Tintoretto, Jacopo Robusti at the Gallerie dell'Accademia
•Descargar como PPSX, PDF•
3 recomendaciones•366 vistas
one of the giants of 16th-century Venetian painting a extraordinary talent and creative imagination
Recomendados
Más contenido relacionado
La actualidad más candente
La actualidad más candente (20)
Similar a Tintoretto, Jacopo Robusti at the Gallerie dell'Accademia
Similar a Tintoretto, Jacopo Robusti at the Gallerie dell'Accademia (20)
Más de guimera
Más de guimera (20)
Último
Último (20)
Tintoretto, Jacopo Robusti at the Gallerie dell'Accademia
- 2. one of the giants of 16th-century Venetian painting a extraordinary talent and creative imagination a great painter of religious subjects and a great storyteller painted with passion, achieving in its fullness its characteristic boldness, the tireless dynamism, a dramatic use of light and emphatic perspective effects
- 4. Tintoretto, Jacopo Robusti at the Gallerie dell'Accademia
- 5. an emotionally charged masterpiece a dramatic interplay of beams of light and heavy shadows a composition perfectly balanced with the elongated bodies of Christ and his mother forming a cross Tintoretto The Depositon of Christ La Déposition du Christ, Descente de Croix 1586-1590 Gallerie dell'Accademia, Venice
- 10. the serpent Eve, temptation personified the forbidden fruit and the fiery angel who drives Adam and Eve out into the distant desolate hills and plains Tintoretto The Temptation of Adam Les tentations d'Adam et Eve 1550-1553 Gallerie dell'Accademia, Venice
- 14. a brilliantly calculated composition the figure of the Virgin soaring heavenwards Tintoretto Assumption of the Virgin L'Assomption de la Vierge ca. 1550-1555 Gallerie dell'Accademia, Venice
- 21. Cain, jealous of the favour God has bestowed on Abel, kills him on the stone sacrificial altar ... two figures that form a whirl of chiaroscuro and light a decapitated head of a calf that represents the sacrifice of Cain Tintoretto Cain and Abel Caïn et Abel 1551-1552 Gallerie dell'Accademia, Venice
- 23. ... a landscape is monochrome, dark Cain fleeing, with the staff of a wayfarer over his shoulders, an allusion to the first steps taken by humanity as it moves further and further from terrestrial paradise
- 26. a rich, brilliant chromaticism bright reds and blues a teeming panorama of Golgotha ... Christ dead on the cross between the two thieves Roman soldiers throwing dice for his clothes the Virgin fainting into the arms of two Holy Women Tintoretto Crucifixion La Crucifixion 1555 Gallerie dell'Accademia, Venice
- 30. a fascinating work … the miraculous rescuing of a Saracen by Saint Mark, invoked during a storm Tintoretto Saint Mark saving a Saracen from shipwreck Saint Marc sauvant un Sarrasin d'un naufrage 1562-1566 Gallerie dell'Accademia, Venice
- 34. St Mark swoops down to rescue one of his devotees ... the onlookers are thought to include portraits of Tommaso Rangone, Pietro Aretino (leaning out between the two columns) and Tintoretto himself Tintoretto The Miracle of the Slave, The Miracle of Saint Mark Freeing the Slave Le Miracle de l'esclave, Le Miracle de Saint Marc délivrant l'Esclave 1548 Gallerie dell'Accademia, Venice
- 40. a divinely-inspired storm and the story of the martyr, from the theft of the body to his final burial in Venice Tintoretto The Removal of the Body of Saint Mark, St Mark's Body Brought to Venice L'Enlèvement du corps de Saint Marc, Translation du Corps de Saint Marc à Venice 1562-1566 Gallerie dell'Accademia, Venice
- 44. St Andrew with his cross and St Jerome seated beside a lectern displaying his Vulgate Bible Tintoretto Saint Andrew and Saint Jerome Saints André et Jérôme 1552 Gallerie dell'Accademia, Venice
- 49. God the Father as if suspended in mid-air in the act of creation the birds shoot across the sky and the fishes dart through the water like arrows from his hand, the animals rush forward from behind him, even a unicorn among them ... Tintoretto Creation of the Animals La Création des animaux 1550-1553 Gallerie dell'Accademia, Venice
- 54. The Virgin and Child, on a massive bank of cloud, are worshipped by five saints ... the two female saints are Cecilia (identified by her organ) and Marina (who holds a child in her arms) the warrior saint, dressed in armour and bearing a martyr's palm, is usually identified as Theodore St Cosmas and St Damian kneel below in their doctors' robes Tintoretto Madonna and Child with Saints Cecilia, Marina, Theodore, Cosmas, and Damian Vierge à l'Enfant, avec les Saints Cécile, Marine, Théodore, Côme et Damien 1550 Gallerie dell'Accademia, Venice
- 58. a votive picture commissioned by the noble magistrates Michele Pisani, Lorenzo Dolfin and Marin Malinpiero, who, with their secretaries, are paying tribute to Mary and a select court of saints Tintoretto Madonna and Child enthroned with Saints Sebastian, Mark, and Theodore, worshipped by three Camerlenghi and their Secretaries (Madonna of the Treasurers) Vierge à l'Enfant trônant avec saint Sébastien, saint Marc et saint Théodore, vénéré par trois Camerlingues (Lorenzo Dolfin, Michele Pisani et Marin Malipiero) avec leurs secretaries, La Vierge des Camerlenghi (ou des trésoriers) 1566 Gallerie dell'Accademia, Venice
- 62. a dramatic use of light … Mary and Joseph presenting the child Jesus to the High Priest Simeon in the Temple of Jerusalem Tintoretto Presentation of Jesus in the Temple Présentation de Jésus au temple 1554-1555 Gallerie dell'Accademia, Venice
- 68. doge of Venice an admirer of antiquities, diplomat Tintoretto Doge Alvise Mocenigo Mocenigo, Alvise, doge de Venise 1570-1577 Gallerie dell'Accademia, Venice
- 71. of one of Venice’s most aristocratic families procurator from 1522 the building in St Mark’s Square that housed the Procuratoria is glimpsed on the right the portrait was painted shortly before Soranzo’s death Tintoretto Portrait of Procurator Jacopo Soranzo Portrait du Procurateur Jacopo Soranzo 1550-1551 Gallerie dell'Accademia, Venice
- 74. a group of scribes and Pharisees confronts Jesus ... they bring in a woman, accusing her of committing adulter the woman is saved from being stoned to death by Christ's words: ‘He that is without sin among you, let him cast the first stone.’ Tintoretto, Attributed to, possibly Hans Rottenhammer Christ and the Adulteress Jésus et la femme adultère second half of 16th century Gallerie dell'Accademia, Venice
- 79. a iconographically anticonformist and unusual composition ... the Princess Sabra sitting astride the dragon with her girdle tied around its neck the youthful St Louis of Toulouse in pensive attitude, wears a bishop's cope over his grey Franciscan habit St George the saviour, reflect in his shining black armour Tintoretto Saint Louis, Saint George, and the Princess Saint Louis, saint Georges et la princesse 1552 Gallerie dell'Accademia, Venice
- 88. olga_oes Tintoretto, Jacopo Robusti at the Gallerie dell'Accademia Tintoretto, Jacopo Robusti à les Gallerie dell'Accademia images and text credit www. Music ….. created olga.e. thanks for watching