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Convergence Culture
By Henry Jenkins - intro
Welcome to convergence
culture, where old and new
media collide, where
grassroots and corporate
media intersect, where the
power of the media producer
and the power of the media
consumer interact in
unpredictable waysp. 2
Instead, convergence
represents a cultural shift as
consumers are encouraged to
seek out new information and
make connections among
disperseed media content  p3
3 key terms




Convergence
Participatory culture
Collective intelligence
Not through media appliances
- Convergence occurs within
the brains of individual
consumers and through their
social interactions with others
p. 4
New media doesn’t kill old
media
- what dies are simply the tools
we use to access media content
2 definitions of medium
• Lisa Gitelman:
• … a medium is a technology that enables communication (one
  way or two way)
• … a medium is a set of associated ”protocols” or social and
  cultural practices that have grown up around that technology
  p. 14
Old media are not being
displaced.

Rather their functions and
status are shifted by the
introduction of new
technologies
Protocols
• Protocols express a huge variety of social , economic and
  material relationships”
• The movie medium includes
  the sprocket holes
• The cinema
• The feeling of seeing a film at home
  (”we waited for the DVD”)
• The reviews and reviewers
  (rotten tomato etc).

• This book … is about the shifts in protocols by which we are
  producing and consuming media p. 14
Cheskin Research 2002:
What we see now is the
hardware diverging while the
content converges




         Your situated context p. 15
Extension

a content that extends outward
from its originating medium to
influence many other sites of
cultural production                            p. 19

”Tentpole” is the term used by Drew Davidsen
Transmedia storytelling refers
to a new aesthetic that has
emerged in response to media
convergence – one that places
new demands on consumers
and depends on the active
participation of knowledge
communities
Transmedia storytelling is the
art of world making p. 21

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ConvergenceCulture

  • 2. Welcome to convergence culture, where old and new media collide, where grassroots and corporate media intersect, where the power of the media producer and the power of the media consumer interact in unpredictable waysp. 2
  • 3. Instead, convergence represents a cultural shift as consumers are encouraged to seek out new information and make connections among disperseed media content p3
  • 4. 3 key terms Convergence Participatory culture Collective intelligence
  • 5. Not through media appliances - Convergence occurs within the brains of individual consumers and through their social interactions with others p. 4
  • 6. New media doesn’t kill old media - what dies are simply the tools we use to access media content
  • 7. 2 definitions of medium • Lisa Gitelman: • … a medium is a technology that enables communication (one way or two way) • … a medium is a set of associated ”protocols” or social and cultural practices that have grown up around that technology p. 14
  • 8. Old media are not being displaced. Rather their functions and status are shifted by the introduction of new technologies
  • 9. Protocols • Protocols express a huge variety of social , economic and material relationships” • The movie medium includes the sprocket holes • The cinema • The feeling of seeing a film at home (”we waited for the DVD”) • The reviews and reviewers (rotten tomato etc). • This book … is about the shifts in protocols by which we are producing and consuming media p. 14
  • 10. Cheskin Research 2002: What we see now is the hardware diverging while the content converges Your situated context p. 15
  • 11. Extension a content that extends outward from its originating medium to influence many other sites of cultural production p. 19 ”Tentpole” is the term used by Drew Davidsen
  • 12.
  • 13. Transmedia storytelling refers to a new aesthetic that has emerged in response to media convergence – one that places new demands on consumers and depends on the active participation of knowledge communities
  • 14. Transmedia storytelling is the art of world making p. 21