literature

1. AMERICAN & ENGLISH
LITERATURE

2. LITERARY MOVEMENTS
 Literature constantly evolves as new movements emerge to
speak to the concerns of different groups of people and
historical periods.
 Absurd, literature of the (c. 1930–1970): A movement,
primarily in the theater, that responded to the seeming
illogicality and purposelessness of human life in works marked
by a lack of clear narrative, understandable psychological
motives, or emotional catharsis. Samuel Beckett’s Waiting for
Godot is one of the most celebrated works in the theater of
the absurd.
 Aestheticism (c. 1835–1910): A late-19th-century movement
that believed in art as an end in itself. Aesthetes such as Oscar
Wilde and Walter Pater rejected the view that art had to posses

3.  Angry Young Men (1950s–1980s): A group of male British writers who
created visceral plays and fiction at odds with the political establishment
and a self-satisfied middle class. John Osborne’s play Look Back in
Anger(1957) is one of the seminal works of this movement.
 Beat Generation (1950s–1960s): A group of American writers in the 1950s
and 1960s who sought release and illumination though a bohemian
counterculture of sex, drugs, and Zen Buddhism. Beat writers such as Jack
Kerouac (On The Road) and Allen Ginsberg (Howl) gained fame by giving
readings in coffeehouses, often accompanied by jazz music.
 Bloomsbury Group (c. 1906–1930s): An informal group of friends and
lovers, including Clive Bell, E. M. Forster, Roger Fry, Lytton Strachey,
Virginia Woolf, and John Maynard Keynes, who lived in the Bloomsbury
section of London in the early 20th century and who had a considerable
liberalizing influence on British culture.
 Commedia dell’arte (1500s–1700s): Improvisational comedy first developed
in Renaissance Italy that involved stock characters and centered around a
set scenario. The elements of farce and buffoonery in commedia dell’arte,
as well as its standard characters and plot intrigues, have had a
tremendous influence on Western comedy, and can still be seen in
contemporary drama and television sitcoms.

4. Dadaism (1916–1922): An avant-garde movement that began in
response to the devastation of World War I. Based in Paris and led by
the poet Tristan Tzara, the Dadaists produced nihilistic and
antilogical prose, poetry, and art, and rejected the traditions, rules,
and ideals of prewar Europe.
Enlightenment (c. 1660–1790): An intellectual movement in France
and other parts of Europe that emphasized the importance of reason,
progress, and liberty. The Enlightenment, sometimes called the Age
of Reason, is primarily associated with nonfiction writing, such as
essays and philosophical treatises. Major Enlightenment writers
include Thomas Hobbes, John Locke, Jean-Jacques Rousseau, René
Descartes.
Elizabethan era (c. 1558–1603): A flourishing period in English
literature, particularly drama, that coincided with the reign of Queen
Elizabeth I and included writers such as Francis Bacon, Ben Jonson,
Christopher Marlowe, William Shakespeare, Sir Philip Sidney, and
Edmund Spenser.
Gothic fiction (c. 1764–1820): A genre of late-18th-century literature
that featured brooding, mysterious settings and plots and set the
stage for what we now call “horror stories.” Horace Walpole’s Castle
of Otranto, set inside a medieval castle, was the first major Gothic
novel. Later, the term “Gothic” grew to include any work that
attempted to create an atmosphere of terror or the unknown, such as

5. Harlem Renaissance (c. 1918–1930): A flowering of African-American
literature, art, and music during the 1920s in New York City. W. E. B.
DuBois’s The Souls of Black Folk anticipated the movement, which included
Alain Locke’s anthology The New Negro, Zora Neale Hurston’s novel Their
Eyes Were Watching God, and the poetry of Langston Hughes and Countee
Cullen.
Lost Generation (c. 1918–1930s): A term used to describe the generation of
writers, many of them soldiers that came to maturity during World War I.
Notable members of this group include F. Scott Fitzgerald, John Dos Passos,
and Ernest Hemingway, whose novel The Sun Also Risesembodies the Lost
Generation’s sense of disillusionment.
Magic realism (c. 1935–present): A style of writing, popularized by Jorge Luis
Borges, Gabriel García Márquez, Günter Grass, and others, that combines
realism with moments of dream-like fantasy within a single prose narrative.
Metaphysical poets (c. 1633–1680): A group of 17th-century poets who
combined direct language with ingenious images, paradoxes, and conceits.
John Donne and Andrew Marvell are the best known poets of this school.
Middle English (c. 1066–1500): The transitional period between Anglo-Saxon
and modern English. The cultural upheaval that followed the Norman
Conquest of England, in 1066, saw a flowering of secular literature,
including ballads, chivalric romances, allegorical poems, and a variety of
religious plays. Chaucer’s The Canterbury Tales is the most celebrated work
of this period.

6. Modernism (1890s–1940s): A literary and artistic movement that provided a
radical breaks with traditional modes of Western art, thought, religion, social
conventions, and morality. Major themes of this period include the attack on
notions of hierarchy; experimentation in new forms of narrative, such
asstream of consciousness; doubt about the existence of knowable,
objective reality; attention to alternative viewpoints and modes of thinking;
and self-referentiality as a means of drawing attention to the relationships
between artist and audience, and form and content.
High modernism (1920s): Generally considered the golden age of modernist
literature, this period saw the publication of James Joyce’sUlysses, T. S.
Eliot’s The Waste Land, Virginia Woolf’s Mrs. Dalloway, and Marcel
Proust’s In Search of Lost Time.
Naturalism (c. 1865–1900): A literary movement that used detailed realism
to suggest that social conditions, heredity, and environment had inescapable
force in shaping human character. Leading writers in the movement include
Émile Zola, Theodore Dreiser, and Stephen Crane.
Neoclassicism (c. 1660–1798): A literary movement, inspired by the
rediscovery of classical works of ancient Greece and Rome that emphasized
balance, restraint, and order. Neoclassicism roughly coincided with the
Enlightenment, which espoused reason over passion. Notable neoclassical

7. Nouveau Roman (“New Novel”) (c. 1955–1970): A French movement, led by
Alain Robbe-Grillet, that dispensed with traditional elements of the novel,
such as plot and character, in favor of neutrally recording the experience of
sensations and things.
Postcolonial literature (c. 1950s–present): Literature by and about people
from former European colonies, primarily in Africa, Asia, South America, and
the Caribbean. This literature aims both to expand the traditional canon of
Western literature and to challenge Eurocentric assumptions about literature,
especially through examination of questions of otherness, identity, and race.
Prominent postcolonial works include Chinua Achebe’sThings Fall Apart, V.
S. Naipaul’s A House for Mr. Biswas, and Salman Rushdie’s Midnight’s
Children. Edward Said’s Orientalism (1978) provided an important theoretical
basis for understanding postcolonial literature.
Postmodernism (c. 1945–present): A notoriously ambiguous term, especially
as it refers to literature, postmodernism can be seen as a response to the
elitism of high modernism as well as to the horrors of World War II.
Postmodern literature is characterized by a disjointed, fragmented
pastiche of high and low culture that reflects the absence of tradition and
structure in a world driven by technology and consumerism. Julian Barnes,
Don DeLillo, Toni Morrison, Vladimir Nabokov, Thomas Pynchon, Salman
Rushdie, and Kurt Vonnegut are among many who are considered
postmodern authors.
Pre-Raphaelites (c. 1848–1870): The literary arm of an artistic movement
that drew inspiration from Italian artists working before Raphael (1483–
1520). The Pre-Raphaelites combined sensuousness and religiosity through
archaic poetic forms and medieval settings. William Morris, Christina
Rossetti, Dante Gabriel Rossetti, and Charles Swinburne were leading poets

8. Realism (c. 1830–1900): A loose term that can refer to any work that aims at
honest portrayal over sensationalism, exaggeration, or melodrama.
Technically, realism refers to a late-19th-century literary movement—
primarily French, English, and American—that aimed at accurate detailed
portrayal of ordinary, contemporary life. Many of the 19th century’s greatest
novelists, such as Honoré de Balzac, Charles Dickens, George Eliot, Gustave
Flaubert, and Leo Tolstoy, are classified as realists. Naturalism (see above )
can be seen as an intensification of realism.
Romanticism (c. 1798–1832): A literary and artistic movement that reacted
against the restraint and universalism of the Enlightenment. The Romantics
celebrated spontaneity, imagination, subjectivity, and the purity of nature.
Notable English Romantic writers include Jane Austen, William Blake, Lord
Byron, Samuel Taylor Coleridge, John Keats, Percy Bysshe Shelley, and
William Wordsworth. Prominent figures in the American Romantic movement
include Nathaniel Hawthorne, Herman Melville, Edgar Allan Poe, William
Cullen Bryant, and John Greenleaf Whittier.
Sturm und Drang (1770s): German for “storm and stress,” this brief German
literary movement advocated passionate individuality in the face of
Neoclassical rationalism and restraint. Goethe’s The Sorrows of Young
Werther is the most enduring work of this movement, which greatly
influenced the Romantic movement (see above).
Surrealism (1920s–1930s): An avant-garde movement, based primarily in
France, that sought to break down the boundaries between rational and
irrational, conscious and unconscious, through a variety of literary and
artistic experiments. The surrealist poets, such as André Breton and Paul
Eluard, were not as successful as their artist counterparts, who included
Salvador Dalí, Joan Miró, and René Magritte.

9. Symbolists (1870s–1890s): A group of French poets who reacted against
realism with a poetry of suggestion based on private symbols, and
experimented with new poetic forms such as free verse and the prose
poem. The symbolists—Stéphane Mallarmé, Arthur Rimbaud, and Paul
Verlaine are the most well known—were influenced by Charles Baudelaire. In
turn, they had a seminal influence on the modernist poetry of the early 20th
century.
Transcendentalism (c. 1835–1860): An American philosophical and spiritual
movement, based in New England, that focused on the primacy of the
individual conscience and rejected materialism in favor of closer communion
with nature. Ralph Waldo Emerson’s “Self-Reliance” and Henry David
Thoreau’s Walden are famous transcendentalist works.
Victorian era (c. 1832–1901): The period of English history between the
passage of the first Reform Bill (1832) and the death of Queen Victoria
(reigned 1837–1901). Though remembered for strict social, political, and
sexual conservatism and frequent clashes between religion and science, the
period also saw prolific literary activity and significant social reform and
criticism. Notable Victorian novelists include the Brontë sisters, Charles
Dickens, George Eliot, William Makepeace Thackeray, Anthony Trollope, and
Thomas Hardy, while prominent poets include Matthew Arnold; Robert
Browning; Elizabeth Barrett Browning; Gerard Manley Hopkins; Alfred, Lord

10. CHARACTERISTICS OF LITERARY
PERIODS
Classical:
This is where it all begins for the Western Canon. Various periods
after it will return to this period to expand and comment on what
they did. In general, the tragic form, epic form, classical dramatic
form, the ode, the elegy, the lyric poem, and dramatic poetry form
were created during this period.
Medieval:
After the fall of Rome, Medieval literature focuses on Christianity
(since the centers of learning were located in the Church and in
monasteries). Since news was difficult to come by, since people didn't
move, the ballad form, the epic form, and the Christian pageant or
dramatic form is created here. There is a great focus on the
difference between men & women and their relationship to God. The
allegory and parable are popular literary forms and devices. Includes

11. Elizabethan Period (Renaissance) 1558-1603: A flourishing period of
literature, particularly drama. The Sonnet form of poetry was all the rage.
Sonnets are poems about love.
Enlightenment (1660-1790) An intellectual movement in France that
emphasized the importance of reason, progress, and liberty. The Age of
Reason brings in the popularity of non-fiction and essays, as well as
philosophy. Volaire's Candide.
Neoclassicism (1660-1798) Like the Enlightenment, this period rediscovered
the classics and used them to emphasize balance, restraint, order, and
natural law. The parody, the satire, and non-fiction memoir/essay is all the
rage. The works of John Dryden, Samuel Johnson, Alexander Pope, and
Jonathan Swift are most popular.
Sturm und Drang (storm and stress - German literary movement of the
1770's): Goethe's work leads this short literary period into Romanticism. It
focuses on works that refer or illustrate the passionate individual railing
against society.
Gothic (1764-1829): A style of literature that focuses on tone, mood, and
mysterious brooding settings. Characters succumb to base desires,

12. Romanticism (1798-1832/1850): Reaction against reason and the
Neoclassical/Enlightenment periods, it celebrated nature,
spontaneity, imagination, and subjectivity. The ode comes back into
favor. As well as women writers. Jane Austen, Mary Shelley, various
poets: Byron, Coleridge, Wordsworth, Shelley, Keats, etc.
Realism (1830-1900): The period of literature that attempts to
portray life honestly, without sensationalism, exaggeration, or
melodrama. Characters and plots are taken largely from middle class
for middle class readers. Ordinary contemporary life. Dickens.
Transcendentalism (1835-1860): An American philosophical and
spiritual movement that focuses on a communion with nature. Similar
in feel and style to the Romantics.
Symbolists (1870's-1890's): A group of French poets (and others)
who react against the blaiseness...not a word... of realism. They
experimented with new poetic forms (more free verse and the prose
poem). They influence Modern poetry.

13. Naturalism (1865-1900): When realism isn't real enough, this period
describes social conditions, heredity, and environment as an
inescapable force in shaping human character.
Aestheticism (1835-1910): Late 19th century movement that believed
in art as an end to itself. Rejecting the idea that art had to be political
or as high moral example. Oscar Wilde.
Modernism: (1890-1945): A literary and artistic movement that
radically breaks with traditional modes of Western art, thought, and
morality. Major themes include isolation, alienation, subjectivity, and
self-referentiality (often to illuminate the connection between reader
and literature or viewer and art). Lots of stream of consciousness.

14. Other periods:
Bloomsbury Group (1906-1930's)
Dadaism (1916-1922)
Lost Generation (1918-1930's)
Harlem Renaissance (1918-1930)
Absurdism (1930-1970)
Postmodernism (1945-present)
Postcolonialism (1959's-present)

15. AMERICAN LITERARY PERIODS
American Literature does not easily lend itself to classification by
period. Here is a general but non-comprehensive guide to certain
major periods, with examples of noted works and writers.
The Colonial Period (1607 – 1775)
This period encompasses the founding of Jamestown up to the
Revolutionary War. The majority of writings were historical, practical,
or religious in nature. Some writers not to miss from this period
include Phillis Wheatley, Cotton Mather, William Bradford, Anne
Bradstreet, and John Winthrop. The first Slave Narrative, A Narrative
of the Uncommon Sufferings, and Surpizing Deliverance of Briton
Hammon, a Negro Man, was published in Boston in 1760.

16. .
The Revolutionary Age (1765 – 1790)
Beginning a decade before the Revolutionary War and ending about
25 years later, this period includes the writings of Thomas Jefferson,
Thomas Paine, James Madison and Alexander Hamilton. This is
arguably the richest period of political writing since classical
antiquity. Important works include the “Declaration of
Independence,”The Federalist Papers and the poetry of Joel Barlow
and Philip Freneau.
The Early National Period (1775 – 1828)
This era in American Literature is responsible for notable first works,
such as the first American comedy written for the stage (The
Contrast by Royall Tyler, 1787) and the first American Novel (The
Power of Sympathy by William Hill, 1789). Washington Irving, James
Fenimore Cooper and Charles Brockden Brown are credited with
creating distinctly American fiction, while Edgar Allan Poe and William
Cullen Bryant began writing poetry that was markedly different from
that of the English tradition.

17. The American Renaissance (1828 – 1865)
Also known as the Romantic Period in America and the Age
of Transcendentalism, this period is commonly accepted to be the greatest
of American Literature. Major writers include Walt Whitman, Ralph Waldo
Emerson, Henry David Thoreau, Nathaniel Hawthorne, Edgar Allan Poe
and Herman Melville. Emerson, Thoreau and Margaret Fuller are credited
with shaping the literature and ideals of many later writers. Other major
contributions include the poetry of Henry Wadsworth Longfellow and the
short stories of Melville, Poe, Hawthorne and Harriet Beecher Stowe. In
addition, this era is the inauguration point of American Literary Criticism,
lead by Poe, James Russell Lowell and William Gilmore Simms. The years
1853 and 1859 brought the first African-American novels (Clotel and Our
Nig).
The Realistic Period (1865 – 1900)
As a result of the American Civil War, Reconstruction and the age of
Industrialism, American ideals and self-awareness changed in profound
ways, and American literature responded. Certain romantic notions of the
American Renaissance are replaced byrealistic descriptions of American life,
such as those represented in the works of William Dean Howells, Henry
James and Mark Twain. This period also gave rise to regional writing, such as
the works of Sarah Orne Jewett, Kate Chopin, Bret Harte, Mary Wilkins
Freeman and George W. Cable. In addition to Walt Whitman, another master
poet, Emily Dickinson, appeared at this time.

18. The Naturalist Period (1900 – 1914)
This relatively short period is defined by its insistence on recreating life as
life really is, even more so than the realists had been doing in the decades
before. American Naturalist writers such as Frank Norris, Theodore Dreiser
and Jack London created some of the most powerfully raw novels in
American literary history. Their characters are victims who fall prey to their
own base instincts and to economic and sociological factors. Edith Wharton
wrote some of her most beloved classics, such as The Custom of the
Country(1913), Ethan Frome (1911) and House of Mirth (1905) during this
time period.
The Modern Period (1914 – 1939)
After the American Renaissance, the Modern Period is the second most
influential and artistically rich age of American writing. Its major writers
include such powerhouse poets as e.e. cummings, Robert Frost, Ezra Pound,
William Carlos Williams, Carl Sandburg, T.S. Eliot, Wallace Stevens and Edna
St. Vincent Millay. Novelists and other prose writers of the time include Willa
Cather, John Dos Passos, Edith Wharton, F. Scott Fitzgerald, John Steinbeck,
Ernest Hemingway, William Faulkner, Gertrude Stein, Sinclair Lewis, Thomas
Wolfe and Sherwood Anderson. The Modern Period contains within it certain
major movements including the Jazz Age, the Harlem Renaissance and the
Lost Generation. Many of these writers were influenced by World War I and
the disillusionment that followed, especially the expatriates of the Lost
Generation. Furthermore, the Great Depression and the New Deal resulted in
some of America’s greatest social issue writing, such as the novels of
Faulkner and Steinbeck, and the drama of Eugene O’Neill.

19. The Beat Generation (1944 – 1962)
Beat writers, such as Jack Kerouac and Allen Ginsberg, were devoted to anti-
traditional literature, in poetry and prose, and anti-establishment politics.
This time period saw a rise in confessional poetry and sexuality in literature,
which resulted in legal challenges and debates over censorship in America.
William S. Burroughs and Henry Miller are two writers whose works faced
censorship challenges and who, along with other writers of the time,
inspired the counterculture movements of the next two decades.
The Contemporary Period (1939 – Present)
After World War II, American literature becomes broad and varied in terms of
theme, mode, and purpose. Currently, there is little consensus as to how to
go about classifying the last 80 years into periods or movements – more
time must pass, perhaps, before scholars can make these determinations.
That being said, there are a number of important writers since 1939 whose
works may already be considered “classic” and who are likely to become
canonized. Some of these are: Kurt Vonnegut, Amy Tan, John Updike,
Eudora Welty, James Baldwin, Sylvia Plath, Arthur Miller, Toni Morrison, Ralph
Ellison, Joan Didion, Thomas Pynchon, Elizabeth Bishop, Tennessee Williams,
Sandra Cisneros, Richard Wright, Tony Kushner, Adrienne Rich, Bernard
Malamud, Saul Bellow, Joyce Carol Oates, Thornton Wilder, Alice Walker,
Edward Albee, Norman Mailer, John Barth, Maya Angelou and Robert Penn

20. RESEARCH AND ARRANGED BY:
Manuel S. Enverga University Foundation, Catanauan Inc.
BSED-IIC-ENGLISH
Villanueva, Fatima
Matundan, Von Lester M.
Mr. Melvin Ochinang
Proctor

21. http://aplitsota.blogspot.com/2010/05/characteristics-of-literary-
periods.html
http://sparkcharts.sparknotes.com/lit/literaryterms/section5.php
http://classiclit.about.com/od/whathappened/fl/American-Literary-
Periods.htm