6. RECORDING STUDIO: NEW ORLEANS, LOUISIANA
A five week project design of a jazz recording studio. The program consisted of the design of the entry/reception area,
studio, lounge and connecting hallways.
The challenge presented with this project was to express the vibrant character and light quality of New Orleans through the
selection of colors and materials while also remebering the impact that hurricane Katrina had on the music community.
Installation at reception desk by artist Cornelia
Parker commemorating the rich history and
heritage of jazz musicians in New Orleans.
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Reception Lobby
2
The reception walls abstractly acknowledge the waterline of Hurricane Katrina.
1 Reception
2 Lounge
3 Studio
4 Control Room
3 4
Reception Lobby
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8. Commissioned wall mural in studio lobby by artsist Mark
Evans known for his carved leather murals. The mural is a
focal point upon entering the recording studio.
Studio Lobby Lounge
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11. LEHIGH VALLEY HOSPITAL: A PLACE FOR REFLECTION
A three week project designing a space for quiet reflection that could appeal to any culture or religion. The space
occupies the second floor of Lehigh Valley Hospital in Allentown, Pennsylvania. The challenge of this project was to design an
interfaith reflective space through form making and light.
The basis for the concept was formed through thinking about spiritual spaces in the natural world, specifically mountains and Finishes
sunrises. These inspired the forms of enclosure and light creating a peaceful respite where users could reflect.
Early concept models
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14. WUSS RADIO STATION OFFICE PROJECT: NEW YORK
A three week project designing the offices of WUSS radio station owned by a large media corporation CMC (Carousel
Media Corporation). Two floors have been leased to occupy the station on the 20th and 21st floor of a Manhattan office tower.
The design was inspired by the genre of music chosen (world music) as well as programmatic requirements, including studio
space for live broadcasts, studio space for live audiences, executive offices and support staff.
Reception
20th Floor 21st Floor
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18. LUXURY BATH VILLA: BERGAMO, ITALY
A three week project designing the inner courtyard of a 450 year old villa in the Lombard region of Italy. The villa enclosed
several courtyards, for this project one was chosen to surround a luxurious bath and garden adjacent to the clients bedroom.
The owners of this villa, an affluent couple with idiosyncratic interests; required a dressing room as well as garden areas for
meditation, sunning and lounging.
3
2
4
1
1 Dressing
2 Bathroom
3 Outdoor Terrace
4 Sunning/ Fencing Space
history
I was particularly inspired by the eccentric interests of
the couple while designing the spaces. I wanted to develop
ways in which the spaces, detailing and materials reflected
the couple’s personalities, lifestyle and realtionship. The
male was a Swedish industrialist that enjoyed theatrical
productions, swordsmanship and medieval magic. His wife
was a tempermental Chilean stage actress who enjoyed body
light
art and Arabic calligraphy.
-A small bridge connecting the indoor bath and the the outdoor
space inspired by the clients love for medieval castles.
pattern
-An elevated shaded area with filtered sunlight allows for the
clients lounging and creates natural body art via the sun and
arabic geometric pattern overhead.
transparency
shadow
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19. The dressing room has his and her areas with a
Dressing Room
makeup vanity and clothing and shoe storage.
Exterior View
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20. The bathroom features a
mosaic tile portrait of the
client on the main bathroom
wall and a replicated and
scaled down geometric
pattern screen over the tub
that is lit from behind.
Luxury Bathroom
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23. PERUTOPIA RETAIL SHOP: BROOKLYN, NY
A two semester project that began with the selection of the site, program and ultimately the concept for the design of
the space. The site is near a waterfront in Brooklyn, NY chosen for its proximity to a park and scenic views. The goal of this
project was to create a retail destination that encouraged gathering, learning and shopping. As a destination, the program
contained a cafe, a gallery/exhibition space and a workshop where weaving methods would be taught.
The building presented a unique design opportunity as it was previously a coal burning industrial warehouse. A 72 ft. trough
remained spanning most of the space. I imagined the trough as an oversived weaving loom running throughout, relating the
space to the products and concept.
Ground Floor
Mezzanine
The products sold are made by Peruvian women using ancient and modern weaving techniques. These techniques along
with the ancient terracing Peruvian ruins of Machu Picchu inspired the design of the interior.
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24. T he building is divided into three key spaces for
gathering, shopping and learning. Each space is visually
connected, but separated via vertical circulation. The
entrance contained the gallery, cafe and terraced display
under a ceiling of woven ropes. The sales floor is on the
main level along with the cashwrap and support spaces.
Lastly, the workshop is on the mezzanine overlooking
the salesfloor.
East-facing Section
South-facing Section North-facing Section
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25. The gallery is a space where vistors are
introduced to the brand and the story
behind the products in the store. It is
also a space where Peruvian artists will
be featured.
Fitting Room
Gallery
Sales floor
Cashwrap Fixtures
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27. DIGITAL TEXTILE DESIGN FOR CONTRACT USE
A six week project designing three textile patterns at three scales, creating color lines and explaining underlying
inspirations for each.
My inspiration came from the architecture and concept of my retail destination project. When looking at the section of the
building, I was inspired by the trough structure and I used it to make a large and medium scale pattern. The small scale pattern
was inspired by threads that become unwoven, resulting in wavy lines.
As a collection, this design would best be used for hospitality.
The patterns were created using half drop,
overlays and all-over pattern design techniques.
Cut pile Fabric
Woven Fabric
Woven Fabric
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