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Innovative & Strategic Challenges for
 European Commercial Broadcasters

                          Strasbourg, 1 March 2010
2
“Incremental Change or Permanent Revolution?”




                                                3
1. Nature of Change in the European B’cast Business


   a)   Pace of Change Accelerating (speed at which new technologies
        come to market);




                                                                       4
The accelerating pace of new technologies
        Ways to distribute electronic media content
                                                                           Mobile
                                                                        Broadcast TV
                                                                             3G
                                                                            SVOD
                                                                         PODCAST
                                                                          VOD
                                                                          TVoDSL
                                                                           DTT
 XXIth century
                                                                          WEB

 XXth century                                                            DVD
                                                                  DIGITAL CABLE
                                                            DIGITAL SATELLITE
                          ANALOGUE SATELLITE
                                                 ANALOGUE CABLE

                                               VHS
                                TELEVISION

                                 CINEMA


1950    1960       1970            1980        1990        2000            2010
                                                                                       5
a) What is “broadcasting”?
   i. “Linear/Non-linear” debates at EU level 2006-07

   ii. Extension of broadcasters’ business activities




                                                        6
2. Structural Shift of the entire industry


           “Not a business sector like any other”…




                                                     7
Assumptions underpinning the (public and
commercial) TV sector 1950-2000:

i. “Dual System”
ii. Culture or Commerce?
iii. Qualitative measurement;
iv. Close strategic relationship with cinema industry
v. Vertical integration the default model (commission-production-transmission)
vi. Relatively simple “virtuous circle” in commercial television;
vii. Content-driven business strategies – distribution not an issue in many markets




                                                                                      8
Changes brought about by :


i. Entry of commercial players in mid-80s, with only limited impact on the
   integrated model;

ii. Launch of pay-TV platforms (1990-2003);

iii. Multiplication of broadcast channels (with obvious impact on market share of
     leaders) ;

iv. New market entrants (ICT) – particularly profound impact on the assumptions
    above




                                                                                    9
Shift in Assumptions :

i.     Beyond the Dual System;

ii.    Private sector unambiguously commercial;

iii.   Quantitative measurement and tools adopted from “normal” business – e.g.,
       ARPU;

iv.    Shifts in relationships among genres : cinema, sport, original production;

v.     Publisher-broadcaster model and rise of independent producers – a sector
       undergoing its own structural shifts;

vi.    Driving revenues increasingly complex (see below);

vii. Distribution as important as content ownership




                                                                                    10
3) Impact across the value chain




                                   11
Simplified media value chain : Revenue → Investment in Content →
Distribution →… in competition with → produces ROI → Revenue




                                                                   12
a) Revenue : Diversify !


i. Commercial Imperative;

ii. Four Stages of Revenue Diversification :




                                               13
(a) Beyond the 30-second spot : new advertising techniques,
    product placement, online advertising, etc;




                                                              14
(b) Auxiliary revenues from programmes : CD, DVD, call TV,
    gambling;




                                                             15
(c) The Senderfamilie concept




                                16
17
18
19
(d) Accessing pay TV revenues




                                20
b) Investment in Content


i. Rights Market : Incumbency and New Entrants, Creation of New
   Rights/Windows

ii. The Exclusivity Premium

iii. Impact of Regulation

iv. Reinvention of Key Genres

v. Impact on Corporate Decision-Making




                                                                  21
22
Evolution in Decision-Making


• Traditional career path of programme-makers to CEO challenged by (a)
  increasing demands of role and (b) other opportunities for programme-makers

• Evolution of television towards a “normal business” has led to complex but
  devolved structures

• Distinguish between strategic management and operational autonomy




                                                                                23
“We take a local approach, with each business at arm´s length
  from the others. Very often we work with local partners. In
Germany, we are German, in France we are French and in the
                      UK we are British”




                                                                24
25
c) Distribution


i. New Issue for “first phase” commercial broadcasters;

ii. Cross-platform strategy;

iii. Access to spectrum

iv. Digital forces historic competitors into compete/collaborate model (e.g.,
    multiplexing)




                                                                                26
d) Competition


i. Competition intra-sector : relevant markets for advertising, content, audience;

ii. Legacy : public broadcasters

iii. New Entrants: newspapers, telcos, internet players – role of content owners?

iv. Consolidation in the sector?




                                                                                     27
e) ROI


i. Protection against piracy/unauthorised redistribution : what level, against
   whom?




                                                                                 28
Conclusions/Open Questions




                             29
It is uncontroversial to state that


• The industry is changing faster than ever before;

• The commercial FTA model in particular will need to continue to adapt its
  revenue models to anticipate and respond to these changes;

• Content remains central to the business plan of any successful broadcaster




                                                                               30
Perhaps more debatable :

i. That the fundamentals, in both revenue and content, remain sound;

ii. That the core business of mass audience commercial television will not only
    endure but will prosper;

iii. That the media regulatory framework, including the appropriate role of state
     intervention, needs to be completely overhauled to cope with the new world;




                                                                                    31
Thank you! Questions?

Contact: ACT
Association of Commercial Television in Europe
Rue Joseph II, 9-13, BE - 1000 Brussels
Tel: + 32 2 736 00 52 - Fax: + 32 2 735 41 72
www.acte.be

Ross Biggam
Director General
rb@acte.be

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U4 06 Innovative and Strategic Challenges for Commercial TV (by ACT)

  • 1. Innovative & Strategic Challenges for European Commercial Broadcasters Strasbourg, 1 March 2010
  • 2. 2
  • 3. “Incremental Change or Permanent Revolution?” 3
  • 4. 1. Nature of Change in the European B’cast Business a) Pace of Change Accelerating (speed at which new technologies come to market); 4
  • 5. The accelerating pace of new technologies Ways to distribute electronic media content Mobile Broadcast TV 3G SVOD PODCAST VOD TVoDSL DTT XXIth century WEB XXth century DVD DIGITAL CABLE DIGITAL SATELLITE ANALOGUE SATELLITE ANALOGUE CABLE VHS TELEVISION CINEMA 1950 1960 1970 1980 1990 2000 2010 5
  • 6. a) What is “broadcasting”? i. “Linear/Non-linear” debates at EU level 2006-07 ii. Extension of broadcasters’ business activities 6
  • 7. 2. Structural Shift of the entire industry “Not a business sector like any other”… 7
  • 8. Assumptions underpinning the (public and commercial) TV sector 1950-2000: i. “Dual System” ii. Culture or Commerce? iii. Qualitative measurement; iv. Close strategic relationship with cinema industry v. Vertical integration the default model (commission-production-transmission) vi. Relatively simple “virtuous circle” in commercial television; vii. Content-driven business strategies – distribution not an issue in many markets 8
  • 9. Changes brought about by : i. Entry of commercial players in mid-80s, with only limited impact on the integrated model; ii. Launch of pay-TV platforms (1990-2003); iii. Multiplication of broadcast channels (with obvious impact on market share of leaders) ; iv. New market entrants (ICT) – particularly profound impact on the assumptions above 9
  • 10. Shift in Assumptions : i. Beyond the Dual System; ii. Private sector unambiguously commercial; iii. Quantitative measurement and tools adopted from “normal” business – e.g., ARPU; iv. Shifts in relationships among genres : cinema, sport, original production; v. Publisher-broadcaster model and rise of independent producers – a sector undergoing its own structural shifts; vi. Driving revenues increasingly complex (see below); vii. Distribution as important as content ownership 10
  • 11. 3) Impact across the value chain 11
  • 12. Simplified media value chain : Revenue → Investment in Content → Distribution →… in competition with → produces ROI → Revenue 12
  • 13. a) Revenue : Diversify ! i. Commercial Imperative; ii. Four Stages of Revenue Diversification : 13
  • 14. (a) Beyond the 30-second spot : new advertising techniques, product placement, online advertising, etc; 14
  • 15. (b) Auxiliary revenues from programmes : CD, DVD, call TV, gambling; 15
  • 16. (c) The Senderfamilie concept 16
  • 17. 17
  • 18. 18
  • 19. 19
  • 20. (d) Accessing pay TV revenues 20
  • 21. b) Investment in Content i. Rights Market : Incumbency and New Entrants, Creation of New Rights/Windows ii. The Exclusivity Premium iii. Impact of Regulation iv. Reinvention of Key Genres v. Impact on Corporate Decision-Making 21
  • 22. 22
  • 23. Evolution in Decision-Making • Traditional career path of programme-makers to CEO challenged by (a) increasing demands of role and (b) other opportunities for programme-makers • Evolution of television towards a “normal business” has led to complex but devolved structures • Distinguish between strategic management and operational autonomy 23
  • 24. “We take a local approach, with each business at arm´s length from the others. Very often we work with local partners. In Germany, we are German, in France we are French and in the UK we are British” 24
  • 25. 25
  • 26. c) Distribution i. New Issue for “first phase” commercial broadcasters; ii. Cross-platform strategy; iii. Access to spectrum iv. Digital forces historic competitors into compete/collaborate model (e.g., multiplexing) 26
  • 27. d) Competition i. Competition intra-sector : relevant markets for advertising, content, audience; ii. Legacy : public broadcasters iii. New Entrants: newspapers, telcos, internet players – role of content owners? iv. Consolidation in the sector? 27
  • 28. e) ROI i. Protection against piracy/unauthorised redistribution : what level, against whom? 28
  • 30. It is uncontroversial to state that • The industry is changing faster than ever before; • The commercial FTA model in particular will need to continue to adapt its revenue models to anticipate and respond to these changes; • Content remains central to the business plan of any successful broadcaster 30
  • 31. Perhaps more debatable : i. That the fundamentals, in both revenue and content, remain sound; ii. That the core business of mass audience commercial television will not only endure but will prosper; iii. That the media regulatory framework, including the appropriate role of state intervention, needs to be completely overhauled to cope with the new world; 31
  • 32. Thank you! Questions? Contact: ACT Association of Commercial Television in Europe Rue Joseph II, 9-13, BE - 1000 Brussels Tel: + 32 2 736 00 52 - Fax: + 32 2 735 41 72 www.acte.be Ross Biggam Director General rb@acte.be