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Why the outrage over The Killer Inside Me? Domestic violence really is brutal | Hadley Freeman | Comment is free | The Guardian   11/06/2010 11:24




    Why the outrage over The Killer Inside
    Me? Domestic violence really is brutal
    Michael Winterbottom has made a moral film, not a misogynistic
    one

                Hadley Freeman
                The Guardian, Wednesday 9 June 2010

                    larger | smaller




    Kate Hudson plays the girlfriend in The Killer Inside Me. Photograph: c.IFC Films/Everett/Rex Features


    Jerking one's knee has, I suppose, its merits. It provides excellent exercise for one's
    mouth and one's pen, if not one's brain. Thus, Michael Winterbottom's latest film, The
    Killer Inside Me, has provided some excellent knee exercise for certain commentators
    and critics who have deemed the film, and Winterbottom himself, "gratuitously
    violent", "misogynistic" and "a nasty blockhead".

    The Killer Inside Me
    Production year: 2010
    Countries: Rest of the world, USA
    Cert (UK): 18
    Runtime: 109 mins
    Directors: Michael Winterbottom
    Cast: Bill Pullman, Casey Affleck, Elias Koteas, Jessica Alba, Kate Hudson, Ned
    Beatty, Simon Baker
    More on this film

    Having never met Winterbottom, I cannot vouch for the shape of his head. Having
    seen the film, though, I can say that I have had plenty more "gratuitously violent"
    nights at the cinema and certainly much, much more misogynistic ones. In truth,
    Winterbottom has made an unexpectedly moral film, one that puts many of
    Hollywood's most common cliches to shame, and if some critics don't see that, it is
    because they can't see the screen through their knee-jerks.

    It is nearly impossible to go to the cinema and not find yourself watching some
    violence. I find this both baffling and annoying as I'd far rather see two characters, say,
    doing a karaoke version of Oklahoma! (When Harry Met Sally, obviously) than
    punching each others' faces in. But perhaps I am alone in this, because the ubiquity of
http://www.guardian.co.uk/commentisfree/2010/jun/09/domestic-violence-really-is-brutal/print                                            Page 1 of 3
Why the outrage over The Killer Inside Me? Domestic violence really is brutal | Hadley Freeman | Comment is free | The Guardian   11/06/2010 11:24


    punching each others' faces in. But perhaps I am alone in this, because the ubiquity of
    violence in movies suggests there is a market for it. Or maybe it's just easier for
    screenwriters to write "A punches B" than realistic conversations and funny jokes.

    The Killer Inside Me, adapted from Jim Thompson's novel, is incredibly brutal –
    shockingly so to a generation who grew up in the era of Guy Ritchie, who stylises
    violence as lovingly as a ballet fan would stage Swan Lake. The scenes in which Lou
    (played by the superior Affleck, Casey) beats up his girlfriend (Kate Hudson) and
    Joyce, his mistress who is also a prostitute (Jessica Alba), are shot in bone-crunching
    close-up. As I said, I'd rather not see any violence at all. But if a movie is going to
    feature it, it is surely preferable to show it honestly than idealistically, euphemistically
    or even aspirationally.

    There is a big difference between a film depicting violence and one that glorifies it, and
    similarly a movie that features a misogynist is not necessarily a misogynistic film.

    The day after I saw The Killer Inside Me I happened to watch Lock, Stock and Two
    Smoking Barrels. Now there is a film that glorifies violence, because it equates it with
    being cool, and makes a punch in the face look like something one recovers from as
    easily as a bit of grit in one's eye. The Killer Inside Me shows violence as something
    that causes irrevocable damage. It is not sexy, nor set to some adrenaline pumping hip-
    hop or rock'n'roll soundtrack. Even though Affleck is the main character, he remains
    wholly unglorified. This differs from pretty much everything in the oeuvre of those
    modern- day auteurs of glorified violence, Ritchie and Quentin Tarantino.

    Stella Duffy complained on The Review Show that "we don't need to see [Jessica
    Alba's] head being smashed and smashed . . . Pull the curtain!" But coyness is precisely
    the wrong way to depict violence, particularly domestic violence. Domestic violence
    does not make for a glitzy thriller as Sleeping With the Enemy seemed to think, where
    the camera can always tastefully pan away. It makes for a woman crying "why?" as her
    partner pummels her.

    Another criticism has been that Joyce says she loves Lou even after he beats her. But
    masochism is a common, and tragic, component of violent relationships, as Roddy
    Doyle showed in one of the best books ever written about domestic violence, The
    Woman Who Walked Into Doors, in which the main character stays despite the
    beatings. And Doyle, like Winterbottom, is unstinting in his descriptions of the
    violence.

    Similarly, it is far more misogynistic and "blockheaded" to suggest that the life of a
    prostitute or call girl has a fairytale ending (Pretty Woman, The Hangover) than to
    show her as a deeply damaged character who is unlikely to end up with her prince.
    Even tarts with hearts don't end well.

    So as I said, I've had more misogynistic nights out, but I've also had more enjoyable
    ones. This movie ain't no laff-a-thon, but then, neither is domestic violence. If you
    want to see a movie that the leading actors should be ashamed of appearing in – as one
    columnist said of Alba and Hudson – go see Sex and the City 2. Guy Ritchie,
    meanwhile, should see this.


    A killer and a sex tourist
    There has, understandably, been much talk about whether anything in Cumbrian killer
    Derrick Bird's life should have given any kind of advance warning, and how to prevent
    a repeat tragedy. Theories ranging from denying anyone on anti-depressants gun
    licences to frequent psychological testing for cab drivers have all been advanced – yet
    the most telling detail from Bird's life has been omitted from such discussions: his
http://www.guardian.co.uk/commentisfree/2010/jun/09/domestic-violence-really-is-brutal/print                                            Page 2 of 3
Why the outrage over The Killer Inside Me? Domestic violence really is brutal | Hadley Freeman | Comment is free | The Guardian   11/06/2010 11:24


    the most telling detail from Bird's life has been omitted from such discussions: his
    reported fondness for going to Thailand to have sex with prostitutes.

    I have been to Thailand many times because, in general, I love it. One thing I hate
    about it, though, is the Caucasian men – almost always middle-aged, almost always
    looking a lot like Bird did – who hang around bars, groping the Thai women who wear
    more makeup than Ivana Trump but whose bodies suggest they are probably about 14.

    Once, I was privileged to sit next to one of these gentlemen on the plane back and he
    explained that, actually, he was performing a benevolent service because he was
    "helping the nation's economy". It takes no small amount of psychosis to pay a broke
    teenager to have sex with you and to enjoy it, let alone think she's enjoying it. Thus,
    anyone who goes on one of these holidays shouldn't just be denied gun licences, they
    should be denied all human rights.


    guardian.co.uk © Guardian News and Media Limited 2010




http://www.guardian.co.uk/commentisfree/2010/jun/09/domestic-violence-really-is-brutal/print                                            Page 3 of 3

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Why the outrage over the killer inside me

  • 1. Why the outrage over The Killer Inside Me? Domestic violence really is brutal | Hadley Freeman | Comment is free | The Guardian 11/06/2010 11:24 Why the outrage over The Killer Inside Me? Domestic violence really is brutal Michael Winterbottom has made a moral film, not a misogynistic one Hadley Freeman The Guardian, Wednesday 9 June 2010 larger | smaller Kate Hudson plays the girlfriend in The Killer Inside Me. Photograph: c.IFC Films/Everett/Rex Features Jerking one's knee has, I suppose, its merits. It provides excellent exercise for one's mouth and one's pen, if not one's brain. Thus, Michael Winterbottom's latest film, The Killer Inside Me, has provided some excellent knee exercise for certain commentators and critics who have deemed the film, and Winterbottom himself, "gratuitously violent", "misogynistic" and "a nasty blockhead". The Killer Inside Me Production year: 2010 Countries: Rest of the world, USA Cert (UK): 18 Runtime: 109 mins Directors: Michael Winterbottom Cast: Bill Pullman, Casey Affleck, Elias Koteas, Jessica Alba, Kate Hudson, Ned Beatty, Simon Baker More on this film Having never met Winterbottom, I cannot vouch for the shape of his head. Having seen the film, though, I can say that I have had plenty more "gratuitously violent" nights at the cinema and certainly much, much more misogynistic ones. In truth, Winterbottom has made an unexpectedly moral film, one that puts many of Hollywood's most common cliches to shame, and if some critics don't see that, it is because they can't see the screen through their knee-jerks. It is nearly impossible to go to the cinema and not find yourself watching some violence. I find this both baffling and annoying as I'd far rather see two characters, say, doing a karaoke version of Oklahoma! (When Harry Met Sally, obviously) than punching each others' faces in. But perhaps I am alone in this, because the ubiquity of http://www.guardian.co.uk/commentisfree/2010/jun/09/domestic-violence-really-is-brutal/print Page 1 of 3
  • 2. Why the outrage over The Killer Inside Me? Domestic violence really is brutal | Hadley Freeman | Comment is free | The Guardian 11/06/2010 11:24 punching each others' faces in. But perhaps I am alone in this, because the ubiquity of violence in movies suggests there is a market for it. Or maybe it's just easier for screenwriters to write "A punches B" than realistic conversations and funny jokes. The Killer Inside Me, adapted from Jim Thompson's novel, is incredibly brutal – shockingly so to a generation who grew up in the era of Guy Ritchie, who stylises violence as lovingly as a ballet fan would stage Swan Lake. The scenes in which Lou (played by the superior Affleck, Casey) beats up his girlfriend (Kate Hudson) and Joyce, his mistress who is also a prostitute (Jessica Alba), are shot in bone-crunching close-up. As I said, I'd rather not see any violence at all. But if a movie is going to feature it, it is surely preferable to show it honestly than idealistically, euphemistically or even aspirationally. There is a big difference between a film depicting violence and one that glorifies it, and similarly a movie that features a misogynist is not necessarily a misogynistic film. The day after I saw The Killer Inside Me I happened to watch Lock, Stock and Two Smoking Barrels. Now there is a film that glorifies violence, because it equates it with being cool, and makes a punch in the face look like something one recovers from as easily as a bit of grit in one's eye. The Killer Inside Me shows violence as something that causes irrevocable damage. It is not sexy, nor set to some adrenaline pumping hip- hop or rock'n'roll soundtrack. Even though Affleck is the main character, he remains wholly unglorified. This differs from pretty much everything in the oeuvre of those modern- day auteurs of glorified violence, Ritchie and Quentin Tarantino. Stella Duffy complained on The Review Show that "we don't need to see [Jessica Alba's] head being smashed and smashed . . . Pull the curtain!" But coyness is precisely the wrong way to depict violence, particularly domestic violence. Domestic violence does not make for a glitzy thriller as Sleeping With the Enemy seemed to think, where the camera can always tastefully pan away. It makes for a woman crying "why?" as her partner pummels her. Another criticism has been that Joyce says she loves Lou even after he beats her. But masochism is a common, and tragic, component of violent relationships, as Roddy Doyle showed in one of the best books ever written about domestic violence, The Woman Who Walked Into Doors, in which the main character stays despite the beatings. And Doyle, like Winterbottom, is unstinting in his descriptions of the violence. Similarly, it is far more misogynistic and "blockheaded" to suggest that the life of a prostitute or call girl has a fairytale ending (Pretty Woman, The Hangover) than to show her as a deeply damaged character who is unlikely to end up with her prince. Even tarts with hearts don't end well. So as I said, I've had more misogynistic nights out, but I've also had more enjoyable ones. This movie ain't no laff-a-thon, but then, neither is domestic violence. If you want to see a movie that the leading actors should be ashamed of appearing in – as one columnist said of Alba and Hudson – go see Sex and the City 2. Guy Ritchie, meanwhile, should see this. A killer and a sex tourist There has, understandably, been much talk about whether anything in Cumbrian killer Derrick Bird's life should have given any kind of advance warning, and how to prevent a repeat tragedy. Theories ranging from denying anyone on anti-depressants gun licences to frequent psychological testing for cab drivers have all been advanced – yet the most telling detail from Bird's life has been omitted from such discussions: his http://www.guardian.co.uk/commentisfree/2010/jun/09/domestic-violence-really-is-brutal/print Page 2 of 3
  • 3. Why the outrage over The Killer Inside Me? Domestic violence really is brutal | Hadley Freeman | Comment is free | The Guardian 11/06/2010 11:24 the most telling detail from Bird's life has been omitted from such discussions: his reported fondness for going to Thailand to have sex with prostitutes. I have been to Thailand many times because, in general, I love it. One thing I hate about it, though, is the Caucasian men – almost always middle-aged, almost always looking a lot like Bird did – who hang around bars, groping the Thai women who wear more makeup than Ivana Trump but whose bodies suggest they are probably about 14. Once, I was privileged to sit next to one of these gentlemen on the plane back and he explained that, actually, he was performing a benevolent service because he was "helping the nation's economy". It takes no small amount of psychosis to pay a broke teenager to have sex with you and to enjoy it, let alone think she's enjoying it. Thus, anyone who goes on one of these holidays shouldn't just be denied gun licences, they should be denied all human rights. guardian.co.uk © Guardian News and Media Limited 2010 http://www.guardian.co.uk/commentisfree/2010/jun/09/domestic-violence-really-is-brutal/print Page 3 of 3