNCTIONS – This complex houses a varietyof activities and exhibits intended by the CSIR (Council of Scientific and IndustrialResearch) to popularize science and technology – A children’s museum with a demonstrationhall and facilities for education – A museum of the history of science, a hall of Industry and an outdoor science park – Discovery of India expositions, Art Gallery, Auditorium and Exhibition halls
  • 36.
  • 37.
  • 39. FEATURES – One of the most outstanding features of the Nehru Science Centre is the efficiency with which their services have been carried out. – The toilet block is placed on the rear side in such a way that all the pipes are concealed within the shaft. – The water tank has been suitably hidden between the tops of the ventilation shafts. – The restrictions on the number of windows in the exhibition halls has affected cross-ventilation. – Thus forced ventilation became necessary and it was preferred because the other alternative of air-conditioning the building was very expensive.
  • 40. Ventilation – The ventilation system is purely mechanical. – The centrifugal fans blow the air in through the vent shafts and the tube-axial fans provided at the exhaust. – Two blowers have been fitted at the terrace level. – These blowers are actually backward curved centrifugal fans with double width and double inlet. – These blowers suck the surrounding air through the R.C.C. louvers and force it down the galvanised iron duct in to the ventilation shafts. The shaft is a hollow tube measuring 2.3mX2.15m. The forced air is thrown in to each display area through an inlet at the roof level.
  • 41. DISADVANTAGES OF VENTILATION – The polluted air is thrown out from the exhibitionareas through an outlet at the floor level by means of tube axial fans mounted on top of each shaft. The ventilation system has the following disadvantages – – 1. The amount of air changes facilitated by the system does not achieve comfort levels. – 2. When forced air reaches the louver level the force exerted by the blowers on the air is considerably reduced. Thus one does not feel the fast air movement, which is necessary in a humid place like Bombay. – 3. The air inlets and outlets are placed just ten feet away from each other. – 4. Loud noise and vibrations are caused by the blowers in spite of the use of glass fibre lining on the ducts.
  • 43. INTERIORS – The number of exhibition halls, at various levels, is connected by staircaseblocks with illuminatedby skylights and other fully glazedpassageways. – But each exhibition hall with its massivearea of 500 sq. m. coupled with a heightof 4.0m projects an overwhelmingeffect on the young visitor. – The use of minimumnumber of windowshas given way to largedisplayareason the walls. This effect of a largevolume is brought down by hangingcolourful banners from the ceiling, though at some places it has been controlled and regulatedby stepping the roof slabs. – The split-levels used to maintainthe natural topography of the site has helped in achievingan effect of spatialorganisationand physical as well as visual divisionof large spaces. – The colour schemes of the exhibitionhall interiors consists of brightprimary colours used particularlyto attractchildren and initiatethem to the use of exhibits. – The colour of the ceiling is darkenedso that no attention is drawntowardsit.
  • 44. CIRCULATION – The circulationpattern broadlyfalls under two basic needs – the movementof people and that of the exhibits. – Visitors enter the mainhall on the first floor level of the B block through a flightof steps leadingfrom the landscapedforecourt. From the mainhall they are gradually routed through the exhibitionarea. – The circulationroute directs the public to the second floor from where they ascend viewingthe exhibits. – Through the central staircasein block B one ascends to the Discovery Hall. From here one moves on to block C reachingthe Hall of Nature. – The visitor then starts to descend in this block, passingthrough the Hall of Industries and HeritageHall to reach the ground floor level to the temporaryexhibition halls. – After exploring them, the visitor comes to the café lobby. – One climbs up to the entrance hall to exit from the stepped bridge.
  • 45. MATERIAL CIRCULATION – Material circulation is a very importantaspect of museum design,which is organised by bringing the material to be stored to the depositoryin the basementby a vehicular ramp. – The materials used in fabrication are sent to the workshop. – Material movementin the exhibition area is through a large freight lift in the central zone. – Supplies to the kitchen are also routed through the basementreceiving space.
  • 46. MATERIALS AND DISADVANTAGES The exterior surface of the structure, for low maintenance cost, is finishedwith LOCAL GREY STONE, GRITPLASTERWITH GREYCEMENT (1:1) panels created by making grooves on the grit plaster at certain intervals.The finish, although good in appearance has certain disadvantages,such as – – 1. The grooves left between the panels are not watertight and are a cause of heavy leakage during the monsoon. – 2. Rich mixture of cement has been used to cast large panels which have cracked due to expansionand contraction. Even these cracks are the cause of monsoon leakage. – 3. The grit plaster used does not hold on R.C.C. surface therefore patches of shot-crete fallen from a few places spoiling the elevation.
  • 47. STRUCTURAL SYSTEM As the site is reclaimed, since it was a marshy land, pile foundation had to be used. The structural system is conceived with structural supports placed at 12.0m c/c. These supports are made up of hollow 2.3mX2.15m L.C. concrete tube which functions both as structural components and conceal the air distribution system and the services. Large unobstructed spans were essential for the exhibition halls of the science centre. Therefore ribbed or waffle slab is used. The floor slab consists of 0.9mX0.9m fabricated or pre-cast R.C.C. waffle units.
  • 48. FORM
  • 49. EXTERNAL FORM AND STRUCTURE – The buildinglooks interestingwhen viewedfrom all the angles. It creates a sense of curiosity and mystery in the minds of the visitors. The science museum with its immense proportions and massingdoes not overpower the visitor’s senses. The shot-crete used gives a ruggedand stark look to the structure; verticaland horizontalgrooves are introduced.The buildinghas few windows minimisingthe elevationalfeatures and shafts have been skilfully used to addinterest to the elevation and have served in animatingthe skyline. – The Structure – The mainaccess to the structure is through a flightof shallow steps with an ascendingstepped bridgewhich opens into a spacious podiumon the first floor level of block B, instead of the conventional pattern of entering the structure at ground level
  • 50. This block houses the administrative and technical staff and the permanent office. Block A is connected to the first floor and ground floor level to block.BLOCK A The main entrance of the museum is a three-storey structure consisting of two hexagons connected by a rectangular staircase block. Each hexagon forms a display area of 500 sq. m. The first floor of this block houses the central hall and the hall of science. As one enters the entrance hall from the open air podium one sees a massive exhibit based on the principles of conservation of energy. Behind this exhibit is the main staircase leading to the other exhibition halls. On the right hand side of the entrance is the reception along with the souvenir shop and the waiting area. On the split level 1.3m higher than the entrance hall is the ‘Fun Science’ gallery housing interesting exhibits. Halls on the second floor are devoted to ‘Light and Sight’ and ‘Sound and Hearing’ exhibits. The third floor comprises of the ‘Discovery Hall’ and the computer section. The Discovery hall is connected by a passage to ‘The Hall of Nature’ in block C. these passages connecting different blocks are in the form of fully glazed corridors. On the ground floor of block B is the cafeteria and temporary exhibition gallery. The basement houses services such as the depository, kitchen and storage for the science museum. BLOCK B
  • 51. It is similar to block B and comprises of various display areas such as ‘Hall of Industries’ and the ‘C.V. Raman’ hall on the ground floor. ‘Evolution’ and ‘Heritage’ on the first floor, ‘Heritage’ and Activities Hall on the second floor and the hall of Nature on the third floor. BLOCK C It houses the auditorium, library and conference hall. It has an independent access, which leads to a common entrance for both the library and the auditorium. The entrance doors are very narrow and at 45 degree angle causing great inconvenience to the visitors. BLOCK D
  • 52. FORM AND FUNCTION – It is in cylindrical form – The service zone is located at the lowest level, accessible to vehicles. – The main entry is 18-20m wide and tunnel shaped – The dome is providedto show the entry – The sun shade is in an elliptical manner
  • 53. FORM AND FUNCTION – Circulation has been defined so that visitorsreturn to entry level and can proceed to the cafeteria and other social facilities at ground level. – Ventilation to all areas is ensuredby a blower system. – The structural system is in waffle slab and the structural columns at 12m centers house the ventilationshafts.
  • 54. AREA STATEMENT Spaces Area (sq. m.) Administrative block Entrance hall 30 General staff 110 Meeting room 25 Technical officer 12 Director's office 35 Administrative office 30 Toilets 20 Store 20 Temporary workshop Fabrication room 240 Assembly hall 270 Cabins (4 nos.) 40 each Residential accomodation Staff (6 nos.) 50 each Visitors (10 nos.) 12.5 each Ladies' dormitory 70 Gents' dormitory 100 Security booth (3 nos.) 10 each Snack counter (35 people) 100 Visitors' toilets
  • 55. Science museum Entrance podium 40 Entrance lobby 350 Ticket booth 15 Science hall Science for children 500 Evolution 500 Vintage car 500 Display halls Light and Sight 300 Sound and Hearing 500 Hall of Industries 500 Raman's achievements 300 Our Heritage I and II 300 Hall of Activities I (Discovery) 300 Hall of Activities II (Nature) 300 Auditorium Entrance hall 125 Sitting for 250 300 Projection room 12 Stage and store 65 Library 270 Conference room 30 Cafeteria 150 Kitchenette and pantry 50 Total built-uparea = 6291 sq. m. Total plot area = 32,376 sq. m. Therefore ratio = 1:5
  • 56. Thank you - Anjali Anand - Anjali.S - Chandramani - Swathi - Gangadhar - Juveria - Aamir - Shambhavi - Shreyas - Sunita