Federico Fauli is applying for a position at an architectural firm. He recently graduated from the Architectural Association with a Diploma and RIBA Part 2 qualification. He has experience working in Milan and London on projects involving international design competitions and working with teams to meet deadlines. He is fluent in English, German, Italian and French. He has received several honors and awards for his design work. He is seeking a position where he can further his career as a licensed architect and apply the skills he has gained through his education and internships.

2. Marketing & Languages
Voith Turbo S.r.l
2009
2018
Lucky Design
F1 & MotoGp
Helmets Design
Shortlisted Finalist
Walkabout Project at the
Student Week 6 by Arch20
Finalist
Africa Architecture Award 2017
Cape Town Ceremony
Top 40 Design
5th Earth Architecture Competition
Rural Art Center for Senegal
Workshop Seville
Out o(f)n Time Project
Donana Park
Honorable Mention
CPDI Africa
Project Competition
Manifesta 12
5X5X5 Project Participation
to be confirmed
MK27 Workshop
Through an Architecture Dream
Marcio Kogan, MIAW
LV Architects
Architectural Assistant
London, UK
Honorable Mention
House a Dream Competition
Architize
Mia Cucina Award
Winner Student Award
Reinventing Home Kitchen
Design
Winner MAD Fellowship
Winner of the MAD Travel
Fellowship Award 2017
KEY EXPERIENCES
ADDRESS King Regent Place 83, Fitzroy Street 12-16,
W1T4BL, London, UK
fedefauli@gmail.com
+44 7490494114
CONTACT
Dear Sir/Madam,
I graduate from the Architectural Association this June with Diploma and Riba pt2.
I completed my bachelor degree with honor at the Politecnico of Milan in 2015 and then completed an additional bachelor year
at the AA in 2016. I am Italian national but have lived in London for 4 years and I am able to speak English, German, Italian and
French.
In September I won a place on the Africa Architecture Award to go to South Africa and had the pleasure of presenting my project
for a week as part of the Africa Awards held at the beautiful Zeitz MOCAA.
I am very eager to work for your Office because of architectural interests which I share. Such as the absence of design dogmas
and the focus on context and culture as main design drivers for the creation of unconventional spaces.
Whilst working on numerous international competitions I learned to meet deadlines and I am comfortable in working as part of a
team, as well as taking positions of leadership. Whilst also using extensively design and management software including Rhino,
Grasshopper, 3DS Max, Creative Suite, CAD/BIM, and 3D Visualizations.
During my working experiences at the Lobo production in Milan and LV Architects in London, I have been working with a team of
designers and coordinate various consultants and work streams under demanding deadlines, contributing to the design of
numerous projects.
I now wish to further pursue design endeavors as a professional career with the goal of becoming a licensed architect, in order to
apply and make concrete all that I have learned in the past years of studies.
I see my advancement, knowledge, and development as an architect to be a lifelong endeavor, and I am excited to implement the
skills that I have gained over the previous six years of higher education and internships to contribute to the success of your
Studio.
Thank you for taking the time to read my application. I am available for interview at any time and look forward to hearing from you
soon.
Yours faithfully,
Federico Fauli

3. Marketing & Languages
Voith Turbo S.r.l
2009
2018
Lucky Design
F1 & MotoGp
Helmets Design
Shortlisted Finalist
Walkabout Project at the
Student Week 6 by Arch20
Finalist
Africa Architecture Award 2017
Cape Town Ceremony
Top 40 Design
5th Earth Architecture Competition
Rural Art Center for Senegal
Workshop Seville
Out o(f)n Time Project
Donana Park
Honorable Mention
CPDI Africa
Project Competition
Manifesta 12
5X5X5 Project Participation
to be confirmed
MK27 Workshop
Through an Architecture Dream
Marcio Kogan, MIAW
LV Architects
Architectural Assistant
London, UK
Honorable Mention
House a Dream Competition
Architize
Mia Cucina Award
Winner Student Award
Reinventing Home Kitchen
Design
Winner MAD Fellowship
Winner of the MAD Travel
Fellowship Award 2017
KEY EXPERIENCES
ENGLISH
100%
GERMAN
100%
ITALIAN
100%
FRENCH
60%
LANGUAGE SKILLS
Cristina Díaz Moreno & Efrén Ga Grinda, AA Unit Masters & Amid.Cero9 (ec@cero9.com)
and I am able to speak English, German, Italian and French.
I am half Italianm, half German but have lived in London since four years
Nannette Jackowski and Ricardo de Ostos, AA Unit Masters & Naja&DeOstos (oostos@hotmail.com)
Lorenzo Vianello, Architect-Director LV Architects, Professor at the University of Kent (lorenzo@lorenzovianello.com)
PUBLICATIONS
AWARDS
Finalist at the Africa Architecture Award 2017, Cape Town ceremony
Winner of the MAD Travel Fellowship, China 2017
Honorable Mention at the House a Dream Competition by Architize
Honorable Mention at the CPDI Africa, The Community Planning & Design Initiative Africa
Top 40 Design at the 5th Earth Architecture Competition, rural arts center for Senegal
Mia Cucina Student Award by Archiparti Team, Reinventing home kitchen design, Hong Kong
2016/2018 LV Architects, London, Architectural Assistant
2014/2015 Lobo Production, Milan, Architectural Assistant - 3D Visual Designer (Aramco Amusement Park)
2014 February-March MK27 Workshop, Marcio Kogan, Politecnico of Milan
2013 April Donana Park Workshop, Seville, Politecnico of Milan
2011 June-September Voith Turbo S.r.l, Reggio Emilia, Marketing and languages assistant
2009 June-September Lucky Design, Reggio Emilia, F1 & MotoGp Helmet Design
During my employment I worked on projects which followed international design competitions. I assisted with
the development of the Aramco Amusement Park in Jeddah and renovation of 9 Mulberry Walk and 29 Queens
Gate Place Mews in London.
I have learnt several professional skills by working on those projects. I worked closely with the project
director’s and attended weekly consultant and client meetings.
I experienced design practice during the transformation of international competition concepts into designed
components for construction such as the Aramco amusement park. Developed by using 3D modelling software
such as Rhino an 3DS, Visualization with Vray and Corona, and drawing sheets for a client using CAD and Revit
REFEREES (further details available upon request)
ACADEMIC RECORD
PROFESSIONAL RECORD
2015/2018 Architectural Association, London, UK, Intermediate 3 (Nannette Jackowski and Ricardo de Ostos)
& Diploma 5 (Cristina Díaz Moreno, Efrén Ga Grinda, Benjamin Reynolds)
2016/2018 Tuition Bursary Awards , Diploma School, Undergraduate, A Levels
2012/2015 Polytechnic University of Milan, Italy, graduated with 110/110 with Honour.
2008/2012 ISS Blaise Pascal, Reggio Emilia, Italy, Business Diploma with corrispondence in foreign languages.
"The Monolith of Kasulo” / Federico Fauli | APSAIDAL
Archdaily Architecture Student convoca a los mejores proyectos
Through an Architecture Dream | KooZA/rch
The Archiologist, Nobody’s Land, and printed version Magazine Issue 1
Walkabout / Arch20
Book Scavengers & Other Creatures in Promised Lands by Ricardo de Ostos and Nannette Jackowski
Student Winner 2017 MAD Travel Fellowship
ADDRESS King Regent Place 83, Fitzroy Street 12-16,
W1T4BL, London, UK
fedefauli@gmail.com
ITALIAN
11/05/1993
RIBA PART2 June 2018
RIBA PART1 June 2015
+44 7490494114
/Federico Fauli
/Fedefauli
/Fedefauli
CONTACT
3DMODELLINGPROGRAMMING
CAD/BIM FABRICATION
RHINOCEROS
VISUALIZATIONCREATIVE SUITE
SKETCHUP
3DSMAX
MUDBOX
ZBRUSH
CINEMA4D
GRASSHOPPER
KANGAROO
MAYA
ARDUINO
PROCESSING
C++
JAVA
AUTOCAD
ARCHICAD
REVIT
MICROSTATION
PHOTOSHOP
ILLUSTRATOR
INDESIGN
PREMIERE PRO
LIGHTROOM
AFTEREFFECTS
VRAY
MAXWELL
OCTANE
BLENDER
CORONA
LUMION
3DPRINTING
MODELMAKING
LASERCUT
CASTING
PAINTING
CNC
SOLDERING
PROTOTYPING

4. ARCHITECTURAL ASSOCIATION Y 5
DIPLOMA UNIT 5 CRISTINA DIAZ MORENO, EFREN CA GRINDA,
BENJAMIN REYNOLDS
The Tower of Palermos’ Phenomena
COSCIENZA INTUITIVA
An architectural representation of the current Palermo Phenomena.
A new form of public space, conceived as a cross-breed between a Time-City
Arkhêion and a Street Baraonda.
A tower of Compilation.
An aggregation of fragments, of ruins and embodied cultural identities.
A public space that both generate and digest forms of Beauty, moving from
antiquity to popular culture.
A project in constant process of transformation.
Never finished, never concluded, unstable and in persistent mutation.
A proposal that pursue the friction between the Uncompiuted state of a building,
and the architects idealized version of it. Therefore how through this friction, the city
could comes back to the project.
A reflection of its grain, its amplification. A vessel of values and identities.
As a mirror of the society and its perpetual alteration.
Located in the historical city centre of Palermo, precisely at Piazza Caracciolo, the
core of the ancient Vucciria Market which once extended through the neighboring
streets.
Once, because nowadays the historical Site has been encountered a degradation
process, as almost the entirely of the Palermo city centre.
Site in which the project has its origin.
A compilation: a stacking of the clashed Palermo Ruins and unbuilts.
Where Elements are accumulated and displayed in different ways, from cladding,
to holes and compund, up to full mass.
An amalgamation of elements, typologies, materials and languages.
Therefore a vision of the contemporary not constrained by the strength of history
but which uses the same as a material for its regeneration.
A street Market as a public space of social and cultural collision, intented to redifine
collective contruction.
A tower as a fragmented repository of culture and identities, enhancing the value of
the leftover and its own beauty.
An ambitious and speculative project, Tackled at different scales.
Which callenge alternative materialities and reevaluate lost techniques.
Interrogating on architecture reality; on the acceptance of the friction between the
perpetual uncompiuted state of a building, and the architects’ idealized version of
it, as the infeasibility of the ideal concluded work.
A project that challenge the temporariness of Architecture and its language, the
acknowledgment of its constant mutation as a reflection and representation of the
city itself, its complexity, richness and incompleteness.
Resulting in a perpetual unconcluded building in a city of unfinished.

6. Accumulation Cladding & Compound
Accumulation Hollowed
Accumulation Full Mass

10. Apply the function and strcuture of a maze to a Voronoi pattern, where no main entrances are
designed and visitors can enter freely.
WALKABOUT
POLITECNICO OF MILAN Y2
AUSTRALIAN PAVILLION EXPO 2015
The project aim was to create a Pavilion in witch visitor would experience the
WalkAbout concept, an initiation ritual of Australian aborigines that consists of
walking without any fixed path, randomly.
The project is characterized by a voronoi pattern creating a labyrinth structure
which gives visitors a flexibility in choosing the path rather than a generic maze.
Vegetation is inside cell space, which cools the surroundings and solves the
drainage issues.
The exhibition and leisure spaces use several enlarged voronoi cells in the center
area of the lot, however being apart from each other enhances the movement of
people.
On the ground floor are mainly exhibition and rest rooms. On the first floor, several
cells are combined together to meet the need of restaurant and bar areas, at the
same time preserving the voronoi topology at ground level.
At first, when entering the lot, one passes through “buffer zone”, low-rise voronoi
cells covered with grass layer for two main reasons: creating sitting and relaxing
spaces and establishing a microclimate around pavilion due to evaporation
reasons.
Then one goes around medium-rise closed cells with semitransparent walls,
which prepares the visitor for the exhibition space.
The Milan Expo 2015 pavilion is a temporary structure, that is why the main
materials are glulam and layered wood, which are sustainable and easy to
recycle.
The exhibition and leisure volumes are characterized by a vertical bended glulam
structure which create regular size openings optimized for maximum shading
performances.
The walls merge continuously with the roof giving overall structural stability.
Transparent and opaque Etfe panels are used for the overall cover of
the functional cells.

15. ARCHITECTURAL ASSOCIATION Y4
DIPLOMA UNIT 5 CRISTINA DIAZ MORENO, EFREN CA GRINDA,
BENJAMIN REYNOLDS
The left image is representing the articolation of spaces carved inside the building, while the pink
image is depicting the extreme landscape and urban grain.
Column structure
Perforated openings and carved spaces
Rooftop pool
THE MONOLITH OF KASULO
A crafted architecture that exploit the landscape and try to help an economically
affected community where rituals define space and where education will rise
through the act of making, experiencing, imitating and reconnecting to materiality.
A project that therefore will originate from publicness and belongs to its community.
The project will be set in the in the city of Kolwezi, in the South west area of the
Democratic Republic of Congo, and will deal with the community that lives and
surround the neighborhood of Kasulo.
The neighborhood of kazulo discovered cobalt in 2014 and have since then hand-
dug hundreds of holes in the ground, creating an extreme perforated landscape.
A perforated landscape of artisanal mines, where people hide them selves by
digging into private houses, searching at Cobalt, a material used in the production
of lithium-ion batteries, for electrical devices like smartphones and laptops.
In the educational process I realized that the colonized Western standard
classroom wasn’t a successful way to transmit knowledge.
However, the spatial organization coming from local rituals and ceremonies
reconnects with the arrangement of arenas as a way of gathering.
Where interconnected vertical spaces which could lead to educational journeys.
A 40x40 square located in the Kasulo district, where public spaces are not provided
and are conceived as the leftover between solids and voids.
Where dimensions and organizations came from the urban grain, the proposal
will be the concretization of a crafted public space, in an area of leftover, where
Company mines are decommissioned and the local community screen themselves
through the digging of artisenal mines.
A process of collecting, compacting and processing the left over soil, extracted
from the mines.
A time base process where the construction will be conceived as a ritual in it self,
and where the whole community will gather and participate.
Initially developed though the casting of the left over mines, that will become the
columns on which the structure will be supported and main circulation will be
settled.
Followed by the accumulation of soil then compacted casted and transformed into
volume to be carved.
An architecture that replace labour with ritual though a public space.

17. Cobal excavation process
Knowledge Catalogue

19. Collective construction
View from carved opening

20. The Sundarbans triptych is depicting the effects of Bangladeshi climate changesin terms of water
level rising, land erosion and climate refugees
Sundarbans 1970
Sundarbans 2016
Sundarbans 2050
LAND OF NOBODY
ARCHITECTURAL ASSOCIATION Y3
INTERMEDIATE UNIT 3 RICARDO DE OSTOS & NANNETTE JACKOWSKY
Bangladesh today is at the front line against the threat of Climate Change.
While 12% of its land will disappear under water by the end of this century, violent
cyclones blow every year causing hundreds of casualties, pushing salt inland and
impoverishing the crops, displacing thousands of people towards megacities such
as Dhaka and their collapsing infrastructures.
The Sundarbans, on the very south of the Country, is the biggest mangrove forest
in the World, a scatter of blooming and deserted islands shaped by the Ganges
delta, home to two million indigenous tribes which culture will find new roots within
a new life in the big cities. The forest doesn’t represent, indeed, only a tool of
resilience to them, but also an intricate pattern of rituals within the forest canopy
aimed at the transmission of skills and memories from generation to generation.
Last year I’ve been able to travel to the Bay of Bengal and experience the life and
costumes of the native men of the Sundarbans. While documenting their pathways
and rites (in the map), I’ve decided to focus my design project in Dhaka, new
home to many of them.
2 thousands of people, mostly climate refugees, are unofficially counted to arrive in
Dhaka every day facing the reality of the slums.
The project is a future vision for the housing and water problem in Dhaka,
conciliating the abundance of plastic into the Dhaka water basins and the lack
of proper housing for the new migrants into clusters of floating villages made of
casted plastic arranged radially along a deep hole within the lake.
While traditional way of living are preserved in the costruction of the swellings,
culture evolves within the new role the inhabitants are asked to cover within the
urban realm: the scavenging of plastic, the costruction through new technologies
of dwellings and facilities for the new coming migrants and the purification of water
through the development of constructed filter vortex built on the bed of the river.

23. Nobody’s Land is a project born from an apocalyptic concept and represent the
constant search for new ways of living.
A project set in the nowadays Bangladesh reality, in a site located in the South-West
area of Dhaka, surrounded by the Buriganga river, the Bangladesh most polluted
river.
The interest of the proposal are concerning the Bangladesh nowadays reality and
in particular, I’m interested in Land Less people due to water overflow, water level
rising and land erosion, Difficulty in the accessibility to drinkable water and the issue
related to water pollution, in particular water surface and New possibilities given by
the upcycle of polluted materials.
Through the acknowledgment of colours properties I start experimenting, defining
through colours combinations, issues such as water pollution, climatic refugees
and water rising.
In the South-West Dhaka area, were the issues previously described manifest at the
same time, as the presence of a massive 500x500 m waste disposal, together with
flooded industries and brick factories deeply enhance the water contamination and
pollution, where 110 Millions liters of contaminated water in the Buriganga river daily.
On the other hand, communities living at the borders with water, future landless
people, which will need to move and move again, to escape from water flood and
contaminated soil.
Reacting to the issues described with two main strategies.
The development of a community centre able to assist landless people and help
them reintegrate, besides develop their own floating platform while cleaning the
river.
And the development of floating communities born thanks to the creation of a new
form of upcycled plastic land.
Nobody’s Land is characterized by a circular maze, located in the middle of the
Buriganga river and conceived as an “Inverted Pyramid”.
A hole in the river which works as a mega-filter, using the maze organization
combined with tentacles aimed to collect the first solid floating waste and the
stream of the rivers and the it self to bring waste into the hole, which through
filters located on the skin of the cone, the water will be depurated, up to become
drinkable.
Furthermore tubes located on the bottom of the hole will pump up the drinkable
water.
The project program is divided in 4 main categories;
The development of a community education centre aimed to reintegrate land less
people to a possible floating community.
The topic of new Land reclamation, through the construction of floating platforms.
The methods of plastics treatment and knowledge which will be taught to the
people present in the Nobody’s Land.
And the collection of surface pollution together with water filtration.
The Sundarbans triptych is depicting the effects of Bangladeshi climate changesin terms of water
level rising, land erosion and climate refugees

24. The understanding of plastic and colours properties, agglomeration,,transparency,
porosity and float ability.
Was fundamental for the development of a device which I called Injection Machine,
which is a machine that used plastic pollutants as material for cast floating plat-
forms.
The architecture articulation is based on 2 concentric rings arranged around the
mega-filter, on which three main terms programs characterize them.
The external ring will allocate functions related to a short term, which consider
people that have lost their land and properties as a result of rising sea levels and
defined as climatic refugees.
While the inner one is considered more as mid term and classifies all areas related
to workshop and education, areas necessary to educate refugees to waste issue
and the opportunity of its upcycle.
This people will both be educated and will work on the site to be able to produce
their own floating land, which will give them the opportunity to start a new life
beyond the water line.
The plans are depicting the journey, before arriving at the pier, refugees will be
directed towards specific piers, identified through colours, indicating the specific
areas inside, such as reception, community, workshop and education.
Once the refugees have entered they will immediately exposed to the inner working
area being introduce to Nobody’s land.
Starting with the arrival at the reception of refugees and the sustaining of basic
needs; connected with the needed accomodation and classes for the educational
part.
Bridged with the co-workig and workshop areas which lead with the floating
platform assembly.
While at the upper floor we have integrational and discussion centres, this because
Nobody’s Land will not be just a industry and educational centre about upcycling,
but will be the core of discussion and agreements about social and environmental
issues that nowadays are affecting the Bangladesh reality.
The aim and the power of the project comes from this large investigation into
several issues at different scales, going from the community centre program of ed-
ucation and reintegration, the creation of floating platforms through an architectur-
ally integrated system, the development of a filter which try to deal with the issue of
water pollution and the creation of a radical shift in the way people perceive water,
from being a risk to their livelihoods to an opportunity for a new way of living.

27. Current Bangladesh’s situation with
a widespread water pollution
Concentration of surface pollution occurred
through a control of the river’s streams
The “Inverted Pyramid” is a mega filter located
in the buriganga river, which skin is made
out of sponges and filters
The development was done through a construction
of an initial steel frame and tubes for pumping
up and store the drinkable water
The upcycle settlements have been developed
in time and through the recycle of the
surrounding floating pollution
The completed system presents an enclosed
circular maze shape, which enhance the
initial filtration and collection of pollution
When saturated, the system rejects some of the components
which will be used as as environmental warning
device for new landless people settlements

28. ADDENDUM ARCHITECTURE
POLITECNICO OF MILAN Y3
NEW PUBLIC SPACES FOR STUDENTS POLITECNICO OF MILAN
The proposal started from a meticulous analysis of the site, in particular of the
existent Leonardo Campus.
The aspect which represent one of the topic of the project, regards the study of the
existents paths and ways from which mainly students’ reach the university campus.
Indeed the project try to open up the campus to, and trough the city itself.
Another topic concern the understanding of students behaviour through the
campus detections of interstices; areas not used by students anymore, and
because of this, our proposal regards the retraining of those areas through light
and selected small interventions, which are not aimed to demolish the preexistent
urban fabric, but to enhance it trough the requalification of space.
Furthermore a volumetric approach inspired by the study of previous interventions,
such the ones of Gio Ponti and Vittoriano Viganò.
The diagrams clearly describe our concept, representing the main students
campus accessed and their flow into the current campus.
The Matrix, represent the parameterization and combination of the analyis previously
described.
The project is defined by the riqualification of interstitial areas, the opening of the
campus to the city trough the implementation of promenades and public areas,
and a clear volumetric approach, which trough the development of intersected
volumes, will garantee an increment of the campus quality and missing needed
functions.
GSPublisherEngine 0.0.100.100
City Accesses
GSPublisherEngine 0.0.100.100
Interstices
GSPublisherEngine 0.0.100.100
Flows
GSPublisherEngine 0.0.100.100
Day Accesses

30. New Venice Remebering Landscape
OUT O(F)N TIME
POLITECNICO OF MILAN Y3
FLOATING ARCHIPELAGO IN EL ROCIO, SPAIN
The project concerns the topic of climate change, in particular, the inconvenient
truth of continuous rising of the sea level.
The area of the project is located in the South of Andalusia, the province of Sevilla,
in the triangle made ​​up of three different sites, El Rocio Matalscanas and San Lucar
de Barrameda .
The project concerns the topic of climate change, in particular, the inconvenient
truth of continuous rising of the sea level.
The area of the project is located in the South of Andalusia, the province of Sevilla,
in the triangle made ​​up of three different sites, El Rocio Matalscanas and San Lucar
de Barrameda .
The site analyzed for the development of the project is El Rocio ,a small town in
the southern Spain, surrounded by the natural park of Donana (largest natural park
in Europe) and famous for its black Madonna of the Rosary, that was said to have
emerged from the surrounding forest and which attract almost 1 million pilgrims a
year.
The initial analysis was on a larger scale, it presents in a hypothetical way, the
changes that rising sea levels will bring to the region in the future.
The following utopian and catastrophic figures show, as the entire landscape, both
natural and urban will drastically change.
According to forecasts provided by NASA, the sea level rise will lead to almost
complete immersion of the area, as El Rocio today reaches a maximum height of 9
meters above sea level.
The project set off with the construction of artificial islands on the existing
landscape.
The islands will be covered by green areas, whose function will be to drain the
excess water.
Subsequently the islands will be the foundation of a new “ utopian landscape “ ,
characterized by floating buildings connected together and anchored, initially, to the
green islands.
Each module will be founded on floating structures, where residential and public
facilities will be built, and integrated with other modules, which will result in public
spaces, beaches, pools and areas of cultivation and breeding.
Apart from that, they will incorporate an innovative system of energy production,
generated by the kinetic energy produced by the movement of tides and wind.
All of these modules will be an urban area resting on floating platforms, built around
the islands, which will remain usable only as green areas.
The map presented doesn’t limit the organization of the urban structure, as the
module are foreseen to allow the changes according to the community’s needs.
How will the world look like in one hundred years? and which architecture will
characterize the cities of tomorrow?
Surely a world more contaminated by water, from which we can assume that a
suitable future will stand beyond the waterfront.
The architecture will identify new spaces through shapes iterations and new
architectural languages, all driven by a common strategy, a common morphology
and typology.
Regarding questions such as, why should we built on water? and whcih are the
benefits?
I assume that the cities of tomorrow will need a flexible structure able to asnwering
all different needs and instead fighting agaist water we should start to exploit it as a
new opportunity.
Through this approach there will be no limit in the organization of the urban
structure, as the modules are foreseen to allow the changes according to time and
community’s needs.
Moreover by using the existing urban landscape as building ground, it will offer
space for new identities and opportunities for cities worldwide to flexibly respond to
climate changes and future urbanization.
The idea of ocean colonization is no longer an utopia, is the near future, conceived
as a vision, an appeal for the renewal of utopia, a constant searching in alterantive
ways of live.

31. Floating El Rocio & New Venice Axos
Analysis on water level rising and therefore land ersoion and urban fabric brake
Present Water Level
2050 Water Level
2100 Water Level

32. THE GREEN NEST
POLITECNICO OF MILAN Y1
RESIDENTIAL STUDENT BUILDING IN MANTOVA
This Building is located in the historical city center of Mantova (Italy) in a very narrow
space, surrounded by both historical and more modern buildings and situated next
to one of the main churches in Mantova.
Directly in front of an ancient square used only by pedestrians, cars are not allowed
to circulate except for the area inhabitants, green areas are not-existent.
The exterior texture is made of concrete in a pure gray state, a material that can be
seen in the others buildings near the place.
On the other hand The interior area is a total different universe.
The introspection of the project is an important approach and the exterior result
neutral but interesting.
Another important aspect is the green vertical garden developed for the North and
West entrances, potted plants and climbing plants are located on a simple burned
wood structure, which guarantee different views, it creates something visible but
intangible, reconnected to the dreaming sensation.
Some of the characteristic that the project manifest are it’s simplicity and legibility,
One of the main characteristic of the building is the internal wild garden, which the
main objective is to encourage biological diversity, a source of wonder and our
guarantee for the future.
It accompanies dreams and could be accessible to everyone, transporting you in
an embracing natural atmosphere.
The trees are higher and larger in the middle, and they get gradually shorter
approaching the building, in this way became easier the view of the natural garden
from every balconies.
It creates an idea of a building that respect the existing surrounding.
Floor and central Garden organization

36. FARMHOUSE ESSENTIA
POLITECNICO OF MILAN Y2
A PROJECT FOR TRADITION AND CULTURAL HERITAGE IN PARMA
The project location is part of the territories of Palanzano and Monchio Corti, a
mountain area between Parma and La Spezia.
The goal is to redevelop the old dairy of Palanzano, now in disuse.
The complex, built in 1959, consists of two one-story buildings and a strong
longitudinal development.
The orientation is related to the wind, an essential element for the production of
cheeses and hams.
During the design phase, the first step consisted in the rebuild the grading, that at
the time of realization of the former dairy farm, had been upset.
The winning choice, turned out to be the restore of the natural slope, highlighting
it through terraces which reinforced the function of limiting hydrogeological
problems, which seriously affected the area, as a result of the abandonment of its
crops.
Thanks to the awareness of the strengths of the area, I decide to develop a
multipurpose project which could enhance the elements of the landscape,
according to the tradition of the area.
The concept is to attract a niche tourism, linked to psychological well-being, while
keeping alive a cultural connection with the past, through the citizens.
The property is divided into three separate buildings, which are correspondingW to
three different functions and three different levels of interaction with the ground.

37. The area of the project is part of the territories of Palanzano and Monchio Corti, the
small mountains of Tosco-emiliano Apennines, between Parma and La Spezia.
The project activity is to redevelop the old dairy of Palanzano now in disuse.
The complex, built in 1959, consists of two one-story buildings and strongly
longitudinal development.
The orientation is related to the wind, essential element for producing the cheeses
and hams, which became the excellence of the place.
During the design phase the first step has been to rebuild the grading that, at the
time of realization of the former dairy farm, had been upset.
The winning choice turned out to be to restore the natural slope, highlighting it with
terraces that also reinforced the function of limiting the hydrogeological problem
which has seriously been affecting the area as a result of the abandonment of its
crops.
Thanks to the awareness of the strengths of the area I reached the conclusion
of developing a multipurpose project that could enhance the elements of the
landscape, according to the tradition of the area.
The concept is to attract a niche tourism, linked to psychological well-being, while
keeping alive a cultural link with the past, through the citizens.
The property is divided into three separate buildings, which correspond to three
different functions and three different levels of interaction with the ground.
Second Floor Plan

38. DREAMING OF A HOUSE
POLITECNICO OF MILAN Y3
ISLAND VILLA FOR THE CHARACTER JONAH IN THE MOVIE “THE SILENCE”
BY INGMAR BERGMAN
In my Dream.... yes that’s my dream...
A journey from a feeling to another, from an emotion to the one immediately after.
Maintaning a surreal environment characterized by different views and so different
ways of perception.
A journey, a dream represented by the downhill from the cliff, up to the sea.
Wozzyness_
In my Dream, Wozzyness is the first feeling.
I try to reconnect the felling of Wozzyness and the idea of it, with architecture,
defining a space.
An empthy white room, where light is only coming from a long and narrow skylight.
A bed, clearly linked with the idea of awakening.
Particular is the suspended bare tree, located in front of the bed.
The whole concept of woozyness is expressed by the awakening, where the
character will find him self, confused and disoriented, in front of a bare tree.
_Loneliness_
Getting out from the Wozzyness room, you will enter in a very narrow, dreary and
glumy space.
The loneliness room is characterized by a long and very tight shape.
Entrering, you will find just a little chair and a lamp next to you, and a path, a journey
it self which you are constrained to cross, but on the same time the small window
at the end of the room will attract you.
On the embracing walls are located small cuts which functions is to let some light
entering the room and on the same time, highlight the path to be walked.
The small strip window at the end of the room, will give on the ocean, hiding the
view from other sort of contamination like the surrounding landscape.
This is my interpretation of loneliness, whcih is highlighted in the movie, in the
scene were Johan pass some time watching out from the train window, the desert
landscape...
...alone.
DayDream_
The third blocks is a combination of two different spaces, so two different emotions.
The first one represent for me the daydream, therefore the imagination and creativity
of Johan.
I decide to symbolize the felling of daydream as a white empty room with two wide
windows giving on the surrounding space and a unique long and narrow table with
just one chair.
An other important trait of the room is it’s ending, or better it’s connection with the
second space, the malaise one.
This relation is expressed with the extrusion of the door, indeed there is not a door
at the end of the room, but just a hole that leads you trough a small ground path at
the extruded door located at the center of the terrace garden, the malaise room.
I choose to highlight strongly this relation between daydream and malaise
baucause I perceive this relation also in the movie, the sheltering of Johan in his
own world, dreaming and playing as to
alleviate the harassing conflict between the mother and her sister.
_Malaise_
As altready introduced the reason behind the relationship between the two spaces;
the malise is represented trough out a wild and green garden, or better a terrace.
A space compleatly contaminated by Nature.
I try to associate the felling of malaise, illness and inadequacy clearly pointed out
in the movie, trough out the illness of Ester and the inadequacy and malaise of the
two sister and Johan him self, with the idea of taking cure, of growth and beauty
perseverance.
_MotherlyLove_
The last dream space, or better emotion, is the mother love, which is clearly
expressed during the whole movie.
I choose to leave the motehrly love as the last feeling, even if the movie start with it.
This choice I’ve made, is because only in the last minutes, in the scene where
Johan and his mother abandon Ester to her fate, after Johan read aloud the letter
leaved to him by Easter.
The mother seems to mock his sister again and what she had written.
Exactly in these last seconds I could perceive a felling of hate from Johan, which is
probably the only one to have realized the situation and what they have left behind.
The room is therefore characterized by an very dark environment, with no light and
just an entrance door.
The room is located exactly on the shore side and there are few steps which
to have a contact with the water, so in my interpretation with a famale figure,
something shapely and welcoming, which embraces and protects you, as mother
with his own child.
An other important feature of this space is it’s relation with the surrounding
environment, indeed the cut made on the containing wall, which let enter the water,
will also let the fog in, creating a feeling of complete embrace.
A descent of connected spaces towards the sea mist

40. ARAMCO PROJECT
PROFESSIONAL PRACTICE 2016
TEMPORARY INFLATABLE EDUCATIONAL AMUSEMENT PARK FOR ARAMCO
JEDDAH, LOBO PRODUCTION
The Project presents the first development of the Annual Flagship Event of Aramco
(the major oil company of Saudi Arabia).
Saudi Experience project is an educational attraction area for both adults and
children.
The project area occupies an area of 160x200 meters, consisting of 3 main tends.
The first tent is cut in the middle so as to ensure a main access, where the
entrance, divided into welcome area and gift shop area, will be located.
Along the path you will find yourself in front of a inflatable globe interactive and
educational, that is connected to a 4D tunnel which will lead you to an inflatable
submarine, escaping from it, you will arrive to a small train station, where taking a
train you will reach the area called “Into the wild”.
The route will continue reaching the “Sky Experience” pavilion, ending with an
interactive wall.
The globe is made of an inflatable structure (20x12) and outside present a print
depicting an ancient world map, divided into meridians and parallels.
The interior will present a circular screen on which will be projected images
regarding the birth of the earth, fossils and minerals, all video projections aimed for
educational purposes.
The first interactive tunnel (4x4), called “4D Sea Experience”, will connect the globe
to the submarine and will show video projections on curved led panels.
The last attraction is the interactive wall, characterized by led screens on which
images about the man evolution and Arabic culture will be projected.`
Exit from the pavilion, you will reach the gift shop, which leads you to the two
tents 50x80 dedicated to the children space (photo booth, grow your area/sand
space, zoo land area, theater, look for the treasure box, taste of Saudi/food space),
while the main tent is covered by an awning of 50x200 in which are arranged five
pavilions .
The main characteristics of the entire project are: speed and ease in assembly and
disassembly, this because the structure will be operative for a period of only 15
days and then be removed and repositioned in other sites.
All these features are based on image/impact, transportability, easy-fast set up/
dismantling.
Areal View of the Amusement Park
Section
Inflatable
Inflatable
Inflatable
2260
2201
1000
1000
cloth
Inflatable
2260
2201
1000
Section
Inflatable
Inflatable
2260
2201
1000
1000
cloth

41. Section
Inflatable
Inflatable
Inflatable
2260
2201
1000
1000
cloth
Foam Inflatable
121cm
40cm
64cm
84cm
121cm
40cm

43. Renderings of different inflatables and interior-exterior atmospheres.

44. FABRICATION EVIDENCE