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TrendReport: Millennial Usage of
             Mobile & Digital Technology



NOVEMBER 12, 2012
Kate Pawlicki, Pulp Lab @pulplab #TMRE
   kate@pulplab.com
   646-820-7857
TrendReport
    Millennial Usage of Mobile & Digital Technology

    Three Macro Trends
           Alone Together
           Isolation, Sharing, New “Hangouts”
           Options (not “obligations”)
           Micro-coordination, Anonymity
           Confidence and Control
           Consumption, Connection, Creation
     Key Theme
            “Use what is dominant in a culture to
            change it quickly”
                                                      2
2
USE WHAT IS DOMINANT IN A CULTURE TO CHANGE IT QUICKLY
               “When the power goes out it's now normal to reach
               first for a cell phone, not a candle, both for the light
                and for the comfort of knowing you're not alone.”
                                 — Joe Coscarell, New York Magazine, “Hurricane Sandy:
                                     A Perfect Social Media Storm”




3          Source:: Image: BuzzFeed; Headline quote: Jenny Holzer, American Neo-Conceptualist artist; New York Magazine, 10/30/12
ALONE TOGETHER: ISOLATION
                                                                                      “We were kind of
       “It was very     “You had to make
                                                                                     sad when the lights
    ‘Downton Abbey’”   plans and stick with
                                                                                       went on. It was
                       them… it felt so old-
                                                                                    really nice to be here
                       school, like we were
                                                                                    talking with people.”
                          back in 1998.”


                                                  The virtual campfire of social media counters the
                                                  isolation of being evacuated, quarantined, and cut
                                                  off from all transit by hosting a congregation of
                                                  common experience.

                                        “My battery is dying and I
                                        have no electricity. I guess
                                         this is my last post. Over
                                                 and out."
                                                    — Facebook friend




4                         Source:: Facebook; New York Times,; NYMag.com, 10/30/12
ALONE TOGETHER: ISOLATION

         “It’s hard to know how to act
        around people now because the
       only thing kids know is how to act
                 on Facebook.”
        — Phil Gibson, a sophomore at University of
                       San Francisco




    Social media sites themselves may be
    the biggest cause of loneliness
    among young people today.

    These kids have grown up barely
    experiencing friendship without an
    online component, and that element
    actually detracts from rather than
    supplements their real human
    interaction.
    The average teen has never met a quarter of
    their Facebook friends.
    Source:: Image: PulpLab.com; Guardian.co.uk, 10/23/12; Stephen Marche, “Is Facebook Making Us Lonely”; Andy Braner. “Alone: Finding Connection in a Lonely World”
5
ALONE TOGETHER: SHARING
       Social Media has changed the way people communicate – and eat.

                                                      47% of 18-32 year olds tweet or text during a meal




                                                                                6




6                    Source:: Twitter.com; Gurumagazine.org, 8/3/12; Pew Research Center 2012
ALONE TOGETHER: SHARING
               Mega-disaster of Hurricane Sandy = Mega-success for Social Media


    The simultaneous rise and
    ubiquity of Twitter, YouTube, and                                         The YouTube
    Instagram, along with the endless                                         account
                                                                              Citizen Tube
    churn of the 24-hour news cycle                                           has a playlist
                                                                              of videos
    — combined to create another                                              aggregated
    hybrid vortex in which the                                                from an array
                                                                              of sources
    virtual community                                                         that track the
                                                                              destruction in
    experienced the storm                                                     Sandy's path.

    both in seclusion and all
    together.
    We all watched through our
    screens first, interacting all the
    while, and out the window            “Instacane.com”
    second.                              follows hashtags
                                         from Instagram
                                         users experiencing
                                         Hurricane Sandy.



7
ALONE TOGETHER: INSTAGRAM’S “COMING OF AGE"
    Instagram recently set a record for most-photographed event with Hurricane
    Sandy with 1.3 million pictures posted. The mix of mobile entertainment and
    utility makes Instagram such a social force for major events–both celebrations
    and emergencies. It’s a visual Twitter.

                                                                                                                   #Frankenstorm
                                                                                                                   #Sandy




    Time Magazine used Instagram                  Instagram's chief executive officer Kevin Systrom told the Associated Press that
    as the primary outlet for breaking            about 10 pictures per second were being uploaded to Instagram with the
    news coverage on Sandy, stating               hashtag #sandy.
    “It was about how quickly can we
    get pictures to our readers.”



8                         Source:: Mashaable,11/5/2012; Forbes,, “Why Time Magazine Used Instagram to Cover Hurricane Sandy” 11/01/2012
ALONE TOGETHER: DIGITAL SLANG
                                                     The Hashtag is the new URL.

 Popularized on Twitter as a way for
  users to organize and search
  messages. But has become a new                                                                              You’re just as likely to see a hashtag as a URL
  cultural shorthand.                                                                                         on screen at the end of a movie trailer.

 The hashtag can be a joke about
  itself, as when the HBO’s Lena
  Dunham tweets, “What’s my place in it
     all? #questionsevenmymomcantanswer”
     It’s a metajoke about metadata.

 “Hashtag rap” appears in many
  incarnations, but there are three
  main ingredients: a metaphor, a
  pause, and a one-word punch line,
  often placed at the end of a rhyme. “
  “Swimming in the money, come and
                                                          DOOM album                        Twitter username or a hashtag version of names for easy
  find me - Nemo"                                                                           searching on Twitter.




 9                            Source:: “A Brief History of Hashtag Rap”. Houston Press, 2011; Julia Turner, NYT Magazine, November 2, 2012
ALONE TOGETHER: DIGITAL SLANG
     Internet culture is currently a subset, but as it grows it will be indistinguishable from popular culture.



                     “Sup”                                    “HMU LTR”                                    “Whr R U
                                                                                                             @? ”
                                         “KK”




                                                    LOLwork on Bravo goes deep into the headquarters of
                                                    I Can Has Cheezburger? and tracks the lives of the people
                                                    behind the site, which aims to make the “world laugh for five
                                                    minutes a day.”



10                                                   Source:: noslang.com; Wired.com ; Bravo
ALONE TOGETHER: NEW “HANGOUTS”
                                                                                        HeTexted.com, a free insta-therapy
                                                                                        website, where users upload their
                                                                                        misunderstood text conversations and
                                                                                        receive immediate feedback and critique
                                                                                        of their relationships and/or hookups.




     Based on what is displayed, the panel can vote from three
     choices -- "He's Into You," "He's Not Into You," "Verdict is Still
     Out" -- thus making a quick diagnosis on the state of The
     Confused's relationship. Additionally, the panel can post
     comments below the uploaded text messages, and you can ask
     the site's Bros -- Mason, Ben, Tim, Chris, Brian -- for advice.




11                                                   Source:: hextexted.com; HoustonPress
ALONE TOGETHER: NEW “HANGOUTS”




             Social Media Explained (with Donuts)



12               Source:: http://www.flickr.com/photos/fncll/6847365223/
OPTIONS (NOT OBLIGATIONS): ANONYMITY
Millennials are healthily blasé and selective about tech, and hyper-aware about their online
activities and privacy.
                                                                               Millennials trust anonymous consumers.
                                                                                44% of Millennials are more likely to trust
                                                                                experienced consumers (who happen to be
          The beauty of Facebook, the                                           strangers).
          source of its power, is that it
          enables us to be social while                                        51% of Millennials say consumer opinions found on
          sparing us the embarrassing                                           a company’s website have a greater impact on
              reality of society. . .”                                          purchase decisions than recommendations from
                                                                                family and friends.
         — Stephen Marche, The Atlantic, “Is Facebook
                    Making Us Lonely?”                                         Millennials are 3x as likely to turn to social to get
                                                                                opinions on products to buy. They’re on the hunt
                                                                                for feedback from experts and people with
                                                                                common interests – not just personal connections.

                                                                               For a brand, that means creating engaging content
                                                                                for Millennials to consume and share with friends;
                                                                                offering ways for them to share their opinions on
                                                                                your brand; and making it easy for them to find
                                                                                "expert" opinions on your products.
           Facebook backlash



13                                                      Source:: The Atlantic; Kelton Research 2011
OPTIONS (NOT OBLIGATIONS): MICRO-COORDINATION
     The nuance of social etiquette has been influenced by mobile phones – it is now easier
     to make and break plans.


               “sry gotta bail                                             75% of Millennials have their mobile
                mayb nxt tme”                                                device glued to their hand as a personal
                                                                             assistant

                                                                                           Ability to change plans or fluidly
                                                                                            manage plans
                                                                                           Don’t have to pick a place or time in
                                                                                            advance – it all happens in real-time.
                                                                                              o For brands: Geo-targeting your
                                                                                                   mobile message is an imperative.

                                                                            60% of Millennial women now spend more
                                                                             than an hour of their leisure time on their
                                                                             mobile device daily.




14                         Source:: http://www.mediapost.com June 2012; Caroline Tell, The New York Times, 10/26/12
CONFIDENCE AND CONTROL: CONSUMPTION

     Shoppers between 18 to 29 years old are the
     fastest-growing luxury consumer segment. In
     2011, they spent 31% more on luxury purchases
     than they did the year before, and they did it at
     full price.
        Millennials scrutinize brands and offer allegiance
         only to those whose premium price-points are
         justified.
                                                                                                               Despite the fact that those ages 18 to 29 have a high
                                                                                                               unemployment rate, at 12.4%, and those with
        They see luxury value as a derivative of how many                                                     college degrees are the most indebted graduates in
         people want something, whether they can afford                                                        history, Millennials are positive about the economy
         it or not. (i.e. “inclusive exclusivity”)                                                             and their futures. 88% of those ages 18 to 34 say
                                                                                                               they either earn enough money now or expect they
        They demand to know the origin of luxury                                                              will in the future.
         products — where was it made, how, and by
         whom? Superior quality, craftsmanship, and
         design are the top three attributes that define
         luxury to Millennials.




15       Source:: Mashable.com “How Luxury Brands Can Prepare for Affluent Millennials” April 2012; Pew Research Center "Young, Underemployed and Optimistic“ February 2012
CONFIDENCE AND CONTROL: CONNECTION
                        More than any previous generation, Millennials are:

      More likely to have friends, colleagues
       and connections around the world.
      Less likely to be defined by their
       ethnicity, gender and socioeconomic
       status.
      Less likely to blindly accept the
       information provided by any single
       source.
      More likely to consult multiple sources of
       information when making decisions.
         o Switch media 27 times/HOUR
         o Take devices room to room at home
         o Can pick up a story at various
             points, with different media
         o Prefer texting to talking
      Use media to regulate mood



16            Source:: Image: Pulplab.om; Digital Natives: , Time, Inc. 2012 http://www.timeinc.com/pressroom/detail.php?id=releases/time_inc_study_digital_natives.php
CONFIDENCE AND CONTROL: CREATION
                                  Mobile apps and content creation


      Taken By Trees recently premiered a
       music video for her track "Large."
      Directed by Ariel Rechtshaid, the clip
       was shot entirely on an iPad in Los
     Angeles (even going to far as to use an
     app called "Action Movie FX" to blow
          up Bergsman in an explosion.


                                                                        Micro-Video production // Instagram-like Mobile App “Viddy”




        Taken By Trees - “Large” Video
          Filmed Entirely on an iPad


17                                       Source:: Under the Radar, Oct 8, 2012; Hypebeast 10/12
CONFIDENCE AND CONTROL: CREATION

     Masters of customization and self-
     expression, this generation has taken
     the indie and do-it-yourself (DIY)
     movements and run with them.

     “I Still Love New York” Sandy Relief T-shirt
     are being sold for $40 each with all of the profit
     from sales going to Sandy relief programs. And
     hundreds are still scooping them up like
     auctioned art in a social-media-fueled frenzy.



                “In this very retail-driven
               city, shopping reinforces a
              sense of community. It puts
               people in very good spirits
               because they’ve got some
                 sensory contact again.”




18                      Source:: New York Times, November 5, 2012; https://www.shopgreyarea.com/products/406-i-still-love-ny-hurricane-sandy-relief-t-shirt
Thank
                                                      you!

             NYC Office                                   LA Office
     1 Little West 12th Street                       7083 Hollywood Blvd.
          NYC, NY 10014                              Hollywood, CA 90028

                                 info@pulplab.com
                                    646-820-7857
                                  Twitter @Pulplab
                                     Pulplab.com




19

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Tmre trend report millennia_mobiledigital--pulplab-11.12.12

  • 1. TrendReport: Millennial Usage of Mobile & Digital Technology NOVEMBER 12, 2012 Kate Pawlicki, Pulp Lab @pulplab #TMRE kate@pulplab.com 646-820-7857
  • 2. TrendReport Millennial Usage of Mobile & Digital Technology Three Macro Trends Alone Together Isolation, Sharing, New “Hangouts” Options (not “obligations”) Micro-coordination, Anonymity Confidence and Control Consumption, Connection, Creation Key Theme “Use what is dominant in a culture to change it quickly” 2 2
  • 3. USE WHAT IS DOMINANT IN A CULTURE TO CHANGE IT QUICKLY “When the power goes out it's now normal to reach first for a cell phone, not a candle, both for the light and for the comfort of knowing you're not alone.” — Joe Coscarell, New York Magazine, “Hurricane Sandy: A Perfect Social Media Storm” 3 Source:: Image: BuzzFeed; Headline quote: Jenny Holzer, American Neo-Conceptualist artist; New York Magazine, 10/30/12
  • 4. ALONE TOGETHER: ISOLATION “We were kind of “It was very “You had to make sad when the lights ‘Downton Abbey’” plans and stick with went on. It was them… it felt so old- really nice to be here school, like we were talking with people.” back in 1998.” The virtual campfire of social media counters the isolation of being evacuated, quarantined, and cut off from all transit by hosting a congregation of common experience. “My battery is dying and I have no electricity. I guess this is my last post. Over and out." — Facebook friend 4 Source:: Facebook; New York Times,; NYMag.com, 10/30/12
  • 5. ALONE TOGETHER: ISOLATION “It’s hard to know how to act around people now because the only thing kids know is how to act on Facebook.” — Phil Gibson, a sophomore at University of San Francisco Social media sites themselves may be the biggest cause of loneliness among young people today. These kids have grown up barely experiencing friendship without an online component, and that element actually detracts from rather than supplements their real human interaction. The average teen has never met a quarter of their Facebook friends. Source:: Image: PulpLab.com; Guardian.co.uk, 10/23/12; Stephen Marche, “Is Facebook Making Us Lonely”; Andy Braner. “Alone: Finding Connection in a Lonely World” 5
  • 6. ALONE TOGETHER: SHARING Social Media has changed the way people communicate – and eat.  47% of 18-32 year olds tweet or text during a meal 6 6 Source:: Twitter.com; Gurumagazine.org, 8/3/12; Pew Research Center 2012
  • 7. ALONE TOGETHER: SHARING Mega-disaster of Hurricane Sandy = Mega-success for Social Media The simultaneous rise and ubiquity of Twitter, YouTube, and The YouTube Instagram, along with the endless account Citizen Tube churn of the 24-hour news cycle has a playlist of videos — combined to create another aggregated hybrid vortex in which the from an array of sources virtual community that track the destruction in experienced the storm Sandy's path. both in seclusion and all together. We all watched through our screens first, interacting all the while, and out the window “Instacane.com” second. follows hashtags from Instagram users experiencing Hurricane Sandy. 7
  • 8. ALONE TOGETHER: INSTAGRAM’S “COMING OF AGE" Instagram recently set a record for most-photographed event with Hurricane Sandy with 1.3 million pictures posted. The mix of mobile entertainment and utility makes Instagram such a social force for major events–both celebrations and emergencies. It’s a visual Twitter. #Frankenstorm #Sandy Time Magazine used Instagram Instagram's chief executive officer Kevin Systrom told the Associated Press that as the primary outlet for breaking about 10 pictures per second were being uploaded to Instagram with the news coverage on Sandy, stating hashtag #sandy. “It was about how quickly can we get pictures to our readers.” 8 Source:: Mashaable,11/5/2012; Forbes,, “Why Time Magazine Used Instagram to Cover Hurricane Sandy” 11/01/2012
  • 9. ALONE TOGETHER: DIGITAL SLANG The Hashtag is the new URL.  Popularized on Twitter as a way for users to organize and search messages. But has become a new You’re just as likely to see a hashtag as a URL cultural shorthand. on screen at the end of a movie trailer.  The hashtag can be a joke about itself, as when the HBO’s Lena Dunham tweets, “What’s my place in it all? #questionsevenmymomcantanswer” It’s a metajoke about metadata.  “Hashtag rap” appears in many incarnations, but there are three main ingredients: a metaphor, a pause, and a one-word punch line, often placed at the end of a rhyme. “ “Swimming in the money, come and DOOM album Twitter username or a hashtag version of names for easy find me - Nemo" searching on Twitter. 9 Source:: “A Brief History of Hashtag Rap”. Houston Press, 2011; Julia Turner, NYT Magazine, November 2, 2012
  • 10. ALONE TOGETHER: DIGITAL SLANG Internet culture is currently a subset, but as it grows it will be indistinguishable from popular culture. “Sup” “HMU LTR” “Whr R U @? ” “KK” LOLwork on Bravo goes deep into the headquarters of I Can Has Cheezburger? and tracks the lives of the people behind the site, which aims to make the “world laugh for five minutes a day.” 10 Source:: noslang.com; Wired.com ; Bravo
  • 11. ALONE TOGETHER: NEW “HANGOUTS” HeTexted.com, a free insta-therapy website, where users upload their misunderstood text conversations and receive immediate feedback and critique of their relationships and/or hookups. Based on what is displayed, the panel can vote from three choices -- "He's Into You," "He's Not Into You," "Verdict is Still Out" -- thus making a quick diagnosis on the state of The Confused's relationship. Additionally, the panel can post comments below the uploaded text messages, and you can ask the site's Bros -- Mason, Ben, Tim, Chris, Brian -- for advice. 11 Source:: hextexted.com; HoustonPress
  • 12. ALONE TOGETHER: NEW “HANGOUTS” Social Media Explained (with Donuts) 12 Source:: http://www.flickr.com/photos/fncll/6847365223/
  • 13. OPTIONS (NOT OBLIGATIONS): ANONYMITY Millennials are healthily blasé and selective about tech, and hyper-aware about their online activities and privacy.  Millennials trust anonymous consumers. 44% of Millennials are more likely to trust experienced consumers (who happen to be The beauty of Facebook, the strangers). source of its power, is that it enables us to be social while  51% of Millennials say consumer opinions found on sparing us the embarrassing a company’s website have a greater impact on reality of society. . .” purchase decisions than recommendations from family and friends. — Stephen Marche, The Atlantic, “Is Facebook Making Us Lonely?”  Millennials are 3x as likely to turn to social to get opinions on products to buy. They’re on the hunt for feedback from experts and people with common interests – not just personal connections.  For a brand, that means creating engaging content for Millennials to consume and share with friends; offering ways for them to share their opinions on your brand; and making it easy for them to find "expert" opinions on your products. Facebook backlash 13 Source:: The Atlantic; Kelton Research 2011
  • 14. OPTIONS (NOT OBLIGATIONS): MICRO-COORDINATION The nuance of social etiquette has been influenced by mobile phones – it is now easier to make and break plans.  “sry gotta bail  75% of Millennials have their mobile mayb nxt tme” device glued to their hand as a personal assistant  Ability to change plans or fluidly manage plans  Don’t have to pick a place or time in advance – it all happens in real-time. o For brands: Geo-targeting your mobile message is an imperative.  60% of Millennial women now spend more than an hour of their leisure time on their mobile device daily. 14 Source:: http://www.mediapost.com June 2012; Caroline Tell, The New York Times, 10/26/12
  • 15. CONFIDENCE AND CONTROL: CONSUMPTION Shoppers between 18 to 29 years old are the fastest-growing luxury consumer segment. In 2011, they spent 31% more on luxury purchases than they did the year before, and they did it at full price.  Millennials scrutinize brands and offer allegiance only to those whose premium price-points are justified. Despite the fact that those ages 18 to 29 have a high unemployment rate, at 12.4%, and those with  They see luxury value as a derivative of how many college degrees are the most indebted graduates in people want something, whether they can afford history, Millennials are positive about the economy it or not. (i.e. “inclusive exclusivity”) and their futures. 88% of those ages 18 to 34 say they either earn enough money now or expect they  They demand to know the origin of luxury will in the future. products — where was it made, how, and by whom? Superior quality, craftsmanship, and design are the top three attributes that define luxury to Millennials. 15 Source:: Mashable.com “How Luxury Brands Can Prepare for Affluent Millennials” April 2012; Pew Research Center "Young, Underemployed and Optimistic“ February 2012
  • 16. CONFIDENCE AND CONTROL: CONNECTION More than any previous generation, Millennials are:  More likely to have friends, colleagues and connections around the world.  Less likely to be defined by their ethnicity, gender and socioeconomic status.  Less likely to blindly accept the information provided by any single source.  More likely to consult multiple sources of information when making decisions. o Switch media 27 times/HOUR o Take devices room to room at home o Can pick up a story at various points, with different media o Prefer texting to talking  Use media to regulate mood 16 Source:: Image: Pulplab.om; Digital Natives: , Time, Inc. 2012 http://www.timeinc.com/pressroom/detail.php?id=releases/time_inc_study_digital_natives.php
  • 17. CONFIDENCE AND CONTROL: CREATION Mobile apps and content creation Taken By Trees recently premiered a music video for her track "Large." Directed by Ariel Rechtshaid, the clip was shot entirely on an iPad in Los Angeles (even going to far as to use an app called "Action Movie FX" to blow up Bergsman in an explosion. Micro-Video production // Instagram-like Mobile App “Viddy” Taken By Trees - “Large” Video Filmed Entirely on an iPad 17 Source:: Under the Radar, Oct 8, 2012; Hypebeast 10/12
  • 18. CONFIDENCE AND CONTROL: CREATION Masters of customization and self- expression, this generation has taken the indie and do-it-yourself (DIY) movements and run with them. “I Still Love New York” Sandy Relief T-shirt are being sold for $40 each with all of the profit from sales going to Sandy relief programs. And hundreds are still scooping them up like auctioned art in a social-media-fueled frenzy. “In this very retail-driven city, shopping reinforces a sense of community. It puts people in very good spirits because they’ve got some sensory contact again.” 18 Source:: New York Times, November 5, 2012; https://www.shopgreyarea.com/products/406-i-still-love-ny-hurricane-sandy-relief-t-shirt
  • 19. Thank you! NYC Office LA Office 1 Little West 12th Street 7083 Hollywood Blvd. NYC, NY 10014 Hollywood, CA 90028 info@pulplab.com 646-820-7857 Twitter @Pulplab Pulplab.com 19