1. This is the start of a 360 degrees shot, where the
camera goes around both characters to show a
degree of control, Here it shows Moriarty holding
the gun to the head of DEGAULLE.
Eye shots of the fierce competitive MI6 agent and the
Eye shot of DEGAULLE where the gun is being pointed
to his forehead.
Two-shot and over the shoulder shots being used to
emphases both characters and their facial expressions
in the frame of the picture.

2. Here is the Two-shot and over the shoulder shots being
used to emphases both characters and their facial
expressions in the frame of the picture. In this case, it
would be DEGAULLE.-the enemy.
The enemy is talking on the phone by showing his
emotions and realising that something is not right from the
usage of the mid shots being used from the camera.
Here is a picture of the Phone on the hands of the enemy when
DEGAULLE disconnects the phone when he stops talking to the
person.
A High shot of the enemy on the phone talking with his theist clinch together whilst the
other picture frames shows the anger and emotions from the eyes and actions of the
hand movement slice to the throat.

3. This is a mid-shot of the enemy and
the MI6 agent, when the agent
swings the gun to the face of the
enemy.
Here is EAMES giving the clarification of the
mission, whilst holding a folder from a mid-
shot angle.
A folder being thrown on the table; with an
overlook of the production company TEAM
CROAK
Here is Moriarty receiving the folder
with document, flicking through the
pages of the enemy and accepting the
mission.

4. The first sight of the gun being loaded from a
mid-shot camera angle when Moriarty is
clicking the gun in place
Here is Moriarty running down stairs and
reloading the gun from previous shooting
frames whilst coming down stairs.
Here is the ending from part of the bible script with OPERATION CROAK appearing
at the end of the title sequence after the gun shot.
Sounding of the events and illustrated into the
scenes to have dramatic effect on actions of
the characters and the surroundings.