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FABERGE EGGS
 Easter is the most joyful celebration of the Orthodox faith in
Russia.
 After church services, families gather to exchange gifts of
decorated eggs, symbols of renewed life and hope.
 The Easter of 1885 marked the twentieth anniversary of Czar
Alexander III and Czarina Maria Fedorovna, and the Czar needed
an exceptional gift for his wife.
 He commissioned a young jeweler, Peter Carl Faberge, who’s
work had recently caught his wife’s eye.
 On Easter morning, Faberge delivered to the palace what
appeared to be a simple enameled egg.
 To the delight of the Empress, inside was a golden yolk; within
the yolk was a golden hen; and concealed within the hen was a
diamond miniature of the royal crown and a tiny ruby egg.
 His wife’s delight was all that Czar needed to reward Faberge with
an egg commission every year.
 The requirements were straightforward:
 each egg must be unique
 Each must contain a suitable surprise for the Empress
 With consummate craftsmanship and an inventive spirit, Faberge
repeatedly met the challenge, borrowing inspiration from the
gilded lives of Czar and Czarina.
 In October of 1894 the Czar’s health failed.
 He died suddenly in the prime of life and his son Nicholas II
ascended the throne.
 Not prepared to be a Czar, Nicholas decided to just continue on
with all the things his father had done, including the tradition of
the Easter Egg.
 Nicholas continued the commission for his mother’s egg and
added another order for his new wife, Czarina Alexandrea
Fedorovan.
 So imaginatively conceived and opulently executed, Faberge’s
work elevated jewelry to a decorative art unequaled since the
Renaissance.
 At the 1900 World Exhibition in Paris, the Imperial eggs were
shown in public for the first time.
 The eggs astounded the jury, which showered Faberge with
honors and his fame spread throughout Europe.
 Faberge’s workshops became flooded with commissions,
transforming an ordinary goldsmith shop into the famous “House
of Faberge.”
 Year by year, Faberge’s Imperial Easter Eggs reached new
heights of invention and extravagance, expressions in miniature
of the imperial privilege.
 Ultimately, these eggs would become painful reminders of the
tragic events to come.
 All of the elements of the Romanov story came together most
elegantly in the Fifteenth Anniversary egg (1911).
 It was a family album just over five inches tall.
 Exquisitely detailed paintings depicted the most notable events of
the reign of Nicholas II and each of the family members.
 There are his five children, all these sort of glamorous events
surrounding their lives, and there they are looking happy and
unknowing what was going to happen to them just a few years
later.
 During the first months of Russia’s involvement in World War I,
the simmering discontent of the troubled nation is cooled by
patriotic unity in defense of the motherland.
 Russia’s dismal economic conditions made it impossible for
Nicholas to sustain the war effort against powerful, industrialized
Germany.
 By 1917, famine threatened the country, riots and strikes
demanding bread were common in Moscow and St. Petersburg.
 When the Imperial troops joined the demonstrators, the
government collapsed to the revolution.
 On March 15th with neither the support of the people n0r the
aristocracy, Nicolas was forced to resign.
 The next day a decree was passed, ordering the arrest of
Nicholas II and all other members of the Romanov family.
 The Czar and his family were eventually removed to Siberia
where they were held captive for over a year.
 On July 17th, 1918 Nicholas, his wife, and his five children were
hearded into a basement and executed.
 Of the immidiate family, only Nicholas’ mother escaped the
assassins.
 As she made a hasty departure from her homeland, she brought
with her the Order of St. George egg, the last Faberge Imperial
Easter egg she would ever receive from her son.

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Faberge egg ppt

  • 2.  Easter is the most joyful celebration of the Orthodox faith in Russia.  After church services, families gather to exchange gifts of decorated eggs, symbols of renewed life and hope.  The Easter of 1885 marked the twentieth anniversary of Czar Alexander III and Czarina Maria Fedorovna, and the Czar needed an exceptional gift for his wife.  He commissioned a young jeweler, Peter Carl Faberge, who’s work had recently caught his wife’s eye.  On Easter morning, Faberge delivered to the palace what appeared to be a simple enameled egg.  To the delight of the Empress, inside was a golden yolk; within the yolk was a golden hen; and concealed within the hen was a diamond miniature of the royal crown and a tiny ruby egg.
  • 3.
  • 4.  His wife’s delight was all that Czar needed to reward Faberge with an egg commission every year.  The requirements were straightforward:  each egg must be unique  Each must contain a suitable surprise for the Empress  With consummate craftsmanship and an inventive spirit, Faberge repeatedly met the challenge, borrowing inspiration from the gilded lives of Czar and Czarina.  In October of 1894 the Czar’s health failed.  He died suddenly in the prime of life and his son Nicholas II ascended the throne.  Not prepared to be a Czar, Nicholas decided to just continue on with all the things his father had done, including the tradition of the Easter Egg.
  • 5.
  • 6.  Nicholas continued the commission for his mother’s egg and added another order for his new wife, Czarina Alexandrea Fedorovan.  So imaginatively conceived and opulently executed, Faberge’s work elevated jewelry to a decorative art unequaled since the Renaissance.  At the 1900 World Exhibition in Paris, the Imperial eggs were shown in public for the first time.  The eggs astounded the jury, which showered Faberge with honors and his fame spread throughout Europe.  Faberge’s workshops became flooded with commissions, transforming an ordinary goldsmith shop into the famous “House of Faberge.”  Year by year, Faberge’s Imperial Easter Eggs reached new heights of invention and extravagance, expressions in miniature of the imperial privilege.  Ultimately, these eggs would become painful reminders of the tragic events to come.
  • 7.  All of the elements of the Romanov story came together most elegantly in the Fifteenth Anniversary egg (1911).  It was a family album just over five inches tall.  Exquisitely detailed paintings depicted the most notable events of the reign of Nicholas II and each of the family members.  There are his five children, all these sort of glamorous events surrounding their lives, and there they are looking happy and unknowing what was going to happen to them just a few years later.
  • 8.  During the first months of Russia’s involvement in World War I, the simmering discontent of the troubled nation is cooled by patriotic unity in defense of the motherland.  Russia’s dismal economic conditions made it impossible for Nicholas to sustain the war effort against powerful, industrialized Germany.  By 1917, famine threatened the country, riots and strikes demanding bread were common in Moscow and St. Petersburg.  When the Imperial troops joined the demonstrators, the government collapsed to the revolution.  On March 15th with neither the support of the people n0r the aristocracy, Nicolas was forced to resign.
  • 9.  The next day a decree was passed, ordering the arrest of Nicholas II and all other members of the Romanov family.  The Czar and his family were eventually removed to Siberia where they were held captive for over a year.  On July 17th, 1918 Nicholas, his wife, and his five children were hearded into a basement and executed.  Of the immidiate family, only Nicholas’ mother escaped the assassins.  As she made a hasty departure from her homeland, she brought with her the Order of St. George egg, the last Faberge Imperial Easter egg she would ever receive from her son.