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Aspects of Connected Speech  Presented to: Mr.Suhail Falak Sher. By: Muhammad Sajid us Salam.
Aspects of Connected Speech ,[object Object],[object Object],[object Object],[object Object]
Weak forms ,[object Object],[object Object],[object Object],[object Object],[object Object]
Look at this phrase: I went to the  hotel  and booked a room for two nights for my father and his best friend.
What are the most important words? I  went  to the  hotel  and  booked  a  room  for  two nights  for my  father  and his  best friend .
If we eliminate the other words can we still understand the message? went  hotel  booked  room  two nights  father  best  friend .
Let’s look at the phrase transcribed: ,[object Object],[object Object],[object Object]
There is a tendency for vowels in unstressed syllables to shift towards the schwa (central position)
Weak form are commonly used words ,[object Object],[object Object],[object Object]
  Strong form Weak form Prepositions     to for from into of as at
Auxiliary verbs     are was were would could should can must
Others     and but than that  you your her  a an the
Weak=unstressed ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object], 
Yod coalescence In English phonetics Yod coalescence is a form of  assimilation – it is a phenomenon which takes place  when /j/ is preceded by certain consonants most  commonly /t/ and /d/:
/t/ + /j/ =  /tS/   … but use your head! bətʃu:z jɔ: hed /  Last year…. / lɑ:stʃɪə /   The ball that you brought…. / ðə bɔ:l ðətʃu: brɔ:t /  What you need…. / wɒtʃu ni:d /
EXAMPLES ,[object Object],[object Object],[object Object],[object Object]
/d/ + /j/ = / d Z /   Could you help me? / kʊdʒu help mi: /  She had university students… / ʃi: hædʒu:ni:vɜ:sɪti stju:dənts   Would yours work?  / wʊdʒɔ:z wɜ:k/
Exercise.  Identify places where yod coalescence may occur in the following phrases:   What you need is a good job!   You told me that you had your homework done.   She didn’t go to France that year.   Could you open the window please?   You’ve already had yours!
Elision   Elision is very simply the  omission  of  certain sounds  in  certain contexts . The most important occurrences of this phenomenon regard:   1       Alveolar consonants /t/ and /d/ when ‘sandwiched’ between two consonants  Se nd F rank a card.   / sen ˈfræŋk ə ˈkɑ:d /   Ho ld th e dog!   / ˈhəʊl ðə ˈdɒg /   The la st c ar…    / ðə ˈlɑ:s ˈkɑ: /   The ne xt d ay….   / ðə ˈneks ˈdeɪ /
Africates / t / & / d / This can also take place within affricates /t  / and /d  / when preceded by a consonant, e.g.   lunchtime  / ˈlʌntʃtaɪm /   becomes  / ˈlʌnʃtaɪm /     strange days  / ˈstreɪndʒˈdeɪz /     / ˈstreɪnʒˈdeɪz / 
Elision of ‘not’ The phoneme /t/ is a fundamental part of the negative particle  not , the possibility of it being elided makes the foreign students life more difficult. Consider the negative of  can  – if followed by a consonant the /t/ may easily disappear and the only difference between the positive and the negative is a different, longer vowel sound in the second:   +  I can speak…. / aɪ kən ˈspi:k /   /   -  I can’t speak… / aɪ ˈkɑ:n(t) ˈspi:k /  /   /
ASSIMILATION ,[object Object]
Assimilation  ,[object Object],[object Object],[object Object],[object Object]
Regressive & Progressive. ,[object Object],[object Object],[object Object],[object Object]
Assimilation of Place The most common form involves the movement of place of articulation of the alveolar stops /t/, /d/ and /n/ to a position closer to that of the following sound.  For instance, in the phrase  ten cars , the /n/ will usually be articulated in a velar position,  so that the  tongue will be  ready to produce the following velar sound /k/.  Similarly, in  ten  boys  the /n/ will be produced in a bilabial position,   to prepare for the articulation of the bilabial /b/.
/k/  /t/ e.g. that kid  /  / e.g. good girl /   / /g/  /d/ BEFORE A VELAR (/k/, /g/)
/p/  /t/ / m /  /n/ e.g. hot mushrooms /   hɒp ˈmʌʃru:mz /  e.g. bad boys  / bæb ˈbɔɪz /   / / b /  /d/ e.g. ten men /te m m en/  BEFORE A  BILABIAL  (/ m /, / b / , /p/ )
ASSIMILATION OF VOICING   The vibration of the vocal  folds  is not something that can be switched on and off very swiftly, as a result groups of consonants tend to be either all voiced or all voiceless. Consider the different endings of ‘books’, bags and  ‘catches’
LINKING ,[object Object],[object Object]
EXAMPLES ,[object Object],[object Object],[object Object],[object Object]
CONCLUSION ,[object Object],[object Object]
THANK YOU FOR YOUR ATTENTION.

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Aspects Of Connected Speech

  • 1. Aspects of Connected Speech Presented to: Mr.Suhail Falak Sher. By: Muhammad Sajid us Salam.
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  • 4. Look at this phrase: I went to the hotel and booked a room for two nights for my father and his best friend.
  • 5. What are the most important words? I went to the hotel and booked a room for two nights for my father and his best friend .
  • 6. If we eliminate the other words can we still understand the message? went hotel booked room two nights father best friend .
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  • 8. There is a tendency for vowels in unstressed syllables to shift towards the schwa (central position)
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  • 10.   Strong form Weak form Prepositions     to for from into of as at
  • 11. Auxiliary verbs     are was were would could should can must
  • 12. Others     and but than that you your her a an the
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  • 14. Yod coalescence In English phonetics Yod coalescence is a form of assimilation – it is a phenomenon which takes place when /j/ is preceded by certain consonants most commonly /t/ and /d/:
  • 15. /t/ + /j/ = /tS/ … but use your head! bətʃu:z jɔ: hed / Last year…. / lɑ:stʃɪə / The ball that you brought…. / ðə bɔ:l ðətʃu: brɔ:t / What you need…. / wɒtʃu ni:d /
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  • 17. /d/ + /j/ = / d Z / Could you help me? / kʊdʒu help mi: / She had university students… / ʃi: hædʒu:ni:vɜ:sɪti stju:dənts Would yours work? / wʊdʒɔ:z wɜ:k/
  • 18. Exercise. Identify places where yod coalescence may occur in the following phrases:   What you need is a good job!   You told me that you had your homework done.   She didn’t go to France that year.   Could you open the window please?   You’ve already had yours!
  • 19. Elision   Elision is very simply the omission of certain sounds in certain contexts . The most important occurrences of this phenomenon regard:   1      Alveolar consonants /t/ and /d/ when ‘sandwiched’ between two consonants Se nd F rank a card. / sen ˈfræŋk ə ˈkɑ:d /  Ho ld th e dog! / ˈhəʊl ðə ˈdɒg / The la st c ar… / ðə ˈlɑ:s ˈkɑ: / The ne xt d ay…. / ðə ˈneks ˈdeɪ /
  • 20. Africates / t / & / d / This can also take place within affricates /t  / and /d  / when preceded by a consonant, e.g.   lunchtime / ˈlʌntʃtaɪm / becomes / ˈlʌnʃtaɪm /    strange days / ˈstreɪndʒˈdeɪz / / ˈstreɪnʒˈdeɪz / 
  • 21. Elision of ‘not’ The phoneme /t/ is a fundamental part of the negative particle not , the possibility of it being elided makes the foreign students life more difficult. Consider the negative of can – if followed by a consonant the /t/ may easily disappear and the only difference between the positive and the negative is a different, longer vowel sound in the second:   + I can speak…. / aɪ kən ˈspi:k /  /   - I can’t speak… / aɪ ˈkɑ:n(t) ˈspi:k /  / /
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  • 25. Assimilation of Place The most common form involves the movement of place of articulation of the alveolar stops /t/, /d/ and /n/ to a position closer to that of the following sound. For instance, in the phrase ten cars , the /n/ will usually be articulated in a velar position, so that the tongue will be ready to produce the following velar sound /k/. Similarly, in ten boys the /n/ will be produced in a bilabial position, to prepare for the articulation of the bilabial /b/.
  • 26. /k/  /t/ e.g. that kid / / e.g. good girl / / /g/  /d/ BEFORE A VELAR (/k/, /g/)
  • 27. /p/  /t/ / m /  /n/ e.g. hot mushrooms / hɒp ˈmʌʃru:mz / e.g. bad boys / bæb ˈbɔɪz / / / b /  /d/ e.g. ten men /te m m en/ BEFORE A BILABIAL (/ m /, / b / , /p/ )
  • 28. ASSIMILATION OF VOICING The vibration of the vocal folds is not something that can be switched on and off very swiftly, as a result groups of consonants tend to be either all voiced or all voiceless. Consider the different endings of ‘books’, bags and ‘catches’
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  • 32. THANK YOU FOR YOUR ATTENTION.