![The Natyasastra identifies eight rasas with eight corresponding Bhava (mood): Rati (Love) Hasya (Mirth) Soka (Sorrow) Krodha(Anger) Utsaha (Energy) Bhaya (Terror) Jugupsa (Disgust) Vismaya (Astonishment) Śṛngāram (शृङ्गारं) Hāsyam (हास्यं) Raudram (रौद्रं) Kāruṇyam (कारुण्यं) Bībhatsam (बीभत्सं) Bhayānakam (भयानकं) Vīram (वीरं) Adbhutam (अद्भुतं) Abhinavagupta :- Śāntam Vātsalya (वात्सल्य) Bhakti (भक्ति) ,[object Object],[object Object]](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
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Indian Poetics – Rasa Theory Explained
- 1. INDIAN POETICS – Rasa Theory Prepared by: Name: Italiya Kinjal B. Roll No:- 10, M.A. Sem-II
- 3. Adbhutam (अद्भुतं) Wonder, Amazement. Presiding deity: Brahma. Colour: yellow [edit] Navarasa Vīram (वीरं) Heroic mood. Presiding deity: Indra. Colour: yellowish
- 4. Śṛngāram (शृङ्गारं) Love, Attractiveness. Presiding deity: Vishnu. Colour: light green. Kāruṇyam(कारुण्यं) Compassion, Mercy. Presiding deity: Yama. Colour: grey.
- 5. Bhayānakam (भयानकं) Horror, Terror. Presiding deity: Kala. Colour: blac Bībhatsam (बीभत्सं) Disgust, Aversion. Presiding deity: Shiva. Colour: blue
- 6. Śāntam Peace or tranquility. deity: Vishnu. Colour: blue Vātsalya(वात्सल्य) Parental Love Bhakti(भक्ति) Spiritual Devotion
- 7. ] Influence on cinema In the Rasa method, empathetic "emotions are conveyed by the performer and thus felt by the audience," in contrast to the Western Stanislavski method where the actor must become "a living, breathing embodiment of a character" rather than "simply conveying emotion.” Thank’s to Baradsir Stalion.com