44. Concept: cross‐media narra)ve
‐ the par)cipant ‘lives’ inside of
‐ a story or experience
‐ the journey
‐ following his own path
‐ personalizing the experience
‐ the storyline will invite for mul)‐dimensional communica)on
‐ linkages across devices
‐ distributed across media pla^orms
‐ content is distributed across many pla^orms
‐ an aggrega)on
• h[p://www.youtube.com/watch?
v=3FmryV9KVQU&feature=related
• h[p://stamen.com/clients/mtv
55. Film music’s narra)ve func)ons
• 10. Means of immersion,
• 11. Symbol (e.g., na)onal anthems),
• 12. An)cipa)on of subsequent ac)ons,
• 13. Enhancement and demarca)on of the film’s formal structure,
• 14. Mul)‐func)onality of music (the func)ons are not mutually
excluding),
• 15. Sound effects (and the mixing with music),
• 16. Speech/Dialog (e.g., punctua)on tasks of music),
• 17. The func)on of silence (’The rest belongs to the music as well.’
Stefan Zweig),
• 18. Non‐func)onal aspects (for inner‐musical and aesthe)c
purpose).
h[p://wwwisg.cs.uni‐magdeburg.de/visual/files/publica)ons/2008/Berndt_2008_ICIDSb.pdf
Zofia Lissa’s categoriza)on