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(   Creative cities
    The role of knowing communities in
    Montreal
                                                                      )
                                                             id
                                                             Campus


    Emilie Pawlak - Colloque SPI+ - 13 et 14 Novembre 2011
(   Economic context
                                                                                       )
⊛ The creative economy is based on a new developmental paradigm that links business,
  culture, Arts and technology (UN Report, 2008)

⊛ New sources of value creation lie at the interface between creativity, culture and
  economics

⊛ Creative capital: complex to define because various dimensions, no direct link
  between creative endeavor and economic outcomes => result from the interplay of
  social, cultural and institutional capital

⊛ The collaboration curve surpassed the experience curve
⊛ Agglomeration economies stem from diversity - there is an advantage to produce
  something distinctive linked to local specificities (Gertler, 2004)

⊛ Creativity and innovation: situated phenomenon (time and place)
(    Creative cities:
     some characteristics
⊛ Ability to attract specific skills and not only human capital in general (“creative class”)
   (Florida, 2000)
                                                                                                   )
⊛ Different from a cluster of economic activities (Scott, 2006)
  ⊛ dense networks of specialized producers vertically disintegrated that offer many options
     to combine and generate innovation ideas, rules, products services...

  ⊛ Labor market developed around groups of interrelated firms, project-oriented activities
     favor cross fertilization and diversification of competencies for workers

  ⊛ Creative field   (urban and regional) "the locationally-differentiated web of production
     activities and associated social relationships that shapes geographic patterns of
     entrepreneurship and innovation in the new economy."(Scott)

⊛ Absorptive capacities (Cohen & Levinthal, 1990); creativity and innovation in cities enable to
   create knowledge but also to develop a capacity to learn from external sources

⊛ Different from cultural cities: firms, communities and individuals that can create new
   combinations, new rules...
(    Creativity in cities:
     Dynamics
                                                                                                  )
⊛ Innovation and creative intensity rely on a locally embedded dynamic process
  embracing knowledge, creation, innovation and markets.

⊛ Individual and communities’ creative activities (cultural, technological, artistic...)
  nourish innovation conducted in organizations

⊛ Innovative ideas, best practices developed and brought to market by organizations
  (firms, universities...) can be transformed, exploited, reinterpreted by knowing and
  creative communities

                  Knowledge                  Creativity               Innovation
                   Individuals              Networks                  Projects
    S&T
                  MicroCommunities         Communities              Organizations
    Users
                                     Diversity and heterogeneity   Standardization      Markets
    Society
    Context                                  Openness              Appropriation (IP)
(     Montreal


                                                        )
      Arts-Culture and Technology
      Connections




                       Overall    Overall    Overall
Overall Creativity
                     Technology    Talent   Tolerance
     Index
                      Ranking     Ranking    Ranking

    1 -Seattle           1           4         1
    2 -Boston            5           1         4
  3 - Vancouver          3           5         3

  4 - Montreal           7           8         1

 5 - Los Angeles         2           7         6

  6 - New York          10           2         7
(   Montreal:
    Diversified Ecology of Knowledge
                              ⊛ Industrial Clusters: Aeronautic,
                                                                    )
                                Biotech, IT (large firms and
                                numerous SMEs)

                              ⊛ Creative industries: video games,
                                advertising, performing Arts,
                                filmmaking, fashion

                              ⊛ Developed Local science system
                                (major universities, +200 R&D
                                centers...)

                              ⊛ developed artistic underground

    How do these actors connect, learn and interact?
(   Places and spaces

⊛ Thematic districts and places have been created to support exchange
                                                                               )
    and cross fertilization.

⊛ La Tohu: place for circus arts training, creation, production and
    performance; National Circus School; founded by CdS

⊛ SAT (Society for Arts and Technology): transdisciplinary center
    dedicated to research and creation, production, education, and the
    dissemination of digital culture. Located in the Quartier des Spectacles

⊛ e-commerce Place: building led by IBM and welcoming technology-
    driven businesses

⊛ House of Jazz Festival: concert venue, restaurant, jazz resource center
    and cinematheque

⊛ INGO innovation center: incubation and R&D center for high tech
    companies located in the innovation district close to Tech School and
    McGill University
(   Project and events
                                                                    )
⊛ Montreal, City of Festivals: Jazz, Humor, Circus, International
    Film, Fashion Week, etc

⊛ Montreal Mode (fashion map, sustainable style)
⊛ Culture Montreal: research, analysis and communication
    activities.

⊛ Montreal UNESCO City of design (5th year)
⊛ 1st Canada-EU Collaboration Forum (may 2011)
(   Beyond traditional
    (locational) success factors
    ⊛ Montreal as a diversified ecology of knowledge
                                                                                   )
    ⊛ Numerous Relational Spaces have been created to foster innovation and
        cross fertilization (urbanism and interaction places

    ⊛ Things happen! In Montreal,      numerous projects and events

        ⊛ favor a good circulation of knowledge and ideas; bring diversity and
        ⊛   contribute to City branding and promotion

    ⊛ Knowing communities (CoP, epistemic communities, artistic
        communities...) as active units and channels for creation and innovation

    ⊛    Strong public leadership: local and regional authorities have played a
        central role in the emergence of Montreal and Barcelona as major
        creative cities

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Liege2011 Emilie Pawlak

  • 1. ( Creative cities The role of knowing communities in Montreal ) id Campus Emilie Pawlak - Colloque SPI+ - 13 et 14 Novembre 2011
  • 2. ( Economic context ) ⊛ The creative economy is based on a new developmental paradigm that links business, culture, Arts and technology (UN Report, 2008) ⊛ New sources of value creation lie at the interface between creativity, culture and economics ⊛ Creative capital: complex to define because various dimensions, no direct link between creative endeavor and economic outcomes => result from the interplay of social, cultural and institutional capital ⊛ The collaboration curve surpassed the experience curve ⊛ Agglomeration economies stem from diversity - there is an advantage to produce something distinctive linked to local specificities (Gertler, 2004) ⊛ Creativity and innovation: situated phenomenon (time and place)
  • 3. ( Creative cities: some characteristics ⊛ Ability to attract specific skills and not only human capital in general (“creative class”) (Florida, 2000) ) ⊛ Different from a cluster of economic activities (Scott, 2006) ⊛ dense networks of specialized producers vertically disintegrated that offer many options to combine and generate innovation ideas, rules, products services... ⊛ Labor market developed around groups of interrelated firms, project-oriented activities favor cross fertilization and diversification of competencies for workers ⊛ Creative field (urban and regional) "the locationally-differentiated web of production activities and associated social relationships that shapes geographic patterns of entrepreneurship and innovation in the new economy."(Scott) ⊛ Absorptive capacities (Cohen & Levinthal, 1990); creativity and innovation in cities enable to create knowledge but also to develop a capacity to learn from external sources ⊛ Different from cultural cities: firms, communities and individuals that can create new combinations, new rules...
  • 4. ( Creativity in cities: Dynamics ) ⊛ Innovation and creative intensity rely on a locally embedded dynamic process embracing knowledge, creation, innovation and markets. ⊛ Individual and communities’ creative activities (cultural, technological, artistic...) nourish innovation conducted in organizations ⊛ Innovative ideas, best practices developed and brought to market by organizations (firms, universities...) can be transformed, exploited, reinterpreted by knowing and creative communities Knowledge Creativity Innovation Individuals Networks Projects S&T MicroCommunities Communities Organizations Users Diversity and heterogeneity Standardization Markets Society Context Openness Appropriation (IP)
  • 5. ( Montreal ) Arts-Culture and Technology Connections Overall Overall Overall Overall Creativity Technology Talent Tolerance Index Ranking Ranking Ranking 1 -Seattle 1 4 1 2 -Boston 5 1 4 3 - Vancouver 3 5 3 4 - Montreal 7 8 1 5 - Los Angeles 2 7 6 6 - New York 10 2 7
  • 6. ( Montreal: Diversified Ecology of Knowledge ⊛ Industrial Clusters: Aeronautic, ) Biotech, IT (large firms and numerous SMEs) ⊛ Creative industries: video games, advertising, performing Arts, filmmaking, fashion ⊛ Developed Local science system (major universities, +200 R&D centers...) ⊛ developed artistic underground How do these actors connect, learn and interact?
  • 7. ( Places and spaces ⊛ Thematic districts and places have been created to support exchange ) and cross fertilization. ⊛ La Tohu: place for circus arts training, creation, production and performance; National Circus School; founded by CdS ⊛ SAT (Society for Arts and Technology): transdisciplinary center dedicated to research and creation, production, education, and the dissemination of digital culture. Located in the Quartier des Spectacles ⊛ e-commerce Place: building led by IBM and welcoming technology- driven businesses ⊛ House of Jazz Festival: concert venue, restaurant, jazz resource center and cinematheque ⊛ INGO innovation center: incubation and R&D center for high tech companies located in the innovation district close to Tech School and McGill University
  • 8. ( Project and events ) ⊛ Montreal, City of Festivals: Jazz, Humor, Circus, International Film, Fashion Week, etc ⊛ Montreal Mode (fashion map, sustainable style) ⊛ Culture Montreal: research, analysis and communication activities. ⊛ Montreal UNESCO City of design (5th year) ⊛ 1st Canada-EU Collaboration Forum (may 2011)
  • 9. ( Beyond traditional (locational) success factors ⊛ Montreal as a diversified ecology of knowledge ) ⊛ Numerous Relational Spaces have been created to foster innovation and cross fertilization (urbanism and interaction places ⊛ Things happen! In Montreal, numerous projects and events ⊛ favor a good circulation of knowledge and ideas; bring diversity and ⊛ contribute to City branding and promotion ⊛ Knowing communities (CoP, epistemic communities, artistic communities...) as active units and channels for creation and innovation ⊛ Strong public leadership: local and regional authorities have played a central role in the emergence of Montreal and Barcelona as major creative cities