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Week three - digital mediascape
1.
The Digital Mediascape
Week Three Production: Pirates, Images and Music
2.
• Key concepts •
Image making • Historical context • Application to Pirates • Film music and technology • Historical context • Application to Pirates
3.
4.
5.
6.
A post-medium condition
7.
8.
Capture
9.
Capture
Post-production
10.
Capture
Post-production Mastering
11.
Capture
Post-production Mastering Projection
12.
Lev Manovich
13.
1. Live action
is displaced
14.
1. Live action
is displaced 2. Loss of indexical relationship
15.
1. Live action
is displaced 2. Loss of indexical relationship 3. A new painterly realism
16.
1. Live action
is displaced 2. Loss of indexical relationship 3. A new painterly realism 4. Editing and SFX collapse
17.
digital film =
live action material + painting + image processing + compositing + 2-D computer animation + 3-D computer animation
18.
Culture
Culture + Digital cinema + Creation Reception
19.
Does new technology lead
to new films?
20.
The image
21.
The academy ratio
22.
23.
24.
25.
Widescreens
26.
27.
28.
29.
30.
31.
32.
33.
34.
35.
36.
37.
38.
39.
40.
41.
42.
43.
44.
45.
46.
47.
48.
49.
50.
51.
52.
53.
54.
55.
56.
57.
58.
59.
60.
61.
62.
63.
64.
65.
66.
67.
Jan Brueghel ‘The Arrival
of the Animals into Noah’s Ark’ (1613)
68.
Film music
69.
‘Silent’ films and
early music
70.
Erich Wolfgang Korngold
Max Steiner (1897 - 1957) (1888 - 1971)
71.
The Adventures of
Robin Hood (Michael Curtiz 1938)
72.
73.
The Sea Hawk
(Michael Curtiz 1940)
74.
75.
Bernard Herrmann
(1911 - 1975)
76.
Vertigo (Alfred Hitchcock
1958)
77.
78.
The Devil and
Daniel Webster (William Dieterle 1941)
79.
80.
The Day the
Earth Stood Still (Robert Wise 1951)
81.
82.
Bonnie and Clyde
2001: A Space Odyssey (Arthur Penn 1967) (Stanley Kubrick 1968)
83.
Bonnie and Clyde
2001: A Space Odyssey (Arthur Penn 1967) (Stanley Kubrick 1968)
84.
John Williams (Irvin Kershner
1980)
85.
John Williams (Irvin Kershner
1980)
86.
87.
88.
Hans Zimmer
89.
Klaus Badelt
90.
Klaus Badelt
91.
Gladiator (Zimmer) and
Pirates (Badelt)
92.
Gladiator (Zimmer) and
Pirates (Badelt)
93.
James Horner
94.
95.
96.
97.
98.
99.
100.
101.
102.
103.
104.
105.
106.
James Horner
107.
ADDITIONAL MUSIC
Klaus Badelt Lorne Balfe Tom Gire Nick Glennie-Smith Henry Jackman Trevor Morris John Sponsler Geoff Zanelli Bruce Fowler
108.
109.
110.
111.
112.
113.
114.
115.
116.
117.
118.
119.
120.
121.
122.
Does new technology lead
to new films?
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