SlideShare una empresa de Scribd logo
1 de 10
es:
ctiv
bje
gO
rnin
Le a
•T

o unde
rstand
narrati
a rang
e of di
ve tech
fferent
niques
• To u
nderst
and th
men an
d apply e represent
ation o
Bourne
our un
f
dersta
Identit
nding t
y
o
Match the Words and Definitions
• You have a range of different narrative
techniques.
• You must match the key terms in the red box
to the definitions.
Narrative Techniques
Match up
Binary Oppositions

Where the narrative has a definitive ending and all problems are solved.

Multi-strand

Where the narrative is open to be added on to; this could be in the form of a sequel. There
isn’t a definitive ending.

Open Narrative

Where the narrative is left open with the audience not knowing what will happen next. It is
used to keep the audience interested in the hope that they will watch on.

Ellipsis

A technique where the audience or the characters are led to believe something different;
they are tricked or ‘led up the wrong garden path’.

Circular Narrative

Where a text builds up a feeling of anxiety and uncertainty about the outcome amongst the
audience. This could be through music, editing or the characters’ actions.

Closed Narrative

Where there are a number of different stories within one media text.

Cliffhanger

Where the narrative goes full circle and the ending/resolution is the same as
beginning/equilibrium.

Red Herring

A type of editing whereby a mixture of different shots/images, usually over time, are edited
together to give the effect that time has passed.

Suspense

A theory thought up by Levi-Strauss whereby opposites are used to create conflict and drive
the narrative forward.

Montage

A technique used to miss out big chunks of time.
Narrative Techniques
Closed Narrative

Where the narrative has a definitive ending and all problems are solved.

Open Narrative

Where the narrative is open to be added on to; this could be in the form of a sequel. There
isn’t a definitive ending.

Cliffhanger

Where the narrative is left open with the audience not knowing what will happen next. It is
used to keep the audience interested in the hope that they will watch on.

Red Herring

A technique where the audience or the characters are led to believe something different;
they are tricked or ‘led up the wrong garden path’.

Suspense

Where a text builds up a feeling of anxiety and uncertainty about the outcome amongst the
audience. This could be through music, editing or the characters’ actions.

Multi-strand

Where there are a number of different stories within one media text.

Circular Narrative

Where the narrative goes full circle and the ending/resolution is the same as
beginning/equilibrium.

Montage

A type of editing whereby a mixture of different shots/images, usually over time, are edited
together to give the effect that time has passed.

Binary Oppositions

A theory thought up by Levi-Strauss whereby opposites are used to create conflict and drive
the narrative forward.

Ellipsis

A technique used to miss out big chunks of time.
Bourne Identity
• How did the film use Todorov’s structure?
• What ‘stock characters’ were identifiable?
• Which binary oppositions are included and what effect do
they have?
• Name three narrative techniques (from our starter) that you
can apply to the film.
• Challenge: What effect do the narrative techniques have for
the audience?
How are these being represented?
Recap: What is Representation?
• The way in which people, place or events are shown,
portrayed or represented.
• Representation goes through a process of mediation
– to give a specific meaning.
Key Words:
Positive
• Negative
• Stereotype
Representation of Male Characters
Heroes:
Spider-Man
Indiana Jones
Batman
Luke Skywalker
James Bond

List how the above characters are represented.
Key Words:
Positive
Negative
Patriarchal Dominant
Hero
Villain
Practically Apply
• From your analysis of the
still images, use your
knowledge of Bourne
Identity explain how the
hero, Jason Bourne, is
represented.
Quick Quiz
1.

Which theorist came up with the idea that a narrative must
contain ‘stock characters’?

1.

Name three of the ‘stock characters’.

2.

What are the three parts of Todorov’s structure?

3.

What did Levi-Strauss say ‘drives’ the narrative?

4.

Name two other techniques a narrative may use.

Extension: What effect do these techniques have for an audience?

Más contenido relacionado

La actualidad más candente

Year10 Lesson4 617 9 08
Year10 Lesson4 617 9 08Year10 Lesson4 617 9 08
Year10 Lesson4 617 9 08
qbMedia
 
Narrative lesson 2019
Narrative lesson 2019Narrative lesson 2019
Narrative lesson 2019
MsJMcLeod
 
Characterisation q 1 link
Characterisation q 1 linkCharacterisation q 1 link
Characterisation q 1 link
indiamcknight
 
V for vendetta analysis
V for vendetta analysisV for vendetta analysis
V for vendetta analysis
iain bruce
 
Final major project_proposal_form_updated movie trailer
Final major project_proposal_form_updated movie trailerFinal major project_proposal_form_updated movie trailer
Final major project_proposal_form_updated movie trailer
callumharrison
 
Narrative theories
Narrative theories Narrative theories
Narrative theories
flemjems
 

La actualidad más candente (20)

GCSE Narrative theories 1
GCSE Narrative theories 1GCSE Narrative theories 1
GCSE Narrative theories 1
 
UAL Media Unit 4" Structuralism - Narrative
UAL Media Unit 4" Structuralism - NarrativeUAL Media Unit 4" Structuralism - Narrative
UAL Media Unit 4" Structuralism - Narrative
 
Sound in TV Drama
Sound in TV DramaSound in TV Drama
Sound in TV Drama
 
Feature story and narration vox pops
Feature story and narration vox popsFeature story and narration vox pops
Feature story and narration vox pops
 
Year10 Lesson4 617 9 08
Year10 Lesson4 617 9 08Year10 Lesson4 617 9 08
Year10 Lesson4 617 9 08
 
Film narrative intro
Film narrative introFilm narrative intro
Film narrative intro
 
Online learning English Task 3
Online learning English Task 3Online learning English Task 3
Online learning English Task 3
 
What is a trailer
What is a trailerWhat is a trailer
What is a trailer
 
Narrative lesson 2019
Narrative lesson 2019Narrative lesson 2019
Narrative lesson 2019
 
Characterisation q 1 link
Characterisation q 1 linkCharacterisation q 1 link
Characterisation q 1 link
 
Typical Conventions of a Thriller Trailer
Typical Conventions of a Thriller TrailerTypical Conventions of a Thriller Trailer
Typical Conventions of a Thriller Trailer
 
Terminology Log (Terms used so far)
Terminology Log (Terms used so far)Terminology Log (Terms used so far)
Terminology Log (Terms used so far)
 
Vocabulary list 30, new
Vocabulary list 30, newVocabulary list 30, new
Vocabulary list 30, new
 
Narrative theories - GCSE Film
Narrative theories - GCSE FilmNarrative theories - GCSE Film
Narrative theories - GCSE Film
 
V for vendetta analysis
V for vendetta analysisV for vendetta analysis
V for vendetta analysis
 
Final major project_proposal_form_updated movie trailer
Final major project_proposal_form_updated movie trailerFinal major project_proposal_form_updated movie trailer
Final major project_proposal_form_updated movie trailer
 
Applying Narrative Theories
Applying Narrative TheoriesApplying Narrative Theories
Applying Narrative Theories
 
Media Theories
Media TheoriesMedia Theories
Media Theories
 
Narrative theories
Narrative theories Narrative theories
Narrative theories
 
A5 editing in trailer research
A5 editing in trailer researchA5 editing in trailer research
A5 editing in trailer research
 

Destacado

Representation of race & ethnicity
Representation of race & ethnicityRepresentation of race & ethnicity
Representation of race & ethnicity
Craig Osborne
 
Respresentation of Men and Women in Action Adventure
Respresentation of Men and Women in Action AdventureRespresentation of Men and Women in Action Adventure
Respresentation of Men and Women in Action Adventure
latymermedia
 
Women In Action Films
Women In Action FilmsWomen In Action Films
Women In Action Films
Simon Gummer
 
The representation of men and women in action adventure films
The representation of men and women in action adventure filmsThe representation of men and women in action adventure films
The representation of men and women in action adventure films
latymermedia
 
Quick representation and narrative revision
Quick representation and narrative revisionQuick representation and narrative revision
Quick representation and narrative revision
Andy Wallis
 
Representation of men in action films
Representation of men in action filmsRepresentation of men in action films
Representation of men in action films
MsJMcLeod
 
Media key terms sound
Media key terms soundMedia key terms sound
Media key terms sound
MissConnell
 
Ethnicity Representations in the Media
Ethnicity Representations in the MediaEthnicity Representations in the Media
Ethnicity Representations in the Media
Jaskirt Boora
 
A Guide to SlideShare Analytics - Excerpts from Hubspot's Step by Step Guide ...
A Guide to SlideShare Analytics - Excerpts from Hubspot's Step by Step Guide ...A Guide to SlideShare Analytics - Excerpts from Hubspot's Step by Step Guide ...
A Guide to SlideShare Analytics - Excerpts from Hubspot's Step by Step Guide ...
SlideShare
 

Destacado (16)

GCSE Media Action Adventure Lesson 12 - Ethnicity
GCSE Media Action Adventure Lesson 12 - EthnicityGCSE Media Action Adventure Lesson 12 - Ethnicity
GCSE Media Action Adventure Lesson 12 - Ethnicity
 
GCSE Media Action Adventure Lesson 7 - Representation
GCSE Media Action Adventure Lesson 7 - Representation GCSE Media Action Adventure Lesson 7 - Representation
GCSE Media Action Adventure Lesson 7 - Representation
 
Representation of race & ethnicity
Representation of race & ethnicityRepresentation of race & ethnicity
Representation of race & ethnicity
 
Respresentation of Men and Women in Action Adventure
Respresentation of Men and Women in Action AdventureRespresentation of Men and Women in Action Adventure
Respresentation of Men and Women in Action Adventure
 
Women In Action Films
Women In Action FilmsWomen In Action Films
Women In Action Films
 
The representation of men and women in action adventure films
The representation of men and women in action adventure filmsThe representation of men and women in action adventure films
The representation of men and women in action adventure films
 
Quick representation and narrative revision
Quick representation and narrative revisionQuick representation and narrative revision
Quick representation and narrative revision
 
Representation of men in action films
Representation of men in action filmsRepresentation of men in action films
Representation of men in action films
 
The Narrative Writing Pack
The Narrative Writing PackThe Narrative Writing Pack
The Narrative Writing Pack
 
Media key terms sound
Media key terms soundMedia key terms sound
Media key terms sound
 
GCSE Media Studies Revision Pack
GCSE Media Studies Revision Pack GCSE Media Studies Revision Pack
GCSE Media Studies Revision Pack
 
Representation of ethnicity
Representation of ethnicity Representation of ethnicity
Representation of ethnicity
 
Ethnicity Representations in the Media
Ethnicity Representations in the MediaEthnicity Representations in the Media
Ethnicity Representations in the Media
 
Strauss binary opposites
Strauss binary oppositesStrauss binary opposites
Strauss binary opposites
 
Writing Narratives
Writing NarrativesWriting Narratives
Writing Narratives
 
A Guide to SlideShare Analytics - Excerpts from Hubspot's Step by Step Guide ...
A Guide to SlideShare Analytics - Excerpts from Hubspot's Step by Step Guide ...A Guide to SlideShare Analytics - Excerpts from Hubspot's Step by Step Guide ...
A Guide to SlideShare Analytics - Excerpts from Hubspot's Step by Step Guide ...
 

Similar a GCSE Media Action Adventure Lesson 8 - Representation in Bourne (20)

AA10
AA10AA10
AA10
 
Narrative booklet 1
Narrative booklet 1Narrative booklet 1
Narrative booklet 1
 
ASY1 media narrative
ASY1 media narrativeASY1 media narrative
ASY1 media narrative
 
Lesson 10
Lesson 10Lesson 10
Lesson 10
 
Narrative
NarrativeNarrative
Narrative
 
AS/Y1 Media Studies: Narrative
AS/Y1 Media Studies: NarrativeAS/Y1 Media Studies: Narrative
AS/Y1 Media Studies: Narrative
 
Riptide narrative
Riptide narrativeRiptide narrative
Riptide narrative
 
Media powerpoint
Media powerpointMedia powerpoint
Media powerpoint
 
Media narrative codes update 2015
Media narrative codes update 2015Media narrative codes update 2015
Media narrative codes update 2015
 
Narrative
NarrativeNarrative
Narrative
 
Narrative v2
Narrative v2Narrative v2
Narrative v2
 
Narrative of D83
Narrative of D83Narrative of D83
Narrative of D83
 
Critical theories
Critical theoriesCritical theories
Critical theories
 
Music theory
Music theoryMusic theory
Music theory
 
Narrative and essay planning for section 1b
Narrative and essay planning for section 1bNarrative and essay planning for section 1b
Narrative and essay planning for section 1b
 
Narrative theory_lovefield
 Narrative theory_lovefield Narrative theory_lovefield
Narrative theory_lovefield
 
Planning
PlanningPlanning
Planning
 
2_Modes_of_Paragraph_Development.pdf//////////////
2_Modes_of_Paragraph_Development.pdf//////////////2_Modes_of_Paragraph_Development.pdf//////////////
2_Modes_of_Paragraph_Development.pdf//////////////
 
narrative
narrative narrative
narrative
 
Reading and writing skills-ppt.pptx
Reading and writing skills-ppt.pptxReading and writing skills-ppt.pptx
Reading and writing skills-ppt.pptx
 

Más de Elle Sullivan

Más de Elle Sullivan (20)

MS4 - Paddington - Genre, Narrative and Representation
MS4 - Paddington - Genre, Narrative and RepresentationMS4 - Paddington - Genre, Narrative and Representation
MS4 - Paddington - Genre, Narrative and Representation
 
Lesson 10 - TV comedy mindmap Q4a & 4b
Lesson 10 - TV comedy mindmap Q4a & 4bLesson 10 - TV comedy mindmap Q4a & 4b
Lesson 10 - TV comedy mindmap Q4a & 4b
 
Lesson 9 - TV Comedy Q4b mark scheme
Lesson 9 - TV Comedy Q4b mark schemeLesson 9 - TV Comedy Q4b mark scheme
Lesson 9 - TV Comedy Q4b mark scheme
 
Lesson 8 - TV Comedy Q4a mark scheme
Lesson 8 - TV Comedy Q4a mark schemeLesson 8 - TV Comedy Q4a mark scheme
Lesson 8 - TV Comedy Q4a mark scheme
 
Lesson 7 - TV Comedy - Question 4b case study
Lesson 7 - TV Comedy - Question 4b case studyLesson 7 - TV Comedy - Question 4b case study
Lesson 7 - TV Comedy - Question 4b case study
 
Lesson 6 - TV Comedy audience pleasures
Lesson 6 - TV Comedy  audience pleasuresLesson 6 - TV Comedy  audience pleasures
Lesson 6 - TV Comedy audience pleasures
 
Lesson 4 - TV Comedy audience
Lesson 4 - TV Comedy  audienceLesson 4 - TV Comedy  audience
Lesson 4 - TV Comedy audience
 
Lesson 3 - TV Comedy - Channels and scheduling
Lesson 3 - TV Comedy - Channels and schedulingLesson 3 - TV Comedy - Channels and scheduling
Lesson 3 - TV Comedy - Channels and scheduling
 
Lesson 1 - TV Comedy idents
Lesson 1 - TV Comedy identsLesson 1 - TV Comedy idents
Lesson 1 - TV Comedy idents
 
Lesson 2 - TV Comedy PSB
Lesson 2 - TV Comedy  PSBLesson 2 - TV Comedy  PSB
Lesson 2 - TV Comedy PSB
 
Lesson 12 - Question 3 exam practice
Lesson 12 - Question 3 exam practiceLesson 12 - Question 3 exam practice
Lesson 12 - Question 3 exam practice
 
Lesson 11 - Action Adventure ethnicity and buddy movies
Lesson 11  - Action Adventure ethnicity and buddy moviesLesson 11  - Action Adventure ethnicity and buddy movies
Lesson 11 - Action Adventure ethnicity and buddy movies
 
Lesson 10 - Female representation in Action Adventure films
Lesson 10 - Female representation in Action Adventure filmsLesson 10 - Female representation in Action Adventure films
Lesson 10 - Female representation in Action Adventure films
 
Lesson 9 0 Action Adventure Representation
Lesson 9 0 Action Adventure RepresentationLesson 9 0 Action Adventure Representation
Lesson 9 0 Action Adventure Representation
 
Lesson 8 - Action Adventure archetypes
Lesson 8 - Action Adventure  archetypesLesson 8 - Action Adventure  archetypes
Lesson 8 - Action Adventure archetypes
 
Lesson 7 - Action Adventure jeopardy analysis
Lesson 7 - Action Adventure  jeopardy analysisLesson 7 - Action Adventure  jeopardy analysis
Lesson 7 - Action Adventure jeopardy analysis
 
Lesson 6 - Action Adventure jeopardy and suspense
Lesson 6 - Action Adventure jeopardy and suspenseLesson 6 - Action Adventure jeopardy and suspense
Lesson 6 - Action Adventure jeopardy and suspense
 
Lesson 3 - Action Adventure Sub genres
Lesson 3 - Action Adventure Sub genresLesson 3 - Action Adventure Sub genres
Lesson 3 - Action Adventure Sub genres
 
Lesson 2 - Action adventure films intro
Lesson 2 -  Action adventure films introLesson 2 -  Action adventure films intro
Lesson 2 - Action adventure films intro
 
Lesson 1 Action Adventure Films - Exam requirements
Lesson 1   Action Adventure Films - Exam requirementsLesson 1   Action Adventure Films - Exam requirements
Lesson 1 Action Adventure Films - Exam requirements
 

Último

The basics of sentences session 3pptx.pptx
The basics of sentences session 3pptx.pptxThe basics of sentences session 3pptx.pptx
The basics of sentences session 3pptx.pptx
heathfieldcps1
 
1029 - Danh muc Sach Giao Khoa 10 . pdf
1029 -  Danh muc Sach Giao Khoa 10 . pdf1029 -  Danh muc Sach Giao Khoa 10 . pdf
1029 - Danh muc Sach Giao Khoa 10 . pdf
QucHHunhnh
 
The basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptxThe basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptx
heathfieldcps1
 
Russian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in Delhi
Russian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in DelhiRussian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in Delhi
Russian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in Delhi
kauryashika82
 
Activity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdfActivity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdf
ciinovamais
 

Último (20)

Grant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingGrant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy Consulting
 
Z Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot GraphZ Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot Graph
 
The basics of sentences session 3pptx.pptx
The basics of sentences session 3pptx.pptxThe basics of sentences session 3pptx.pptx
The basics of sentences session 3pptx.pptx
 
Class 11th Physics NEET formula sheet pdf
Class 11th Physics NEET formula sheet pdfClass 11th Physics NEET formula sheet pdf
Class 11th Physics NEET formula sheet pdf
 
Mehran University Newsletter Vol-X, Issue-I, 2024
Mehran University Newsletter Vol-X, Issue-I, 2024Mehran University Newsletter Vol-X, Issue-I, 2024
Mehran University Newsletter Vol-X, Issue-I, 2024
 
1029 - Danh muc Sach Giao Khoa 10 . pdf
1029 -  Danh muc Sach Giao Khoa 10 . pdf1029 -  Danh muc Sach Giao Khoa 10 . pdf
1029 - Danh muc Sach Giao Khoa 10 . pdf
 
The basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptxThe basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptx
 
microwave assisted reaction. General introduction
microwave assisted reaction. General introductionmicrowave assisted reaction. General introduction
microwave assisted reaction. General introduction
 
Russian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in Delhi
Russian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in DelhiRussian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in Delhi
Russian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in Delhi
 
Python Notes for mca i year students osmania university.docx
Python Notes for mca i year students osmania university.docxPython Notes for mca i year students osmania university.docx
Python Notes for mca i year students osmania university.docx
 
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
 
INDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptx
INDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptxINDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptx
INDIA QUIZ 2024 RLAC DELHI UNIVERSITY.pptx
 
Activity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdfActivity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdf
 
ICT role in 21st century education and it's challenges.
ICT role in 21st century education and it's challenges.ICT role in 21st century education and it's challenges.
ICT role in 21st century education and it's challenges.
 
PROCESS RECORDING FORMAT.docx
PROCESS      RECORDING        FORMAT.docxPROCESS      RECORDING        FORMAT.docx
PROCESS RECORDING FORMAT.docx
 
On National Teacher Day, meet the 2024-25 Kenan Fellows
On National Teacher Day, meet the 2024-25 Kenan FellowsOn National Teacher Day, meet the 2024-25 Kenan Fellows
On National Teacher Day, meet the 2024-25 Kenan Fellows
 
Ecological Succession. ( ECOSYSTEM, B. Pharmacy, 1st Year, Sem-II, Environmen...
Ecological Succession. ( ECOSYSTEM, B. Pharmacy, 1st Year, Sem-II, Environmen...Ecological Succession. ( ECOSYSTEM, B. Pharmacy, 1st Year, Sem-II, Environmen...
Ecological Succession. ( ECOSYSTEM, B. Pharmacy, 1st Year, Sem-II, Environmen...
 
Unit-V; Pricing (Pharma Marketing Management).pptx
Unit-V; Pricing (Pharma Marketing Management).pptxUnit-V; Pricing (Pharma Marketing Management).pptx
Unit-V; Pricing (Pharma Marketing Management).pptx
 
Introduction to Nonprofit Accounting: The Basics
Introduction to Nonprofit Accounting: The BasicsIntroduction to Nonprofit Accounting: The Basics
Introduction to Nonprofit Accounting: The Basics
 
Key note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdfKey note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdf
 

GCSE Media Action Adventure Lesson 8 - Representation in Bourne

  • 1. es: ctiv bje gO rnin Le a •T o unde rstand narrati a rang e of di ve tech fferent niques • To u nderst and th men an d apply e represent ation o Bourne our un f dersta Identit nding t y o
  • 2. Match the Words and Definitions • You have a range of different narrative techniques. • You must match the key terms in the red box to the definitions.
  • 3. Narrative Techniques Match up Binary Oppositions Where the narrative has a definitive ending and all problems are solved. Multi-strand Where the narrative is open to be added on to; this could be in the form of a sequel. There isn’t a definitive ending. Open Narrative Where the narrative is left open with the audience not knowing what will happen next. It is used to keep the audience interested in the hope that they will watch on. Ellipsis A technique where the audience or the characters are led to believe something different; they are tricked or ‘led up the wrong garden path’. Circular Narrative Where a text builds up a feeling of anxiety and uncertainty about the outcome amongst the audience. This could be through music, editing or the characters’ actions. Closed Narrative Where there are a number of different stories within one media text. Cliffhanger Where the narrative goes full circle and the ending/resolution is the same as beginning/equilibrium. Red Herring A type of editing whereby a mixture of different shots/images, usually over time, are edited together to give the effect that time has passed. Suspense A theory thought up by Levi-Strauss whereby opposites are used to create conflict and drive the narrative forward. Montage A technique used to miss out big chunks of time.
  • 4. Narrative Techniques Closed Narrative Where the narrative has a definitive ending and all problems are solved. Open Narrative Where the narrative is open to be added on to; this could be in the form of a sequel. There isn’t a definitive ending. Cliffhanger Where the narrative is left open with the audience not knowing what will happen next. It is used to keep the audience interested in the hope that they will watch on. Red Herring A technique where the audience or the characters are led to believe something different; they are tricked or ‘led up the wrong garden path’. Suspense Where a text builds up a feeling of anxiety and uncertainty about the outcome amongst the audience. This could be through music, editing or the characters’ actions. Multi-strand Where there are a number of different stories within one media text. Circular Narrative Where the narrative goes full circle and the ending/resolution is the same as beginning/equilibrium. Montage A type of editing whereby a mixture of different shots/images, usually over time, are edited together to give the effect that time has passed. Binary Oppositions A theory thought up by Levi-Strauss whereby opposites are used to create conflict and drive the narrative forward. Ellipsis A technique used to miss out big chunks of time.
  • 5. Bourne Identity • How did the film use Todorov’s structure? • What ‘stock characters’ were identifiable? • Which binary oppositions are included and what effect do they have? • Name three narrative techniques (from our starter) that you can apply to the film. • Challenge: What effect do the narrative techniques have for the audience?
  • 6. How are these being represented?
  • 7. Recap: What is Representation? • The way in which people, place or events are shown, portrayed or represented. • Representation goes through a process of mediation – to give a specific meaning. Key Words: Positive • Negative • Stereotype
  • 8. Representation of Male Characters Heroes: Spider-Man Indiana Jones Batman Luke Skywalker James Bond List how the above characters are represented. Key Words: Positive Negative Patriarchal Dominant Hero Villain
  • 9. Practically Apply • From your analysis of the still images, use your knowledge of Bourne Identity explain how the hero, Jason Bourne, is represented.
  • 10. Quick Quiz 1. Which theorist came up with the idea that a narrative must contain ‘stock characters’? 1. Name three of the ‘stock characters’. 2. What are the three parts of Todorov’s structure? 3. What did Levi-Strauss say ‘drives’ the narrative? 4. Name two other techniques a narrative may use. Extension: What effect do these techniques have for an audience?