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Chapter 6   Musical Theatre
Popular song as a dramatic tool ,[object Object],[object Object],[object Object]
Dramatically effective song fulfills one of three functions ,[object Object],[object Object],[object Object]
Early 20 th  century songs had little dramatic connection to plot ,[object Object]
George Cohan  (1878-1942)  ,[object Object],[object Object],[object Object],[object Object]
Example:  “Yankee Doodle Boy”  ,[object Object],[object Object],[object Object],[object Object]
Jerome Kern (1885-1945)  Oscar Hammerstein II (1895-1960) ,[object Object]
1920s stage show were mostly fluff - lighthearted
Show Boat  ,[object Object],[object Object],[object Object]
Example: “Ol’ Man River”  ,[object Object],[object Object],[object Object],[object Object],[object Object]
Talking films and Great Depression ended the popularity of the musical theater.
“ Oklahoma” (1943) Rodgers and Hammerstein ,[object Object],[object Object],[object Object]
Example: “Oh, What a Beautiful Morning”  ,[object Object],[object Object],[object Object],[object Object]
Show Boat/Oklahoma  ,[object Object],[object Object],[object Object],[object Object]
Many of Rogers&Hammerstein’s musicals became successful films   ,[object Object]
Leonard Bernstein (1918-1990)  ,[object Object],[object Object]
“ West Side Story” (1957)  ,[object Object],[object Object],[object Object]
http://www.youtube.com/watch?v=xkdP02HKQGc
Films, records, radio, nightclubs, and TV provided cheaper entertainment, THEREFORE Musical Theatre became elite, or alternative entertainment.
Original cast recordings dominated pop charts through the early 1960s

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