The March 2014 edition of Pipings, the newsletter of the Ann Arbor Chapter of the American Guild of Organists.

1. The Ann Arbor Chapter of the American Guild of Organists
ANN ARBOR PIPINGS
March 2014
annarborago.org
POEA Ann Arbor
June 29–July 4, 2014
Article One:
Introducing the POEA
& Planning Team
Do you remember when you were first introduced
to the pipe organ, and how you felt? If you recall
how wonderful it was to find peers who shared
your enthusiasm, you can imagine how excited
high school organists will be to join together in a
Pipe Organ Encounters Advanced (POEA) in Ann
Arbor, June 29–July 4, 2014.
Our Ann Arbor AGO board members Kipp
Cortez and Joshua Boyd initiated the idea of
hosting a POEA, as they are both highly
successful alumni of previous POEs, and fondly
treasure their experiences. We plan to offer our
POEA participants a stimulating week exploring
organs and carillons with lessons and master
classes in Ann Arbor and at EMU. On July 2, we’ll
have a day in Detroit, starting with POEA
participants being interviewed live on WRCJ by
Dr. Dave Wagner about why they love the organ.
Then, Stephen Warner will take them on a tour of
the mighty Skinner at Jefferson Avenue
Presbyterian Church, and then entertain them
with a silent film accompaniment at the Senate
Theater.
Continued on page 2

2. ANN ARBOR PIPINGS • MARCH 2014!
And yes, we need your help! If you know of
any high school organist who might be
interested, please encourage them to apply
ASAP via our web site:
h t t p : / / w w w. a n n a r b o r a g o . o r g /
AnnArborAGO/POEA.html
We would welcome any and all helping hands
from our chapter, particularly during the
week of the event to help with transportation
and chaperone duties. You could inspire and
be inspired by these young organists and
assist by walking the students to and from
venues, staying with them in facilities as they
practice, and facilitating logistics in general. If
you are available any or all of the days
between June 29 and July 4 and are willing to
help this great cause, please contact the
POEA Directors,
pamela.ruiterfeenstra@gmail.com
or joshboyd@umich.edu.
The work for POEA is all volunteer labor,
including faculty and chaperones. With a
tight budget, we warmly welcome your tax
deductible donations (checks made out to
POEA, and mailed to Sherri Brown, 2842
Walton Blvd., Waterford, MI 48329)!
As we recently restructured the planning
team, we offer here a list of people involved
in that team: Joshua Boyd, Co-Director of
Planning Team and On-Site Coordinator;
Sherri Brown, Treasurer; Kipp Cortez, OnSite Coordinator; Timothy Huth, Ann Arbor
AGO Chapter Dean; Colin Knapp, Publicity
Coordinator; Gale Kramer, On-Site Faculty
Coordinator; Andrew Meagher, Facilities
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Coordinator; Meghan Meloy, Web Site
Manager; Marcia Van Ooyen, Funding
Coordinator; Pamela Ruiter-Feenstra, CoDirector of Planning Team and Faculty
Coordinator; and James Wagner,
Services Coordinator (Housing, Meals,
Transportation). We are grateful to the faculty
who generously donate their time for the
POEA week and to donors who help make
this event possible. We also offer huge thanks
to AGO’s CONO Director Nicole Marane,
who is graciously helping us to navigate the
myriad of details.
To see the list of faculty, and to share the
brochure with potential participants, check
on the Ann Arbor AGO web site link here:
h t t p : / / w w w. a n n a r b o r a g o . o r g /
AnnArborAGO/POEA.html
Coming next:
POEA Schedule-at-a-Glance (April)
POEA Faculty and Programs (May)
POEA Details and Logistics Volunteers (June)
Respectfully submitted,
Pamela Ruiter-Feenstra
Marilyn Mason Scholarship
for POEA
At the end of the newsletter you can find
updated information for the Marilyn Mason
Young Musician’s Scholarship which will be
awarded to an attendee of the Pipe Organ
Encounter Advanced in Ann Arbor.

3. ANN ARBOR PIPINGS • MARCH 2014!
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A Letter from the Dean
Greetings Ann Arbor AGO!
This is my third-in-a row Dean letter written in a snowstorm!
As one english translation of the Brahms chorale has it 'With
joy I await the lovely summertime"!
Lent is here with all of its attendant musical duties providing
us another opportunity to dust off our chops and dig into the
splendid treasury of Lent and Easter organ music.
'Performance Anxiety: Managing your musical fears' with Dr.
Julie Jaffee Nagel drew over 50 participants. You may view it
on Youtube under “Annarborago” or go to our website. I
commend to you Julie's book (available on Amazon) 'Melodies
of the mind, Connections between psychoanalysis and music'
as well as her excellent website julienagel.net. I admonish
teachers and those students and performers who experience
performance fear to cultivate an awareness of this debilitating phenomenon. Psychology,
neuroscience and medicine are showing us that performance anxiety can be well managed.
Dean Robinson, an organ student at U of M provided a wonderful review of the workshop
that is found later in this newsletter.
Please enjoy this month's Newsletter and please visit and explore our expanded and
comprehensive website.
There is much happening with our Guild and it is all of us who make it strong.
In closing, to paraphrase Ecclesiastes -- enjoy the riches that you have, beautiful hands, the
sound of the flute and diapason, the sharing of music. God has put the timeless into our
hearts, unfolding, ever old and ever new.
Peace and all good things
Timothy Huth

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A Letter from the Sub-Dean
Greetings A2AGO members!
There are always many things for us to be
looking forward to, whether it is here in our
backyards or abroad. We are currently
working on formulating and assembling the
2014-2015 calendar. As has happened in the
recent past, we have more ideas and concepts
for events than we have time to do them all!
Look for an outline of the 2014-2015 season
in our next newsletter.
The two events to keep on your radar as we
look at events still left in our 2013-2014 season
include our rescheduled Epiphany party and
our re-worked Lenten Recital series. This
Sunday is our Epiphany/Fat Tuesday potluck
gathering. The fun begins at 7pm on the 9th
floor of Burton Tower and we ask that
everyone bring an appetizer or dessert to
share. The next event follows soon after our
party. On Friday, March 7 Shin-Ae Nam with
the help of soprano Imani Mchunu will begin
our Lenten Sunset Concerts by performing the
Eleven Chorale Preludes of Johannes Brahms.
The performance begins at5:15pm at the First
Congregational Church in Ann Arbor. You
will not want to miss what promises to be a
captivating evening of music!
As we take a look a bit further into the
future there are a variety of opportunities to
help or to attend wonderful educational
presentations. The first opportunity, if you
have a desire to take a road trip to the eastern
part of our country, is the AGO National
Convention being held this summer in Boston.
The schedule of events and registration
information is online and I encourage you to
take a look at what is being offered. Visit
w w w. a g o b o s t o n 2 0 1 4 . o r g f o r m o r e
information.
The next opportunity for you to help and
learn is the Pipe Organ Encounter Advanced
which our very own chapter will be hosting
this summer. There are plenty of ways in
which members can be of help beginning
immediately and continuing through the week
the camp is taking place from June 29 through
July 4. If you have any questions or would like
to help, please contact Pamela Ruiter-Feenstra.
The final opportunity I want to bring to
your attention now is the upcoming Hymn
Society Conference being held fromJuly 13
through July 17 at Trinity Lutheran Seminary
and Capital University in Columbus, OH. I
know, for some of us even thinking about
stepping foot into "that state" can cause us
physical and mental grief. But I know this
summer's conference will have something for
everyone. The theme this year, "Beyond the
Page: The Power of Teaching to Strengthen
the Congregation's Song" aims to help
musicians, pastors, text writers, composers and
lovers of congregational song in their own
education which in turn can be brought home
to their congregations. As always, if you ever
have any questions about this conference or
the Hymn Society I am happy to answer
them. For more information about the
conference, visit www.thehymnsociety.org.
Submitted by Sipkje Pesnichak

5. ANN ARBOR PIPINGS • MARCH 2014!
Lenten Recital Series
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The Ann Arbor Chapter of the American Guild of Organists
Lenten Recital Series
First Congregational Church
608 East William Street, Ann Arbor, Michigan
Fridays in Lent at 5:15 pm
March 14 - Students from the organ studio at EMU
March 21 - “Happy Birthday, Dear Johann”
Organ works of Johann Sebastian Bach (1685-1750)
performed by organ majors at the University of Michigan
Program
Prelude and Fugue in C Minor, BWV 546 performed by Ye Mee Kim
From Orgelbüchlein performed by Kipp Cortez
Mit Fried und Freud ich fahr dahin, BWV 616
O Mensch, bewein dein Sünde groß, BWV 622
From Sonata IV in E Minor, BWV 528 performed by Andrew Lang
I. Adagio; vivace
From Clavierübung III performed by Andrew Lang
Dies sind die heilgen zehen Gebot, BWV 678
Fughetta super Dies sind die heiligen zehen Gebot, BWV 679
Kyrie, Gott heiliger Geist, BWV 671
From Sonata VI in G Major, BWV 530 performed by Andrew Earhart
I. Vivace
Toccata and Fugue in D Minor, BWV 565 performed by Daniel Mikat
March 28 - Dr. Timothy Huth and Steven Flick
April 4 - Cornell Women's Chorus
April 11 - Aaron Tan on piano
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Upcoming Public Organ Events
at the University of Michigan
Wednesday, March 12, 3:30 pm:
Hill Auditorium (enter and leave by back doors only)
Public recital and masterclass by Christopher Lane, Harvard University, Boston, MA
Wednesday, March 19, 3:30 pm:
Hill Auditorium (enter and leave by back doors only)
Public recital and masterclass by Vincent Dubois, Strasbourg Conservatory and Soissons
Cathedral, France
Wednesday, March 26, 3:30 pm:
Hill Auditorium (enter and leave by back doors only)
Public masterclass by Daniel Roth, St. Sulpice, Paris, France
Spring 2014 Visiting Artist
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7. ANN ARBOR PIPINGS • MARCH 2014!
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Julie Nagel Workshop Review
On February 1, Julliard graduate and
psychiatrist Dr. Julie Nagel visited the
University of Michigan to host a small
workshop on the bane of every performing
musician: stage fright. Dr. Nagel was very
knowledgeable on the subject, and gave an
extensive and informative overview of its
causes. She sought to help her audience better
understand the psychological makeup of a
musician and how our experiences can both
help and hurt our musical self-esteem.
While acknowledging that stage fright is far
too complex a condition to fully understand
and remedy, she explored several factors that
contribute to the phenomenon. Travelling
back to early childhood, she explained the
importance parents have in
d eve l o p i n g a s o u rc e o f
comfort and confidence for
their young. Unfortunately,
the amount of support
children receive is inevitably
unideal, damaging our
perce ption of having a
natural protector and opening
the door for conditions such
as performance anxiety. Dr.
Nagel was also careful to
mention that because
musicianship is a skill learned
early in life and developed
over time, it especially is
something that needs the
supportive environment that we all lack. Her
interaction with the audience clearly reflected
her understanding that such a connection
with other people is essential. She was very
welcoming and amicable to her audience and
spoke in a very peaceful and reassuring tone
of voice. She encouraged her audience to
volunteer any experiences they may have had
with stage fright and answered questions in a
very detailed manner. She was also open
herself, sharing some of her own regrettable
experiences with performance anxiety. Dr.
Nagel not only discussed the causes of stage
fright, but tried to exemplify a way to lessen it
through her demeanor.
Continued on page 8
Dr. Julie Nagel

8. ANN ARBOR PIPINGS • MARCH 2014!
Continuing with the theme of a supportive
environment, Dr. Nagel also emphasized the
importance of enjoying music. She discussed
with the audience why the mysterious power
and beauty of music is enough to compel
musicians to continue playing in the face of
fears of performing. In addition, she pointed
out that our frightful perception of an
audience is often our own view of ourselves
reflected onto those other people, such as a
concern that the audience may find
something regrettable about the
performance or that we must play perfectly
for the presentation to have any merit. Dr.
Nagel argued that the audience should not
be something to fear. Instead, like us, it is a
p a r t o f t h e m u s i c a l c o m m u n i t y,
understanding of a musician’s flaws and
willing to support him or her through thick
and thin. To illustrate her point, she
presented a video of a young singer
forgetting The Star-Spangled Banner at a
professional basketball game, in response to
which the arena’s crowd and even Mo
Cheeks came to her rescue. Likewise, we
should embrace our musicianship for what it
is and not worry about the inevitably
imperfect performance; this can help our
enjoyment of the experience immensely. Dr.
Nagel was also able to incorporate humor
into the workshop, including in her slides
videos of a young child playfully conducting
Beethoven’s Fifth Symphony and a talented
elderly couple playing a piano duet. Not only
did both videos demonstrate individuals
enjoying music to the fullest, but the
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humorous nature of both videos proved that
the audience can relate to the fun involved
with even the most casual and unrehearsed
music-making.
Personally, I found Dr. Nagel’s discussion on
performance anxiety a helpful one. Her clear
explanations and mastery of the material she
discussed helped me to understand myself
better as a musician. I have often struggled
with confidence and self-esteem, especially
with respect to performing in front of other
people. Dr. Nagel was very reassuring that
perfection and excellence should not be the
diehard goal of our music making. Rather
than pursue such impossible goals, a
performance should be something surreal
and enjoyable both alone and with other
people. Performances can be a rewarding
experience for player and audience
regardless of the outcome. Though stage
fright is inexpungible, remembering that
support for our music is always present can
improve our confidence and bring anxiety to
a manageable level. For me, Dr. Nagel’s
workshop helped to shed new light on the
concept and purpose of performances. The
whole musical community should take to
heart her thoughtful and insightful words of
wisdom.
S u b m i t t e d b y D e a n Ro b i n s o n ,
Fre s h m a n O rg a n M a j o r a t t h e
University of Michigan

9. ANN ARBOR PIPINGS • MARCH 2014!
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New A2AGO Board Members!
The Ann Arbor Chapter of the American Guild of Organists is excited that two students joined
the board this year. Here’s a little bit about your newest board members and members-at-large
Joshua Boyd and Mary Zelinski!
Mary Zelinski began her organ studies with Ms. Heather Nofar
at the age of 12. She has accompanied the St. Edith adult choir in
Livonia, Michigan on various occasions for the past five years and is
currently the organist at St. Dunstan Catholic Church in Garden
City, Michigan. She has participated in many competitions and
performances in Region V of the AGO in past years. Mary is a
sophomore at the University of Michigan studying organ
performance under the instruction of Dr. Karl Schrock.
Joshua Boyd started studying piano at the age of nine in the
small town of MarsHill North Carolina. When his family
moved to Anderson South Carolina he studied piano and
organ with Fran Pinson. In 2009 he was accepted into the
piano department of Dr. Stephen Taylor at the South Carolina
Governor's School for the Arts and Humanities. While at
Governor's School he performed with the Wind Ensemble on
piano, the Concertato Orchestra on harpsichord, and the
Cantus Choir on organ. Today he attends the University of
Michigan studying organ performance. His private instructors
have been Dr. Marilyn Mason, Dr. Timothy Tikker and Dr.
Karl Schrock. He frequently performs with the University’s
Symphony Orchestra and Philharmonia Orchestra. He has
performed in many venues in Michigan and South Carolina.
In February of 2014 he made his Kennedy Center for the
Performing Arts debut as part of their Conservatory Project concert series. He is the Keyboardist
at Lord of Light Lutheran Church in Ann Arbor and is an active member of the American Guild
of Organist both in the Anderson South Carolina and Ann Arbor Michigan.
Josh’s recent performance at the Kennedy Center can be found at
http://www.kennedy-center.org/explorer/videos/?id=M5752
and is about 89 minutes into the video.

10. ANN ARBOR PIPINGS • MARCH 2014!
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Upcoming Concerts!
Daniel Roth in Concert
Sunday, March 23rd at 4 p.m.
First Presbyterian Church of Ypsilanti
French virtuoso organist Daniel Roth will be performing a
concert at First Presbyterian Church of Ypsilanti on
Sunday, March 23rd at 4 p.m. as part of the Ypsilanti
Pipe Organ Festival. The concert is free and open to the
public. Roth has been widely acclaimed as one of the
leading French organ virtuosos, and has held several
prestigious positions as an artist and teacher. His
performances are full of “... fiery style ... virtuosic
modulations ... imaginative effects ... a friendly
partnership between player and organ which produced an
astonishingly unified work of art” as described by the
Halifax Chronicle-Herald and the New York Times says
“Daniel Roth’s performances – careful, thoughtful …
imaginative.”
Renowned for his brilliant interpretations of organ
literature and for his thrilling improvisations which are regularly included in his concert programs,
Daniel Roth has concertized extensively throughout Europe, Great Britain, The United States,
Scandinavia, Japan and Korea.
A former student at the Paris Conservatory, his teachers have included Marie-Claire Alain and
Maurice Duruflé. Daniel Roth has won several competitions, among them the Grand Prix de
Chartres in 1971 for both interpretation and improvisation. At age twenty he made his debut at
the organ of the Basilique du Sacré Coeur in Paris, as assistant to his teacher Madame Falcinelli.
He later succeeded her as Titular Organist, a post he held until 1985 when he was appointed
Titular Organist at St. Sulpice, the famous Paris church where his predecessors were CharlesMarie Widor, Marcel Dupré and Jean-Jacques Grunenwald. From 1988 until the summer of 1995,
Mr. Roth taught at the Musikhochshule in Saarbrücken; he then served as Professor of Organ at
the Musikhochschule in Frankfurt am Main, succeeding Edgar Krapp and Helmut Walcha, until
his retirement in 2007.
A reception will follow the concert, which is co-sponsored by the Ann Arbor Chapter of the
American Guild of Organists. First Presbyterian Church of Ypsilanti is located at 300 N.
Washington Street, Ypsilanti, MI. For more information on the Ypsilanti Pipe Organ Festival,
please visit www.ypsipipes.com or by calling 734-482-1525.

11. ANN ARBOR PIPINGS • MARCH 2014!
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Aaron Tan in Concert
Aaron presents a concert of solo
piano music at EMU’s
Alexander Recital Hall on
Friday, March 14, at 7 PM. The
eclectic program consists of
m u s i c f r o m Re n a i s s a n c e
England to 20th century
America and includes some rare
gems of the literature such as
Mozart’s late F Major sonata,
Debussy’s evocative Épigraphes
Antiques, and Schumann’s subtly
virtuosic Toccata. Full repertoire
list at www.AaronTan.org.
Admission is free. The concert is part of the EMU School of Music and Dance’s Steinway
Campaign, which is a multi-million dollar effort of the school to upgrade their piano inventory
with all Steinway instruments.
The Cathedral Music Society presents…
Saturday, March 29, 12:00 p.m. - 5:00 p.m.
Bach Marathon
Musicians from all over the Detroit Metro area will join for a five-hour musical celebration of
the music of Johann Sebastian Bach. Twenty-minute “mini concerts” will take place
throughout the day. All performers are donating their time and talent for this fundraising
program to help support the Cathedral Choir’s tour to England in July, 2014. Come for the
whole day, or drop by for a few sets…come join in the celebration of this musical master. The
day ends with a reception at 5:00 p.m., including a slideshow on Bach presented by Dr. James
Kibbie, chair of the organ department at the University of Michigan. Your free-will donations
will be graciously accepted and will directly benefit the Choir’s England Fund.
The Cathedral Church of St. Paul is located at 4800 Woodward Avenue at Warren Avenue in
Detroit. Ample, well-lit parking is available by entering the Cathedral complex via eastbound
Warren Avenue.313.833.7547.

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Colin Knapp is a senior at the University of Michigan studying organ performance with Dr.
James Kibbie in addition to music theory and arts administration. A graduate of Interlochen
Arts Academy, he previously studied with Thomas Bara at Interlochen and Jacqueline Stilger in
his hometown of Battle Creek. In 2009 he was awarded the E. Power Biggs Fellowship by the
Organ Historical Society, won the University of Michigan Undergraduate Organ Scholarship
Competition in 2010, and received an honorable mention at the 2013 Grand Rapids AGO
Regional Competition for Young Organists. Knapp is currently the organist at First
Presbyterian Church in Ypsilanti, serves as Communications Chair for the Ann Arbor Chapter
of the American Guild of Organists, and directs the Ypsilanti Pipe Organ Festival.
Program
Widor: Allegro from Symphony No. 6
Brahms: Chorale Preludes for Organ, Op. 122
- Herzliebster Jesu
- Es ist ein Ros' entsprungen
- Herzlich tut mich verlangen
- O Welt, ich muss dich lassen
Franck: Pastorale
Bonnet: Variations de Concert, Op. 1
Langlais: Suite Médiévale

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In May, the Community Chorus of Detroit (CCD), with three outstanding
guest choirs, full orchestra, and world-class soloists, with Dr. Edward
Maki-Schramm conducting, will present the great Verdi Requiem.
The concert is on Sunday, May 18, at 4:30, at the Cathedral of the Most Blessed Sacrament,
9844 Woodward Ave. (at Boston Blvd.), Detroit, MI 48202, and it will commemorate the 16
performances of the Requiem by the prisoners of the Terezin concentration camp in WWII.
With 175 voices and full orchestra, and featuring Metropolitan Opera-affiliated soloists Irina
Mishura mezzo soprano, Jennifer Barnickel-Fitch soprano, Dustin Scott tenor, and Stephen
West bass, Dr. Edward Maki-Schramm will conduct one of Detroit’s greatest musical
offerings of the year, set in one of the city’s most magnificent historic venues. Sponsored by
the Community Chorus of Detroit, the concert includes eminent guest choirs – the
Archdiocesan Chorus of Detroit, the Cantata Academy Chorale, and the Jefferson Avenue
Presbyterian Church Chancel Choir. General admission tickets are $35 in advance
and $40 at the door, and tickets may be purchased starting in mid-April at the chorus
website, below, where there is also information about mail-in options, concert patronages,
and program ads. Secure parking is available.
The Community Chorus of Detroit was founded in 2010 to bring community members
from both the city and the suburbs together through music. Chorus members represent
more than 40 zip codes in the Metro Detroit area. Rapidly becoming known in the city for
its musical excellence and exciting programming, the chorus welcomes new members in
August for its fall, 2014 season, which will culminate in three exciting holiday concerts.
For more information about the chorus and the Verdi Requiem concert, visit
www.communitychorusofdetroit.com or contact info@communitychorusofdetroit.com.
How to get in:
For submissions to the newsletter, please send articles in publishable form (Microsoft
Word or Pages documents preferred) to knappcr@umich.edu. The deadline for
each newsletter is the 25th of the antecedent month. Classified ads, calendar events,
and other announcements will also be featured on the chapter website. Submissions
are subject to editing. Summer editions will be abbreviated or curtailed.
Deadline for submissions for the April issue is: Tuesday,
March 25th.
Substitute List
Need a sub? Please see our website for an updated list: www.annarborago.org

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Marilyn Mason Young Musician’s Scholarship
THE AMERICAN GUILD OF ORGANISTS
ANN ARBOR CHAPTER
The Ann Arbor Chapter of the American Guild of Organists established a scholarship
fund in 2008 in honor of Professor Marilyn Mason in recognition of her 60 years on the
faculty of the University of Michigan.
Each year a scholarship of $400 is made available to a young person between the ages of
13 and 18 toward the cost of attending a Pipe Organ Encounter (POE) sponsored by the
American Guild of Organists in our region. Held in the summer months, a POE is an
introduction for young persons who have had little or no previous experience with the
pipe organ. The event includes lessons with renowned teachers, recitals by faculty and
participants, workshops and visits to area pipe organs and organ builders. The scholarship
is paid directly to the sponsoring AGO chapter.
This year the scholarship will be awarded to an attendee of the Pipe Organ Encounter
(Advanced) to be held in Ann Arbor June 20 – July 4, 2014.
An application for the Marilyn Mason Young Musician’s Scholarship is not an
application to attend the POEA and does not guarantee acceptance into it. For
information about this summer’s POEA, consult the website of the American Guild of
Organists: http://www.agohq.org/education/indexpoe.html or the Ann Arbor Chapter of
the American Guild of Organists: www.AnnArborAGO.org.
Applicants for the Marilyn Mason Young Musician’s Scholarship may download the
Award Guidelines and Application for 2014 at the website of the Ann Arbor Chapter of
the AGO: www.AnnArborAGO.org.
For more information about the Marilyn Mason Young Musician’s Scholarship contact
Gale Kramer by telephone 734.769.1466 or by email gkramer@provide.net.
Marilyn Mason Young Person’s Scholarship Winners
2008 - Reuben Seward
2009 – Emily Seward
2010 - Sarah Simko
2011 - Quinn Reichard
2012, 2013 – no award
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