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Jill	
  Hopke	
  
@jillhopke	
  
	
  
January	
  6,	
  2015	
  
	
  
Mul$media	
  Storytelling	
  in	
  
Journalism	
  
Direct	
  Cinema	
  
•  Observa$onal	
  
camera	
  
•  Capture	
  life	
  as	
  it	
  
happens	
  
•  Not	
  intercede	
  
with	
  subject	
  
•  Engaging	
  way	
  to	
  
tell	
  a	
  story,	
  grab	
  
aAen$on	
  
Image	
  Source:	
  de	
  Mare,	
  A.	
  &	
  Kelly,	
  K.	
  (2014).	
  The	
  homestretch.	
  	
  
United	
  States:	
  Spargel	
  Produc$ons	
  and	
  Kartemquin	
  Films.	
  	
  
Point	
  of	
  View	
  (POV)	
  	
  
•  Take	
  viewer	
  
somewhere	
  	
  
•  Focus	
  on	
  “why”	
  
and	
  “how”	
  
•  Subject	
  in	
  their	
  
reality,	
  in	
  their	
  
own	
  voice	
  
•  Basis	
  for	
  all	
  
produc$on	
  
decisions	
  
Drama$c	
  Curve	
  
NarraEve	
  Structure	
  –	
  DramaEc	
  Curve	
  	
  	
  
Exposi$on	
  
Inci$ng	
  Moment	
  
Rising	
  Ac$on	
  
Resolu$on	
  
Crisis	
  or	
  Climax	
  
Adapted	
  from:	
  Rabiger,	
  M.	
  (1998).	
  Direc&ng	
  the	
  Documentary.	
  Boston:	
  Focal	
  Press.	
  	
  	
  
Time	
  
Intensity	
  
Types	
  of	
  Conflict	
  
	
  Internal	
  
	
  External	
  
	
  Societal	
  
	
  Environmental	
  
How	
  Ebola	
  Roared	
  Back	
  
The	
  New	
  York	
  Times	
  
	
  December	
  29,	
  2014	
  
•  Did	
  you	
  go	
  somewhere?	
  
•  Did	
  you	
  meet	
  anyone	
  interesEng?	
  
•  Did	
  you	
  learn	
  anything?	
  
•  Did	
  you	
  feel	
  something?	
  
•  Were	
  there	
  surprises?	
  	
  
•  Did	
  it	
  transform	
  your	
  thinking?	
  
	
  
	
  
	
  
Adapted	
  from:	
  Wadhams,	
  S.	
  (n.d.).	
  Thinking	
  about	
  radio.	
  Unpublished	
  manuscript.	
  
A	
  good	
  story	
  will	
  take	
  you	
  on	
  a	
  journey	
  
How	
  Would	
  You	
  Cover	
  	
  
Student	
  Debt?	
  
Your	
  Editor	
  Assigns	
  You	
  to	
  Cover	
  Student	
  Debt	
  
Illinois	
  Ranks	
  #15	
  	
  	
  
Public	
  and	
  Private	
  	
  
Non-­‐Profit	
  Schools	
  
Source:	
  Short,	
  K.	
  (2014,	
  Nov.	
  19).	
  Here	
  is	
  the	
  average	
  student	
  debt	
  burden	
  in	
  each	
  state,	
  The	
  Huffington	
  Post.	
  Data	
  visualizaEon	
  by	
  debt.com.	
  	
  	
  
 
Trends	
  in	
  Mul$media	
  and	
  	
  
Mobile	
  Content	
  
The	
  MulEmedia	
  Reporter	
  
Homeless	
  Families	
  	
  
WBEZ,	
  December	
  12,	
  2014	
  
Sharing	
  and	
  Cross-­‐PromoEon	
  
Ebola’s	
  Pa$ent	
  Zero	
  
New	
  York	
  Times	
  and	
  Frontline	
  
December	
  29,	
  2014	
  
Changing	
  DistribuEon	
  Plaaorms	
  
	
  News	
  consump$on	
  is	
  increasingly	
  	
  
	
  on-­‐demand,	
  mobile	
  and	
  social,	
  	
  
	
  especially	
  for	
  younger	
  audiences.	
  	
  
Further	
  Reading,	
  Viewing,	
  Listening	
  
ü  Block,	
  B.	
  (2008).	
  The	
  Visual	
  
Story.	
  Oxford:	
  Focal	
  Press.	
  
ü  Kern,	
  J.	
  (2008).	
  Sound	
  
Repor&ng.	
  Chicago:	
  The	
  
University	
  of	
  Chicago	
  Press.	
  
ü  Rabiger,	
  M.	
  (2014).	
  Direc&ng	
  
the	
  Documentary.	
  
Burlington,	
  MA:	
  Focal	
  Press.	
  
ü  PBS.	
  Independent	
  Lens.	
  
ü  PRX.	
  Radiotopia.	
  	
  
QuesEons?	
  	
  
Thank	
  you!	
  
Jill	
  Hopke	
  
jillhopke@gmail.com	
  
@jillhopke	
  
Jillhopke.com	
  
	
  

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Multimedia Storytelling in Journalism

  • 1. Jill  Hopke   @jillhopke     January  6,  2015     Mul$media  Storytelling  in   Journalism  
  • 2. Direct  Cinema   •  Observa$onal   camera   •  Capture  life  as  it   happens   •  Not  intercede   with  subject   •  Engaging  way  to   tell  a  story,  grab   aAen$on   Image  Source:  de  Mare,  A.  &  Kelly,  K.  (2014).  The  homestretch.     United  States:  Spargel  Produc$ons  and  Kartemquin  Films.    
  • 3. Point  of  View  (POV)     •  Take  viewer   somewhere     •  Focus  on  “why”   and  “how”   •  Subject  in  their   reality,  in  their   own  voice   •  Basis  for  all   produc$on   decisions  
  • 5. NarraEve  Structure  –  DramaEc  Curve       Exposi$on   Inci$ng  Moment   Rising  Ac$on   Resolu$on   Crisis  or  Climax   Adapted  from:  Rabiger,  M.  (1998).  Direc&ng  the  Documentary.  Boston:  Focal  Press.       Time   Intensity  
  • 6. Types  of  Conflict    Internal    External    Societal    Environmental   How  Ebola  Roared  Back   The  New  York  Times    December  29,  2014  
  • 7. •  Did  you  go  somewhere?   •  Did  you  meet  anyone  interesEng?   •  Did  you  learn  anything?   •  Did  you  feel  something?   •  Were  there  surprises?     •  Did  it  transform  your  thinking?         Adapted  from:  Wadhams,  S.  (n.d.).  Thinking  about  radio.  Unpublished  manuscript.   A  good  story  will  take  you  on  a  journey  
  • 8. How  Would  You  Cover     Student  Debt?  
  • 9. Your  Editor  Assigns  You  to  Cover  Student  Debt   Illinois  Ranks  #15       Public  and  Private     Non-­‐Profit  Schools   Source:  Short,  K.  (2014,  Nov.  19).  Here  is  the  average  student  debt  burden  in  each  state,  The  Huffington  Post.  Data  visualizaEon  by  debt.com.      
  • 10.   Trends  in  Mul$media  and     Mobile  Content  
  • 11. The  MulEmedia  Reporter   Homeless  Families     WBEZ,  December  12,  2014  
  • 12. Sharing  and  Cross-­‐PromoEon   Ebola’s  Pa$ent  Zero   New  York  Times  and  Frontline   December  29,  2014  
  • 13. Changing  DistribuEon  Plaaorms    News  consump$on  is  increasingly      on-­‐demand,  mobile  and  social,      especially  for  younger  audiences.    
  • 14. Further  Reading,  Viewing,  Listening   ü  Block,  B.  (2008).  The  Visual   Story.  Oxford:  Focal  Press.   ü  Kern,  J.  (2008).  Sound   Repor&ng.  Chicago:  The   University  of  Chicago  Press.   ü  Rabiger,  M.  (2014).  Direc&ng   the  Documentary.   Burlington,  MA:  Focal  Press.   ü  PBS.  Independent  Lens.   ü  PRX.  Radiotopia.    
  • 15. QuesEons?     Thank  you!   Jill  Hopke   jillhopke@gmail.com   @jillhopke   Jillhopke.com