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History
Mid-1980s
• A group of property owners lobbies for
  demolition of the entire High Line.
• Peter Obletz, a Chelsea resident, activist, and
  railroad enthusiast, challenges demolition
  efforts in court and tries re-establishing rail
  service.


Picture & Source: http://www.thehighline.org/about/high-line-history
Peter Obletz




Source: http://www.nytimes.com/2007/05/13/nyregion/thecity/13oble.html?_r=0&adxnnl=1&adxnnlx=1350756608-
Ci19l3z4ZX+kx06sM2IYhQ
History
1999
• Friends of the High Line is founded by
  Joshua David and Robert Hammond to
  advocate for the High Line's preservation
  and reuse as public open space.




Picture & Source: http://www.thehighline.org/about/high-line-history
History
2001 – 2002
• Architect Casey Jones conducts research and
  outreach for "Reclaiming the High Line," a
  planning study which lays out planning
  framework for the High Line's preservation
  and reuse.




Source: http://www.thehighline.org/about/high-line-history
The High Line! 




Picture Source: http://www.designtrust.org/pubs/01_Reclaiming_High_Line.pdf
2002-2003
 The City files with the federal Surface
  Transportation Board for railbanking, making
  it City policy to preserve and reuse the High
  Line.

 An open ideas competition, "Designing the
    High Line," solicits proposals for the High
    Line's reuse. 720 teams from 36 countries enter.




Source: http://www.thehighline.org/about/high-line-history
March – September 2004
   Friends of the High Line and the City of New York
    conduct a process to select a design team for the
    High Line. The selected team is:
     James Corner Field Operations, a landscape architecture
      firm, and
     Diller Scofidio + Renfro, an architecture firm

April 2006
   Construction begins on the Highline
June 2008
  All construction is finished, all parts of the
   Highline are opened to the public;
   artwork, wooden boardwalks, etc. are
   included


                              Source: http://www.thehighline.org/about/high-line-history
Before (1980s)




Source: http://www.designtrust.org/pubs/01_Reclaiming_High_Line.pdf
After (2000)




Source: http://www.designtrust.org/pubs/01_Reclaiming_High_Line.pdf
Features: Nature
•After abandonment, wild grasses and flowers grew over the
tracks, forming a natural meadow in the neighborhood.
•According to Joshua David, author of Reclaiming the High Line, this
greenery:
      Provides a refuge in nature for busy New Yorkers
       Serves as a botanical garden, and the Horticultural Society of NY has
      expressed interest in it
       Can serve as a refuge for birds and butterflies




Source: http://www.designtrust.org/pubs/01_Reclaiming_High_Line.pdf
Features: Arts and Open Space
Spaces atop and below the structure can:
• Serve as exhibition space for art.
• Serve as performance spaces for dance.
• Create a place for local markets (though not
  big malls)




 Source: http://www.designtrust.org/pubs/01_Reclaiming_High_Line.pdf
Artworks




                     Pictures starting
                    clockwise: Thomas
                  Houseago, Lying Figure;
                  Various Artists, Lilliput;
                         Virginia
                    Overton, Untitled

           Source: http://thehighline.org/about/public-art
Sources
• Slides 2, 4, 5, 7, 8:
  http://www.thehighline.org/about/high-line-histo
• Slides 2, 3: Source:
  http://www.nytimes.com/2007/05/13/nyregion/thec
  ity/13oble.html?_r=0&adxnnl=1&adxnnlx=13507566
  08-Ci19l3z4ZX+kx06sM2IYhQ
• Slides 6, 9, 10, 11, 12:
  http://www.designtrust.org/pubs/01_Reclaiming_Hi
  gh_Line.pdf
• Slide 13: http://thehighline.org/about/public-art

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Highline reclamation

  • 1.
  • 2. History Mid-1980s • A group of property owners lobbies for demolition of the entire High Line. • Peter Obletz, a Chelsea resident, activist, and railroad enthusiast, challenges demolition efforts in court and tries re-establishing rail service. Picture & Source: http://www.thehighline.org/about/high-line-history
  • 4. History 1999 • Friends of the High Line is founded by Joshua David and Robert Hammond to advocate for the High Line's preservation and reuse as public open space. Picture & Source: http://www.thehighline.org/about/high-line-history
  • 5. History 2001 – 2002 • Architect Casey Jones conducts research and outreach for "Reclaiming the High Line," a planning study which lays out planning framework for the High Line's preservation and reuse. Source: http://www.thehighline.org/about/high-line-history
  • 6. The High Line!  Picture Source: http://www.designtrust.org/pubs/01_Reclaiming_High_Line.pdf
  • 7. 2002-2003  The City files with the federal Surface Transportation Board for railbanking, making it City policy to preserve and reuse the High Line.  An open ideas competition, "Designing the High Line," solicits proposals for the High Line's reuse. 720 teams from 36 countries enter. Source: http://www.thehighline.org/about/high-line-history
  • 8. March – September 2004  Friends of the High Line and the City of New York conduct a process to select a design team for the High Line. The selected team is:  James Corner Field Operations, a landscape architecture firm, and  Diller Scofidio + Renfro, an architecture firm April 2006  Construction begins on the Highline June 2008  All construction is finished, all parts of the Highline are opened to the public; artwork, wooden boardwalks, etc. are included Source: http://www.thehighline.org/about/high-line-history
  • 11. Features: Nature •After abandonment, wild grasses and flowers grew over the tracks, forming a natural meadow in the neighborhood. •According to Joshua David, author of Reclaiming the High Line, this greenery: Provides a refuge in nature for busy New Yorkers  Serves as a botanical garden, and the Horticultural Society of NY has expressed interest in it  Can serve as a refuge for birds and butterflies Source: http://www.designtrust.org/pubs/01_Reclaiming_High_Line.pdf
  • 12. Features: Arts and Open Space Spaces atop and below the structure can: • Serve as exhibition space for art. • Serve as performance spaces for dance. • Create a place for local markets (though not big malls) Source: http://www.designtrust.org/pubs/01_Reclaiming_High_Line.pdf
  • 13. Artworks Pictures starting clockwise: Thomas Houseago, Lying Figure; Various Artists, Lilliput; Virginia Overton, Untitled Source: http://thehighline.org/about/public-art
  • 14. Sources • Slides 2, 4, 5, 7, 8: http://www.thehighline.org/about/high-line-histo • Slides 2, 3: Source: http://www.nytimes.com/2007/05/13/nyregion/thec ity/13oble.html?_r=0&adxnnl=1&adxnnlx=13507566 08-Ci19l3z4ZX+kx06sM2IYhQ • Slides 6, 9, 10, 11, 12: http://www.designtrust.org/pubs/01_Reclaiming_Hi gh_Line.pdf • Slide 13: http://thehighline.org/about/public-art

Notas del editor

  1. Source: http://www.thehighline.org/about/high-line-history
  2. Source: http://www.thehighline.org/about/high-line-history
  3. Source: http://www.thehighline.org/about/high-line-history
  4. Source: http://www.thehighline.org/about/high-line-history
  5. Source: http://www.thehighline.org/about/high-line-history
  6. Source: http://www.thehighline.org/about/high-line-history