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designthinking[ ]
erik lüdecker
We are at a critical
point where rapid
change is forcing
us to look not just
at new ways of
solving problems
but to new
problems to solve.
001
Choice is the
problem. When the
options are old.
002
A purely
technocentric view of
innovation is less
sustainable now than
ever, and a
management
philosophy
based only on
selecting from existing
strategies is likely to
be overwhelmed by
new developments.
It is not only
human-centered; it
is deeply human in
and of itself.
003
Design thinking
relies on our ability to
be intuitive, to
recognize patterns, to
construct ideas that
have emotional
meaning as well as
functionality, to
express ourselves in
media other than
words or symbols.
Nobody wants to
run a business based
on feeling, intuition,
and inspiration, but an
over-reliance on the
rational and the
analytical can be just
as dangerous.
There is no one
best way to move
through the
process.
004
There are useful
starting points and
helpful landmarks
along the way, but the
continuum of
innovation is best
thought of as a
system of overlapping
spaces rather
than a sequence of
orderly steps.
The recipe for
success is of non-
linear nature.
005
The reason for the
iterative, nonlinear
nature of the journey
is not that design
thinkers are
disorganized or
undisciplined but that
design thinking is
fundamentally an
exploratory process;
done right, it will
invariably make
unexpected
discoveries along the
way, and it would be
foolish not to find out
where they lead.
The project is the
vehicle that carries
an idea from
concept to reality.
006
Design thinking is
expressed within the
context of a project
forces us to articulate
a clear goal at the
outset. It creates
natural deadlines that
impose discipline and
give us an opportunity
to review progress,
make midcourse
corrections, and
redirect future activity.
If you already know
what you are after,
there is usually not
much point in
looking.
007
When a team of
collaborative design
thinkers comes
together, a chemical
change occurs that
can lead to
unpredictable actions
and reactions. To
reach this point,
however, we have
learned that we must
channel this energy
productively, and one
way to achieve this is
to do away with one
large team in favour of
many small ones.
To be creative, a
place does not
have to be crazy,
kooky, and located
in northern
California.
007
What is a prerequisite
is an environment in
which people know
they can experiment,
take risks, and
explore the full range
of their faculties. A
culture that believes
that it is better to ask
forgiveness afterward
rather than
permission before,
that rewards people
for success but gives
them permission to
fail, has removed one
of the main obstacles
to the formation of
new ideas.
Behaviours are
never right or
wrong, but they are
always meaningful.
008
The basic problem is
that people are so
ingenious at adapting
to inconvenient
situations that they
are often not even
aware that they are
doing so: they sit on
their seat belts, write
their PINs on their
hands, hang their
jackets on
doorknobs, and chain
their bicycles to park
benches. focus
groups and surveys
rarely yield important
insights.
If I’d asked my
customers what
they wanted, they’d
have said a
faster horse.
009
The tools of
conventional
market research can
be useful in pointing
toward incremental
improvements, but
they will never lead to
those rule-breaking,
game-changing,
paradigm-shifting
breakthroughs that
leave us scratching
our heads and
wondering why
nobody ever thought
of them before.
Our culture is an
emphasis on
thinking based
upon logic and
deduction
010
Convergent thinking is
a practical way of
deciding among
existing alternatives.
What convergent
thinking is not so
good at, however, is
probing the future and
creating new
possibilities. If the
convergent phase of
problem solving is
what drives us
towards solutions, the
objectives of
divergent thinking is
to multiply options to
create choices.
The shift from
physical to abstract
and back again is
one of the most
fundamental
processes by which
we explore
the universe,
unlock our
imaginations, and
open our minds to
new possibilities.
the end

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Design Thinking - The Future

  • 2. We are at a critical point where rapid change is forcing us to look not just at new ways of solving problems but to new problems to solve. 001
  • 3. Choice is the problem. When the options are old. 002 A purely technocentric view of innovation is less sustainable now than ever, and a management philosophy based only on selecting from existing strategies is likely to be overwhelmed by new developments.
  • 4. It is not only human-centered; it is deeply human in and of itself. 003 Design thinking relies on our ability to be intuitive, to recognize patterns, to construct ideas that have emotional meaning as well as functionality, to express ourselves in media other than words or symbols. Nobody wants to run a business based on feeling, intuition, and inspiration, but an over-reliance on the rational and the analytical can be just as dangerous.
  • 5. There is no one best way to move through the process. 004 There are useful starting points and helpful landmarks along the way, but the continuum of innovation is best thought of as a system of overlapping spaces rather than a sequence of orderly steps.
  • 6. The recipe for success is of non- linear nature. 005 The reason for the iterative, nonlinear nature of the journey is not that design thinkers are disorganized or undisciplined but that design thinking is fundamentally an exploratory process; done right, it will invariably make unexpected discoveries along the way, and it would be foolish not to find out where they lead.
  • 7. The project is the vehicle that carries an idea from concept to reality. 006 Design thinking is expressed within the context of a project forces us to articulate a clear goal at the outset. It creates natural deadlines that impose discipline and give us an opportunity to review progress, make midcourse corrections, and redirect future activity.
  • 8. If you already know what you are after, there is usually not much point in looking. 007 When a team of collaborative design thinkers comes together, a chemical change occurs that can lead to unpredictable actions and reactions. To reach this point, however, we have learned that we must channel this energy productively, and one way to achieve this is to do away with one large team in favour of many small ones.
  • 9. To be creative, a place does not have to be crazy, kooky, and located in northern California. 007 What is a prerequisite is an environment in which people know they can experiment, take risks, and explore the full range of their faculties. A culture that believes that it is better to ask forgiveness afterward rather than permission before, that rewards people for success but gives them permission to fail, has removed one of the main obstacles to the formation of new ideas.
  • 10. Behaviours are never right or wrong, but they are always meaningful. 008 The basic problem is that people are so ingenious at adapting to inconvenient situations that they are often not even aware that they are doing so: they sit on their seat belts, write their PINs on their hands, hang their jackets on doorknobs, and chain their bicycles to park benches. focus groups and surveys rarely yield important insights.
  • 11. If I’d asked my customers what they wanted, they’d have said a faster horse. 009 The tools of conventional market research can be useful in pointing toward incremental improvements, but they will never lead to those rule-breaking, game-changing, paradigm-shifting breakthroughs that leave us scratching our heads and wondering why nobody ever thought of them before.
  • 12. Our culture is an emphasis on thinking based upon logic and deduction 010 Convergent thinking is a practical way of deciding among existing alternatives. What convergent thinking is not so good at, however, is probing the future and creating new possibilities. If the convergent phase of problem solving is what drives us towards solutions, the objectives of divergent thinking is to multiply options to create choices.
  • 13. The shift from physical to abstract and back again is one of the most fundamental processes by which we explore the universe, unlock our imaginations, and open our minds to new possibilities. the end