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Teaching Language Skills and Cultural
    Awareness with Spanish Paintings

              Marian Mikaylo Ortuño



Hispania, Vol. 77, No. 3 (Sep., 1994), pp. 500-511
American Association of Teachers of Spanish and
                   Portuguese
• Advantages of using reproductions of Spanish
  paintings from the sixteenth to twentieth
  centuries in the promotion of language learning
  and cultural awareness

• Suggestions on how to incorporate some
  paintings into the curriculum at various levels
“How does the instructor create the optimal
learning environment in which to develop the
four skills - comprehension, speaking, reading,
and writing- along with an awareness of cross-
cultural similarities and differences?”
• Visually engaging authentic materials have been
  shown by some studies as facilitators of
  language acquisition and the formation of
  cultural attitudes
Incorporation of art works into the curriculum in
 one of the following ways:

• As a cultural supplement at any level of
  instruction,
• in a cross-disciplinary course, or
• to prepare students for study abroad.
Learning in Context
• Spanish paintings can encourage students to
  engage in creative discourse.
• Visual sensory stimuli embedded with cultural
  connections have the power to convey
  emotions.
• They attract the student’s attention and can
  cause an affective reaction (shock, surprise,
  disapproval, or even laughter).
Learning in Context

• Even the most inhibited students are able to
  risk grammar mistakes to comment on colorful
  visual symbols
Learning in Context




Magdalena Penitente - El
         Greco
Learning in Context
• “¿Qué ve usted?”, “Diga algo sobre esta
  pintura.”
• Offer clues about the identity of the person
  depicted on the painting
• When, where, and why
• Background information on the painter and
  theme
Learning in Context
• Colors, clothing, parts of the body
• Agreement in number and gender
• Different tenses. Students can ask one
  another:
  – ¿Qué está haciendo María Magdalena?
  – ¿Qué hizo con el perfume?
  – ¿En qué estará pensando?
Learning in Context
   Compare and Contrast

   • List of similarities & contrasts
   • Analytical thinking skills




           La Reina Mariana
             de Austria -
               Velásquez
Learning in Context
• Using paintings can help incorporate culture in the
  language learning experience and make it both
  enjoyable and intellectually profitable
• Standards for Foreign Language Learning –
  CONNECTION:
  – Paintings are well suited to the teaching of history,
    literature, and art itself along with language and culture
  – Provide students with a global context, on which the
    society and institutions of a culture are reflected as they
    respond to social, religious, and political forces
Transition from Language to
               Literature
• Students can feel at a loss during the period of
  transition because they lack:
  –   Historical background,
  –   Confidence,
  –   Language skills,
  –   Interest in literature

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Teaching language and culture with Spanish paintings

  • 1. Teaching Language Skills and Cultural Awareness with Spanish Paintings Marian Mikaylo Ortuño Hispania, Vol. 77, No. 3 (Sep., 1994), pp. 500-511 American Association of Teachers of Spanish and Portuguese
  • 2. • Advantages of using reproductions of Spanish paintings from the sixteenth to twentieth centuries in the promotion of language learning and cultural awareness • Suggestions on how to incorporate some paintings into the curriculum at various levels
  • 3. “How does the instructor create the optimal learning environment in which to develop the four skills - comprehension, speaking, reading, and writing- along with an awareness of cross- cultural similarities and differences?”
  • 4. • Visually engaging authentic materials have been shown by some studies as facilitators of language acquisition and the formation of cultural attitudes
  • 5. Incorporation of art works into the curriculum in one of the following ways: • As a cultural supplement at any level of instruction, • in a cross-disciplinary course, or • to prepare students for study abroad.
  • 6. Learning in Context • Spanish paintings can encourage students to engage in creative discourse. • Visual sensory stimuli embedded with cultural connections have the power to convey emotions. • They attract the student’s attention and can cause an affective reaction (shock, surprise, disapproval, or even laughter).
  • 7. Learning in Context • Even the most inhibited students are able to risk grammar mistakes to comment on colorful visual symbols
  • 8. Learning in Context Magdalena Penitente - El Greco
  • 9. Learning in Context • “¿Qué ve usted?”, “Diga algo sobre esta pintura.” • Offer clues about the identity of the person depicted on the painting • When, where, and why • Background information on the painter and theme
  • 10. Learning in Context • Colors, clothing, parts of the body • Agreement in number and gender • Different tenses. Students can ask one another: – ¿Qué está haciendo María Magdalena? – ¿Qué hizo con el perfume? – ¿En qué estará pensando?
  • 11. Learning in Context Compare and Contrast • List of similarities & contrasts • Analytical thinking skills La Reina Mariana de Austria - Velásquez
  • 12. Learning in Context • Using paintings can help incorporate culture in the language learning experience and make it both enjoyable and intellectually profitable • Standards for Foreign Language Learning – CONNECTION: – Paintings are well suited to the teaching of history, literature, and art itself along with language and culture – Provide students with a global context, on which the society and institutions of a culture are reflected as they respond to social, religious, and political forces
  • 13. Transition from Language to Literature • Students can feel at a loss during the period of transition because they lack: – Historical background, – Confidence, – Language skills, – Interest in literature