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Collective Identity

  Prompt Question 3
Social Implications
• In today’s media it often seems as if children
  but particularly young people or teenagers are
  represented as the most recent threat to
  society.
Social Implications
• If we look at the historical representation of
  young people in the media they hardly feature
  at all until the 1950s when suddenly it was
  realised that they had money and were a
  consumer group just waiting to be sold to and
  with this sudden power they also became a
  threat.
• To what extent are audiences active
  in constructing their own sense of
  identity?
Copy Cat (Audience effects theory)
• Refers to how the media influence and affects the
  audience behaviour and how they think.
• It relates to something publicized in the media
  that creates a lot of attention, causing other
  people to imitate in order to gain the same level
  attention.
• The well- known example of this is copycat
  murders, suicides and other violent acts that
  come with no other motive other than
  attention, caused by seeing the same acts in the
  media.
Encoding – Decoding Theory
      (Audience reception theory)
• Stuart Hall suggests that the audience does
  not simply passively accept a text. There
  are, in his views, three ways in which
  audiences can read or decode and understand
  a text:
Preferred Reading
• Preferred Reading/Dominant Hegemonic -
  when an audience interprets the message as it
  was meant to be understood, they are
  operating in the dominant code. The
  producers and the audience are in harmony
Negotiated Reading -
• Not all audiences may understand what media
  producers take for granted.
• Audiences will understand the over-riding
  dominant ideologies within the text but they
  may not agree with all the views/ideas;
  audiences will make their own ground rules to
  get to the agreed dominant ideology (they will
  take a different path).
Oppositional Reading/'counter-
            hegemonic' –
• when an audience understands the context of
  the media text but they will decode the text in
  a completely different way; opposing the
  encoded text.
Social Identity Theory
• Social identity theory was developed by Henri
  Tajfel and John Turner in 1979.

• Social identity is a person’s sense of who they
  are based on their group membership(s)
Social Identity Theory
• In order to increase our self-image we enhance
  the status of the group to which we belong.
• For example, ‘Adults know best’ We can also
  increase our self-image by discriminating and
  being prejudice against the out group (the group
  we don’t belong to).
• For example, youths and the elderly are not
  capable to make ‘right’ decisions.
• Therefore we divided the world into “them” and
  “us”
Passive consumption
• Repetitive negative representation of young
  people in TV and Film could cause the ‘out
  group’ (those who do not belong to the youth
  culture) to gain further negative assumptions
  increasing the gap between collective groups.
Eysenck and Nias (1978)
• Argue that recurrent representations of
  violence in the media desensitive audiences to
  violent behavior and actions.

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Prompt 3 no.2

  • 1. Collective Identity Prompt Question 3
  • 2. Social Implications • In today’s media it often seems as if children but particularly young people or teenagers are represented as the most recent threat to society.
  • 3. Social Implications • If we look at the historical representation of young people in the media they hardly feature at all until the 1950s when suddenly it was realised that they had money and were a consumer group just waiting to be sold to and with this sudden power they also became a threat.
  • 4. • To what extent are audiences active in constructing their own sense of identity?
  • 5. Copy Cat (Audience effects theory) • Refers to how the media influence and affects the audience behaviour and how they think. • It relates to something publicized in the media that creates a lot of attention, causing other people to imitate in order to gain the same level attention. • The well- known example of this is copycat murders, suicides and other violent acts that come with no other motive other than attention, caused by seeing the same acts in the media.
  • 6. Encoding – Decoding Theory (Audience reception theory) • Stuart Hall suggests that the audience does not simply passively accept a text. There are, in his views, three ways in which audiences can read or decode and understand a text:
  • 7. Preferred Reading • Preferred Reading/Dominant Hegemonic - when an audience interprets the message as it was meant to be understood, they are operating in the dominant code. The producers and the audience are in harmony
  • 8. Negotiated Reading - • Not all audiences may understand what media producers take for granted. • Audiences will understand the over-riding dominant ideologies within the text but they may not agree with all the views/ideas; audiences will make their own ground rules to get to the agreed dominant ideology (they will take a different path).
  • 9. Oppositional Reading/'counter- hegemonic' – • when an audience understands the context of the media text but they will decode the text in a completely different way; opposing the encoded text.
  • 10. Social Identity Theory • Social identity theory was developed by Henri Tajfel and John Turner in 1979. • Social identity is a person’s sense of who they are based on their group membership(s)
  • 11. Social Identity Theory • In order to increase our self-image we enhance the status of the group to which we belong. • For example, ‘Adults know best’ We can also increase our self-image by discriminating and being prejudice against the out group (the group we don’t belong to). • For example, youths and the elderly are not capable to make ‘right’ decisions. • Therefore we divided the world into “them” and “us”
  • 12. Passive consumption • Repetitive negative representation of young people in TV and Film could cause the ‘out group’ (those who do not belong to the youth culture) to gain further negative assumptions increasing the gap between collective groups.
  • 13. Eysenck and Nias (1978) • Argue that recurrent representations of violence in the media desensitive audiences to violent behavior and actions.