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Growing Up Guide Pup: From Idea to
Reality
Amie andI have learnedsomuchoverthe lastseveral years. We have matureda lotas puppy
raisers,aswell aslearnedanawful lotaboutthe videobusiness. Moreover,whatitisgoingto take
to make GrowingUp Guide Pupviable longterm. Still inthe interumof progress,Ifeltthe needto
write a newblogonGrowingUp Guide Pupas itsbeenseveral months. Asof how we got to where
we are today. I hope ourfans enjoyandthanksto all foryour continued support.
Back in 2009, I was creatinghow-tovideosreleasedundermymoniker“ChappyShowcase”which
were videosaboutlowbudgetfilmmaking. AlthoughIreleasedall kindsof videosindifferent
genres,the how-tofilmmakingseemedtoresonate more than anyothertypesof videosI
made. The economyhadcollapsed,videocreatorshadnomoney,andlow budgetfilmmaking
spoke tothat. ConsistentlyIfoundgoodfeedbackandpeople offeringtopayme to make my “$30
Steadicam”forthem;namedaftera how-tovideoof the same subject. I was not interestedindoing
this,butfoundit a pleasantexperience togetsomuch feedback. Itwasamazingmakinga video
renditionof arecycleddesignIhadlearnedaboutnearly7 yearsearlierbackinthe dial modemdays
of the internet. Thissinglevideogotme more seriousaboutdoingmore althoughIhadalreadyput
out a fewdozenvideosscatteredoverafew months.
For more detailson our products and services,please feel free tovisitus at: service dog info,
service dog education, service dog in training, sdit, service dog intraining acronym.
For more details,please visitus at: https://growingupguidepup.org/
Aftera fewyearsof freelancingasa cinematographer/editor,aswell asproducinganexhausting
amountof weddingvideoswithmyproductioncompany,Iwasdeeplyaffectedbythe crashof my
videobusinessinlate 2007. I lostnearlyall myclients,howevertookthe opportunitytolookfor
otheravenuesto do video. Irecentlyhadreadaboutsiteslike Youtube,Metacafe,Revver,and
Crackle inVideomakerMagazine. I had reallywantedtotell myownstories,notworkforother
people,butthisideawaskindof a dream. What had seeminglybeengoodasa videographer,no
longerexistedinaflashso whatdidI have to lose? Up to that pointYoutube andother“user
generatedsites”hadonlybeenaroundformonthsnotyears. These sitesseemedtohave astigma
of onlycontainingcrappyvideosfromamateurs. Irememberthe sentimentthatrespectable
filmmakersdidn’tdothatsort of thing. No one I knew inthe videobusinesswasmakingvideosand
puttingthemupfor free onthese unique sites,IthoughtImightas well putup a few Ihad created
since theyhadscreenedandthendied. Iput “Nervesof Steel”and“InCase of Emergency”up. Two
filmsIhad screenedatsome smallerfilmfestivals.
Afterfiguringouta dozen“usergenerated”sitesorso,I instantlylovedthe factthatthere was
immediate feedbackandfulfillmentfromanaudience. Before Ihadtofinda place to screena film
and itcouldtake monthsif notyearsto finda festival. Bythe time thathappened,Imayhardly
rememberwhyi made the filminthe firstplace. What an amazingthingthis“usergeneratedonline
distribution”wasforproducers. I uploadedthe same videostoall the sitesandwasable compare
the viewsandreactions. NotonlydidI learnaboutwhatvideoswere mostpopular,Ialsolearned
the value of workingwiththe rightdistributionpartners. One weekinthe summerof 2008 I had the
opportunitytofilmStreamingMediaWestattheirannual conference whichtookplace inSilicon
Valley. Thisconference puttogetherbyDan Rayburnfeaturedone panel aboutanew thingcalleda
webseries. Showcreatorswithtitillatingnew brandsincludedRocketbook,andPolitical Lunch
spoke aboutwhattheywere doing. The marketfor suchan ideawas reallyimmature,butthe
opportunitywasgoodaccordingto them. The webserieswasto be the nextbigthingintheir
estimation. The internetwasthe wildwestwherethere were norulestospeakof. Notechnical
specifications,noclose captioning,noformatrestrictions,andthe listwentonandon. A video
creator coulddo whatevertheywantedandtonsof siteslike Youtubewouldhostthe videosforfree
too. Thisseemedtobe a no brainerforme to experimentwithmore.
I thoughmore and more about producingawebseriesin2008 aftera yearof distributingvideosall
overthe internet. My documentary“Nervesof Steel”featuredonCrackel fornearlyayear,then
ChappyShowcase becameapartnerproducerwithMetacafe. ShortlyafterthatYoutube accepted
my applicationtobe a “producerpartner”as well. These eventsreallygotmyhookedintothe
possibilitiesof whatawebseriesmaypresent. Especiallynow thati hadlearnedthe value of
intellectual propertyandmoneyworkingforyouandnotthe otherwayaround. I feltawebseries
was a betterideabecause itwasserial orepisodicinnature. Thissortof distributionapproachcould
be a betterwayto buildanaudience. Iexperiencedthatmyvideoswere oftenone-off andnotserial
evenif some of themwere gettingprettygoodhits. The one-off videoswere notseemingly
connectedfromone uploadtoanother. Perhapsthisgave myviewersnoreasontonecessarily
checkback in andwatch newvideos. One weekImayputup a Samoan musicvideofroma guywho
had notpayedme (so thiswasmy way at some sortof monetization) forthe work. AnotherweekI
may putup a grease monkeyvideoof atime lapse car repairI did. Yet anothertime Iwouldrelease
a parody I made withmybrotheryearsearlier;shotonanalogvideo. AlthoughIdidfindmany
wouldsimplybinge view mycontentall atonce fora dayor two,a serial show maybringpeople
back by the nature of the release andcontinual storyforward. Thiscouldgo on formonths,or
maybe evenyears. More and more people (onYoutube especially) were startingtoputout a web
seriesof some sort. Some releasinganew episodeonce amonth,or once a week,orevensome did
it once a day.
Some yearsbefore all of this, mywife andI startedraisingguide dogsforthe blindin2002. Overthe
followingdecade we reallystartedtoenjoyitandcouldn’tbelieve how fulfillingitwastohelpother
people. “Couldwe make awebseriesaboutthisguide dogstuff?” We became goodfriendswith
the visuallyimpairedpartnerwhoreceivedourfirstguide pupMacklin. Hergenuine appreciation
and abilitytoraise herlevel of productivityinlifewassoapparentthatit justsmackedme inthe
face. “This isa whole newnarrative worldIhave hardlyseenintvormovies”Ithought. Aftera few
daysof talkingaboutit,my wife Amie andIdecidedtogive ita shotand make a webseries. Atleast
we figuredwe wouldtryputtingouta videoonce a weekfora little while.
GrowingUp Guide Pupwas to be the name of the series. We reallydidn’thave muchof a planas we
decidedtoexperimentandremove conventionalproductionbureaucracysowe couldmove
quickly. We hada newpuppyarrivingshortly. Twodaysafterthe idea,Ialreadyhad camcorderin
handand was filmingcause apuppyhadbecome available. That firstepisode we decidedtodesign
a format that eventhe visuallyimpairedcouldenjoythroughcolorfuldescription. Atfirstwe
focusedonstory,not productionvalue. We filmedwithacell phone forthe firsttime sowe could
getfootage inthe grocerystore withoutahassle. We focusedonspontaneityanddecidedtokeep
the amountof oversightandcostto a minimum. Myinkindequipmentfrommyvideobusiness
wouldbe fine tomake the series,andmyprioronline distributionexperience withChappyShowcase
made me comfortable enoughtomove forwardwithaonce a weekvideoreleaseapproach. We
releasedavideoeveryweekasournewpuppyRicki matured. Episode afterepisode we couldn’t
believehowfunthe processwasforus. We alsogot more feedbackandappreciationthanwe had
anticipated. We startedhearingfrompeople wholivedinotherpartsof the US, and evenother
countries. The service dogschool we were workingwithatthe time caughtwindof whatwe were
doingand startingpromotingourvideosandwritingblogssogetmore PRfor themselves. The next
thingwe knew,ourserieswasnotan experimentanymore. itseemedtobe workingasa moving
storypiece andthe puppyappeal wasundeniable.
Our serieswasacceptedinthe NewMediaFilmFestivalin2010 while we were still filmingthe first
seasonaboutRicki. Thiswas about8 monthsafterwe had started. It wasamazinghow fastthings
workwiththe internet. Before we knewit,we hadmade arelationshipwithNylabone dogtoysand
didour firstcontestgiveaway. Afterayear,we hadseveral thousandloyal fansaswe continuedto
make the seriesandgrowour core followersof doglovers,puppyraisers,service dogpeople,and
the visuallyimpaired. Eventuallythislandedusaninvitationtoscreenourseriesatthe firstand still
largestwebseriesfestival inthe world. Itscalledthe LAWebFestandwasfoundedbyMichael
Ajakwe Jr. It renderedawards formanythings,butmostimportantly“OutstandingNon-Fiction
Series”twoyearsina row in2011 and 2012. In 2013, we alsoreceivedanawardat CreaTV Awards
inSiliconValleyfor “OutstandingCreaTiVeAwardFeature Winner”. Afterwe finishedour2nd
seasonwithourdog Pilaf,we decidedtostopforawhile andfocuson our eldeststatesdog. Our
careerchangedguide dogpup namedEli hadcancer and we wantedto focuson hislastmonths. He
recentlypassedjustshyof his10th birthday,whichwastough,butgave us a lotof time to
reflect. We hadfor the firsttime experiencedthe entire life-cycle. One of our guide dogpuppies
had beenwithusfromthe beginningall the waytothe end. This wasthe last part neededtogive us
complete perspective.
It is2014, and we are nowreadyto getseriouswithGrowingUp Guide Puponce again. Older,wiser,
more experienced,andfull of arenewedpassionforstorytellingmywife andIare excitedaboutthe
endlessopportunitiesGrowingUpGuide Puppresents. In2013 we spentsix mothsandhired
consultationtobuildabusinessplanforGrowingUpGuide Pupwhichwouldallow usto create a
sustainable brand. We alsohave done a lotof researchabout non-profitformationaswell as
makingita opportunityforinvestors. Bothare possibilitesandwe willrule nothingoutasneither
has takenhold. We are nowpreparedafteryearsof homeworkandstudyto implementatv show
additiontoour alreadyestablishedwebseriesprogramandmove bothforwardtogether. Growing
Up Guide Pupis readyto go fromwebseriestobeyond!
For more detailson our products and services,please feel free tovisitus at: service dog info,
service dog education, service dog in training, sdit, service dog intraining acronym.

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Katrina Personal Brand Project and portfolio 1
 

Growing up guide

  • 1. Growing Up Guide Pup: From Idea to Reality Amie andI have learnedsomuchoverthe lastseveral years. We have matureda lotas puppy raisers,aswell aslearnedanawful lotaboutthe videobusiness. Moreover,whatitisgoingto take to make GrowingUp Guide Pupviable longterm. Still inthe interumof progress,Ifeltthe needto write a newblogonGrowingUp Guide Pupas itsbeenseveral months. Asof how we got to where we are today. I hope ourfans enjoyandthanksto all foryour continued support. Back in 2009, I was creatinghow-tovideosreleasedundermymoniker“ChappyShowcase”which were videosaboutlowbudgetfilmmaking. AlthoughIreleasedall kindsof videosindifferent genres,the how-tofilmmakingseemedtoresonate more than anyothertypesof videosI made. The economyhadcollapsed,videocreatorshadnomoney,andlow budgetfilmmaking spoke tothat. ConsistentlyIfoundgoodfeedbackandpeople offeringtopayme to make my “$30 Steadicam”forthem;namedaftera how-tovideoof the same subject. I was not interestedindoing this,butfoundit a pleasantexperience togetsomuch feedback. Itwasamazingmakinga video renditionof arecycleddesignIhadlearnedaboutnearly7 yearsearlierbackinthe dial modemdays of the internet. Thissinglevideogotme more seriousaboutdoingmore althoughIhadalreadyput out a fewdozenvideosscatteredoverafew months. For more detailson our products and services,please feel free tovisitus at: service dog info, service dog education, service dog in training, sdit, service dog intraining acronym. For more details,please visitus at: https://growingupguidepup.org/ Aftera fewyearsof freelancingasa cinematographer/editor,aswell asproducinganexhausting amountof weddingvideoswithmyproductioncompany,Iwasdeeplyaffectedbythe crashof my
  • 2. videobusinessinlate 2007. I lostnearlyall myclients,howevertookthe opportunitytolookfor otheravenuesto do video. Irecentlyhadreadaboutsiteslike Youtube,Metacafe,Revver,and Crackle inVideomakerMagazine. I had reallywantedtotell myownstories,notworkforother people,butthisideawaskindof a dream. What had seeminglybeengoodasa videographer,no longerexistedinaflashso whatdidI have to lose? Up to that pointYoutube andother“user generatedsites”hadonlybeenaroundformonthsnotyears. These sitesseemedtohave astigma of onlycontainingcrappyvideosfromamateurs. Irememberthe sentimentthatrespectable filmmakersdidn’tdothatsort of thing. No one I knew inthe videobusinesswasmakingvideosand puttingthemupfor free onthese unique sites,IthoughtImightas well putup a few Ihad created since theyhadscreenedandthendied. Iput “Nervesof Steel”and“InCase of Emergency”up. Two filmsIhad screenedatsome smallerfilmfestivals. Afterfiguringouta dozen“usergenerated”sitesorso,I instantlylovedthe factthatthere was immediate feedbackandfulfillmentfromanaudience. Before Ihadtofinda place to screena film and itcouldtake monthsif notyearsto finda festival. Bythe time thathappened,Imayhardly rememberwhyi made the filminthe firstplace. What an amazingthingthis“usergeneratedonline distribution”wasforproducers. I uploadedthe same videostoall the sitesandwasable compare the viewsandreactions. NotonlydidI learnaboutwhatvideoswere mostpopular,Ialsolearned the value of workingwiththe rightdistributionpartners. One weekinthe summerof 2008 I had the opportunitytofilmStreamingMediaWestattheirannual conference whichtookplace inSilicon Valley. Thisconference puttogetherbyDan Rayburnfeaturedone panel aboutanew thingcalleda webseries. Showcreatorswithtitillatingnew brandsincludedRocketbook,andPolitical Lunch spoke aboutwhattheywere doing. The marketfor suchan ideawas reallyimmature,butthe opportunitywasgoodaccordingto them. The webserieswasto be the nextbigthingintheir estimation. The internetwasthe wildwestwherethere were norulestospeakof. Notechnical specifications,noclose captioning,noformatrestrictions,andthe listwentonandon. A video creator coulddo whatevertheywantedandtonsof siteslike Youtubewouldhostthe videosforfree too. Thisseemedtobe a no brainerforme to experimentwithmore. I thoughmore and more about producingawebseriesin2008 aftera yearof distributingvideosall overthe internet. My documentary“Nervesof Steel”featuredonCrackel fornearlyayear,then ChappyShowcase becameapartnerproducerwithMetacafe. ShortlyafterthatYoutube accepted my applicationtobe a “producerpartner”as well. These eventsreallygotmyhookedintothe possibilitiesof whatawebseriesmaypresent. Especiallynow thati hadlearnedthe value of intellectual propertyandmoneyworkingforyouandnotthe otherwayaround. I feltawebseries was a betterideabecause itwasserial orepisodicinnature. Thissortof distributionapproachcould be a betterwayto buildanaudience. Iexperiencedthatmyvideoswere oftenone-off andnotserial evenif some of themwere gettingprettygoodhits. The one-off videoswere notseemingly connectedfromone uploadtoanother. Perhapsthisgave myviewersnoreasontonecessarily checkback in andwatch newvideos. One weekImayputup a Samoan musicvideofroma guywho had notpayedme (so thiswasmy way at some sortof monetization) forthe work. AnotherweekI may putup a grease monkeyvideoof atime lapse car repairI did. Yet anothertime Iwouldrelease a parody I made withmybrotheryearsearlier;shotonanalogvideo. AlthoughIdidfindmany wouldsimplybinge view mycontentall atonce fora dayor two,a serial show maybringpeople back by the nature of the release andcontinual storyforward. Thiscouldgo on formonths,or maybe evenyears. More and more people (onYoutube especially) were startingtoputout a web
  • 3. seriesof some sort. Some releasinganew episodeonce amonth,or once a week,orevensome did it once a day. Some yearsbefore all of this, mywife andI startedraisingguide dogsforthe blindin2002. Overthe followingdecade we reallystartedtoenjoyitandcouldn’tbelieve how fulfillingitwastohelpother people. “Couldwe make awebseriesaboutthisguide dogstuff?” We became goodfriendswith the visuallyimpairedpartnerwhoreceivedourfirstguide pupMacklin. Hergenuine appreciation and abilitytoraise herlevel of productivityinlifewassoapparentthatit justsmackedme inthe face. “This isa whole newnarrative worldIhave hardlyseenintvormovies”Ithought. Aftera few daysof talkingaboutit,my wife Amie andIdecidedtogive ita shotand make a webseries. Atleast we figuredwe wouldtryputtingouta videoonce a weekfora little while. GrowingUp Guide Pupwas to be the name of the series. We reallydidn’thave muchof a planas we decidedtoexperimentandremove conventionalproductionbureaucracysowe couldmove quickly. We hada newpuppyarrivingshortly. Twodaysafterthe idea,Ialreadyhad camcorderin handand was filmingcause apuppyhadbecome available. That firstepisode we decidedtodesign a format that eventhe visuallyimpairedcouldenjoythroughcolorfuldescription. Atfirstwe focusedonstory,not productionvalue. We filmedwithacell phone forthe firsttime sowe could getfootage inthe grocerystore withoutahassle. We focusedonspontaneityanddecidedtokeep the amountof oversightandcostto a minimum. Myinkindequipmentfrommyvideobusiness wouldbe fine tomake the series,andmyprioronline distributionexperience withChappyShowcase made me comfortable enoughtomove forwardwithaonce a weekvideoreleaseapproach. We releasedavideoeveryweekasournewpuppyRicki matured. Episode afterepisode we couldn’t believehowfunthe processwasforus. We alsogot more feedbackandappreciationthanwe had anticipated. We startedhearingfrompeople wholivedinotherpartsof the US, and evenother countries. The service dogschool we were workingwithatthe time caughtwindof whatwe were doingand startingpromotingourvideosandwritingblogssogetmore PRfor themselves. The next thingwe knew,ourserieswasnotan experimentanymore. itseemedtobe workingasa moving storypiece andthe puppyappeal wasundeniable. Our serieswasacceptedinthe NewMediaFilmFestivalin2010 while we were still filmingthe first seasonaboutRicki. Thiswas about8 monthsafterwe had started. It wasamazinghow fastthings workwiththe internet. Before we knewit,we hadmade arelationshipwithNylabone dogtoysand didour firstcontestgiveaway. Afterayear,we hadseveral thousandloyal fansaswe continuedto make the seriesandgrowour core followersof doglovers,puppyraisers,service dogpeople,and the visuallyimpaired. Eventuallythislandedusaninvitationtoscreenourseriesatthe firstand still largestwebseriesfestival inthe world. Itscalledthe LAWebFestandwasfoundedbyMichael Ajakwe Jr. It renderedawards formanythings,butmostimportantly“OutstandingNon-Fiction Series”twoyearsina row in2011 and 2012. In 2013, we alsoreceivedanawardat CreaTV Awards inSiliconValleyfor “OutstandingCreaTiVeAwardFeature Winner”. Afterwe finishedour2nd seasonwithourdog Pilaf,we decidedtostopforawhile andfocuson our eldeststatesdog. Our careerchangedguide dogpup namedEli hadcancer and we wantedto focuson hislastmonths. He recentlypassedjustshyof his10th birthday,whichwastough,butgave us a lotof time to reflect. We hadfor the firsttime experiencedthe entire life-cycle. One of our guide dogpuppies had beenwithusfromthe beginningall the waytothe end. This wasthe last part neededtogive us complete perspective.
  • 4. It is2014, and we are nowreadyto getseriouswithGrowingUp Guide Puponce again. Older,wiser, more experienced,andfull of arenewedpassionforstorytellingmywife andIare excitedaboutthe endlessopportunitiesGrowingUpGuide Puppresents. In2013 we spentsix mothsandhired consultationtobuildabusinessplanforGrowingUpGuide Pupwhichwouldallow usto create a sustainable brand. We alsohave done a lotof researchabout non-profitformationaswell as makingita opportunityforinvestors. Bothare possibilitesandwe willrule nothingoutasneither has takenhold. We are nowpreparedafteryearsof homeworkandstudyto implementatv show additiontoour alreadyestablishedwebseriesprogramandmove bothforwardtogether. Growing Up Guide Pupis readyto go fromwebseriestobeyond! For more detailson our products and services,please feel free tovisitus at: service dog info, service dog education, service dog in training, sdit, service dog intraining acronym.