Каталог IV Міжнародного конкурсу дитячого малюнка "Ілюстрація до народної казки" - 2016

1. ϲÄÒÐÈÌÊÀ
²ÍÔÎÐÌÀÖ²ÉÍÀ ϲÄÒÐÈÌÊÀ
ñàéò êîíêóðñó: www.konkurs-skazka.ks.ua
Õåðñîíñüêèé îáëàñíèé
òåàòð ëÿëüîê
Ñlub of Kherson
catalogue
ÍÀÂ×ÀËÜÍÎ-ÅÑÒÅÒÈ×ÍÈÉ ÊÎÌÏËÅÊÑ
«ÕÓÄÎÆÍß ØÊÎËÀ» ì.ÕÅÐÑÎÍÀ
EDUCATIONAL and AESTHETIC COMPLEX
«ART SCHOOL», KHERSON
í
̲ÑÜÊÀ ÃÀËÅÐÅß ÒÂÎÐ×ÎÑÒ² IJÒÅÉ ÒÀ ÌÎËÎIJ
«ÑÈÍ²É Ê²Ò»
êàòàëîã êîíêóðñó
KHERSON, UKRAINE
ÕÅÐÑÎÍ, ÓÊÐÀ¯ÍÀ
2016

2. Dear friends!
first thing we come back to in our memories when we recollect our childhood is fairy-The
tales. Our grandmothers and mothers read and told them to us. So we could understand people’s
relationships, we could know right from wrong. It isn’t surprisingly that the theme of this art
competition is illustration to folktale. The competition has given a possibility for both grown-
ups andchildrentoapplyagaintothisviablesourceof folkcreativework.
The idea of the competition has appeared in Kherson, the place where different kinds of art are
highlyappreciatedandwherechildren’s creativework is alwayssupported.
We sincerely congratulate everybody, who took part in the International art competition
“Illustration to folktale”! We wish the participants creative inspiration, success, inexhaustible
energy.Enjoyawonderfulworld of folktalesandchildren’s artworks.
Organizing committee
Øàíîâí³ äðóç³!
Êîëè ïîðèíàºø ó ñïîãàäè ïðî äèòèíñòâî, îäíèì ³ç ïåðøèõ, ùî çãàäóºø, º êàçêè, ÿê³ íàì
÷èòàëè é ðîçêàçóâàëè ìàòóñ³ é áàáóñ³. Çà äîïîìîãîþ êàçîê ìè çíàéîìèëèñÿ ç ëþäñüêèìè
â³äíîñèíàìè, â÷èëèñÿ ðîçð³çíÿòè, ùî òàêå ïðàâäà ³ ùî òàêå êðèâäà. Òåìîþ êîíêóðñó ñòàëà
³ëþñòðàö³ÿ íàðîäíî¿ êàçêè. Âîíà ñïîíóêຠ³ äîðîñëèõ, ³ ä³òåé çíîâó çâåðíóòèñÿ äî öüîãî
æèòòºäàéíîãîäæåðåëàíàðîäíî¿òâîð÷îñò³.
²äåÿ ïðîâåäåííÿ êîíêóðñó âèíèêëà â Õåðñîí³.  íàøîìó ì³ñò³ øàíóþòü ³ ö³íóþòü ð³çí³
âèäè ìèñòåöòâà,³ùî âàæëèâî– çàâæäè ï³äòðèìóþòü äèòÿ÷ó òâîð÷³ñòü.
Ùèðî â³òàºìî âñ³õ, õòî ïðèºäíàâñÿ äî ̳æíàðîäíîãî êîíêóðñó ìàëþíêó “²ëþñòðàö³ÿ äî
íàðîäíî¿ êàçêè”! Áàæàºìî ó÷àñíèêàì òâîð÷îãî íàòõíåííÿ, óñï³õ³â, íåâè÷åðïíî¿ åíåð㳿 òà
ðàäîñò³â³äñï³ëêóâàííÿ çïðåêðàñíèìñâ³òîìíàðîäíèõ êàçîêòàäèòÿ÷èõ ìàëþíê³â.
Îðãêîì³òåò êîíêóðñó
Ìàðòîâà ²ðèíà, 16
“Ëåãåíäà ïðî êîçàêà Ðîãà”
Óêðà¿íà, Êðèâèé гã

4. Saptaparni Ghosh, 13
“Raja, Where is your clothes?”
India, Navi mumbai
Shafiyyah Hasna Rahman, 8
“The Giant Attack Villagers”
Indonesia, Gresik
Tifani Kujundzsity, 7
“Folktale”
Serbia, Subotica
Íîâîñ¸ëîâà Þëÿ, 11
“Ñêàçêà î þíîé öàðåâíå è Çìåå Ãîðûíû÷å”
Ðîññèÿ, Ëåñîñèáèðñê
Äåðÿáèíà Ðèòà, 13
“Øàìàõàíñêàÿ öàðèöà”
Ðîññèÿ, Ëåñîñèáèðñê
Ëóèçà Òîòåâà, 16
“Ñàì÷èêèâñüêèé íàðîäíî-äåêîðàòèâíû ðîçïèñû”
Áîëãàðèÿ, Êàçàíëûê
Ñåðãååâà Àíàñòàñèÿ, 12
“Ó ñòðàõà ãëàçà âåëèêè”
Ðîññèÿ, Îìñê
Anna Marczik, 12
“Fairy beauty Ilona and Aroyelus”
Hungary, Berettyoujfalu
Ðîìàíîâà Âàëåð³ÿ, 14
“dzðêîâà ï³ñíÿ”
Óêðà¿íà, Åíåðãîäàð
ßëóíèíà Àíãåëèíà, 7
“Â ãîñòÿõ ó êîòà â ñàïîãàõ”
Êàçàõñòàí, Êàðàãàíäà
Ñòîëáîâà Êàòÿ, 10
“Äîðîãà äîìîé”
Êàçàõñòàí, Ïàâëîäàð
Áîðîäèíà Ñîôüÿ, 8
“Ïðèíöåññà íà ãîðîøèíå”
Ðîññèÿ, Òîìñê
Ñóïðóíîâà Àëèíà, 8
“Èâàí-öàðåâè÷ è ñåðûé âîëê”
Ðîññèÿ, Îêòÿáðüñê
Ãàëèóòèíîâà Àëñó, 13
“Ðóñàëî÷êà”
Ðîññèÿ, Ëåñîñèáèðñê

5. Valentina Ambroziova, 6
“Rozprava”
Slovakia, Kosice
Áåñïàëîâà Àíàñòàñèÿ, 13
“Êàðëèê Íîñ”
Ðîññèÿ, Ïåíçà
Dorottya Reka Szabo, 13
“Folktale”
Serbia, Subotica
Ãàííà Àëåêñàíäðîâ³÷, 14
“Ôàíòàñòèêà”
Áåëàðóñü, Ãðîäíî
Àíòîíþê Âëàä, 10
“Òðèäöàòü òðè áîãàòûðÿ”
Ðîññèÿ, Ëåñîñèáèðñê
Àðñåíèé Ðûáàêîâ, 9
“Êðàñàâèöà è ÷óäîâèùå”
Ðîññèÿ, Îêòÿáðüñê
Êîñåíêîâà Åñåíèÿ, 11
“Íàóðûç”
Êàçàõñòàí, Ïàâëîäàð
Veronika Sulcova, 10
“Babka”
Slovakia, Kosice
Áîðäóíîâà Ëèçà, 12
“Ìîðîçêî”
Ðîññèÿ, Îìñê
Ëîïàòèíà Àíãåëèíà, 9
“Êîíåê Ãîðáóíîê”
Êàçàõñòàí, Êàðàãàíäà
Ñîëîìîí Àëåêñàíäðà, 9
“Êðîëèê Ïèòåð è åãî äðóçüÿ”
Ðîññèÿ, Îìñê
Ôîìèíà Àíãåëèíà, 6
“Êîçà-Äåðåçà”
Êàçàõñòàí, Ýêèáàçòóç
Raj Chonkar, 8
“Grrediness ruins a person”
India, Navi mumbai
Sneha Hazra, 13
“Tell me the correct answer”
India, Navi mumbai

6. Blanka Nikolics, 12
“Folktale”
Serbia, Subotica
Aisha Ali Jerwan, 7
“Dancing in the desert”
United Arab Emirates, Sharjah
Ëÿëü Éîëáóëàí, 6
Òóðöèÿ, Ñòàìáóë
Ðÿá÷åíêî Ïîëèíà, 9
“Ñíåæíàÿ êîðîëåâà”
Áåëàðóñü, Ìèíñê
Aurora Uglik, 12
“Folktale”
Serbia, Subotica
Ðàÿ Äìèòðîâà, 13
“Ãîðà”
Áîëãàðèÿ, Øóìåí
Bojan Kovacs, 7
“Folktale”
Serbia, Subotica
Barbara Varga, 7
“The selfish prince”
Hungary, Berettyoujfalu
Êèðçîâà Þëÿ, 12
“Áàáà-Ìîðà”
Áåëàðóñü, Âèòåáñê
Angelina Clara Kallawat, 13
“The Giant and Golden Cucumber”
Indonesia, Gresik
Îãàííèñÿí Àðàêñÿ, 8
“Ëèñèöà-ñåñòðèöà è ñåðûé âîëê”
Êàçàõñòàí, Êàðàãàíäà
Samanwita Maita, 9
“Don’t be carried away by the flattering”
India, Navi mumbai
Lili Kuti, 7
“Folktale”
Serbia, Subotica
Fatima Eisa Mohamed Alzaabi, 13
“Among the ruins”
United Arab Emirates, Sharjah

7. Ìàøðàï Àõìåäè, 10
“Ìóäðûé äðàêîí”
Êàçàõñòàí, Ïàâëîäàð
Tiana Sebok Csaki, 5
“Folktale”
Serbia, Subotica
Ðàäàéêèí Ìàêñèì, 11
“Ìîðîçêî”
Ðîññèÿ, Ïåíçà
Êàáàíîâà Èðèíà, 11
“ß ðèñóþ ñêàçêó”
Ðîññèÿ, Îêòÿáðüñê
Ñåë³âàíåöü ªâà, 9
“Äþéìîâî÷êà”
Óêðà¿íà, Ïàâëîãðàä
Ïèðîæåíêî Äàíèëî, 6
“Êèðèëî Êîæóì'ÿêà”
Óêðà¿íà, ñìò. Íîâà Âîäîëàãà
Ôàñòîâåöü Ñîô³ÿ, 11
“Êîçà-äåðåçà”
Óêðà¿íà, Êðèâèé гã
Pop Diana, 13
“Old`s man doughter and old`s woman doughter”
Romania, Baiamare
Ìàðèÿ Áîãäåëü, 15
“Ñòàðèê-Áîðîâèê”
Áåëàðóñü, Ãðîäíî
Çàêèðîâ Ðèíàò, 8
“Ëèñà è ìóðàâåé”
Êàçàõñòàí, Êàðàãàíäà
Ñåìêèíà Àíàñòàñèÿ, 7
“Ãóñè-ëåáåäè”
Ðîññèÿ, Òîìñê
Íàêîíå÷íà ͳêà, 11
“Àë³ñà â êðà¿í³ ÷óäåñ”
Óêðà¿íà, Õìåëüíèöüêèé
Ïðàâåäí³êîâà Ñîô³ÿ, 9
“Ôåäîðèíå ãîðå”
Óêðà¿íà, Êðèâèé гã
Ôåäîðåíêî Ãàííà, 11
“ѳðêî”
Óêðà¿íà, Øîñòêà

8. Îñòðîâñêàÿ Èðèíà, 11
“Ìóõà-Öîêîòóõà”
Ðîññèÿ, Òîìñê
Aarohan Dutta, 9
“Who will bell the cat?”
India, Navi mumbai
Zsofia Groza, 8
“Golden-Haired Sheep”
Hungary, Berettyoujfalu
Ëåòþøåâ Êèðèëî, 8
“Êîëîáîê”
Óêðà¿íà, Êðàìàòîðñüê
Ìàëþòà ³êòîð³ÿ, 11
“ϳòåð Ïåí”
Óêðà¿íà, Ìèêîëà¿â
Íàêàçíà Àíàñòàñ³ÿ, 15
“Ïðèíöåñà íà ãîðîøèí³”
Óêðà¿íà, Êàì’ÿíñüêå
Ïàëàìàð÷óê Äàðüÿ, 13
“Ìàëü÷èê ñ ïàëü÷èê”
Ðîññèÿ, Ëåñîñèáèðñê
Âäîâèíà ßíà, 11
“Ïðèíöåñà íà ãîðîøèíå”
Ðîññèÿ, Îêòÿáðüñê
Mario Mohacsi, 12
“Raado and Anyicska”
Hungary, Berettyoujfalu
Åäåëüñêîâà Óëüÿíà, 9
“Êàçàõñêàÿ ñêàçêà”
Êàçàõñòàí, Ïàâëîäàð
Æèãàëüöîâ Ìàòâåé, 7
“Ñêàçêà î öàðå Ñàëòàíå”
Ðîññèÿ, Îêòÿáðüñê
ͳêîëü ʳðâàñ, 6
“Ëèñè÷êà òà æóðàâåëü”
Óêðà¿íà, Ìèêîëà¿â
Íàäðà Àííà, 10
“Ëèñèöÿ òà âîâê”
Óêðà¿íà, Á³áðêà
Îñüêèíà Âëàäà, 9
“Âîëøåáíèê èçóìðóäíîãî ãîðîäà”
Óêðàèíà, Êðèâîé Ðîã

9. Lilla Varga, 10
“Little Pumpling”
Hungary, Berettyoujfalu
Hargita Szakall, 7
“Folktale”
Serbia, Subotica
Ïîñòîÿëêî Âàðâàðà, 9
“Êîòèê-çîëîòîé ëîáèê”
Áåëàðóñü, Áåðåçà
Êóðëîâà Âàëåðèÿ, 14
“Äþéìîâî÷êà”
Óêðàèíà, Êðèâîé Ðîã
Íàçàðåíêî Êàòåðèíà, 13
“×åðâîíà øàïî÷êà”
Óêðà¿íà, Êàì’ÿíñüêå
Êîíîâàëåíêî Àííà, 8
“Êîøêà, êîòîðàÿ íå ìîæåò æèòü áåç îáëàêîâ”
Óêðàèíà, Õàðüêîâ
Øåì³ãîí Ðîìàí, 8
“Õîðîáðèé ñâ³òëÿ÷îê”
Óêðà¿íà, ×åðêàñè
Àíàñòàñèÿ Ñòàíêåâè÷, 15
“Áóðàòèíî”
Áåëàðóñü, Ãðîäíî
Farcas Stefan, 11
“Space invaders”
Romania, Baiamare
Âèêòîðèÿ Ìèøêåëü, 14
“Ðóñàëî÷êà”
Áåëàðóñü, Ãðîäíî
Orsolya Leda Szabo, 5
“Folktale”
Serbia, Subotica
Êðóïåíÿ Àíòîí³íà, 11
“Ìàëåíüêèé ïðèíö”
Óêðà¿íà, Êðèâèé гã
Ìàòëàé Àííà-Ìàð³ÿ, 10
“Æóðàâåëü ³ ëèñèöÿ”
Óêðà¿íà, Øîñòêà
Íàãîðíÿê ßíà, 10
“Ñíåæíàÿ êîðîëåâà”
Ðîññèÿ,Òîìñê

10. Ïàâëåíêî Àðòåì, 7
“Èâàí öàðåâè÷ è ñåðûé âîëê”
Óêðàèíà, ×åðíèãîâ
²âàíîâà Þë³ÿ, 15
“Ïàí Êîöüêèé”
Óêðà¿íà, Êðèâèé гã
×àóñ Èëüÿ, 8
“Ëèñè÷êà è êîëîáîê”
Óêðàèíà, ×åðíèãîâ
Òîäîð÷óê Äàðèíà, 5
“Âîâê ³ ñåìåðî êîçåíÿò”
Óêðà¿íà, Åíåðãîäàð
Ôåäîðåíêî ͳê³òà, 10
“Êèðèëî Êîæóì'ÿêî”
Óêðà¿íà, Øîñòêà
Øàïîâàëîâà Äèàíà, 11
“Öàðåâíà-ëÿãóøêà”
Óêðàèíà, Êðèâîé Ðîã
×åïåëü Àë³íà, 12
“Àë³ñà â êðà¿í³ ÷óäåñ”
Óêðà¿íà, Êðèâèé гã
Hamad Eisa Mohamed Alzaabi, 9
“Enchanted swan”
United Arab Emirates, Sharjah
Êðàâ÷åíêî Àëèñà, 5
“Îãíèâî”
Óêðàèíà, Êðèâîé Ðîã
Ìàòþõèíà Åêàòåðèíà, 10
“Ëèñè÷êà-ñåñòðè÷êà”
Óêðàèíà, Êðèâîé Ðîã
Ñèíÿêîâ ªãîð, 10
“Öàï òà áàðàí”
Óêðà¿íà, Ãîëà Ïðèñòàíü
Äîáðîâîëüñêàÿ Åâà, 6
“Ñêàçêà ïðî ïðèíöåññó”
Óêðàèíà, ×åðíèãîâ
Ïðèìàê Âàëåðèÿ, 7
“Òðè ìåäâåäÿ”
Óêðàèíà, ×åðíèãîâ
³íí³êîâ Áðîí³ñëàâ, 7
“Ðóêàâè÷êà”
Óêðà¿íà, Îëåêñàíäð³âêà

11. Çàèìåíêî Äàøà, 10
“Ñêàçêà î ïîòåðÿíîì âðåìåíè”
Óêðàèíà, Êðèâîé Ðîã
×åðíîóñ Åêàòåðèíà, 8
“Äîáðûíÿ è Çìåé”
Óêðàèíà, Íèêîëàåâ
Òàðàñåíêî Âëàäèñëàâà, 11
“Öàð³âíà-æàáà”
Óêðà¿íà, Çàïîð³ææÿ
Ãàéòèíà Ìàð³ÿ, 9
“Öàð Øàõðèÿð”
Óêðà¿íà, ³ííèöÿ
Çàçþê Ðóñëàíà, 12
“̳ôîëîã³ÿ ñëîâ’ÿí”
Óêðà¿íà, Êðåìåí÷óã
²ðèíà Îñòàïåíêî, 10
“Ëèñèöÿ òà æóðàâåëü”
Óêðà¿íà, ×åðêàñè
Ïàïûðèíà Âàðâàðà, 12
“Êîíåê-Ãîðáóíîê”
Ðîññèÿ, Ëåñîñèáèðñê
Òàíàññ ²âàí, 13
“Ñí³ãóðîíüêà”
Óêðà¿íà, Ïóòèëà
Áàðàíîâñêàÿ Èìàí, 14
“Ïàí Êîöêèé”
Óêðàèíà, Êðèâîé Ðîã
Ñòåö³â Ñîô³ÿ, 15
“Îðåë ³ ëåâ”
Óêðà¿íà, Á³áðêà
Äîìîðîùåíà Àíàñòàñ³ÿ, 9
“Ðóêàâè÷êà”
Óêðà¿íà, Çàïîð³ææÿ
Àíàñòàñ³ÿ Ñìîëåö, 9
“Ïîäîðîæ áëàêèòíî¿ ñòð³ëè”
Óêðà¿íà, Îäåñà
Àðáóçîâà Àííà, 8
“Áèòèé íåáèòîãî âåçå”
Óêðà¿íà, Êðèâèé гã
Ïåòðåöüêèé Êð³ñòîôåð, 14
“Êàçêà ïðî åäåëüâåéñ”
Óêðà¿íà, Ðàêîøèíî

12. Àíàñòàñ³ÿ Äóá, 12
“Ëèñèöÿ ³ ðàê”
Óêðà¿íà, ²âàíî-Ôðàíê³âñüê
ªëèçàâåòà ˳ñþò³íà, 14
“Êîëà-ðèáà”
Óêðà¿íà, Îäåñà
Äì³òð³øèíà Êðèñòèíà, 14
“Á³ëîñí³æêà”
Óêðà¿íà, Õàðüê³â
Ïðèùåïî Êðèñòèíà, 9
“Ïîïåëþøêà”
Óêðà¿íà, Åíåðãîäàð
Àíàñòàñèÿ Ñóìöîâà, 10
“Ïåòóøîê è äâà ìûøîíêà”
Óêðàèíà, Õàðüêîâ
Ãàéäàðæè ªëèçàâåòà, 11
“Êîòèê ³ ï³âíèê”
Óêðà¿íà, Çàïîð³ææÿ
Ëîïàò³í Âëàäèñëàâ, 8
“Êîòèãîðîøêî”
Óêðà¿íà, Êîðñóíü-Øåâ÷åíê³âñüêèé
Âîëîøèí Äåíèñ, 11
“Êîòèãîðîøêî”
Óêðà¿íà, Îëåêñàíäð³ÿ
Ñàâ³÷ Âëàäà, 8
“Ïåïï³ – äîâãà ïàí÷îõà”
Óêðà¿íà, ͳæèí
Ñòåôàí Æàëîáíþê, 9
“Ëèñè÷êà-ñåñòðè÷êà òà âîâê”
Óêðà¿íà, Îäåñà
Áóðàêîâà Îëüãà, 10
“Àëèñà â ñòðàíå ÷óäåñ”
Óêðàèíà, Êðèâîé Ðîã
Ãðèöåíêî Äàðèíà, 8
“×åðâîíà øàïî÷êà”
Óêðà¿íà, ͳæèí
Øòîäà Âàëåð³ÿ, 10
“Ãèäêå êà÷åíÿ”
Óêðà¿íà, ñ.Âèñîêèé
Çàäîðîæíÿ Îëüãà, 13
“Ôàðáîâàíèé ëèñ”
Óêðà¿íà, Äðàáîâ

13. Áîáðîâñêèé Âëàäèñëàâ, 14
“Êàê ïóòåøåñòâîâàë Äæîâàííèíî ïî ïðîçâèùó áåçäåëüíèê”
Óêðàèíà, Êðèâîé Ðîã
Áàðñüêà Àíæåëà, 9
“Ñîëîì'ÿíèé áè÷îê”
Óêðà¿íà, Øîñòêà
Æèðóëèê Þðèé, 15
“Ãóöóëüñêàÿ ëåãåíäà”
Óêðàèíà, Íèêîëàåâ
Æóê Îëüãà, 12
“Ëèñè÷êà-ñåñòðè÷êà”
Óêðà¿íà, Õìåëüíèöüêèé
Ñêîðèê Ïîë³íà, 12
“Òðüîìñèí Áîãàòèð”
Óêðà¿íà, Êðèâèé гã
Êàëèí Ñîô³ÿ, 12
“Ãàðð³ Ïîòòåð”
Óêðà¿íà, Íàäâ³ðíà
Ñâÿòåíêî Ñîô³ÿ, 8
“Âîâê ³ ëèñèöÿ”
Óêðà¿íà, Õåðñîí
Aiste Strumilaite, 14
“Lithuanian tale of founding of Vilnius”
Lithuania, Jonava
ßöèíà Âàëåð³é, 14
“Áàéêà ïðî ñåëî Áóêîâåöü”
Óêðà¿íà, ñ.Ðàêîøèíî
Áàðáîé Àë³íà, 12
“Ãàðð³ Ïîòòåð”
Óêðà¿íà, Äí³ïðî
Áîãäàí Áóëàâèí, 10
“Ëèñåíîê”
Óêðàèíà, Õàðüêîâ
Ðàøêî Âåðîí³êà, 9
“Çîëîòèé êëþ÷èê, àáî ïðèãîäè Áóðàò³íî”
Óêðà¿íà, ͳæèí
Ìàëüöåâà Êñåí³ÿ, 12
“Ìóõà-Öîêîòóõà”
Óêðà¿íà, Õåðñîí
ͳãìàòóë³íà Ìàð³ÿ, 7
“Ëþäè-ïòàõè”
Óêðà¿íà, Õåðñîí

14. Ïàíäàðîâ Âëàä,14
“Îêî äðàêîíà”
Óêðà¿íà, Îäåñà
Êîøåëåâ Ñåðã³é, 8
“×åðâîíà øàïî÷êà”
Óêðà¿íà, Åíåðãîäàð
Øàðóí Îëåêñ³é, 13
“ͳ÷ ïåðåä гçäâîì”
Óêðà¿íà, Ïîëòàâà
Ïîðîøèíà Îëåêñàíäðà, 8
“Ëåòþ÷èé êîðàáåëü”
Óêðà¿íà, Êðèâèé гã
Êóðî÷êà Âñåâîëîä, 8
“Ñëîí ³ òèãð”
Óêðà¿íà, Õåðñîí
Äóìè÷ Àííà,10
“Á³ëîñí³æêà òà ñ³ì ãíîì³â”
Óêðà¿íà, Õåðñîí
Ãîëîëîáîâà Êàð³íà, 8
“Êàçêà ïðî ÷åðâîíîãî êîíÿ”
Óêðà¿íà, Õåðñîí
Íàäåæä³íà Îëåíà, 11
“Çì³é Ãîðèíè÷ ³ Âàñèë³ñà”
Óêðà¿íà, Õàðüê³â
Àíäð³é ªë³ñåºâ, 7
“Ïîäîðîæ áëàêèòíî¿ ñòð³ëè”
Óêðà¿íà, Îäåñà
Êîëîìèåö Êèðà, 6
“Äðóæíèå çâåðè”
Óêðàèíà, ×åðíèãîâ
Ïàâëþê Àíàñòàñ³ÿ, 9
“Ðóêàâè÷êà”
Óêðà¿íà, Çàïîð³ææÿ
Ãåîðã³é Çàñóõ³í, 8
“Àôðèêàíñüêà êàçêà”
Óêðà¿íà, Õåðñîí
Êðóïíèê ªëèçàâåòà, 7
“Òðè ÷àð³âíèêà”
Óêðà¿íà, Õåðñîí
Ãîí÷àðîâà Ñîô³ÿ, 7
“Êàçêà ïðî á³ëîãî ñëîíà”
Óêðà¿íà, Õåðñîí

15. Valeria Vincze, 8
“The magic egg”
Hungary, Kecskemet
Ïàâë³÷óê Äìèòðî, 10
“Ñîëîì’ÿíèé áè÷îê”
Óêðà¿íà, Êðèâèé гã
Ëóêüÿíîâà Äàðüÿ, 9
“Êîò, ïåòóõ è ëèñà”
Óêðàèíà, Íèæíèå Ñåðîãîçû
²íîçåìöåâà Êñåí³ÿ, 15
“Ñâ³òëÿ÷êè”
Óêðà¿íà, Ïîëòàâà
Áóðêàöüêà Êàòåðèíà, 12
“Ïòàøèíà äîëÿ”
Óêðà¿íà, Õåðñîí
Áàðòºíºâà Äàð’ÿ, 11
“Âäåÿêîìó êîðîë³âñòâ³”
Óêðà¿íà, Õåðñîí
Ãëóõîâà Äàð’ÿ, 8
“Ãóë³âåð”
Óêðà¿íà, Õåðñîí
Shabiyyah Mumtazah, 6
“Jaka Tarub and Seven Angels”
Indonesia, Gresik
Ñìèðíîâà Âëàäà, 13
“Äîáðûíÿ è Çìåé Ãîðûíû÷”
Ðîññèÿ, Ïåíçà
Êóðèëî Ñîô³ÿ, 7
“Ëèñè÷êà-ñåñòðè÷êà ³ âîâê-ïàí³áðàò”
Óêðà¿íà, Çàïîð³ææÿ
Ìàöþê Þë³àíà, 13
“Ìàëåíüêà â³äüìî÷êà”
Óêðà¿íà, Õåðñîí
ßêèìåíêî Ìèêîëà, 7
“Ó øàøêîâîìó êîðîë³âñòâ³”
Óêðà¿íà, Õåðñîí
Ñàëòèêîâà ³êòîð³ÿ, 7
“Ìóôòèê òà ÷àð³âíèé ãðåá³íåöü”
Óêðà¿íà, Õåðñîí
Áóðëàêà Àë³íà,16
“Îõîðîíåöü ÷àñó”
Óêðà¿íà, Õåðñîí

16. Ìóñòÿöà ßíà, 8
“Ðóñàëîíüêà”
Óêðà¿íà, Õåðñîí
Ñåðäþê Âëàäèñëàâ,15
“Âîäÿíèé”
Óêðà¿íà, Õåðñîí
Õìåëëºð Åë³çàáåò, 16
“Áîæåâ³ëüíà Íàëë³”
Óêðà¿íà, Õåðñîí
Ìàíóê’ÿí Îëåíà,10
“Öàð Ïëàêñ³é òà ëîñêîòóí”
Óêðà¿íà, Õåðñîí
Ëóáåíåöü Ìàð³ÿ,12
“Ôàðáîâàíèé ëèñ”
Óêðà¿íà, Õåðñîí
Ðóäêîâñüêà Êàòåðèíà, 8
“Êóðî÷êà Ðÿáà”
Óêðà¿íà, Õåðñîí
Áîãîìîëîâà Ìàðãàðèòà, 11
“Ìîðîçêî”
Óêðà¿íà, Õåðñîí
˳ùèíñüêà ³êòîð³ÿ, 10
“гïêà”
Óêðà¿íà, ñìò. Çàâîäñüêå
Ïëàñòóí Îëüãà, 11
“Ðîçóìíà äîíüêà”
Óêðà¿íà, Õåðñîí
Þð÷åíêî Îëåã, 7
“Ðóñàëîíüêà è äðóç³”
Óêðà¿íà, Õåðñîí
Ìî³ñººâà Åì³ë³ÿ, 10
“Ëèñèöÿ ³ æóðàâëü”
Óêðà¿íà, Õåðñîí
Àëåêñåºâà Îêñàíà, 6
“Ãóë³âåð”
Óêðà¿íà, Õåðñîí
Øåâ÷óê Äàð³ÿ, 15
“Ìåð³ Ïîïï³íñ”
Óêðà¿íà, Õåðñîí
Ìàêñèìþê Îëåêñàíäðà, 12
“Öàð³âíà æàáà”
Óêðà¿íà, Õåðñîí

17. Áóíêóñ Àííà, 6
“Òðè ÷àð³âíèêà”
Óêðà¿íà, Õåðñîí
Êîâòóí Àííà, 11
“Êàçêà ïðî öàðÿ Ñàëòàíà”
Óêðà¿íà, Õåðñîí
Êîáçàð Àíàñòàñ³ÿ, 13
“Àë³ñà â êðà¿í³ ÷óäåñ”
Óêðà¿íà, Õåðñîí
Êóëèêîâà ³êòîð³ÿ, 10
“Æàð-ïòèöÿ”
Óêðà¿íà, Õåðñîí
Ñèíÿºâà Àë³ñà, 12
“Óêðà¿íñüêà íàðîäíà êàçêà”
Óêðà¿íà, Õåðñîí
Ðîìàíþê Àð³íà, 6
“Ïðèíöåñà”
Óêðà¿íà, Õåðñîí
Æóêîâà Äàð’ÿ, 9
“²âàñèê Òåëåñèê”
Óêðà¿íà, Õåðñîí
Âàêóëà Äàíè¿ë, 12
“Êîòèãîðîøêî”
Óêðà¿íà, Êðèâèé гã
Æóðàâåëü ³êòîð³ÿ, 14
“²âàí Áîãàòèð”
Óêðà¿íà, Ïåðâîìàéñüêèé
Áî÷åâñüêà Ïîë³íà,12
“×àðè êâ³òêîâî¿ ôå¿”
Óêðà¿íà, Õåðñîí
Æàëîáà Âåðîí³êà, 11
“Æàð-ïòèöÿ”
Óêðà¿íà, Õåðñîí
Çàâºðþõ³íà Äàð³ÿ, 11
“Ðóñàëîíüêà”
Óêðà¿íà, Õåðñîí
Ìåëüíèêîâà Ñîô³ÿ, 7
“Êàçêà ïðî ÷àð³âíèê³â”
Óêðà¿íà, Õåðñîí
Ãðàáîâà Îêñàíà, 10
“Óëþáëåíà êóðêà”
Óêðà¿íà, Õåðñîí

18. Ñìèðíîâ Äàíèèë, 11
“Ìåëåíüêàÿ âåäüìà”
Óêðàèíà, Ñêàäîâñê
Ñîëîäîâí³êîâà Ìàðãàðèòà, 7
“Ïàñòóøêè”
Óêðà¿íà, Õåðñîí
Ñòðàòåíêî Àííà, 11
“Âïåðò³ áðàòè”
Óêðà¿íà, Õåðñîí
Âåëè÷êî Âàëåð³ÿ, 8
“Êàçêà ïðî ÷àð³âíèê³â”
Óêðà¿íà, Õåðñîí
óðíÿê Ñîô³ÿ, 12
“Ãóñè-ëåáåä³”
Óêðà¿íà, Á³áðêà
Ðæàâöåâ Àëåêñåé, 11
“Áîãàòûðè”
Êàçàõñòàí, Ïåòðîïàâëîâñê
²âàøêîâà Ëþáîâ, 5
“Êàçêà ïðî ðèáàêà ³ ðèáêó”
Óêðà¿íà, ×åðêàñè
Âàðóùèê Áîãäàí, 11
“Ñîëîì’ÿíèé áè÷îê”
Óêðà¿íà, Õåðñîí
Áóòåíêî Ñîô³ÿ, 10
“Ïîðòðåò Øàïîêëÿê”
Óêðà¿íà, Õåðñîí
Åãàðìèíà Àëåíà, 12
“Êîíåê-Ãîðáóíîê”
Ðîññèÿ, Ëåñîñèáèðñê
Ðîìàíåíêî Åâà, 13
“Çîëîòàÿ Ðûáêà”
Ðîññèÿ, Ëåñîñèáèðñê
Ãóò³êîâà Åì³ë³ÿ, 10
“Öàð³âíà-æàáà”
Óêðà¿íà, Õåðñîí
Ôèëàòîâà Ìàðèÿ, 7
“Áàáà ßãà”
Êàçàõñòàí Ïåòðîïàâëîâñê

19. Aisha Hassan Abdulrahman, 11
“Resting in the Garden”
United Arab Emirates, Sharjah
Þùåíêî Âàëåð³ÿ, 8
“Êîòèê ³ ï³âíèê”
Óêðà¿íà, Ïîëòàâà
Ëîõìàòîâà Àííà, 10
“Ïðèíöåñà íà ãîðîøèí³”
Óêðà¿íà, Åíåðãîäàð
Ìåëüíèêîâà Àííà, 8
“Ðóêàâè÷êà”
Óêðà¿íà, Õåðñîí
Æåãóë³í Âàñèëü, 6
“×àð³âíå ì³ñòî”
Óêðà¿íà, Õåðñîí
Ïîðâèíà Àííà, 12
“Êîíåê-Ãîðáóíîê”
Ðîññèÿ, Ëåñîñèáèðñê
Çàïðîøóºìî âçÿòè ó÷àñòü ó íàñòóïíîìó
V ̳æíàðîäíîìó êîíêóðñ³ äèòÿ÷îãî ìàëþíêà
“²ëþñòðàö³ÿ äî íàðîäíî¿ êàçêè” â 2018 ðîö³
Welcome to 2018 International Art Competition
“Illustration to Folktale”
KHERSON, UKRAINE
ÕÅÐÑÎÍ, ÓÊÐÀ¯ÍÀ
2016

22. Íàâ÷àëüíî-åñòåòè÷íèé êîìïëåêñ
«Õóäîæíÿ øêîëà» ì.Õåðñîíà
Äèòÿ÷à õóäîæíÿ øêîëà.
Äèçàéí-ë³öåé.
³ää³ëåíÿ âèùî¿ îñâ³òè:
ðåàë³çóº ïðèíöèï íåïåðåðâíîñò³ îñâ³òè â ãàëóç³ îáðàçîòâîð÷îãî
ìèñòåöòâà òà äèçàéíó.
Íàãîðîäæåíèé Ïî÷åñíîþ ãðàìîòîþ
Êàá³íåòó ì³í³ñòð³â Óêðà¿íè.
Çàñíîâàíà ó 1980 ðîö³.
Ïåäàãîã³÷íà ðîáîòà ç ä³òüìè â³ä 5 ðîê³â
ç îáðàçîòâîð÷îãî òà äåêîðàòèâíîãî ìèñòåöòâà.
Äèðåêòîð - Ñë³ï³÷ Þ.Â.,
êàíäèäàò ïåäàãîã³÷íèõ íàóê, äîöåíò.
Çàñíîâàíèé ó 1997 ð. Äîâóç³âñüêà ï³äãîòîâêà
ñòàðøîêëàñíèê³â äî ìèñòåöüêèõ ñïåö³àëüíîñòåé.
Äèðåêòîð - Ñë³ï³÷ Ï.À.,
Çàñëóæåíèé ä³ÿ÷ ìèñòåöòâ Óêðà¿íè.
âèùà îñâ³òà
«áàêàëàâð, ñïåö³àë³ñò, ìàã³ñòð»
çà ñïåö³àëüí³ñòþ «õóäîæíèê-äèçàéíåð».
Ãðàô³÷íèé òà êîì’þòåðíèé äèçàéí.
Çàâ³äóâà÷ - ïðîôåñîð ÍÀÊÊÊ³Ì Ñë³ï³÷ À.Ë.,
Çàñëóæåíèé ä³ÿ÷ ìèñòåöòâ Óêðà¿íè.
«Õóäîæíÿ øêîëà»
âóë. Íåáåñíî¿ ñîòí³, 21
Óêðà¿íà, ì. Õåðñîí, 73003
òåë.: +38(0552) 26 41 53
e-mail: dl2001@ukr.net
«Art School»
str. Nebesnoi sotni, 21
Ukraine, Kherson, 73003
tel.: +38 (0552) 26 41 53
e-mail: dl2001@ukr.net
ÊÎÌÏÉ ËÈ ÅÍ Ê× ÑÈÒÅÒ
ÑÅ-ÎÍÜËÀ×ÂÀÍ
”ÀËÎÊ
Ø
ßÍÆÎÄÓÕ“
ÕÅ. ÐÑÌ ÎÍÀ