1. A Transliteracy Conversation Presented at the Transliteracy Colloquium, Institute of Creative Technologies, De Montfort University, Leicester, UK. May 15, 2007. Featuring the PART Group and IOCT guest speakers.
7. Transliteracy as a Cognitive Tool Simon Perril Image from Alan Halsey ‘This Problem of Script: Essays in Textual Analysis’, Marginalien . Five Seasons Press , 2005
20. Musical Transliteracies ‘ Literate’ musicians read 5-line lattice notation, whereas ‘illiterate’ musicians (the majority) do not Digital musicians work directly with sounds (rather than notes) whereas traditional musicians work with instruments (including the voice) Some musicians start from pitch (e.g. classical, folk) Some musicians start from rhythm (e.g. rock, pop) Some musicians start from timbre (e.g. electronic, technological) In digital music, though, it doesn’t matter where you start! Transliteracies of style, practice, culture, techniques… Andrew Hugill