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Ethnic music - the traditional and
 typically anonymous music that is an
 expression of the life of people in a
 community

Filipino music is quite diverse as the
 indigenous people in the Philippines spread
 across hundreds of islands. There are
 aproximately 140 ethnic groups.
Philippine indigenous music before
the colonial era was largely
functional. Expressed either
instrumentally or vocally or a
combination of both, music was
deeply integrated with the activities
of the natives. The ancient Filipinos
had music practically for all
occasions, for every phase of life,
from birth to death.
… largely retained and practiced by about
10 percent of the population concentrated
mainly in three regions: Northern Luzon,
the Central Philippine islands of Mindoro
and Palawan and the southern islands of
Mindanano and Sulu. In Mindanao and
Sulu, two musical and cultural traditions
may be noted – the Islamic, consisting of
such groups as the Maguindanao,
Maranao, Yakan, Tausog and Samal, and
the pre-Islamic which is composed of the
Bagobo, Manobo, Bukidnon, Tagakaolo,
Bilaan, Mansaka, Subanon and Mandaya,
among others.
Music style varies region to region
Often the music is Polyphonic & uses
 highly interlocking repeated patterns.
Most musical instruments are
 Percussion Instruments
Some belong to the wind and string
 family
The muscial form/style of the
 Philippines can be grouped into
 two : the southern style and the
 northern style. But as a whole,
 instruments could be distinguished
 by their equivalence in wind,
 string, percussion
ethnic groups in the Mindanao
   Tausug in the Sulu
    Acrhipelago is known for
    their sophisticated musical
    repotoire called Kulintang
   The main instruments used
    for Kulintang is similar to the
    gongs used in Indonesia.
   Often the music in
    Mindanao is similar to the
    tribes in visayas
Aerophone instrument:
 Palendag




Chordophone instrument:
 Kaltsang




Idiophone (percussion)
 instrument: Kulintang
ethnic People of Central Cordilleras of Luzon
   also play music with the use of gongs , but
     unlike those of the sothern repotoire , the
     gongs , called Gangsa , are unbossed and
     originate from mainland Asia
Aerophone instrument: Paldong




Chordophone Instrument: Gitgit




Idiophone (percussion) instrument: gangsa
Ethnic music in the Philippines often serves as a
   musical accompanyment for various traditions
   such as religious ceremonies and rituals.
Phase of Life            Example

Child Birth              Kalinga appros

Courtship, Love songs    Kalinga      Ading,   Tingguian
                         Inegegkak si labago
Death, Funerals          Maranao Dikir

Work Songs               Bontoc Ayoweng (Rice Pounding)

Hunting Songs

Invited guests songs     Samal tenis-tenis
Nature has played a great role in shaping up
the music technology and aesthetics of the
various ethnic musical traditions. Ethnic
musical instruments are primarily objects of
nature as they consist mainly of bamboo,
wood, shell, animal skin and metal; just as
many of the melodies and rhythms of tribal
chants imitate some aspects of nature's
sounds and movements.” (Pre Colonial
Indegenous Music)

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Early philippine music

  • 1.
  • 2. Ethnic music - the traditional and typically anonymous music that is an expression of the life of people in a community Filipino music is quite diverse as the indigenous people in the Philippines spread across hundreds of islands. There are aproximately 140 ethnic groups.
  • 3. Philippine indigenous music before the colonial era was largely functional. Expressed either instrumentally or vocally or a combination of both, music was deeply integrated with the activities of the natives. The ancient Filipinos had music practically for all occasions, for every phase of life, from birth to death.
  • 4. … largely retained and practiced by about 10 percent of the population concentrated mainly in three regions: Northern Luzon, the Central Philippine islands of Mindoro and Palawan and the southern islands of Mindanano and Sulu. In Mindanao and Sulu, two musical and cultural traditions may be noted – the Islamic, consisting of such groups as the Maguindanao, Maranao, Yakan, Tausog and Samal, and the pre-Islamic which is composed of the Bagobo, Manobo, Bukidnon, Tagakaolo, Bilaan, Mansaka, Subanon and Mandaya, among others.
  • 5. Music style varies region to region Often the music is Polyphonic & uses highly interlocking repeated patterns. Most musical instruments are Percussion Instruments Some belong to the wind and string family
  • 6. The muscial form/style of the Philippines can be grouped into two : the southern style and the northern style. But as a whole, instruments could be distinguished by their equivalence in wind, string, percussion
  • 7. ethnic groups in the Mindanao Tausug in the Sulu Acrhipelago is known for their sophisticated musical repotoire called Kulintang The main instruments used for Kulintang is similar to the gongs used in Indonesia. Often the music in Mindanao is similar to the tribes in visayas
  • 8. Aerophone instrument: Palendag Chordophone instrument: Kaltsang Idiophone (percussion) instrument: Kulintang
  • 9. ethnic People of Central Cordilleras of Luzon also play music with the use of gongs , but unlike those of the sothern repotoire , the gongs , called Gangsa , are unbossed and originate from mainland Asia
  • 10. Aerophone instrument: Paldong Chordophone Instrument: Gitgit Idiophone (percussion) instrument: gangsa
  • 11. Ethnic music in the Philippines often serves as a musical accompanyment for various traditions such as religious ceremonies and rituals. Phase of Life Example Child Birth Kalinga appros Courtship, Love songs Kalinga Ading, Tingguian Inegegkak si labago Death, Funerals Maranao Dikir Work Songs Bontoc Ayoweng (Rice Pounding) Hunting Songs Invited guests songs Samal tenis-tenis
  • 12. Nature has played a great role in shaping up the music technology and aesthetics of the various ethnic musical traditions. Ethnic musical instruments are primarily objects of nature as they consist mainly of bamboo, wood, shell, animal skin and metal; just as many of the melodies and rhythms of tribal chants imitate some aspects of nature's sounds and movements.” (Pre Colonial Indegenous Music)