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“Three Ladies Adorning the Term of Hymen”
by Sir Joshua Reynolds
1774
Joshua Reynolds,
the Outstanding British Artist
         • Born in Devonshire, England

         • Possessed an exceptionally strong will,
         determination to succeed, personal creative
         power and variety of pictorial invention

         • Specialized in portraiture, group pictures and
         historical themes

         • Brought fresh tendencies to the ceremonial
         portraiture

         • Worked mostly with socially prominent
         people

         • Became an important influence on his
         contemporaries
“Three Ladies Adorning the Term of
               Hymen”
         The Subject Matter
• The 3 daughters of Sir Montgomery are
  depicted draping a garland of flowers on a bust
  of a Greek god of marriage;

• The sisters were famous both as beauties and as
  amateur actresses;

• The portrait was ordered by Luck Gardener, the
  fiancé of one of the models.
The Biggest and Most Ambitious
               Portrait
             by Reynolds
• A golden opportunity to portray the
  noble models conforming exactly to his
  concept of the grand manner was given
  to Reynolds.

• Size: 234 X 291 sm
Symbolism of the Images
                              Elisabeth
      Barbara                Montgomery.
    Montgomery.
                           • is knelt before
   • a basket full         the term of
   of flowers;             Hymen hinting at
   • the farthest          her soon
   disposition             marriage.
   from Hymen.


      Ann Townsend             The statue of
      (Montgomery).              Hymen.

    • is depicted on the      • holds a torch
    other side of the         symbolizing
    term due to being         conjugal love.
    already married.
The Colour Scale
• The prevailing rich warm colours are
 interrupted by flesh tints of face and arms;

• The specifically individual manner to
 apply colours – life-like portrayal of the
 figures and the background;

• A glorious sense of colour is
 demonstrated to the onlooker.
The Composition
• The masterpiece delights the
  eye by its unity of composition;

• The figures are posed against
  the background of the solemn
  nature;

• The executed models are
  caught between one movement
  and the next.
The Borrowed Motives

• The “ideal” beauty of Greek statues;
• The images of the Three Graces;
• The Greek mythological theme;

• The borrowings from ancient and
 Renaissance masters are combined
 skillfully and inserted into the canvas
 harmonically.
Our Impression
        The group portrait touches deeply because

• A vigorous image of the noble sisters is created with
  great mastery;
• The luminous colour scheme produces a rapturous and
  major effect;
• It is clearly seen that the author abandoned himself to
  inspiration while painting.




           The portrait captivated our attention
                       at first sight!
Reynolds
remarkable, gifted
rendered, depicted,
     conveyed
 being a master of
    Portraiture.




National Gallery, London

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Presentation reynolds-090312125440-phpapp01

  • 1. “Three Ladies Adorning the Term of Hymen” by Sir Joshua Reynolds 1774
  • 2. Joshua Reynolds, the Outstanding British Artist • Born in Devonshire, England • Possessed an exceptionally strong will, determination to succeed, personal creative power and variety of pictorial invention • Specialized in portraiture, group pictures and historical themes • Brought fresh tendencies to the ceremonial portraiture • Worked mostly with socially prominent people • Became an important influence on his contemporaries
  • 3. “Three Ladies Adorning the Term of Hymen” The Subject Matter • The 3 daughters of Sir Montgomery are depicted draping a garland of flowers on a bust of a Greek god of marriage; • The sisters were famous both as beauties and as amateur actresses; • The portrait was ordered by Luck Gardener, the fiancé of one of the models.
  • 4. The Biggest and Most Ambitious Portrait by Reynolds • A golden opportunity to portray the noble models conforming exactly to his concept of the grand manner was given to Reynolds. • Size: 234 X 291 sm
  • 5. Symbolism of the Images Elisabeth Barbara Montgomery. Montgomery. • is knelt before • a basket full the term of of flowers; Hymen hinting at • the farthest her soon disposition marriage. from Hymen. Ann Townsend The statue of (Montgomery). Hymen. • is depicted on the • holds a torch other side of the symbolizing term due to being conjugal love. already married.
  • 6. The Colour Scale • The prevailing rich warm colours are interrupted by flesh tints of face and arms; • The specifically individual manner to apply colours – life-like portrayal of the figures and the background; • A glorious sense of colour is demonstrated to the onlooker.
  • 7. The Composition • The masterpiece delights the eye by its unity of composition; • The figures are posed against the background of the solemn nature; • The executed models are caught between one movement and the next.
  • 8. The Borrowed Motives • The “ideal” beauty of Greek statues; • The images of the Three Graces; • The Greek mythological theme; • The borrowings from ancient and Renaissance masters are combined skillfully and inserted into the canvas harmonically.
  • 9. Our Impression The group portrait touches deeply because • A vigorous image of the noble sisters is created with great mastery; • The luminous colour scheme produces a rapturous and major effect; • It is clearly seen that the author abandoned himself to inspiration while painting. The portrait captivated our attention at first sight!
  • 10. Reynolds remarkable, gifted rendered, depicted, conveyed being a master of Portraiture. National Gallery, London