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 Portuguese  painter and potter
 Born in Vila Velha Rodão in
  1927
Career development
 He attended the Science College in Lisbon
  University, as well as free classes at the
  Academy of Fine Arts and José Trindade
  Pottery Study
 He was a teacher of ceramics at the School
  of Decorative Arts António Arroio.



Escola de
Artes
Decorativas
António Arroio
 He studied ceramics in Faenza, Rome
  and Florence with an Italian
  Government scholarship.
 He developed his work later in Gien
  Faience Factory in France, sponsored
  by the Calouste Gulbenkian
  Foundation.
His Paintings…
 In his paintings we can distinguish an
  ornamental and decorative sense, the
  choice of two-dimensionality and the denial
  of depth.
 He produced earthenware squares, the
  Portuguese Azulejo (tiles), an art that still
  has its importance in Portugal, brought by
  the Arabs to the Iberian peninsula.
 The spontaneity of brushstroke dominates
  in his tiles.
 His signed and dated tiles are considered
  real pieces of art.
His work…
   Cargaleiro’s work shows the extraversion,
    brightness, optimism and sensuality of the
    Mediterranean character.
Done by:
Class 6thB




Escola Básica e Secundária de Maceira

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Cargaleiro ing

  • 1.
  • 2.  Portuguese painter and potter  Born in Vila Velha Rodão in 1927
  • 3. Career development  He attended the Science College in Lisbon University, as well as free classes at the Academy of Fine Arts and José Trindade Pottery Study  He was a teacher of ceramics at the School of Decorative Arts António Arroio. Escola de Artes Decorativas António Arroio
  • 4.  He studied ceramics in Faenza, Rome and Florence with an Italian Government scholarship.  He developed his work later in Gien Faience Factory in France, sponsored by the Calouste Gulbenkian Foundation.
  • 5. His Paintings…  In his paintings we can distinguish an ornamental and decorative sense, the choice of two-dimensionality and the denial of depth.  He produced earthenware squares, the Portuguese Azulejo (tiles), an art that still has its importance in Portugal, brought by the Arabs to the Iberian peninsula.
  • 6.  The spontaneity of brushstroke dominates in his tiles.  His signed and dated tiles are considered real pieces of art.
  • 7. His work…  Cargaleiro’s work shows the extraversion, brightness, optimism and sensuality of the Mediterranean character.
  • 8. Done by: Class 6thB Escola Básica e Secundária de Maceira