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An Introduction to Shot Types
and Camera Movement
Creative Media Production
Close Ups
(Extreme to Medium)

                         Close ups connote
                          that the audience is
                          next to the character.

                         It suggest intimacy
                          and emotional
                          closeness.

                         Close ups are
                          normally used in
                          dramatic scenes.
Close Ups
   There are three main types of close up.
Extreme Close Up   Close Up (CU)   Medium Close Up
      (ECU)                             (MCU)
Mid Shot
   A mid shot is an
    approximation to how
    you would normally
    see someone while
    talking to them. You
    are not too close, or
    too far.

   You can see the
    character in some
    detail, it is useful for
    when a character is
    giving information, but
    not for expressing an
    emotion.

 Medium Shot
 Medium Long Shot
Long Shot
(Extra to Wide)
   Characters are now
    further back from the
    camera. This
    connotes that
    environment they are
    in is as important as
    the characters
    themselves.

   Just like close
    ups, there are
    extreme versions of
    long shots i.e. The
    extreme long shot.

   This can also be
    called a wide shot.
Two Shot
   A two shot simply
    has two characters
    that are present on
    screen. The
    characters could
    be facing each
    other or be side by
    side. The camera
    cannot be too far
    away otherwise it
    will become a long
    shot.
Over the shoulder Shot
   This is self explanatory. The camera takes
    place over the shoulder of a
    character, usually talking to another
    character. This allows you to see things from
    the subjects point of view without going into a
    POV shot. This could also be called a third
    person perspective.
High Angle/ Low Angle




   A high angle shot makes       A low angle shot makes
    the audience feel as if        the audience look up at
    they are towering above        someone.
    a character.
                                  This can connote a sense
   This can connote the           of intimidation or
    character is vulnerable,       symbolise the power of a
    isolated or powerless.         character.
Eye Level
The camera is positioned
as though it is a human
actually observing a
scene

Actors' heads are on a
level with the focus
POV Shot
   POV stands for point of view shot.
    This is where the audience sees
    events from the characters’
    perspective. This could also be called
    the first person perspective.
Establishing Shot
   This is a shot of an
    exterior location, that
    precedes a scene
    that takes place
    inside of the it. It
    usually does not last
    any longer than a
    few seconds.

   Establishing shots
    are well used
    conventions in soap
    operas and TV
    dramas.
Master Shot
   A master shot is generally
    a long shot that covers all
    of the actors in a scene at
    once.

   Master shots are useful for
    group scenes. They
    include everyone.

   All of the action is seen
    through this one
    camera, the editor can
    always fall back on the
    master shot if there is no
    other angle to take.
Aerial Shot
   Aerial shots are taken using cranes,
    helicopters or planes. They provide a
    good long shot of the surroundings of
    the area.
Test
   Close Up
   Mid Shot
   Long Shot
   Establishing Shot
`
   High Angle
   Low Angle
   Master Shot
   Extreme Close Up
   Two Shot
   Aerial Shot
   Long Shot
   Two Shot
   Extreme Long Shot
   Long Shot
   Medium Close Up
   Close Up
   Mid Shot
   Close Up
   Over the Shoulder Shot
   High Angle Shot
   Aerial Shot (Crane Shot)
   Two Shot
   Long Shot
   Close Up
   Extreme Close up
   Point of View Shot
Camera Movement
   Just as important as the camera shots, is
    the way that the camera moves in a
    media text.

   By moving the camera draws the
    audiences’ attention to whatever the
    producers want the audience to look at.

   Camera movement can draw attention
    to, reveal and lead the audience. So
    understanding what each movement is
    called is vital to conducting a good
    textual analysis.
Tilting
 A camera tilt moves
  the camera from
  vertically up or down.
 It could create a high
  or low angle shot.
 Tilt shots can
  heighten an
  audiences’ suspense
  as they are not sure
  what the shot will
  reveal.
Panning
   A camera pan is a
    horizontal movement
    left or right.

   It can follow a
    character walking in
    a particular direction,
    or move away from a
    character standing
    still.

   It can reveal parts of
    the scenery not seen
    previously.
Zoom/ Reverse Zoom
   A zoom is when the camera stays fixed
    in position but zooms in on a
    object, location or character.

   Zooming from a mid shot to a close up
    could mean that the scene is changing to
    a more emotional tone or to reveal a
    character’s reaction.

   A reverse zoom (zoom out) moves the
    shot from a close up to a mid or long
    shot. Showing that the surroundings are
    becoming more a focus in the story.
Tracking Shot
   Tracking is when a camera shot is placed on a
    track and is moved to keep up with the
    movement of a character.


   The camera is mounted on a “Dolly”, a cart on a
    track, which is then pushed or pulled.


   A camera can track a subject moving
    towards, away from, moving left or moving right.


   Tracking shots can curve and change
    direction, the camera is just always moving in a
    smooth motion.


   Make sure you can understand the difference
    between a track shot and a pan or a tilt. (If the
    camera was a person, it would be walking in a
    direction not just moving it’s head).

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Camera shots and types

  • 1. An Introduction to Shot Types and Camera Movement Creative Media Production
  • 2. Close Ups (Extreme to Medium)  Close ups connote that the audience is next to the character.  It suggest intimacy and emotional closeness.  Close ups are normally used in dramatic scenes.
  • 3. Close Ups  There are three main types of close up. Extreme Close Up Close Up (CU) Medium Close Up (ECU) (MCU)
  • 4. Mid Shot  A mid shot is an approximation to how you would normally see someone while talking to them. You are not too close, or too far.  You can see the character in some detail, it is useful for when a character is giving information, but not for expressing an emotion.  Medium Shot  Medium Long Shot
  • 5. Long Shot (Extra to Wide)  Characters are now further back from the camera. This connotes that environment they are in is as important as the characters themselves.  Just like close ups, there are extreme versions of long shots i.e. The extreme long shot.  This can also be called a wide shot.
  • 6. Two Shot  A two shot simply has two characters that are present on screen. The characters could be facing each other or be side by side. The camera cannot be too far away otherwise it will become a long shot.
  • 7. Over the shoulder Shot  This is self explanatory. The camera takes place over the shoulder of a character, usually talking to another character. This allows you to see things from the subjects point of view without going into a POV shot. This could also be called a third person perspective.
  • 8. High Angle/ Low Angle  A high angle shot makes  A low angle shot makes the audience feel as if the audience look up at they are towering above someone. a character.  This can connote a sense  This can connote the of intimidation or character is vulnerable, symbolise the power of a isolated or powerless. character.
  • 9. Eye Level The camera is positioned as though it is a human actually observing a scene Actors' heads are on a level with the focus
  • 10. POV Shot  POV stands for point of view shot. This is where the audience sees events from the characters’ perspective. This could also be called the first person perspective.
  • 11. Establishing Shot  This is a shot of an exterior location, that precedes a scene that takes place inside of the it. It usually does not last any longer than a few seconds.  Establishing shots are well used conventions in soap operas and TV dramas.
  • 12. Master Shot  A master shot is generally a long shot that covers all of the actors in a scene at once.  Master shots are useful for group scenes. They include everyone.  All of the action is seen through this one camera, the editor can always fall back on the master shot if there is no other angle to take.
  • 13. Aerial Shot  Aerial shots are taken using cranes, helicopters or planes. They provide a good long shot of the surroundings of the area.
  • 14. Test  Close Up
  • 15. Mid Shot
  • 16. Long Shot
  • 17. Establishing Shot
  • 18. `  High Angle
  • 19. Low Angle
  • 20. Master Shot
  • 21. Extreme Close Up
  • 22. Two Shot
  • 23. Aerial Shot
  • 24. Long Shot
  • 25. Two Shot
  • 26. Extreme Long Shot
  • 27. Long Shot
  • 28. Medium Close Up
  • 29. Close Up
  • 30. Mid Shot
  • 31. Close Up
  • 32. Over the Shoulder Shot
  • 33. High Angle Shot
  • 34. Aerial Shot (Crane Shot)
  • 35. Two Shot
  • 36. Long Shot
  • 37. Close Up
  • 38. Extreme Close up
  • 39. Point of View Shot
  • 40. Camera Movement  Just as important as the camera shots, is the way that the camera moves in a media text.  By moving the camera draws the audiences’ attention to whatever the producers want the audience to look at.  Camera movement can draw attention to, reveal and lead the audience. So understanding what each movement is called is vital to conducting a good textual analysis.
  • 41. Tilting  A camera tilt moves the camera from vertically up or down.  It could create a high or low angle shot.  Tilt shots can heighten an audiences’ suspense as they are not sure what the shot will reveal.
  • 42. Panning  A camera pan is a horizontal movement left or right.  It can follow a character walking in a particular direction, or move away from a character standing still.  It can reveal parts of the scenery not seen previously.
  • 43. Zoom/ Reverse Zoom  A zoom is when the camera stays fixed in position but zooms in on a object, location or character.  Zooming from a mid shot to a close up could mean that the scene is changing to a more emotional tone or to reveal a character’s reaction.  A reverse zoom (zoom out) moves the shot from a close up to a mid or long shot. Showing that the surroundings are becoming more a focus in the story.
  • 44. Tracking Shot  Tracking is when a camera shot is placed on a track and is moved to keep up with the movement of a character.  The camera is mounted on a “Dolly”, a cart on a track, which is then pushed or pulled.  A camera can track a subject moving towards, away from, moving left or moving right.  Tracking shots can curve and change direction, the camera is just always moving in a smooth motion.  Make sure you can understand the difference between a track shot and a pan or a tilt. (If the camera was a person, it would be walking in a direction not just moving it’s head).