SlideShare una empresa de Scribd logo
1 de 10
Incognito
Evaluation
In what ways does your media product
use/develop/challenge forms and conventions of real
media products?
 Our media product is representative of the common codes and conventions of the
thriller genre, however we have also tried to hybridize our product with the horror
genre. By looking at films andTV series' such as 'American Horror Story' and 'The Blair
Witch Project' we decided to include some key horror motifs in our sequence, one of
which can be seen in the POV handheld camera footage that is edited in. We took
direct inspiration from 'The Blair Witch Project' in this case as it was described as
being one of the films most gripping features because of the way it made the viewer
feel involved in the action. Our product follows the traditional conventions of a
thriller in that it has the main character in some form of danger as well as there
being an ongoing chase/stalking. We decided to challenge convention in the same
way that the movie 'Se7en' did in that we did not reveal the antagonist's face at first
but instead using the reveal as a climax of the events on screen. Obviously ‘Se7en’
was a full length film so they had a lot longer to build up to the climax, whereas we
were only making a sequence meaning if we wanted to include any interesting
plotlines it had to be explored fairly quickly or at least teased at them.This
technique builds suspense as well as making the villain more intimidating as people
are known to fear what they cannot see/understand.
In what ways does your media product
use/develop/challenge forms and conventions of real
media products?
 A large inspiration for our title sequence’s
more eerie scenes came from the movie ‘The
BlairWitch Project’. This is a ‘found footage’
style horror film shot entirely in the woods,
this means the only camera used was a
handheld being operated by one of the actors.
This is an extremely low budget technique
meaning that virtually anyone can make use of
it, we took advantage of this by implementing
handheld camera shots into our sequence.The
angle and motion of the shot makes audiences
feel connected with what is happening on
screen as it seems more authentic, therefore
making them engage more with the suspense
and tense atmosphere.
In what ways does your media product
use/develop/challenge forms and conventions of real
media products?
 Significance of font
When we began coming up with the initial ideas for
‘Incognito’ I made the title screen that can be seen on
the right, however we developed the idea further and
with that came a change in appearance for the title
itself. We decided to take a more modern approach to
the title and after researching popular thrillers we
found that a lot of them had large spacing between
characters and quite often had a very basic
background. Looking back at the transition we made;
the finished title is a lot easier to read, is more
memorable/iconic and also looks a lot more
professional than the original.
How does your media product represent particular
social groups?
 We have two main characters in our sequence; the detective,
who represents the police and enforcement of law that is
commonly seen in the thriller genre and we have the killer,
who is the main antagonist of the sequence and portrays a
mysterious villain rather than the usual bank robber or
murderer.We tried to create a sense of the supernatural and
an animalistic portrayal of this villain as we felt it was more
intimidating to the viewer.We achieved this by using
whispering audio motifs whenever the antagonist is present
which creates an eerie sense around the character.We also
used POV shots from the killer's perspective that make it look
as if he is stalking the detective like an animal; combining this
with the heavy breathing, the whispering and the sound
effects it allowed us to create an eerie and threatening
antagonist.The detective is not really in the spotlight,
although he does hold a significant part of the screen time the
focus is mainly on the antagonists pursuit of the detective.We
tried to make him look like an off duty police officer to give the
impression that he is looking for the killer on his own time,
suggesting the killer has become an obsession of his, a lot like
the character John Luther from theTV series 'Luther'.A lot of
the time in thrillers the protagonist is a 'loose cannon' type of
character and we tried to reflect this in our protagonist as well.
• What kind of media institution might distribute your
media product and why?
 If the sequence were to become a full product I feel that it could be distributed by a
variety of media institutions. It wouldn't be in a documentary or educational style
which rules out institutions such as National Geographic. Because the sequence isn't
nailed down entirely to one genre or theme and the lines between genres in the
current generation have been blurred (even though we have labeled it as a thriller) it
could be distributed by most companies ranging from Netflix to the BBC, the
product wouldn't be absolute on any themes and wouldn't have anything unsuitable
for viewers around the age of 12 meaning the product would have variety in who
would distribute it.The most realistic form of distribution our media product would
have is on social media, the product would be posted toYouTube and promoted
through platforms such as Facebook, Twitter etc.
• Who would be the audience for your media product?
 The sequence was intended to be suitable for viewers from the age of 12 upwards,
this is why we rated it a 12 on the bbfc age ratings. We took age into consideration
but also took current interest in specific TV shows as a major factor in the decisions
we made during the production of the sequence.
• How did you attract/address your audience?
 At the moment the traditional thriller e.g. 'Die
Hard' isn't necessarily the most gripping or interesting
thing to audiences, a lot of the most popular shows and
movies today have supernatural themes or something
that at least makes the viewer think e.g. 'Inception' and
'Interstellar'.The top threeTV shows on IMDB at the
moment are 'TheWalking Dead', 'Daredevil' and 'Game
ofThrones'; all shows with supernatural or fantasy
based themes. When creating our thriller
we didn't want to follow the basic and pretty much
outdated thriller template and instead looked at the
modern audience and what interests they had.This is
represented in the scene where our main character
confronts another version of himself. Originally we
hadn't intended for there to be a supernatural theme in
the sequence but after the first and second draft
seemed to be building up to an anti-climax we decided
to add the scene in.The whole sequence gave the
impression of someone watching the protagonist so
the supernatural theme fit in quite well with the
already established eerie atmosphere
• What have you learnt about technologies from the
process of constructing this product?
 When creating the sequence we had to learn to use and understand camera work, editing and
sound.Out of the three I think I am most confident with camera and editing whereas sound was
more improvised but still to an acceptable standard.We filmed on a CanonG16 and I edited on
Final Cut Pro X. I learnt that you don't need the best equipment to make a good product, its
more about the technique and the person using the equipment that makes good products.Take
the fact that we were using the built-in mic on the camera for the entire sequence, we didn't
have a industry level mic but we managed to create a sequence with decent sound that still
conveyed the right message through editing and improvisation.The camera we were using was
amazing but wasn't exactly built for the type of filming we were doing yet we still made it
look really good even if there are some shots that could be improved. I originally was editing on
Premiere then I moved over to Final Cut which I had to learn how to use but ultimately I ended
up having a better understanding of FinalCut than I ever did of Premiere.
Looking back at your task, what do you feel you have
learnt in the progression from it to the full product?
 Overall I feel I have learnt a lot from the task, I think I have developed a good
understanding of camera work as well as editing while also developing my skills in
teamwork. Looking back I feel I could have experimented with sound more but the
final product wasn't too heavily affected by this.

Más contenido relacionado

La actualidad más candente

AS Media Studies - Final Task Evaluation
AS Media Studies - Final Task EvaluationAS Media Studies - Final Task Evaluation
AS Media Studies - Final Task Evaluationhannahgeorgekba
 
Burgess field’ evaluation
Burgess field’ evaluationBurgess field’ evaluation
Burgess field’ evaluationamymadgwick
 
As foundation portfolio media
As foundation portfolio mediaAs foundation portfolio media
As foundation portfolio mediaharrodian1234
 
As foundation portfolio media Evaluation
As foundation portfolio media EvaluationAs foundation portfolio media Evaluation
As foundation portfolio media Evaluationharrodian1234
 
Evaluation question 1 trailer
Evaluation question 1 trailerEvaluation question 1 trailer
Evaluation question 1 traileremzy_95
 
Evaluation question 1 film trailer
Evaluation question 1 film trailerEvaluation question 1 film trailer
Evaluation question 1 film traileremzy_95
 
Media studies coursework evaluation
Media studies coursework evaluationMedia studies coursework evaluation
Media studies coursework evaluationchargerrard
 
Evaluation - question 1
Evaluation - question 1Evaluation - question 1
Evaluation - question 1ellaash
 
Evaluation of work on Silent Screams
Evaluation of work on Silent ScreamsEvaluation of work on Silent Screams
Evaluation of work on Silent Screamsisobelamb
 
Beth's Evaluation
Beth's EvaluationBeth's Evaluation
Beth's EvaluationBeth Marsh
 
As Media Project Evaluation
As Media Project EvaluationAs Media Project Evaluation
As Media Project Evaluationguest44381bd
 
Beth's Evaluation
Beth's EvaluationBeth's Evaluation
Beth's EvaluationBeth Marsh
 
Chlos Presentation
Chlos PresentationChlos Presentation
Chlos PresentationBeth Marsh
 
Evaluation Question 2
Evaluation Question 2Evaluation Question 2
Evaluation Question 2ellsummer
 

La actualidad más candente (17)

AS Media Studies - Final Task Evaluation
AS Media Studies - Final Task EvaluationAS Media Studies - Final Task Evaluation
AS Media Studies - Final Task Evaluation
 
Media Evaluation
Media EvaluationMedia Evaluation
Media Evaluation
 
Burgess field’ evaluation
Burgess field’ evaluationBurgess field’ evaluation
Burgess field’ evaluation
 
As foundation portfolio media
As foundation portfolio mediaAs foundation portfolio media
As foundation portfolio media
 
As foundation portfolio media Evaluation
As foundation portfolio media EvaluationAs foundation portfolio media Evaluation
As foundation portfolio media Evaluation
 
Evaluation question 1 trailer
Evaluation question 1 trailerEvaluation question 1 trailer
Evaluation question 1 trailer
 
Evaluation question 1 film trailer
Evaluation question 1 film trailerEvaluation question 1 film trailer
Evaluation question 1 film trailer
 
Media studies coursework evaluation
Media studies coursework evaluationMedia studies coursework evaluation
Media studies coursework evaluation
 
Blog task 2
Blog task 2Blog task 2
Blog task 2
 
Evaluation - question 1
Evaluation - question 1Evaluation - question 1
Evaluation - question 1
 
Evaluation of work on Silent Screams
Evaluation of work on Silent ScreamsEvaluation of work on Silent Screams
Evaluation of work on Silent Screams
 
Beth's Evaluation
Beth's EvaluationBeth's Evaluation
Beth's Evaluation
 
As Media Project Evaluation
As Media Project EvaluationAs Media Project Evaluation
As Media Project Evaluation
 
Eval 1
Eval 1Eval 1
Eval 1
 
Beth's Evaluation
Beth's EvaluationBeth's Evaluation
Beth's Evaluation
 
Chlos Presentation
Chlos PresentationChlos Presentation
Chlos Presentation
 
Evaluation Question 2
Evaluation Question 2Evaluation Question 2
Evaluation Question 2
 

Similar a Incognito evaluation

Incognito evaluation
Incognito evaluationIncognito evaluation
Incognito evaluationJoe Candlin
 
Media Product Evaluation
Media Product EvaluationMedia Product Evaluation
Media Product Evaluationcallywally
 
A Critical Reflection - (FIlm Opening)
A Critical Reflection - (FIlm Opening)A Critical Reflection - (FIlm Opening)
A Critical Reflection - (FIlm Opening)TheoChandra6
 
AS Media Evaluation
AS Media EvaluationAS Media Evaluation
AS Media EvaluationMDB_18
 
As resit evaluation
As resit evaluationAs resit evaluation
As resit evaluationJack
 
As resit evaluation
As resit evaluationAs resit evaluation
As resit evaluationJack
 
As resit evaluation
As resit evaluationAs resit evaluation
As resit evaluationJack
 
Media evaluation
Media evaluationMedia evaluation
Media evaluationJesss21
 
My evaluation – question 1
My evaluation – question 1My evaluation – question 1
My evaluation – question 1Gc Howard
 
Paranoia
ParanoiaParanoia
ParanoiaJames
 
Evaluation of my media text
Evaluation of my media textEvaluation of my media text
Evaluation of my media textguest35cafe02
 
Evaluation Of My Media Text
Evaluation Of My Media TextEvaluation Of My Media Text
Evaluation Of My Media Textguest167868
 

Similar a Incognito evaluation (20)

Incognito evaluation
Incognito evaluationIncognito evaluation
Incognito evaluation
 
k
kk
k
 
Media
MediaMedia
Media
 
Media Product Evaluation
Media Product EvaluationMedia Product Evaluation
Media Product Evaluation
 
Media
MediaMedia
Media
 
Evaluation
Evaluation Evaluation
Evaluation
 
A Critical Reflection - (FIlm Opening)
A Critical Reflection - (FIlm Opening)A Critical Reflection - (FIlm Opening)
A Critical Reflection - (FIlm Opening)
 
AS Media Evaluation
AS Media EvaluationAS Media Evaluation
AS Media Evaluation
 
Evaluation
EvaluationEvaluation
Evaluation
 
Evaluation1
Evaluation1Evaluation1
Evaluation1
 
As resit evaluation
As resit evaluationAs resit evaluation
As resit evaluation
 
As resit evaluation
As resit evaluationAs resit evaluation
As resit evaluation
 
As resit evaluation
As resit evaluationAs resit evaluation
As resit evaluation
 
Media evaluation
Media evaluationMedia evaluation
Media evaluation
 
My evaluation – question 1
My evaluation – question 1My evaluation – question 1
My evaluation – question 1
 
Paranoia
ParanoiaParanoia
Paranoia
 
AS MEDIA - EVALUATION
AS MEDIA - EVALUATION AS MEDIA - EVALUATION
AS MEDIA - EVALUATION
 
Evaluation
EvaluationEvaluation
Evaluation
 
Evaluation of my media text
Evaluation of my media textEvaluation of my media text
Evaluation of my media text
 
Evaluation Of My Media Text
Evaluation Of My Media TextEvaluation Of My Media Text
Evaluation Of My Media Text
 

Más de Joe Candlin

Exile Evaluation
Exile EvaluationExile Evaluation
Exile EvaluationJoe Candlin
 
Exile Evaluation
Exile EvaluationExile Evaluation
Exile EvaluationJoe Candlin
 
Exile Evaluation 1
Exile Evaluation 1Exile Evaluation 1
Exile Evaluation 1Joe Candlin
 
Audience research - Thriller
Audience research - ThrillerAudience research - Thriller
Audience research - ThrillerJoe Candlin
 
Progress Presentation
Progress PresentationProgress Presentation
Progress PresentationJoe Candlin
 
Codes and Conventions: Thriller Genre
Codes and Conventions: Thriller GenreCodes and Conventions: Thriller Genre
Codes and Conventions: Thriller GenreJoe Candlin
 
Website Research - Gone Girl
Website Research - Gone GirlWebsite Research - Gone Girl
Website Research - Gone GirlJoe Candlin
 
Website Research - Jurassic World
Website Research - Jurassic WorldWebsite Research - Jurassic World
Website Research - Jurassic WorldJoe Candlin
 
Website Research - Star Wars
Website Research - Star WarsWebsite Research - Star Wars
Website Research - Star WarsJoe Candlin
 
The Martian Website Research
The Martian Website ResearchThe Martian Website Research
The Martian Website ResearchJoe Candlin
 
Website Research - The Revenant
Website Research - The RevenantWebsite Research - The Revenant
Website Research - The RevenantJoe Candlin
 
AS re evaluation
AS re evaluationAS re evaluation
AS re evaluationJoe Candlin
 
'Incognito' Evaluation
'Incognito' Evaluation'Incognito' Evaluation
'Incognito' EvaluationJoe Candlin
 

Más de Joe Candlin (14)

Exile Evaluation
Exile EvaluationExile Evaluation
Exile Evaluation
 
Exile Evaluation
Exile EvaluationExile Evaluation
Exile Evaluation
 
Exile Evaluation 1
Exile Evaluation 1Exile Evaluation 1
Exile Evaluation 1
 
Audience research - Thriller
Audience research - ThrillerAudience research - Thriller
Audience research - Thriller
 
Progress Presentation
Progress PresentationProgress Presentation
Progress Presentation
 
Codes and Conventions: Thriller Genre
Codes and Conventions: Thriller GenreCodes and Conventions: Thriller Genre
Codes and Conventions: Thriller Genre
 
Website Research - Gone Girl
Website Research - Gone GirlWebsite Research - Gone Girl
Website Research - Gone Girl
 
Website Research - Jurassic World
Website Research - Jurassic WorldWebsite Research - Jurassic World
Website Research - Jurassic World
 
Website Research - Star Wars
Website Research - Star WarsWebsite Research - Star Wars
Website Research - Star Wars
 
The Martian Website Research
The Martian Website ResearchThe Martian Website Research
The Martian Website Research
 
Website Research - The Revenant
Website Research - The RevenantWebsite Research - The Revenant
Website Research - The Revenant
 
AS re evaluation
AS re evaluationAS re evaluation
AS re evaluation
 
'Incognito' Evaluation
'Incognito' Evaluation'Incognito' Evaluation
'Incognito' Evaluation
 
Thriller
ThrillerThriller
Thriller
 

Último

Delhi Call Girls Rohini 9711199171 ☎✔👌✔ Whatsapp Hard And Sexy Vip Call
Delhi Call Girls Rohini 9711199171 ☎✔👌✔ Whatsapp Hard And Sexy Vip CallDelhi Call Girls Rohini 9711199171 ☎✔👌✔ Whatsapp Hard And Sexy Vip Call
Delhi Call Girls Rohini 9711199171 ☎✔👌✔ Whatsapp Hard And Sexy Vip Callshivangimorya083
 
Call Girls Dubai Prolapsed O525547819 Call Girls In Dubai Princes$
Call Girls Dubai Prolapsed O525547819 Call Girls In Dubai Princes$Call Girls Dubai Prolapsed O525547819 Call Girls In Dubai Princes$
Call Girls Dubai Prolapsed O525547819 Call Girls In Dubai Princes$kojalkojal131
 
AlbaniaDreamin24 - How to easily use an API with Flows
AlbaniaDreamin24 - How to easily use an API with FlowsAlbaniaDreamin24 - How to easily use an API with Flows
AlbaniaDreamin24 - How to easily use an API with FlowsThierry TROUIN ☁
 
Russian Call Girls in Kolkata Samaira 🤌 8250192130 🚀 Vip Call Girls Kolkata
Russian Call Girls in Kolkata Samaira 🤌  8250192130 🚀 Vip Call Girls KolkataRussian Call Girls in Kolkata Samaira 🤌  8250192130 🚀 Vip Call Girls Kolkata
Russian Call Girls in Kolkata Samaira 🤌 8250192130 🚀 Vip Call Girls Kolkataanamikaraghav4
 
Russian Call Girls in Kolkata Ishita 🤌 8250192130 🚀 Vip Call Girls Kolkata
Russian Call Girls in Kolkata Ishita 🤌  8250192130 🚀 Vip Call Girls KolkataRussian Call Girls in Kolkata Ishita 🤌  8250192130 🚀 Vip Call Girls Kolkata
Russian Call Girls in Kolkata Ishita 🤌 8250192130 🚀 Vip Call Girls Kolkataanamikaraghav4
 
Low Rate Call Girls Kolkata Avani 🤌 8250192130 🚀 Vip Call Girls Kolkata
Low Rate Call Girls Kolkata Avani 🤌  8250192130 🚀 Vip Call Girls KolkataLow Rate Call Girls Kolkata Avani 🤌  8250192130 🚀 Vip Call Girls Kolkata
Low Rate Call Girls Kolkata Avani 🤌 8250192130 🚀 Vip Call Girls Kolkataanamikaraghav4
 
VIP 7001035870 Find & Meet Hyderabad Call Girls LB Nagar high-profile Call Girl
VIP 7001035870 Find & Meet Hyderabad Call Girls LB Nagar high-profile Call GirlVIP 7001035870 Find & Meet Hyderabad Call Girls LB Nagar high-profile Call Girl
VIP 7001035870 Find & Meet Hyderabad Call Girls LB Nagar high-profile Call Girladitipandeya
 
Gram Darshan PPT cyber rural in villages of india
Gram Darshan PPT cyber rural  in villages of indiaGram Darshan PPT cyber rural  in villages of india
Gram Darshan PPT cyber rural in villages of indiaimessage0108
 
Call Girls In Model Towh Delhi 💯Call Us 🔝8264348440🔝
Call Girls In Model Towh Delhi 💯Call Us 🔝8264348440🔝Call Girls In Model Towh Delhi 💯Call Us 🔝8264348440🔝
Call Girls In Model Towh Delhi 💯Call Us 🔝8264348440🔝soniya singh
 
Hot Service (+9316020077 ) Goa Call Girls Real Photos and Genuine Service
Hot Service (+9316020077 ) Goa  Call Girls Real Photos and Genuine ServiceHot Service (+9316020077 ) Goa  Call Girls Real Photos and Genuine Service
Hot Service (+9316020077 ) Goa Call Girls Real Photos and Genuine Servicesexy call girls service in goa
 
VIP Kolkata Call Girl Alambazar 👉 8250192130 Available With Room
VIP Kolkata Call Girl Alambazar 👉 8250192130  Available With RoomVIP Kolkata Call Girl Alambazar 👉 8250192130  Available With Room
VIP Kolkata Call Girl Alambazar 👉 8250192130 Available With Roomdivyansh0kumar0
 
Moving Beyond Twitter/X and Facebook - Social Media for local news providers
Moving Beyond Twitter/X and Facebook - Social Media for local news providersMoving Beyond Twitter/X and Facebook - Social Media for local news providers
Moving Beyond Twitter/X and Facebook - Social Media for local news providersDamian Radcliffe
 
Call Girls In Sukhdev Vihar Delhi 💯Call Us 🔝8264348440🔝
Call Girls In Sukhdev Vihar Delhi 💯Call Us 🔝8264348440🔝Call Girls In Sukhdev Vihar Delhi 💯Call Us 🔝8264348440🔝
Call Girls In Sukhdev Vihar Delhi 💯Call Us 🔝8264348440🔝soniya singh
 
Chennai Call Girls Alwarpet Phone 🍆 8250192130 👅 celebrity escorts service
Chennai Call Girls Alwarpet Phone 🍆 8250192130 👅 celebrity escorts serviceChennai Call Girls Alwarpet Phone 🍆 8250192130 👅 celebrity escorts service
Chennai Call Girls Alwarpet Phone 🍆 8250192130 👅 celebrity escorts servicevipmodelshub1
 
₹5.5k {Cash Payment}New Friends Colony Call Girls In [Delhi NIHARIKA] 🔝|97111...
₹5.5k {Cash Payment}New Friends Colony Call Girls In [Delhi NIHARIKA] 🔝|97111...₹5.5k {Cash Payment}New Friends Colony Call Girls In [Delhi NIHARIKA] 🔝|97111...
₹5.5k {Cash Payment}New Friends Colony Call Girls In [Delhi NIHARIKA] 🔝|97111...Diya Sharma
 
Call Girls In Defence Colony Delhi 💯Call Us 🔝8264348440🔝
Call Girls In Defence Colony Delhi 💯Call Us 🔝8264348440🔝Call Girls In Defence Colony Delhi 💯Call Us 🔝8264348440🔝
Call Girls In Defence Colony Delhi 💯Call Us 🔝8264348440🔝soniya singh
 

Último (20)

Delhi Call Girls Rohini 9711199171 ☎✔👌✔ Whatsapp Hard And Sexy Vip Call
Delhi Call Girls Rohini 9711199171 ☎✔👌✔ Whatsapp Hard And Sexy Vip CallDelhi Call Girls Rohini 9711199171 ☎✔👌✔ Whatsapp Hard And Sexy Vip Call
Delhi Call Girls Rohini 9711199171 ☎✔👌✔ Whatsapp Hard And Sexy Vip Call
 
Call Girls Dubai Prolapsed O525547819 Call Girls In Dubai Princes$
Call Girls Dubai Prolapsed O525547819 Call Girls In Dubai Princes$Call Girls Dubai Prolapsed O525547819 Call Girls In Dubai Princes$
Call Girls Dubai Prolapsed O525547819 Call Girls In Dubai Princes$
 
Rohini Sector 6 Call Girls Delhi 9999965857 @Sabina Saikh No Advance
Rohini Sector 6 Call Girls Delhi 9999965857 @Sabina Saikh No AdvanceRohini Sector 6 Call Girls Delhi 9999965857 @Sabina Saikh No Advance
Rohini Sector 6 Call Girls Delhi 9999965857 @Sabina Saikh No Advance
 
AlbaniaDreamin24 - How to easily use an API with Flows
AlbaniaDreamin24 - How to easily use an API with FlowsAlbaniaDreamin24 - How to easily use an API with Flows
AlbaniaDreamin24 - How to easily use an API with Flows
 
Russian Call Girls in Kolkata Samaira 🤌 8250192130 🚀 Vip Call Girls Kolkata
Russian Call Girls in Kolkata Samaira 🤌  8250192130 🚀 Vip Call Girls KolkataRussian Call Girls in Kolkata Samaira 🤌  8250192130 🚀 Vip Call Girls Kolkata
Russian Call Girls in Kolkata Samaira 🤌 8250192130 🚀 Vip Call Girls Kolkata
 
Russian Call Girls in Kolkata Ishita 🤌 8250192130 🚀 Vip Call Girls Kolkata
Russian Call Girls in Kolkata Ishita 🤌  8250192130 🚀 Vip Call Girls KolkataRussian Call Girls in Kolkata Ishita 🤌  8250192130 🚀 Vip Call Girls Kolkata
Russian Call Girls in Kolkata Ishita 🤌 8250192130 🚀 Vip Call Girls Kolkata
 
Call Girls In South Ex 📱 9999965857 🤩 Delhi 🫦 HOT AND SEXY VVIP 🍎 SERVICE
Call Girls In South Ex 📱  9999965857  🤩 Delhi 🫦 HOT AND SEXY VVIP 🍎 SERVICECall Girls In South Ex 📱  9999965857  🤩 Delhi 🫦 HOT AND SEXY VVIP 🍎 SERVICE
Call Girls In South Ex 📱 9999965857 🤩 Delhi 🫦 HOT AND SEXY VVIP 🍎 SERVICE
 
Low Rate Call Girls Kolkata Avani 🤌 8250192130 🚀 Vip Call Girls Kolkata
Low Rate Call Girls Kolkata Avani 🤌  8250192130 🚀 Vip Call Girls KolkataLow Rate Call Girls Kolkata Avani 🤌  8250192130 🚀 Vip Call Girls Kolkata
Low Rate Call Girls Kolkata Avani 🤌 8250192130 🚀 Vip Call Girls Kolkata
 
VIP 7001035870 Find & Meet Hyderabad Call Girls LB Nagar high-profile Call Girl
VIP 7001035870 Find & Meet Hyderabad Call Girls LB Nagar high-profile Call GirlVIP 7001035870 Find & Meet Hyderabad Call Girls LB Nagar high-profile Call Girl
VIP 7001035870 Find & Meet Hyderabad Call Girls LB Nagar high-profile Call Girl
 
Gram Darshan PPT cyber rural in villages of india
Gram Darshan PPT cyber rural  in villages of indiaGram Darshan PPT cyber rural  in villages of india
Gram Darshan PPT cyber rural in villages of india
 
Call Girls In Model Towh Delhi 💯Call Us 🔝8264348440🔝
Call Girls In Model Towh Delhi 💯Call Us 🔝8264348440🔝Call Girls In Model Towh Delhi 💯Call Us 🔝8264348440🔝
Call Girls In Model Towh Delhi 💯Call Us 🔝8264348440🔝
 
Dwarka Sector 26 Call Girls | Delhi | 9999965857 🫦 Vanshika Verma More Our Se...
Dwarka Sector 26 Call Girls | Delhi | 9999965857 🫦 Vanshika Verma More Our Se...Dwarka Sector 26 Call Girls | Delhi | 9999965857 🫦 Vanshika Verma More Our Se...
Dwarka Sector 26 Call Girls | Delhi | 9999965857 🫦 Vanshika Verma More Our Se...
 
Hot Service (+9316020077 ) Goa Call Girls Real Photos and Genuine Service
Hot Service (+9316020077 ) Goa  Call Girls Real Photos and Genuine ServiceHot Service (+9316020077 ) Goa  Call Girls Real Photos and Genuine Service
Hot Service (+9316020077 ) Goa Call Girls Real Photos and Genuine Service
 
VIP Kolkata Call Girl Alambazar 👉 8250192130 Available With Room
VIP Kolkata Call Girl Alambazar 👉 8250192130  Available With RoomVIP Kolkata Call Girl Alambazar 👉 8250192130  Available With Room
VIP Kolkata Call Girl Alambazar 👉 8250192130 Available With Room
 
Rohini Sector 26 Call Girls Delhi 9999965857 @Sabina Saikh No Advance
Rohini Sector 26 Call Girls Delhi 9999965857 @Sabina Saikh No AdvanceRohini Sector 26 Call Girls Delhi 9999965857 @Sabina Saikh No Advance
Rohini Sector 26 Call Girls Delhi 9999965857 @Sabina Saikh No Advance
 
Moving Beyond Twitter/X and Facebook - Social Media for local news providers
Moving Beyond Twitter/X and Facebook - Social Media for local news providersMoving Beyond Twitter/X and Facebook - Social Media for local news providers
Moving Beyond Twitter/X and Facebook - Social Media for local news providers
 
Call Girls In Sukhdev Vihar Delhi 💯Call Us 🔝8264348440🔝
Call Girls In Sukhdev Vihar Delhi 💯Call Us 🔝8264348440🔝Call Girls In Sukhdev Vihar Delhi 💯Call Us 🔝8264348440🔝
Call Girls In Sukhdev Vihar Delhi 💯Call Us 🔝8264348440🔝
 
Chennai Call Girls Alwarpet Phone 🍆 8250192130 👅 celebrity escorts service
Chennai Call Girls Alwarpet Phone 🍆 8250192130 👅 celebrity escorts serviceChennai Call Girls Alwarpet Phone 🍆 8250192130 👅 celebrity escorts service
Chennai Call Girls Alwarpet Phone 🍆 8250192130 👅 celebrity escorts service
 
₹5.5k {Cash Payment}New Friends Colony Call Girls In [Delhi NIHARIKA] 🔝|97111...
₹5.5k {Cash Payment}New Friends Colony Call Girls In [Delhi NIHARIKA] 🔝|97111...₹5.5k {Cash Payment}New Friends Colony Call Girls In [Delhi NIHARIKA] 🔝|97111...
₹5.5k {Cash Payment}New Friends Colony Call Girls In [Delhi NIHARIKA] 🔝|97111...
 
Call Girls In Defence Colony Delhi 💯Call Us 🔝8264348440🔝
Call Girls In Defence Colony Delhi 💯Call Us 🔝8264348440🔝Call Girls In Defence Colony Delhi 💯Call Us 🔝8264348440🔝
Call Girls In Defence Colony Delhi 💯Call Us 🔝8264348440🔝
 

Incognito evaluation

  • 2. In what ways does your media product use/develop/challenge forms and conventions of real media products?  Our media product is representative of the common codes and conventions of the thriller genre, however we have also tried to hybridize our product with the horror genre. By looking at films andTV series' such as 'American Horror Story' and 'The Blair Witch Project' we decided to include some key horror motifs in our sequence, one of which can be seen in the POV handheld camera footage that is edited in. We took direct inspiration from 'The Blair Witch Project' in this case as it was described as being one of the films most gripping features because of the way it made the viewer feel involved in the action. Our product follows the traditional conventions of a thriller in that it has the main character in some form of danger as well as there being an ongoing chase/stalking. We decided to challenge convention in the same way that the movie 'Se7en' did in that we did not reveal the antagonist's face at first but instead using the reveal as a climax of the events on screen. Obviously ‘Se7en’ was a full length film so they had a lot longer to build up to the climax, whereas we were only making a sequence meaning if we wanted to include any interesting plotlines it had to be explored fairly quickly or at least teased at them.This technique builds suspense as well as making the villain more intimidating as people are known to fear what they cannot see/understand.
  • 3. In what ways does your media product use/develop/challenge forms and conventions of real media products?  A large inspiration for our title sequence’s more eerie scenes came from the movie ‘The BlairWitch Project’. This is a ‘found footage’ style horror film shot entirely in the woods, this means the only camera used was a handheld being operated by one of the actors. This is an extremely low budget technique meaning that virtually anyone can make use of it, we took advantage of this by implementing handheld camera shots into our sequence.The angle and motion of the shot makes audiences feel connected with what is happening on screen as it seems more authentic, therefore making them engage more with the suspense and tense atmosphere.
  • 4. In what ways does your media product use/develop/challenge forms and conventions of real media products?  Significance of font When we began coming up with the initial ideas for ‘Incognito’ I made the title screen that can be seen on the right, however we developed the idea further and with that came a change in appearance for the title itself. We decided to take a more modern approach to the title and after researching popular thrillers we found that a lot of them had large spacing between characters and quite often had a very basic background. Looking back at the transition we made; the finished title is a lot easier to read, is more memorable/iconic and also looks a lot more professional than the original.
  • 5. How does your media product represent particular social groups?  We have two main characters in our sequence; the detective, who represents the police and enforcement of law that is commonly seen in the thriller genre and we have the killer, who is the main antagonist of the sequence and portrays a mysterious villain rather than the usual bank robber or murderer.We tried to create a sense of the supernatural and an animalistic portrayal of this villain as we felt it was more intimidating to the viewer.We achieved this by using whispering audio motifs whenever the antagonist is present which creates an eerie sense around the character.We also used POV shots from the killer's perspective that make it look as if he is stalking the detective like an animal; combining this with the heavy breathing, the whispering and the sound effects it allowed us to create an eerie and threatening antagonist.The detective is not really in the spotlight, although he does hold a significant part of the screen time the focus is mainly on the antagonists pursuit of the detective.We tried to make him look like an off duty police officer to give the impression that he is looking for the killer on his own time, suggesting the killer has become an obsession of his, a lot like the character John Luther from theTV series 'Luther'.A lot of the time in thrillers the protagonist is a 'loose cannon' type of character and we tried to reflect this in our protagonist as well.
  • 6. • What kind of media institution might distribute your media product and why?  If the sequence were to become a full product I feel that it could be distributed by a variety of media institutions. It wouldn't be in a documentary or educational style which rules out institutions such as National Geographic. Because the sequence isn't nailed down entirely to one genre or theme and the lines between genres in the current generation have been blurred (even though we have labeled it as a thriller) it could be distributed by most companies ranging from Netflix to the BBC, the product wouldn't be absolute on any themes and wouldn't have anything unsuitable for viewers around the age of 12 meaning the product would have variety in who would distribute it.The most realistic form of distribution our media product would have is on social media, the product would be posted toYouTube and promoted through platforms such as Facebook, Twitter etc.
  • 7. • Who would be the audience for your media product?  The sequence was intended to be suitable for viewers from the age of 12 upwards, this is why we rated it a 12 on the bbfc age ratings. We took age into consideration but also took current interest in specific TV shows as a major factor in the decisions we made during the production of the sequence.
  • 8. • How did you attract/address your audience?  At the moment the traditional thriller e.g. 'Die Hard' isn't necessarily the most gripping or interesting thing to audiences, a lot of the most popular shows and movies today have supernatural themes or something that at least makes the viewer think e.g. 'Inception' and 'Interstellar'.The top threeTV shows on IMDB at the moment are 'TheWalking Dead', 'Daredevil' and 'Game ofThrones'; all shows with supernatural or fantasy based themes. When creating our thriller we didn't want to follow the basic and pretty much outdated thriller template and instead looked at the modern audience and what interests they had.This is represented in the scene where our main character confronts another version of himself. Originally we hadn't intended for there to be a supernatural theme in the sequence but after the first and second draft seemed to be building up to an anti-climax we decided to add the scene in.The whole sequence gave the impression of someone watching the protagonist so the supernatural theme fit in quite well with the already established eerie atmosphere
  • 9. • What have you learnt about technologies from the process of constructing this product?  When creating the sequence we had to learn to use and understand camera work, editing and sound.Out of the three I think I am most confident with camera and editing whereas sound was more improvised but still to an acceptable standard.We filmed on a CanonG16 and I edited on Final Cut Pro X. I learnt that you don't need the best equipment to make a good product, its more about the technique and the person using the equipment that makes good products.Take the fact that we were using the built-in mic on the camera for the entire sequence, we didn't have a industry level mic but we managed to create a sequence with decent sound that still conveyed the right message through editing and improvisation.The camera we were using was amazing but wasn't exactly built for the type of filming we were doing yet we still made it look really good even if there are some shots that could be improved. I originally was editing on Premiere then I moved over to Final Cut which I had to learn how to use but ultimately I ended up having a better understanding of FinalCut than I ever did of Premiere.
  • 10. Looking back at your task, what do you feel you have learnt in the progression from it to the full product?  Overall I feel I have learnt a lot from the task, I think I have developed a good understanding of camera work as well as editing while also developing my skills in teamwork. Looking back I feel I could have experimented with sound more but the final product wasn't too heavily affected by this.