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Narrative
 “ the way in which a story is told in
both fictional and non fictional media
                 texts”
Narrative/sto
     ry
 Story = the story is the actual
 sequence of events, it is the plot

Narrative = the way the events are
 put together and presented to the
              audience
Narrative
        structure
• Linear – look at media
 knowall, difference between story
 and narrative, different codes
                                Middle
       Beginning                                 End
      (introduction to      (events happen
    characters and story)                      (closure)
                             – story builds)
Open structure – the audience are
 left to wonder what happens next –
   use their own initiative. Barthes
   would say these texts could be
 interpreted in a multitude of ways

Closed structure – has a clear ending
      and conclusion. This kind of
        narrative is much more
  straightforward, and would only
  be interpreted in a limited number
               of ways.
• Circular structure – the narrative
  begins at the end events, and takes
  the audience on a journey back
  through the narrative, back to
  where they started again, at the
  end. For example The Sixth
  Sense, Pulp fiction.
Vladimir
         Propp
• Was a russian literary theorist
  working in the 1920’s
• He suggests that the characters from
  texts can be classified into clearly
  defined roles.
• This was based on russian
  fairytales, and so can be seen as
  outdated or irrelevant to some
  media texts. Modern narratives are
  often more sophisticated and aim to
  unconventional
• However, it is often seen in
Propp’s character
        roles
• The hero (seeks something)
• The villain (opposes the hero)
• The donor (helps the hero by
  providing a magic object)
• The dispatcher (sends the hero on his
  way)
• The false hero (falsely assuming the
  role of hero)
• The helper (gives support to the hero)
• The princess (the reward for the
  hero, but also needs protection from
  the villain)
Todorov
• Was a bulgarian literary theorist
• He suggested that most narratives start with a
  state of “equilibrium”, in which the protagonist
  is happy
• This is then disrupted
• Then equilibrium is restored


                                               New
             equilibrium   disequilibrium
                                            equilibrium
Equilibrium: (sets the scene) Everyday Life

   Disruption: (complication) Something
     happens to alter the equilibrium

   Conflict: (climax) Trying to solve the
        problem (seek resolution)

      Resolution :Problem is sorted

    New Equilibrium: (satisfactory end)
  Back to normal (but never the same)- a
               new normal
Levi Strauss
• Strauss described narrative as
  created by a conflict of binary
  oppositions. These could be:
• Love/hate
• Peace/war - avatar
• Rich/poverty - titanic
• Man/alien – all alien films
• Strong/weak
• Light/dark
• Good/evil
Roland
             Barthes
• Barthes argued that narrative works through a
  series of codes that are used to control the
  way in which information is given to the
  audience.

• Enigma Code: A narrative device that teases the
  audience by presenting a puzzle or riddle to be
  solved. For example is the hero going to
  survive.

•    Action Code: A narrative device by which a
    resolution is produced through action, for
    example a shoot out. The action code is often

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Narrative presentation

  • 1. Narrative “ the way in which a story is told in both fictional and non fictional media texts”
  • 2. Narrative/sto ry Story = the story is the actual sequence of events, it is the plot Narrative = the way the events are put together and presented to the audience
  • 3. Narrative structure • Linear – look at media knowall, difference between story and narrative, different codes Middle Beginning End (introduction to (events happen characters and story) (closure) – story builds)
  • 4. Open structure – the audience are left to wonder what happens next – use their own initiative. Barthes would say these texts could be interpreted in a multitude of ways Closed structure – has a clear ending and conclusion. This kind of narrative is much more straightforward, and would only be interpreted in a limited number of ways.
  • 5. • Circular structure – the narrative begins at the end events, and takes the audience on a journey back through the narrative, back to where they started again, at the end. For example The Sixth Sense, Pulp fiction.
  • 6. Vladimir Propp • Was a russian literary theorist working in the 1920’s • He suggests that the characters from texts can be classified into clearly defined roles. • This was based on russian fairytales, and so can be seen as outdated or irrelevant to some media texts. Modern narratives are often more sophisticated and aim to unconventional • However, it is often seen in
  • 7. Propp’s character roles • The hero (seeks something) • The villain (opposes the hero) • The donor (helps the hero by providing a magic object) • The dispatcher (sends the hero on his way) • The false hero (falsely assuming the role of hero) • The helper (gives support to the hero) • The princess (the reward for the hero, but also needs protection from the villain)
  • 8. Todorov • Was a bulgarian literary theorist • He suggested that most narratives start with a state of “equilibrium”, in which the protagonist is happy • This is then disrupted • Then equilibrium is restored New equilibrium disequilibrium equilibrium
  • 9. Equilibrium: (sets the scene) Everyday Life Disruption: (complication) Something happens to alter the equilibrium Conflict: (climax) Trying to solve the problem (seek resolution) Resolution :Problem is sorted New Equilibrium: (satisfactory end) Back to normal (but never the same)- a new normal
  • 10. Levi Strauss • Strauss described narrative as created by a conflict of binary oppositions. These could be: • Love/hate • Peace/war - avatar • Rich/poverty - titanic • Man/alien – all alien films • Strong/weak • Light/dark • Good/evil
  • 11. Roland Barthes • Barthes argued that narrative works through a series of codes that are used to control the way in which information is given to the audience. • Enigma Code: A narrative device that teases the audience by presenting a puzzle or riddle to be solved. For example is the hero going to survive. • Action Code: A narrative device by which a resolution is produced through action, for example a shoot out. The action code is often