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History Of Horror
  Kelsey Wheeler
"If movies are the dreams of the
 mass culture... horror movies are
the nightmares"
— Stephen King,
          DanseMacabr
Oxford English Dictionary
   Definition. . .

HORROR
• noun
1) an intense feeling of fear, shock, or disgust.
2) a thing causing such a feeling.
3) intense dismay.
4) informal a bad or mischievous person, especially a child.
—
ORIGIN Latin, from horrere ‘shudder, (of hair) stand on end’.
Horror Conventions
        On this slide you will see a range of horror conventions you would expect in a
        horror film/trailer now days, previously majority of these conventions may
        not have even been recognized.
                                                                     WEAPONS
   D.I.S.T.I.N.C.T              VOICE OVER/COPY
                                                        EXTREME EDITS
   Don’t
                       SUPERNATURAL              BLOOD
   Ignore
   Setting
                                  THEME                     FAST CUTS
   Technical
                                           WEATHER
   Iconography
                           VIOLENCE                     SCREAMS
   Narrative
   Characterization                   DARKNESS/DARK COLOURS
   Themes.          EMPATHY
                                                 ACCOMPANIMENT
                   NON DIAGETIC SOUNDS
                                                   SUSPENSION/TENSION
ISOLATED SETTINGS
                                         AND MANY MORE…
The First Horror Movies
Early horror films are surreal, dark pieces, owing
theirvisual appearance to the expressionist painters and
their narrative style to the stories played out by the
“Grand Guignol Theatre Company.” Darkness and
shadows, such important features of modern horror,
were impossible to show on the film stock available at
the time therefore back in those days sequences
including a vampire for example If the character was to
be running between trees it would be in broad day light
which seems surreal to us now.
The Golem (1915/1920)
“There were several versions of this, dubbed 'the first monster movie'.
Paul Wegener directed and starred in the screen version of the Jewish legend,
set in medieval Prague. A Golem (a solidly built clay man) is fashioned to save
the ghetto, but when his job is done he refuses to cease existing, and runs
amok through expressionist sets, eventually to be confronted and defeated by a
little girl. The legend influenced Mary Shelley during her creation of a monster a
century earlier, and a decade or so later, the cinematic golem influenced
Whale's and Karloff's depiction of a false creation lumbering menacingly
through the streets.” www.filmhistory.co.uk
The cabinet Of Dr Caligari (1919)
“Often cited as the 'granddaddy of all horror
  films', this is an eerie exploration of the mind
  of a madman, pitting an evil doctor against a
  hero falsely incarcerated in a lunatic asylum”

                 www.filmhistory.co.uk
Nosferatu (1922)
“Nosferatuis the very first vampire movie, baldly plagiarisingthe
Dracula story to present Count Orlok, the grotesquely made-up 'Max
Schreck', curling his long fingernails round the limbs of a series of
hapless victims. Described as the vampire movie that actually believes
in vampires, Nosferatu gives us a far more frightening bloodsucker than
any of its successors; Shreck is simply inhuman.”



www.filmhistory.co.uk
Horror reborn in the 1930’s!
Horror movies were re born in the 1930’s, the advent of
 sound, as well as changing the whole nature of
 cinema, had a huge impact on the horror genre. In the
 1920’s the films people saw were silent
 throughout, but around 10 years later, over dramatic
 facial expressions for example when a victim saw a
 monster, the facial expression would be replaced with
 a scream or a grunt from the monster. Most films of
 the 1930’s were exotic fairytales, usually set in a a
 different period, horror was still essentially the main
 genre of this time for moving pictures.
Changes.
It is hard to grasp the changes that took place in
popular consciousness between 1940 and 1950. In ten
years the concept of a horrific monster had altered
irrevocably.The 1950s are also the era when horror
films get relegated in to the B-movie category.

“The studios were wildly over busy incorporating
technical changes such as widespread colour
production and trying to meet the challenge posed by
TV to have much truck with making quality horror
pictures.” www.filmhistory.co.uk
Further Adaptations
After the 1950’s horror has become further
developed to what we all know as ‘modern
horror’ which can be categorized into sub genres
such as paranormal, psychological, slasher,
thriller, sci-fi, supernatural and many more.
Having this change has benefited the horror
genre in many ways for example, the audiences
can now have wider choices of the types of
horror films they wish to see. Also its benefitted
the directors and producers giving them a chance
to create a horror of their choice without the
worry of repetition.

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History of horror

  • 1. History Of Horror Kelsey Wheeler
  • 2. "If movies are the dreams of the mass culture... horror movies are the nightmares"
— Stephen King, DanseMacabr
  • 3. Oxford English Dictionary Definition. . . HORROR
• noun 1) an intense feeling of fear, shock, or disgust. 2) a thing causing such a feeling. 3) intense dismay. 4) informal a bad or mischievous person, especially a child.
— ORIGIN Latin, from horrere ‘shudder, (of hair) stand on end’.
  • 4. Horror Conventions On this slide you will see a range of horror conventions you would expect in a horror film/trailer now days, previously majority of these conventions may not have even been recognized. WEAPONS D.I.S.T.I.N.C.T VOICE OVER/COPY EXTREME EDITS Don’t SUPERNATURAL BLOOD Ignore Setting THEME FAST CUTS Technical WEATHER Iconography VIOLENCE SCREAMS Narrative Characterization DARKNESS/DARK COLOURS Themes. EMPATHY ACCOMPANIMENT NON DIAGETIC SOUNDS SUSPENSION/TENSION ISOLATED SETTINGS AND MANY MORE…
  • 5. The First Horror Movies Early horror films are surreal, dark pieces, owing theirvisual appearance to the expressionist painters and their narrative style to the stories played out by the “Grand Guignol Theatre Company.” Darkness and shadows, such important features of modern horror, were impossible to show on the film stock available at the time therefore back in those days sequences including a vampire for example If the character was to be running between trees it would be in broad day light which seems surreal to us now.
  • 6. The Golem (1915/1920) “There were several versions of this, dubbed 'the first monster movie'. Paul Wegener directed and starred in the screen version of the Jewish legend, set in medieval Prague. A Golem (a solidly built clay man) is fashioned to save the ghetto, but when his job is done he refuses to cease existing, and runs amok through expressionist sets, eventually to be confronted and defeated by a little girl. The legend influenced Mary Shelley during her creation of a monster a century earlier, and a decade or so later, the cinematic golem influenced Whale's and Karloff's depiction of a false creation lumbering menacingly through the streets.” www.filmhistory.co.uk
  • 7. The cabinet Of Dr Caligari (1919) “Often cited as the 'granddaddy of all horror films', this is an eerie exploration of the mind of a madman, pitting an evil doctor against a hero falsely incarcerated in a lunatic asylum” www.filmhistory.co.uk
  • 8. Nosferatu (1922) “Nosferatuis the very first vampire movie, baldly plagiarisingthe Dracula story to present Count Orlok, the grotesquely made-up 'Max Schreck', curling his long fingernails round the limbs of a series of hapless victims. Described as the vampire movie that actually believes in vampires, Nosferatu gives us a far more frightening bloodsucker than any of its successors; Shreck is simply inhuman.” www.filmhistory.co.uk
  • 9. Horror reborn in the 1930’s! Horror movies were re born in the 1930’s, the advent of sound, as well as changing the whole nature of cinema, had a huge impact on the horror genre. In the 1920’s the films people saw were silent throughout, but around 10 years later, over dramatic facial expressions for example when a victim saw a monster, the facial expression would be replaced with a scream or a grunt from the monster. Most films of the 1930’s were exotic fairytales, usually set in a a different period, horror was still essentially the main genre of this time for moving pictures.
  • 10. Changes. It is hard to grasp the changes that took place in popular consciousness between 1940 and 1950. In ten years the concept of a horrific monster had altered irrevocably.The 1950s are also the era when horror films get relegated in to the B-movie category. “The studios were wildly over busy incorporating technical changes such as widespread colour production and trying to meet the challenge posed by TV to have much truck with making quality horror pictures.” www.filmhistory.co.uk
  • 11. Further Adaptations After the 1950’s horror has become further developed to what we all know as ‘modern horror’ which can be categorized into sub genres such as paranormal, psychological, slasher, thriller, sci-fi, supernatural and many more. Having this change has benefited the horror genre in many ways for example, the audiences can now have wider choices of the types of horror films they wish to see. Also its benefitted the directors and producers giving them a chance to create a horror of their choice without the worry of repetition.