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HISTORY 
OF 
PAINTING
The oldest known paintings are 
approximately 40,000 years old. José Luis 
Sanchidrián, believes the paintings are more 
likely to have been painted by Neanderthals 
than early modern humans. 
The Grotte Chauvet in France is claimed by 
some historians to be about 32,000 years old. 
They are engraved and painted using red 
ochre and black pigment and show horses, 
rhinoceros, lions, buffalo, mammoth or humans 
often hunting. There are examples of cave 
paintings all over the world—in France, India, 
Spain, Portugal, China, Australia etc
Prehistoric men may have painted 
animals to "catch" their soul or spirit in 
order to hunt them more easily or the 
paintings may represent an animistic 
vision and homage to surrounding nature, 
or they may be the result of a basic need 
of expression that is innate to human 
beings, or they could have been for the 
transmission of practical information.
Chinese painting is one of the oldest 
continuous artistic traditions in the world. 
The earliest paintings were not 
representational but ornamental; they 
consisted of patterns or designs rather than 
pictures.
Japanese painting is one of the oldest and 
most highly refined of the Japanese arts, 
encompassing a wide variety of genre and 
styles. The history of Japanese painting is a 
long history of synthesis and competition 
between native Japanese aesthetics and 
adaptation of imported ideas. 
The history of Korean painting is dated to 
approximately 108 C.E., when it first 
appears as an independent form. Between 
that time and the paintings and frescoes that 
appear on the Goryeo dynasty tombs, there 
has been little research.
Indian paintings historically revolved 
around the religious deities and kings. 
Indian art is a collective term for several 
different schools of art that existed in the 
Indian subcontinent. The paintings varied 
from large frescoes of Ajanta to the intricate 
Mughal miniature paintings to the metal 
embellished works from the Tanjore school.
. Egyptian painting has close 
connection with its written language – 
called Egyptian hieroglyphs. Painted 
symbols are found amongst the first 
forms of written language. The 
Egyptians also painted on linen, 
remnants of which survive today. 
Ancient Egyptian paintings survived 
due to the extremely dry climate.
Ancient 
Egypt,The 
Goddess Isis, 
wall painting 
Ancient Egypt, papyrus
The Renaissance is said by many to be 
the golden age of painting. Roughly 
spanning the 14th through the mid-17th 
century. 
In Italy artists took painting to a higher 
level through the use of perspective, the 
study of human anatomy and proportion, 
and through their development of an 
unprecedented refinement in drawing and 
painting techniques.
Filipino painting as a whole can be 
seen as an amalgamation of many 
cultural influences, though it tends 
to be more Western in its current 
form with Eastern roots. 
Early Filipino painting can be found 
in red slip (clay mixed with water) 
designs embellished on the ritual 
pottery of the Philippines such as 
the acclaimed Manunggul Jar.
Further evidences of painting are 
manifested in the tattoo tradition of early 
Filipinos, whom the Portuguese explorer 
referred to as Pintados or the 'Painted 
People' of the Visayas. Various designs 
referencing flora and fauna with 
heavenly bodies decorate their bodies in 
various colored pigmentation
Filipinos began creating paintings in 
the European tradition during the 17th-century 
Spanish period. The earliest of these 
paintings were Church frescoes, religious 
imagery from Biblical sources, as well as 
engravings, sculptures and lithographs 
featuring Christian icons and European 
nobility.
The Death of Cleopatra by Juan 
Luna1881
Juan Luna Spoliarium
Antipolo by Fernando Amorsolo, depicting Filipinos 
celebrating a town fiesta.
The Blood Compact by Juan Luna
Las Virgenes Cristianas Expuestas Al Populacho (The Christian 
Virgins Being Exposed to the Populace) by Felix Ressureccion 
Hidalgo 1884
La Barca de Aqueronte by Felix Resurreccion Hidalgo 
1887
Self portrait by Félix Resurrección 
Hidalgo
La Marina by Félix Resurrección Hidalgo
Fabian de la Rosa, A remembrance of the 
Villa Borghese
History of Paintings

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History of Paintings

  • 2. The oldest known paintings are approximately 40,000 years old. José Luis Sanchidrián, believes the paintings are more likely to have been painted by Neanderthals than early modern humans. The Grotte Chauvet in France is claimed by some historians to be about 32,000 years old. They are engraved and painted using red ochre and black pigment and show horses, rhinoceros, lions, buffalo, mammoth or humans often hunting. There are examples of cave paintings all over the world—in France, India, Spain, Portugal, China, Australia etc
  • 3. Prehistoric men may have painted animals to "catch" their soul or spirit in order to hunt them more easily or the paintings may represent an animistic vision and homage to surrounding nature, or they may be the result of a basic need of expression that is innate to human beings, or they could have been for the transmission of practical information.
  • 4.
  • 5.
  • 6.
  • 7.
  • 8.
  • 9. Chinese painting is one of the oldest continuous artistic traditions in the world. The earliest paintings were not representational but ornamental; they consisted of patterns or designs rather than pictures.
  • 10.
  • 11. Japanese painting is one of the oldest and most highly refined of the Japanese arts, encompassing a wide variety of genre and styles. The history of Japanese painting is a long history of synthesis and competition between native Japanese aesthetics and adaptation of imported ideas. The history of Korean painting is dated to approximately 108 C.E., when it first appears as an independent form. Between that time and the paintings and frescoes that appear on the Goryeo dynasty tombs, there has been little research.
  • 12.
  • 13. Indian paintings historically revolved around the religious deities and kings. Indian art is a collective term for several different schools of art that existed in the Indian subcontinent. The paintings varied from large frescoes of Ajanta to the intricate Mughal miniature paintings to the metal embellished works from the Tanjore school.
  • 14.
  • 15. . Egyptian painting has close connection with its written language – called Egyptian hieroglyphs. Painted symbols are found amongst the first forms of written language. The Egyptians also painted on linen, remnants of which survive today. Ancient Egyptian paintings survived due to the extremely dry climate.
  • 16. Ancient Egypt,The Goddess Isis, wall painting Ancient Egypt, papyrus
  • 17. The Renaissance is said by many to be the golden age of painting. Roughly spanning the 14th through the mid-17th century. In Italy artists took painting to a higher level through the use of perspective, the study of human anatomy and proportion, and through their development of an unprecedented refinement in drawing and painting techniques.
  • 18.
  • 19. Filipino painting as a whole can be seen as an amalgamation of many cultural influences, though it tends to be more Western in its current form with Eastern roots. Early Filipino painting can be found in red slip (clay mixed with water) designs embellished on the ritual pottery of the Philippines such as the acclaimed Manunggul Jar.
  • 20.
  • 21. Further evidences of painting are manifested in the tattoo tradition of early Filipinos, whom the Portuguese explorer referred to as Pintados or the 'Painted People' of the Visayas. Various designs referencing flora and fauna with heavenly bodies decorate their bodies in various colored pigmentation
  • 22. Filipinos began creating paintings in the European tradition during the 17th-century Spanish period. The earliest of these paintings were Church frescoes, religious imagery from Biblical sources, as well as engravings, sculptures and lithographs featuring Christian icons and European nobility.
  • 23. The Death of Cleopatra by Juan Luna1881
  • 25. Antipolo by Fernando Amorsolo, depicting Filipinos celebrating a town fiesta.
  • 26. The Blood Compact by Juan Luna
  • 27. Las Virgenes Cristianas Expuestas Al Populacho (The Christian Virgins Being Exposed to the Populace) by Felix Ressureccion Hidalgo 1884
  • 28. La Barca de Aqueronte by Felix Resurreccion Hidalgo 1887
  • 29. Self portrait by Félix Resurrección Hidalgo
  • 30. La Marina by Félix Resurrección Hidalgo
  • 31. Fabian de la Rosa, A remembrance of the Villa Borghese