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Paper 9: Political Reading of The Birthday Party

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This presentation highlights the political aspects of the context of The Birthday Party, a play written by Harold Pinter. Harold Pinter is an English playwright who achieved international success as one of the most complex post world war II dramatists.

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Paper 9: Political Reading of The Birthday Party

  1. 1. TOPIC: POLITICAL READING OF THE BIRTHDAY PARTY NAME: JANKIBA K. RANA PAPER NO: 9 THE MODERNIST LITERATURE M.A. SEM – III ROLL NO: 09 YEAR 2014-2015 SUBMITTED TO: DEPARTMENT OF ENGLISH BHAVNAGAR UNIVERSITY
  2. 2. INTRODUCTION- HAROLD PINTER Harold Pinter is an English playwright who achieved international success as one of the most complex post world war II dramatists.  He was born in Hackeny, a working – class neighbourhood in London’s East End, the son of a tailor.  Both of his parents were Jewish, born in England.  At the age of 14, he returned to London.  Pinter later said: “ The condition of being bombed has never left me.”  “I could have gone to prison – I took my toothbrush to the trails – but it so happened that the magistrate was slightly sympathetic, so I was fined instead, thirty pounds in all. Perhaps I’ll be called up again in the next war, but I won’t go.”
  3. 3. INTRODUCTION- “THE BIRTHDAY PARTY”  The birthday party is “a deeply political play about the individual’s imperative need for resistance.”  If we refer to the character’s of The Birthday Party  We come to know that how politics has affected on every individual’s life and the ill-treatment of an individual.
  4. 4. CHARACTER REPRESENTS  Stanely Webber- potagonist , an artist  Meg Boles ordinary people impotent  Petey Boles powerless  Lulu  Goldberg in side of power and violence  McCann
  5. 5. POLITICAL INFLUENCE IN BIRTHDAY PARTY PLIGHT OF AN ARTIST  Stanley :  He is an artist who had rebelled against the mode of life which society tries to impose upon its members but the pressures of society make the artist conform to the prevailing social manners and mores.  Society could not tolerate the free – thinking individualistic artist because it saw him as a threat to its own stability.  Society symbolise by Nat and McCann and they have destroyed the artist’s individuality. And at last we saw him dressed in suit and clean, collared shirt. He appears defeated and docile.
  6. 6.  Meg Boles :  Meg cannot give Stanley a piano, she can only a cheap post war toy.  In the privation of a post war Britan only the middle classics had pianos.  Petey’s wife .  Meg told Petey to read newspaper badly, it shows that power is in hand of men.  And women are marginalised character.  Petey:  His act of reading newspaper it also suggest that he is hiding himself, or we can say is weakness and impotentness. Not able to help Stanley.  Lulu:  Symbol of inspiration of an artist. One of the two strangers seduced her, symbolically represents the torture inflicted on Stanley the artist.  She may also be a symbol of women being used as too or toy for pleasure by man. BRIEF NOTE ON REFLECTION OF POLITICS IN INDIVIDUAL’S LIFE
  7. 7. BRIEF NOTE ON REFLECTION OF POLITICS IN INDIVIDUAL’S LIFE  Nat and McCann:  Two strangers who came to interrogate and intimidate Stanley before taking him away. They are may be the agent of man’s existential anxiety. May be a gangster in the employ of some criminal organisation. THE ORGANISATION  That Stanley is accused of having betrayed is no t specifically identified although it may be seen to stem from a number of possible sources.  Criminal , religious, metaphysical or political.
  8. 8. ART TRUTH AND POLITICS..  In this essay he talks about political theatre presents an entirely different set of problems . sermonising has to be avoided at all cost. Objectivity is essential. The characters must be allowed to breathe their own air. The author cannot confine and constrict them to satisfy his own taste or disposition or prejudice. He must be prepared to approach them from a variety of angles..  “In my play the Birthday Party I think I allow a whole range of options to operate in a dense forest of possibility before finally focussing on an act of subjugation At last we can say he charged his play with bleak sense of modernity and modern relationship.  Shetir takes issue with Edward Albee:  She argues that Pinter is indeed a “Splendid Writer” not because he is a “good political activist” or for his “brave political stand against policies”
  9. 9. THANK YOU

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