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Elements &Principles of Landscape Design
The Elements of Design
The 5 basic elements of landscape design are:
The building blocks or ingredients of art.
COLOR
VVAALLUUEE
LINE of SIGHT
A mark with length and direction.
A continuous mark made on a surface by a moving
point.
The line of sight is the viewer's eye
movement or flow being influenced by
the arrangement of plants and their
borders.
Eye movement is unconsciously affected
by the way plant groupings fit or flow
together, both on the horizontal and
vertical planes.
LINE of SIGHT
Meandering lines or curves
show movement and create a
natural, undisturbed feeling.
Hedges or rows of plants direct the
attention to a focal point or
specific area.
Consists of Hue (another word for color), Intensity
(brightness) and Value (lightness or darkness).
Color theory is often used in landscape design by
dividing the color spectrum into 4 categories:
PRIMARY: reds, yellows and blues.
SECONDARY: greens, violets (purples) and oranges.
TERTIARY: Mixtures of the primary and secondary
categories.
COLORCOLOR
SHAPE and FORM
An enclosed area defined and determined
by other art elements; 2-dimensional is a
SHAPE
A 3-dimensional object;or something in a 2-
dimensional artwork that appears to be 3-
dimensional is a FORM
For example, a square, which is 2-dimensional, is a
shape, but a cube, which is 3-dimensional, is a form.
•Tall plants create a
vertical look, drawing the
eye upward.
•Low spreading plants
draw the eye to the
horizon.
•Use individual specimen
plants to break monotony
and create interest.
•A mixture of a variety of
form becomes confusing.
Space in art refers to the distance or area between, around,
above, below, or within elements. Both positive and negative
space are important factors to be considered in every design.
Foreground, Middleground and
Background (creates DEPTH)
S P A C ES P A C E
Positive and Negative space
TEXTURETEXTURE
The surface quality or "feel" of an object, its smoothness,
roughness, softness, etc. Textures may be actual or implied.
The texture of a plant's foliage or bloom can be viewed as
coarse, medium or fine
Mix plants with larger leaves (coarse texture) and smaller
leaves (fine texture) to avoid monotony in a planting bed and
to add visual interest.
The greater the distance the plant is, the smoother the texture
appears to be.
What we use to
organize the
Elements of Art, or
the tools to make art.
The laws of designing
The visual relationship of the landscape components, relative to size.
BALANCE
Symmetrical – the repeating of the
elements on either side of an axis
(an imaginary central line)
Asymmetrical – equal size or
weight on both sides of the axis,
without repeating specific elements
EMPHASIS
The focal POINT of an
image, or when one area
or thing stand out the
most.
CONTRA
ST
A large difference
between two things to
create interest and
tension.
RHYTHM & MOVEMENT
A regular repetition or alteration of elements to
produce the look and feel of movement.
PATTERN
Repetition or alteration of
elements.
When all the
elements and
principles work
together to create a
pleasing image.
UNITY
P
R
O
P
O
R
T
I
O
N
The comparative
relationship of one
part to another with
respect to size,
quantity, or degree;
SCALE.
VARIETY
The use of differences
and change to increase
the visual interest of
the work.

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Elements and principles

  • 1. Elements &Principles of Landscape Design
  • 2. The Elements of Design The 5 basic elements of landscape design are: The building blocks or ingredients of art. COLOR VVAALLUUEE
  • 3. LINE of SIGHT A mark with length and direction. A continuous mark made on a surface by a moving point. The line of sight is the viewer's eye movement or flow being influenced by the arrangement of plants and their borders. Eye movement is unconsciously affected by the way plant groupings fit or flow together, both on the horizontal and vertical planes.
  • 4. LINE of SIGHT Meandering lines or curves show movement and create a natural, undisturbed feeling. Hedges or rows of plants direct the attention to a focal point or specific area.
  • 5. Consists of Hue (another word for color), Intensity (brightness) and Value (lightness or darkness). Color theory is often used in landscape design by dividing the color spectrum into 4 categories: PRIMARY: reds, yellows and blues. SECONDARY: greens, violets (purples) and oranges. TERTIARY: Mixtures of the primary and secondary categories. COLORCOLOR
  • 6.
  • 7. SHAPE and FORM An enclosed area defined and determined by other art elements; 2-dimensional is a SHAPE A 3-dimensional object;or something in a 2- dimensional artwork that appears to be 3- dimensional is a FORM For example, a square, which is 2-dimensional, is a shape, but a cube, which is 3-dimensional, is a form.
  • 8. •Tall plants create a vertical look, drawing the eye upward. •Low spreading plants draw the eye to the horizon. •Use individual specimen plants to break monotony and create interest. •A mixture of a variety of form becomes confusing.
  • 9. Space in art refers to the distance or area between, around, above, below, or within elements. Both positive and negative space are important factors to be considered in every design. Foreground, Middleground and Background (creates DEPTH) S P A C ES P A C E Positive and Negative space
  • 10. TEXTURETEXTURE The surface quality or "feel" of an object, its smoothness, roughness, softness, etc. Textures may be actual or implied. The texture of a plant's foliage or bloom can be viewed as coarse, medium or fine Mix plants with larger leaves (coarse texture) and smaller leaves (fine texture) to avoid monotony in a planting bed and to add visual interest. The greater the distance the plant is, the smoother the texture appears to be.
  • 11. What we use to organize the Elements of Art, or the tools to make art. The laws of designing
  • 12. The visual relationship of the landscape components, relative to size. BALANCE Symmetrical – the repeating of the elements on either side of an axis (an imaginary central line) Asymmetrical – equal size or weight on both sides of the axis, without repeating specific elements
  • 13. EMPHASIS The focal POINT of an image, or when one area or thing stand out the most. CONTRA ST A large difference between two things to create interest and tension.
  • 14. RHYTHM & MOVEMENT A regular repetition or alteration of elements to produce the look and feel of movement.
  • 15. PATTERN Repetition or alteration of elements. When all the elements and principles work together to create a pleasing image. UNITY
  • 16. P R O P O R T I O N The comparative relationship of one part to another with respect to size, quantity, or degree; SCALE. VARIETY The use of differences and change to increase the visual interest of the work.