2. Robertson, J., & McDaniel, C. (2017). Themes of contemporary art:
Visual art after 1980 (4th ed.). Oxford University Press.
The Body
Beauty and Grotesque
Performance
Sexualised - The Gaze: (Lacan and Mulvey)
Posthuman
3. The Body
• Gender
• Class
• Race
• Culture
• Sexual orientation
• Generation/age
• Language
• Religion
• Political
• Ethics/Morality
• Social position
• Marital status
• Geography/country
• Suburb-City-State-Nation-Regio
AND..
• ..let’s remember that identifying as an artist
brings with it a complex
history/protocols/tropes…Adrian PIPER | Catalysis III, IV 1970
4. Antony GORMLEY (British b. 1950)
Still Standing 2011
Intervention, Hermitage Museum, St Petersburg
5. Venus of Willendorf; c. 28,000 BP
(the Gravettian period); limestone with ochre
coloring; Naturhistorisches Museum (Vienna,
Austria)
Tassel Gwion Gwion Figures; c.17,500 -5000 BP
Drysdale National Park, Photo: BAC & Mark Jones
17. Megan ARCHER
(New Zealand, b.1988)
Digital Bodies, 2018
Oil on canvas | c.100x100cm
Moon RIBAS (Spanish b 1985)
and Neil HARBISSON (British-Irish b.1984)
18. Week 3 Reflection
Prepare for class by reviewing the resources in the
Week 3 folder and considering the following questions:
•What vision of the body is being proposed by each
work?
•How is the body being used as a point of reference?
•Are essentialist notions of bodily identity being
challenged or fostered by the work?
Make notes in your blog and bring your observations
and questions to class.Sarah LUCAS
Honey Pie
Exhibition view, Sadie Coles HQ, London,
2020
19. 2.3 BODYWORK (Homework Task)
Produce a work (or works) derived from a
bodily action. The works should not depict
your body, but rather embody its physical
qualities of movement, proportion,
materiality, form.
Feedback Session: Week 5 Tutorial
Hannah BRONTE
(Wakka Wakka/Yaegal b. 1991)
Heala, 2018
Mixed media installation with video
20. 2.2 BACKGROUNDING (Homework Task)
Consider your family and/or cultural
background. What kind of processes do you
connect with this background (eg. cultural
practices, traditions, habits, routines, rituals,
mannerisms, language, etc) Identify a single
PROCESS from your background and use this
as the basis of an artwork (4hrs)
Feedback Session: Week 3 Tutorial
Kara WALKER
Fons Americanus, 2019
Turbine Hall Commission, Tate Modern, UK,