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KVB127 Visual Art Open Studio 2
Week 7: Place
Robertson, J., & McDaniel, C. (2017). Themes of contemporary art:
Visual art after 1980 (4th ed.). Oxford University Press.
Place
Contemporary artists who make art that addresses the theme
of place can be:
• responding to specific scenes, environments and
ecosystems;
• trying to capture the appearance or feeling of places from
memory;
• inventing imaginary places;
• grappling with ideas of place in a conceptual way.
Mark DION and
the Chicago Urban Ecology Action Group
1992-3
Robert SMITHSON
(American 1938-1973)
Chalk Mirror Displacement, 1969
MICHAEL ASHER
(American b.1943)
Exhibition at Clare Copley Gallery, Los Angeles, 1974
Julie MEHRETU (Ethiopian-American b.1970)
Black City, 2007, Ink and acrylic on canvas
Emily Kame KNGWARREYE
(Anmatyerre 1910-1996)
Big Yam Dreaming, 1996
Acrylic on canvas
Leanne FAILLA (Australian b.)
Every Object in my House (in paper), 2017
c3 artspace, Abbotsford Convent, Melbourne; paper
Louise PARAMOR
Show Court 3
Rod Laver Arena, Melbourne
(April 2007)
Andreas GURSKY
(German, b. 1955)
Shanghai, 2000
Chromogenic print on paper, 250 x 159.5cm
Klaus LITTMAN
For Forest - The Unending Attraction of Nature , 2019
Wörthersee Stadium, Klagenfurt, Austria
Polixeni PAPAPETROU (Australian 1960-2018)
Grasstree Man (Ghillies series), 2013
Pigment ink print 120 cm x 120 cm
Magdalena JETELOVA
Atlantic Wall series, 1995
recording of light installation, Jutland, Denmark ; photographic print on foil, light box
each 185 x 124 x 15cm
Adam CHODZKO
Better Scenery
1999
James CASEBERE (American b 1953)
Duchess County NY 2009
Michael LANDY
(British b.1963)
Semi-Detached, 2004
Tate Britain, London
Doris SALCEDO
(Columbian b.1958)
Shibboleth, 2007
Turbine Hall, Tate Modern, London
Week 7 Reflection
In considering the various ways that place informs
an artist’s approaches, consider the following
questions:
•What differentiates a space from a place?
•How doe the site of production and the site of
presentation differ?
•Place implies a specific location – but our
relationship to places is often multilayered – how do
artworks reflect multiple places at once
•Does the artist explore real or imagined places?
•Can place ever be separated from the human
actions that occur there?
•Is there such a thing as a non-human place?
Make notes in your blog…. (another type of place)
James CASEBERE (American b 1953)
Duchess County NY 2009 (studio view)
1.3 OBJECT (Week 7/8 Task)
Produce a 3D print of a digital composition
using the applications Metashape and
Blender.
Activity has 2 stages: scanning and modelling
This week:
Photogrammetry Session: body scanning
• Bring your smart phone
• Consider clothing, props, objects
• Avoid shiny materials (eg buckles, patent
leather)
• Avoid transparent materials
• Avoid black materials (corduroy or
textured blacks may be OK)
Next Week:
Blender: stay tuned for online intro; prepare
by downloading the application from
blender.org and familiarize yourself with the
sculpting tools.
Frank BENSON
American b.1976
Various 3D printed figures 2011-2018

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KVB127 07 Place 2020

  • 1. KVB127 Visual Art Open Studio 2 Week 7: Place
  • 2. Robertson, J., & McDaniel, C. (2017). Themes of contemporary art: Visual art after 1980 (4th ed.). Oxford University Press. Place Contemporary artists who make art that addresses the theme of place can be: • responding to specific scenes, environments and ecosystems; • trying to capture the appearance or feeling of places from memory; • inventing imaginary places; • grappling with ideas of place in a conceptual way.
  • 3. Mark DION and the Chicago Urban Ecology Action Group 1992-3
  • 4. Robert SMITHSON (American 1938-1973) Chalk Mirror Displacement, 1969 MICHAEL ASHER (American b.1943) Exhibition at Clare Copley Gallery, Los Angeles, 1974
  • 5. Julie MEHRETU (Ethiopian-American b.1970) Black City, 2007, Ink and acrylic on canvas
  • 6. Emily Kame KNGWARREYE (Anmatyerre 1910-1996) Big Yam Dreaming, 1996 Acrylic on canvas
  • 7. Leanne FAILLA (Australian b.) Every Object in my House (in paper), 2017 c3 artspace, Abbotsford Convent, Melbourne; paper
  • 8. Louise PARAMOR Show Court 3 Rod Laver Arena, Melbourne (April 2007)
  • 9. Andreas GURSKY (German, b. 1955) Shanghai, 2000 Chromogenic print on paper, 250 x 159.5cm
  • 10. Klaus LITTMAN For Forest - The Unending Attraction of Nature , 2019 Wörthersee Stadium, Klagenfurt, Austria
  • 11. Polixeni PAPAPETROU (Australian 1960-2018) Grasstree Man (Ghillies series), 2013 Pigment ink print 120 cm x 120 cm
  • 12. Magdalena JETELOVA Atlantic Wall series, 1995 recording of light installation, Jutland, Denmark ; photographic print on foil, light box each 185 x 124 x 15cm
  • 14. James CASEBERE (American b 1953) Duchess County NY 2009
  • 16. Doris SALCEDO (Columbian b.1958) Shibboleth, 2007 Turbine Hall, Tate Modern, London
  • 17. Week 7 Reflection In considering the various ways that place informs an artist’s approaches, consider the following questions: •What differentiates a space from a place? •How doe the site of production and the site of presentation differ? •Place implies a specific location – but our relationship to places is often multilayered – how do artworks reflect multiple places at once •Does the artist explore real or imagined places? •Can place ever be separated from the human actions that occur there? •Is there such a thing as a non-human place? Make notes in your blog…. (another type of place) James CASEBERE (American b 1953) Duchess County NY 2009 (studio view)
  • 18. 1.3 OBJECT (Week 7/8 Task) Produce a 3D print of a digital composition using the applications Metashape and Blender. Activity has 2 stages: scanning and modelling This week: Photogrammetry Session: body scanning • Bring your smart phone • Consider clothing, props, objects • Avoid shiny materials (eg buckles, patent leather) • Avoid transparent materials • Avoid black materials (corduroy or textured blacks may be OK) Next Week: Blender: stay tuned for online intro; prepare by downloading the application from blender.org and familiarize yourself with the sculpting tools. Frank BENSON American b.1976 Various 3D printed figures 2011-2018